OAI Archive: Durham Research Online

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100 entries most recently downloaded from the archive "Durham Research Online"

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  1. Peter Ward, Blueprint Ecclesiology and the Lived : Normativity as Perilous Faithfulness.
    Normativity in Ecclesiology has tended to be based on a particular understanding of theology as blueprint. In the Ecclesiology and Ethnography Conversation there has been some dispute around how theological normativity should operate. This paper argues that theological knowledge arises from an ecclesial context of ‘abiding.’ This abiding is pneumatological in nature ‘like the wind’ and as such it is perilous. This point is argued with resort to a critical realist epistemology.
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  2. K. Wall, S. Higgins, E. Hall & P. Woolner, That's Not Quite the Way We See It' : The Epistemological Challenge of Visual Data.
    In research textbooks, and much of the research practice, they describe, qualitative processes and interpretivist epistemologies tend to dominate visual methodology. This article challenges the assumptions behind this dominance. Using exemplification from three existing visual data sets produced through one large education research project, this article considers the affordances and constraints of the research process focusing particularly on analysis. It examines how and when the visual can be incorporated, gives some critical reflections on the role and use of visual methods (...)
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  3. Michael Mack, Philosophy and Literature in Times of Crisis : Challenging Our Infatuation with Numbers.
    Highlighting literature and philosophy's potential impact on economics, health care, bioethics, public policy and theology, this book analyses the heuristic value of fiction. It alerts us to how we risk succumbing to the deceptions of fiction in our everyday lives, because fictional representations constantly feign to be of the real and claim a reality of their own. Philosophy and literature disclose how the substantive sphere of social, economic and medical practice is sometimes driven and shaped by the affect-ridden and subjective. (...)
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  4. Thom Brooks, What is Global About Global Justice? Toward a Global Philosophy.
    Global justice as a field must confront a central problem: how global is global justice? A defining feature about the burgeoning literature in global justice is its operation within a bounded, philosophical tradition. Global justice research is too often a product of one tradition in self-isolation from others that nonetheless claims to speak for what is best for all. This criticism applies to various philosophical traditions whether so-called “analytic,” “Continental” or others. The problem is that each tradition too often works (...)
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  5. T. Martin & W. Hinzen, The Grammar of the Essential Indexical.
    Like proper names, demonstratives, and definite descriptions, pronouns have referential uses. These can be 'essentially indexical' in the sense that they cannot be replaced by non-pronominal forms of reference. Here we show that the grammar of pronouns in such occurrences is systematically different from that of other referential expressions, in a way that illuminates the differences in reference in question. We specifically illustrate, in the domain of Romance clitics and pronouns, a hierarchy of referentiality, as related to the topology of (...)
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  6. C. A. Bagley, Vintage Wine in New Bottles : Situating the Extraordinary Autobiographical Work of Charlotte Salomon (1917-1943) and the Sensuous Arts-Based Power of Her Multi-Genre Visual Narrative. [REVIEW]
    The evolving genre of arts-based research constitutes a range of arts-derived tools (music, literature, painting, dance, installation, drama) used by qualitative researchers at different phases of the research process, which may encompass data collection, analysis, and dissemination. Its primary purpose is to provide an audience with evocative access to multiple meanings, interpretations, and voices associated with lived diversity and complexity. Arts-based research is thus a genre that strives for new ways of seeing, knowing, and feeling. In reflecting temporally on the (...)
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