OAI Archive: OpenSIUC
Download type: sets
A 'sets' download type means that only articles categorized under certain sets will be indexed. Click here to edit this archive's configuration or view the sets it offers.
Some errors were encountered while harvesting this archive. Click here to view the most recent errors. This archive might not be properly harvested at this time due to these errors. You might want to advise its administrator. We are unable to provide more information about this archive to the public, but archive administrators can contact us for advice on how to rectify problems with their archives. A large number of errors reported here are due to archive software producing / letting end users produce records containing invalid XML.Sets used:
100 entries most recently downloaded from the archive "OpenSIUC"
- Nicholas Guardiano, Transcendentalist Aesthetics in Emerson, Peirce, and Nineteenth-Century American Landscape Painting.My thesis is that there is an aesthetic dimension of nature that is metaphysically significant, qualitatively pluralistic, and artistically creative, and that this accounts for the sensuous complexity of experience, as well as the possibility of discovering new qualitative features about the world and expressing them in novel forms, as exemplified in art. I call the philosophy that endorses the reality of this dimension Transcendentalist Aesthetics. The term "Transcendentalist" recalls the philosophy of New England Transcendentalism with its core in Ralph (...)No categories
- Tad Bratkowski, The Aesthetic Experience of Video Games: A Pluralistic Approach.In this dissertation, I make a serious philosophic application of several aesthetic theories to the emerging medium of video games. I look at concepts such as the play of art, psychical distancing, and an experience, and apply each of these to a representative video game. Hence, I use a variety of aesthetic works, but apply these in a pluralistic manner. The thesis I defend is that a number of specific video games offer possibilities for aesthetic experience that can be comprehended (...)No categories
- Cornelis de Waal, Avik Mukherjee, Ewoud Halewijn, Pangratios Papacosta, Suyan Budhoo, Roger Adams & Elizabeth Hartman, Conference to Commemorate the 1893 World's Parliament of Religions, February 21-22.In 1893, The World’s Parliament of Religions met in Chicago from the 15th of May until the 28th of October. 2013 marked the 120th anniversary of this gathering where the leading representatives of the religions of the world engaged in dialogue. To commemorate this event, Special Collections Research Center at Southern Illinois University Carbondale in conjunction with the Hegeler Carus Foundation hosted a symposium on the relationship between science, religion, and philosophy. One of the themes of the Parliament was “…the (...)No categories
- Faith Lynn Matzker, Wuthering Heights, Plato's Symposium, and the Unity of Being.The purpose of this thesis is to investigate the potential influence of Plato's Symposium on Emily Brontë's Wuthering Heights, by analyzing similarities between the two texts. Such comparisons, I argue, enhance our reading and understanding of Brontë's novel as a specifically philosophical discourse on metaphysical concepts. By examining the infrastructure of Wuthering Heights, I propose that its specific complexity adheres to models of philosophical inquiry as presented in the Symposium. After my introduction, Chapter 2 investigates the resonances of Aristophanes' speech (...)No categories
- David Robert Antonini, The Conception of the Productive Imagination in the Critique of Pure Reason: Kant and Heidegger.The primary objective of this thesis is to provide an account of productive imagination in Kant's Critique of Pure Reason using Heidegger's interpretation in Kant and the Problem of Metaphysics. Kant's account of productive imagination largely remains in the context of his own project to establish the conditions for the possibility of experience which can ground a theory of knowledge. Thus, Kant's project can largely be read as a work of epistemology leaving an account of experience that is limited to (...)No categories