In lieu of an abstract, here is a brief excerpt of the content:To Glimpse Beauty and Awaken Meaning:Scholarly Learning as Aesthetic ExperienceAnna NeumannIntroductionIn this article, I portray university professors' scholarly learning as a location for aesthetic experience. To do so, I explore the intellectual and creative narratives of individuals who, with tenure newly in hand, position themselves to engage with beauty and to pursue its meanings, expressed distinctively through the subjects, creations, and questions of scholarly disciplines and professional fields. In (...) interviews, scholars — professors with tenure in major research universities — described the sparks of beauty they experience in their scholarly work. For many, such moments of beauty, and often of deep engrossment, had recurred through life. Yet these were truly "moments": brief, bounded, hard to evoke, and by no means continuous, assured, or predictable. They were hard won. Many of the professors I interviewed referred to persistent struggles to craft scholarly agendas, communities, collaborations, and work lives that might invite the aesthetic glimmer, however brief. Many drew for insight and inspiration on childhood memories of beauty to guide their intellectual and creative pursuits in adulthood. They hitched present-day desires for moments of passionate thought to vivid memories — what they saw and felt in their earliest, often out-of-school encounters with an aesthetic they would pursue through their lives. Even now, in tenured university professorships, they relied on these deeply imprinted images to light their intellectual ways.1I also claim that scholars may experience aesthetic moments as deeply emotional and personal. This is not something I inferred; this is something the professors I interviewed said to me — directly, repeatedly, with emotion. [End Page 68] Yet I am something of an organizational realist, and the social sciences strand of my conscience impels me to pepper these scholars' accounts of recurrent beauty in their lives with less than beauteous recognition of a hard academic fact: that within the normative structure of academe, the personal (and emotional) meanings infusing professors' scholarly learning get short shrift. Public academic talk about the personal meanings of one's work, or the emotional content of study, is largely taboo. The press for institutional survival, social legitimacy, and financial and political gain typically call for presentations of scholarship as objective and outwardly directed, negating the personal origins of research in researchers' lives.2 Scholarly learning as an aesthetic awareness — as moments of fused insight and emotion, as dazzling sensations of coming to know, as frustration over ideas that unravel or that will not gel — is often lost in translation between the personal life from which it derives and the modern profession, career, and organization within which it is housed and enacted.I worry that this lost awareness of scholarly learning, occurring in large scale, forces questions about its social worth. Yet to persist, scholarly learning requires substantial social legitimation, appreciation, and support. I suggest further that this state of affairs calls for response: that to garner societal understanding for and support of scholarly learning as a setting for pursuits of beauty and as the communal mission of higher education, we must learn to talk out loud, and in educative ways, about it. However, we, as scholars and learners ourselves, must understand, first, what it is that we are defending and then represent its worth to publics who may learn to care about it. We must first define among ourselves what scholarly learning means, what it takes to engage it, and what it entails — cognitively, professionally, aesthetically, and emotionally. My aim in this paper is to advance this collegial conversation by addressing its possibly most contentious element: its beauty, its emotion, its personal meanings in scholars' lives.3Roots of the StudyGiven that we have no well-honed public-professional vocabulary for speaking coherently about professors' scholarly learning and aesthetic experience, I devote this article to defining and exploring these terms. In earlier writing on this topic, I used the psychology of peak experience, as defined by Mihaly Csikszentmihalyi, to frame professors' representations of passionate thought in scholarship.4 In this article, I seek to advance the concept of passionate thought as scholarly experience by exploring its aesthetic contents, namely its concerns with beauty. I begin by presenting the roots of the exploration — in... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:IntroductionLori A. Custodero and Anna NeumannIn this symposium, three scholars present the genesis, meaning, and artfulness of creative work and its realization as aesthetic experience within three educational fields. Lori A. Custodero, working out of music education, provides a perspective emanating from an aesthetic of childhood wonder and playfulness; David T. Hansen, writing out of philosophy of education, discusses how being fully present in the teaching moment leads (...) to meaningful experience; and Anna Neumann, who writes out of the field of higher education studies, represents scholars as engaged in intellectual pursuits, often framed aesthetically, and as struggling to hold on to precious time for creation. Aware of the inherent tensions in learning environments from child care centers to graduate schools, we address ways in which our research has revealed people's sustained pursuit of imagined possibilities, oftentimes amidst perceived impediments.Creative work involves imagining possibilities whereby individuals, alone and together, pose personally relevant questions and pursue fluent pathways of inquiry within the shared meanings of cultural context. At its finest, such work is artful, simultaneously responding to and emanating from immediate circumstance and past experience. It is malleable and vulnerable and compelling, fusing familiar images and surprising perceptions into new "equilibria... stable, even though moving" whereby "changes interlock and sustain one another."1 As scholars and teachers committed to learning, we strive to create and discern meaning between established understandings and emerging ideas and images. As we dance between reception and action, between insight and "onsight,"2 fully attentive to the perceived potentials in our work, we move toward synchrony, experiencing the aesthetic. The realizations that arise from experiences such as these — new or newly reconfigured words, sounds, images, movement, and ideas — express new balances of sense and feeling and, sometimes, beauty. Whether in the shared, artfully expressive vocalizations between the newborn infant and mother or in the scientist's finessing patience with elegant mathematical imagery, creative work invites a drawing together of what we know and what we struggle to know. Over time, the interplay of this work and its realization, [End Page 33] what Dewey refers to as "movement and culmination,"3 creates a momentum that serves to define lives as aesthetic.We have created this symposium as a space for considering the meanings of the aesthetic in lives — from its earliest instantiations in the experiences of infants and young children, to its developed expression in the professional (in this case, intellectual) efforts of adults pursuing scholarly careers, to its representation in teaching as intergenerational fusions of knowledge, learning, and lives. We see the aesthetic as both native and learned; as individually held and formed and felt, and as collectively created and voiced, the product of lives in intersection; as marking bounded moments in time (those instants of compelling "present-ness") and as spreading through years, well beyond bounded present-ness, perhaps as memory. Yet while striving to define the aesthetic in lives, we also strive to understand lives, individually and interactively, as lodgings for the aesthetic, as locations that give shape, form, and voice to beauty and insight, to creativity and learning. As we explore the lives in which the aesthetic finds its home, and within which it forms, we wonder about the extent to which the aesthetic may, in its turn, illuminate the strivings of those lives, including human desires to create, know, learn, understand, sense. We are then collectively concerned with the meanings of the aesthetic in lives and about the lives themselves as "moving spaces" within which the aesthetic can grow.We pursue this theme, centered on the power of the aesthetic to illuminate human lives, out of a realization that current understandings of what it means to be human — and especially what it means to learn and create — have been framed within the rubrics of the social sciences, certainly in productive ways. And yet we suggest that the artful, though powerful in its abilities to voice emotion and beauty, has not been employed as intensively as it might in efforts to understand what it means to create and learn as virtues of human existence, as perhaps the ultimate of human strivings. We hope that these symposium papers will help invigorate such... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Aesthetic Experience and Education:Themes and QuestionsDeborah Kerdeman"Being with" music. Attentive responsiveness in teaching. Scholarly learning as engagement with beauty. Three evocative images of aesthetic experience come to light in the essays by Custodero, Hansen, and Neumann. From the musical play of children conducting imaginary orchestras to the vocational aspirations of adults who gaze through telescopes or study paintings at Chicago's Art Institute, aesthetic experience spans a range of (...) activities and ages. No matter the setting or moment, aesthetic experience vitalizes our lives with meaning and joy. Why this is so and what difference this makes for education emerge as overarching concerns in this set of papers. Addressing these issues, the authors articulate a number of commonthemes and reach similar conclusions about the nature and value of aesthetic experience.I want to identify and analyze key ideas that run throughout these essays. Doing so deepens our appreciation of the authors' insights and underscores the importance of the project they undertake. I also want to examine three questions that the essays suggest but do not develop. Exploring these questions, I hope to further enrich our understanding of aesthetic experience and its place in education.First and foremost, aesthetic experience for all three authors integrates multiple ways of knowing and enables individuals to perceive connections that they might otherwise overlook. According to Custodero, aesthetic experience harmonizes imagination, physicality, and "thinking-in-action." [End Page 88] Thinking-in-action, Custodero says, while "critical and consequential," is nonverbal and nonjudgmental — unifying rather than analytic. Synthesizing bodily movement, imagination, and thought, aesthetic experience reveals "surprise relationships between seemingly disparate phenomena." The theme of integration is echoed in Neumann's description of scholarly learning as aesthetic experience. Scholarly learning does not shun feeling or lived experience, Neumann writes. This way of knowing instead is "deeply emotional and personal." Insight fuses with emotion, enabling scholars to "feel the whole picture," as David the astronomer puts it in his interview with Neumann. For Hansen, aesthetic experience connotes heightened perception, a way of being that attends to nuances of gesture that would otherwise remain invisible. "The aesthetic highlights aspects of wonder and of beauty that emerge, spontaneously and unrehearsed," Hansen explains. A form of creativity, aesthetic perception combines with moral and intellectual understanding to fully embrace "the living dynamic gestalt" of teaching and learning.Aesthetic experience thus integrates mind, body, and emotion. Hansen links aesthetic experience to moral judgment as well. Integrating various ways of knowing, aesthetic experience enables individuals to perceive and understand relationships that pulse throughout the social and natural world. Such understanding is pleasurable, the authors agree.Aesthetic experience not only is integrative. It also is interactive. Custodero's musicians interact with instruments, musical scores, and other individuals. Neumann's scholars interact with ideas and scholarly materials. Hansen's preservice teachers interact with works of art, subject matter, students, and one another. Interacting with people and things, individuals become absorbed in what they are doing. "Being with" music is howCustodero puts it. Carmen, the professor of music in Neumann's essay, says that playing music well "is like a complete focus of oneness."Being absorbed in aesthetic interaction does not discount or dissolve the ability to make decisions or direct action. Aesthetic experience rather presumes and promotes "aesthetic agency," to borrow a phrase from Custodero. "To 'be in the moment,'" Custodero writes, "is to encounter the aesthetic — fully engaged in an activity for which one's individual contributions are perceived as vital." Hansen's description of aesthetic perception combines attentiveness and responsiveness in a "dynamic combination of patience, listening, and initiative." Neumann states that scholarly learning is an experience of "deep engrossment." Such engrossment does not extinguish the self, however. In the words of David the astronomer, feeling "the whole picture... is a combination of both what you see, sort of an instinctive or primal thing, and also your knowledge of what, you know, you put together." [End Page 89]The interactive nature of aesthetic experience thus signifies a kind of "agency-in-situ." Aesthetic experience is shaped or directed by the contribution and initiative of individuals. But individuals cannot act in advance of experience or know what to do, unless they are... (shrink)

It is easy to show that in many natural axiomatic formulations of physical and even mathematical theories, there are many superfluous concepts usually assumed as primitive. This happens mainly when these theories are formulated in the language of standard set theories, such as Zermelo–Fraenkel’s. In 1925, John von Neumann created a set theory where sets are definable by means of functions. We provide a reformulation of von Neumann’s set theory and show that it can be used to formulate (...) physical and mathematical theories with a lower number of primitive concepts very naturally. Our basic proposal is to offer a new kind of set-theoretic language that offers advantages with respect to the standard approaches, since it doesn’t introduce dispensable primitive concepts. We show how the proposal works by considering significant physical theories, such as non-relativistic classical particle mechanics and classical field theories, as well as a well-known mathematical theory, namely, group theory. This is a first step of a research program we intend to pursue. (shrink)

This is the classic work upon which modern-day game theory is based. What began as a modest proposal that a mathematician and an economist write a short paper together blossomed, when Princeton University Press published Theory of Games and Economic Behavior. In it, John von Neumann and Oskar Morgenstern conceived a groundbreaking mathematical theory of economic and social organization, based on a theory of games of strategy. Not only would this revolutionize economics, but the entirely new field of scientific (...) inquiry it yielded--game theory--has since been widely used to analyze a host of real-world phenomena from arms races to optimal policy choices of presidential candidates, from vaccination policy to major league baseball salary negotiations. And it is today established throughout both the social sciences and a wide range of other sciences. (shrink)

This important new book by one of the world's leading political theorists boldly questions the moral justification for organizing our world as a territorial states-system and proposes major changes to states' sovereign powers.

This book represents the views of one of the greatest mathematicians of the twentieth century on the analogies between computing machines and the living human brain.

Concepts of International Relations, for Students and Other Smarties is not a stereotypical textbook, but an instructive, entertaining and motivating introduction to the field of International Relations (IR). Rather than relying on figures or tables, Concepts of International Relations, for Students and Other Smarties piques the reader's interest with a pithy narrative that presents apposite nutshell examples, stresses historical breaks and throws in the odd pun to get the big picture across. While there are other brief, introductory IR titles, Iver (...) Neumann's book remains fully within the academic genre, and is comparatively long on history. It is based on his repeatedly offered introductory lectures to first-year IR students and students from other disciplines looking for an overview course at the LSE. With a relaxed lecturing style, this textbook introduces the long-term historical emergence of concepts such as state (European), state (global), empire, non-state agents, foreign policy, state system, nationalism, globalization, security, international society, great powers, diplomacy, war and peace, balance of power, international law, power and sovereignty, intervention, gender and class. It demonstrates how such phenomena have been understood in very different ways. First, the reader is alerted to how the use of concepts is an integrated part of politics. Secondly, the reader is sensitized to how social change has worked in the past, and is working now. Thirdly, the book demonstrates how historical and social context matters in ongoing international relations. (shrink)

This article aims to sketch a phenomenological approach to Heidegger’s concept of Ereignis. In understanding Ereignis as the presencing of being, the fun­damental question is whether and how this presence of being, i.e., presence as such, can be experienced. While this experience is incompatible with a transcendental ap­proach, the suggestion here is that Ereignis can be experienced not as my own, but as an anonymous presence. To flesh out this suggestion, a close reading of Heidegger’s critique of subjectivity in the (...) Contributions will elaborate on why presence can belong neither to humanity nor to being. In a second step, a motif in Heidegger’s reception of Schelling is discussed which clarifies that the experience of Ereignis involves a necessity that goes beyond subjectivity. In a third step, the idea of “letting-presence” shows how the coming into being of experience has to remain anonymous in order to be the experience of Ereignis. (shrink)

Historical Justice and Memory highlights the global movement for historical justice—acknowledging and redressing historic wrongs—as one of the most significant moral and social developments of our times. Such historic wrongs include acts of genocide, slavery, systems of apartheid, the systematic persecution of presumed enemies of the state, colonialism, and the oppression of or discrimination against ethnic or religious minorities. The historical justice movement has inspired the spread of truth and reconciliation processes around the world and has pushed governments to make (...) reparations and apologies for past wrongs. It has changed the public understanding of justice and the role of memory. In this book, leading scholars in philosophy, history, political science, and semiotics offer new essays that discuss and assess these momentous global developments. They evaluate the strength and weaknesses of the movement, its accomplishments and failings, its philosophical assumptions and social preconditions, and its prospects for the future. (shrink)

This chapter contains sections titled: The Rip‐Off Account Musical Traditions Recorded Music: The Blues Rock and Race The Music Business Sensibilities The Evolution of Taste Conclusion Notes.

Auf der Grundlage der Lehre von C.G. Jung, den Erfahrungen des Zweiten Weltkrieges und der atomaren Bedrohung Ende des 20. Jahrhunderts entwirft der Autor eine neue Ethik der Tiefenpsychologie, die der psychologischen Situation des modernen Menschen gerecht werden soll.

Wie verändern sich Mensch und Körper durch Technik? Und welches Menschenverständnis vertritt der Transhumanismus? Anna Puzio befasst sich in der ersten philosophischen Studie zur Anthropologie des Transhumanismus mit führenden Personen des Feldes, u. a. mit Nick Bostrom, David Pearce und Natasha Vita-More. Neben Körperoptimierung und Medizintechnologien beleuchtet sie auch Alltagstechnologien wie Wearables. Dabei entwickelt sie einen neuen Ansatz zur Technikanthropologie und ein neues inklusives Menschen- und Körperverständnis im Anschluss an Donna Haraway und den Kritischen Posthumanismus im amerikanischen Raum.

The dynamic development of science and technology in the last decades has led to new challenges in jurisprudence. This holds for individual fields of doctrinal law as well as the concerned fields of jurisprudence. It is especially significant for the structure of justice, the efficiency of law as a steering instrument of society, and the empirical conditions of legal responsibility. In a jurisprudential perspective, the philosophy of law is rather engaged with the adaptiveness of its traditional principles and categories or (...) the capacity to come to terms with the new developments and less concerned with concrete matters of law. (shrink)

Anstatt die Herkunft von Leibniz' Monadenkonzept in rezeptionsgeschichtlicher Perspektive nachweisen zu wollen, erklärt die vorliegende Studie die offensichtliche Präsenz und Virulenz des Monadenbegriffs im 17. und 18. Jahrhundert selbst zu ihrem Untersuchungsgegenstand.Sie rekonstruiert den frühneuzeitlichen Bildungskanon zum Pythagoreismus, in dem der Monadenbegriff tradiert worden ist, und analysiert vor diesem Hintergrund die monadologischen Philosophien von Gottfried Wilhelm Leibniz, Christian Wolff und Andreas Clavius. An reichem Quellenmaterial zeigt sie, wie die ahistorisch argumentierenden Monadologien von Leibniz und Wolff von deren Zeitgenossen rehistorisiert bzw. (...) "repythagoreisiert", in das Raster des Antike-Moderne-Verhältnisses verortet und auf diese Weise evaluiert worden sind.Ein die Studie beschließender Ausblick fasst die Ergebnisse zusammen und weist selektiv auf die Wege der Monaden in die Moderne hin. (shrink)

The influence of emotion on episodic and autobiographical memory in schizophrenia was investigated. Using an experiential approach, the states of awareness accompanying recollection of pictures from the IAPS and of associated autobiographical memories was recorded. Results show that schizophrenia impairs episodic and autobiographical memories in their critical feature: autonoetic awareness, i.e., the type of awareness experienced when mentally reliving events from one’s past. Schizophrenia was also associated with a reduction of specific autobiographical memories. The impact of stimulus valence on memory (...) performance was moderated by clinical status. Patients with schizophrenia recognized more positive than negative pictures, and recalled more positive than negative autobiographical memories while controls displayed the opposite pattern. A hypothesis in terms of a fundamental executive deficit underlying these impairments is proposed. (shrink)

In light of scientific advances such as genomics, predictive diagnostics, genetically engineered agriculture, nuclear transfer cloning, and the manipulation of stem cells, the idea that genes carry predetermined molecular programs or blueprints is pervasive. Yet new scientific discoveries—such as rna transcripts of single genes that can lead to the production of different compounds from the same pieces of dna—challenge the concept of the gene alone as the dominant factor in biological development. Increasingly aware of the tension between certain empirical results (...) and interpretations of those results based on the orthodox view of genetic determinism, a growing number of scientists urge a rethinking of what a gene is and how it works. In this collection, a group of internationally renowned scientists present some prominent alternative approaches to understanding the role of dna in the construction and function of biological organisms. Contributors discuss alternatives to the programmatic view of dna, including the developmental systems approach, methodical culturalism, the molecular process concept of the gene, the hermeneutic theory of description, and process structuralist biology. None of the approaches cast doubt on the notion that dna is tremendously important to biological life on earth; rather, contributors examine different ideas of how dna should be represented, evaluated, and explained. Just as ideas about genetic codes have reached far beyond the realm of science, the reconceptualizations of genetic theory in this volume have broad implications for ethics, philosophy, and the social sciences. Contributors. Thomas Bürglin, Brian C. Goodwin, James Griesemer, Paul Griffiths, Jesper Hoffmeyer, Evelyn Fox Keller, Gerd B. Müller, Eva M. Neumann-Held, Stuart A. Newman, Susan Oyama, Christoph Rehmann-Sutter, Sahotra Sarkar, Jackie Leach Scully, Gerry Webster, Ulrich Wolf. (shrink)

"Das Ziel dieser Untersuchung ist es, die Frage nach dem Wesen und dem Begriff der menschlichen Freiheit als ein philosophisches Grundproblem vor den phänomenologischen Blick zu bringen und nicht nur im Rahmen einer bereits vorausgesetzten philosophischen Teildisziplin - wie etwa in der Ethik oder als Gegenstand einer praktischen Philosophie - abzuhandeln. Diese Aufgabe führt uns in das Zentrum von Heideggers Philosophie. Heidegger gewinnt seinen eigenen Freiheitsbegriff jedoch in der grundlegenden Auseinandersetzung mit den großen Denkern des Abendlandes. Auch und gerade bei (...) Leibniz wird der Freiheitsbegriff in einer weit ausgreifenden Auseinandersetzung mit der philosophischen und theologischen Überlieferung eingeführt und auf dem Boden seines eigenen Denkens, der Monadenlehre, neu positioniert. Durch die Entgegensetzung der beiden Denker kann der jeweilige Standpunkt zum Freiheitsproblem noch schärfer in den Blick gebracht und im Rahmen der abendländisch-europäischen Geistesgeschichte erörtert werden. Zudem ermöglicht es gerade die Auseinandersetzung mit Leibniz, die Frage nach dem Wesen und dem Begriff der menschlichen Freiheit und andere wesentliche Fragen, die sich daraus ergeben, auf unsere Gegenwartsprobleme, insbesondere die Deutung oder gar Leugnung der Freiheit durch die Neurowissenschaften, zu beziehen und anzuwenden."--. (shrink)

Am Beispiel des lutherischen Erbauungsschriftstellers Johann Arndt (1555-1621) läßt sich ein naturtheologisches Frömmigkeitsverständnis aufzeigen, das vom Florentiner Neuplatonismus, von Paracelsus, vom Paracelsismus und von der Alchemie Heinrich Khunraths beeinflußt ist. Der Autor vorliegender Studie zeichnet die relevanten Traditionslinien quellennah nach und analysiert deren Einbindung und Interpretation in Arndts Schriften. Eine systematische Darstellung der Kohärenz von Naturphilosophie und Mystik in der frühen Neuzeit beschließt vorliegende Studie.

Prologue: autumn aroma -- What's left? -- Arts of noticing -- Contamination as collaboration -- Some problems with scale -- Interlude: smelling -- After progress : salvage accumulation -- Working the edge "freedom" -- Open ticket, Oregon -- War stories -- What happened to the state? : two kinds of Asian Americans in translation -- Between the dollar and the yen -- From gifts to commodities and back -- Salvage rhythms : business in disturbance -- Interlude: tracking -- Disturbed beginnings (...) : unintentional design -- The life of the forest : coming up among pines -- History -- Resurgence -- Serendipity -- Ruin in gaps and patches -- In science as translation -- Flying spores -- Interlude: dancing -- In the middle of things -- Matsutake crusaders -- Ordinary assets -- Anti-ending : some people I met along the way -- Spore trail: the further adventures of a mushroom -- Notes -- Index. (shrink)

Difficulty is often treated as blame-mitigating, and even exculpating. But on some occasions difficulty seems to have little or no bearing on our assessments of moral responsibility, and can even exacerbate it. In this paper, I argue that the relevance (and irrelevance) of difficulty with regard to assessments of moral responsibility is best understood via Quality of Will accounts. I look at various ways of characterising difficulty – including via sacrifice, effort, skill and ‘trying’ – and set out to demonstrate (...) that these factors are only blame-mitigating where, and to the extent that, they complicate ascriptions of insufficient concern. Matters become more complex, however, when we turn to difficult circumstances that seem to generate such objectionable attitudes. This is arguably the case with epistemic difficulty and certain instances of moral ignorance. Here I argue that certain difficult circumstances diminish the sense in which false moral beliefs are genuinely revelatory of the agents who hold them. In particular, I draw on the distinction between difficulty that generates objectionable attitudes, and objectionable attitudes that generate difficulty. I argue that the former, but not the latter, can plausibly be viewed as blame mitigating, and that this would apply to (limited) cases of moral ignorance. (shrink)

Grounding theorists insist that grounding and explanation are intimately related. This claim could be understood as saying either that grounding ‘inherits’ its properties from explanation or it could be interpreted as saying that grounding plays an important—possibly an indispensable—role in metaphysical explanation. Or both. I argue that saying that grounding ‘inherits’ its properties from explanation can only be justified if grounding is explanatory by nature, but that this view is untenable. We ought therefore to be ‘separatists’ and view grounding and (...) explanation as distinct. As it turns out, though, once grounding has been in this sense distinguished from the explanation it backs, the view that the role grounding plays in explanation justifies its introduction ends up in serious trouble. I conclude that the role grounding plays in explanation does not justify attributing to grounding whatever nature we think it has, and it most likely does not give us any special reason to think grounding exists. (shrink)

One of David Rosenthal’s many important contributions to the philosophy of mind was his clear and unshirking account of introspection. Here we argue that while there is a kind of introspection (we call it “reflective introspection”) that Rosenthal’s account may be structurally fit to accommodate, there is also a second kind (“primitive introspection”) that his account cannot recover. We introduce Rosenthal’s account of introspection in §1, present the case for the psychological reality of primitive introspection in §2, and argue that (...) Rosenthal’s account lacks the resources to accommodate it in §3. (shrink)

Domain extension in mathematics occurs whenever a given mathematical domain is augmented so as to include new elements. Manders argues that the advantages of important cases of domain extension are captured by the model-theoretic notions of existential closure and model completion. In the specific case of domain extension via ideal elements, I argue, Manders’s proposed explanation does not suffice. I then develop and formalize a different approach to domain extension based on Dedekind’s Habilitationsrede, to which Manders’s account is compared. I (...) conclude with an examination of three possible stances towards extensions via ideal elements. (shrink)

The symbolism of Jacob and Esau -- On the collective symbolism of the brother motif -- Layers of the unconscious: the interpretation of mythology.

A devastating critique of the presumed theological basis of the Jewish social justice movement-- the concept of healing the world.

The study aims at exposing Meinong's ideas that may be of interest to analytic philosophers. It contains all the basic information concerning Meinong's theory of objects with a special focus upon 'objectives', which are Meinong's propositions. Meinong's theory of meaning and his epistemological views are discussed in detail. An outline of his conception of truth, which is classified as firmly realistic, is followed by a review of the critical works touching upon Meinong's epistemological ideas. Finally, Meinong's theory of objects is (...) presented as inspiring the development of Meinongian logics, with his Aussersein as the prototype of an all-inclusive semantic domain. The issues considered include reference of terms and sentences as well as the general features of a Meinongian-style semantics. (shrink)

Within debates concerning responsibility for ignorance the distinction between moral and factual ignorance is often treated as crucial. Many prominent accounts hold that while factual ignorance routinely exculpates, moral ignorance never does so. The view that there is an in-principle distinction between moral and factual ignorance has been referred to as the “Asymmetry Thesis.” This view stands in opposition to the “Parity Thesis,” which holds that moral and factual ignorance are in-principle similar. The Parity Thesis has been closely aligned with (...) volitionist accounts of moral responsibility, whereas the Asymmetry Thesis has been closely aligned with Quality of Will accounts. Two central questions are at work here: how ignorance excuses, and whether it excuses in the same way for both moral and factual ignorance. I will argue that these questions have often been confused in the present debate, and once we have distinguished more clearly between them, it seems that Quality of Will accounts are compatible with the Parity Thesis. And more generally: that the distinction between moral and factual ignorance is far less important in debates about responsibility for ignorance than it has often appeared. (shrink)