This comprehensive Handbook presents the major perspectives within philosophy and literary studies on the relations, overlaps and tensions between philosophy and literature. Drawing on recent work in philosophy and literature, literary theory, philosophical aesthetics, literature as philosophy and philosophy as literature, its twenty-nine chapters plus substantial Introduction and Afterword examine the ways in which philosophy and literature depend on each other and interact, while also contrasting with each other in that they necessarily exclude or incorporate each other. This book establishes (...) an enduring framework for structuring the broad themes defining the relations between philosophy and literature and organising the main topics in the field. Key Features • Structured in five parts addressing philosophy as literature, philosophy of literature, philosophical aesthetics, literary criticism and theory, and main areas of work within philosophy and literature • An Introduction setting out the main concerns of the field through discussion of the major themes along with the individual topics • An Afterword looking at the interactions between philosophy and literature through itself enacting philosophical and literary writing while examining the question of how they can be brought together The Palgrave Handbook of Philosophy and Literature is an essential resource for scholars, researchers and advanced students in philosophy of literature, philosophy as literature, literary theory, literature as philosophy, and the philosophical aesthetics of literature. It is an ideal volume for researchers, advanced students and scholars in philosophy, literary studies, philosophy and literature, cultural studies, classical studies and other related fields. (shrink)

One of the most influential and controversial thinkers of the twentieth-century, Jacques Derrida’s ideas on deconstruction have had a lasting impact on philosophy, literature and cultural studies. Jacques Derrida: Basic Writings is the first anthology to present his most important philosophical writings and is an indispensable resource for all students and readers of his work. Barry Stocker’s clear and helpful introductions set each reading in context, making the volume an ideal companion for those coming to Derrida’s writings for (...) the first time. The selections themselves range from his most infamous works including Speech and Phenomena and Writing and Difference to lesser known discussion on aesthetics, ethics and politics. (shrink)

This investigation of Kierkegaard as a political thinker with regard to the Danish context, and to his place in the history of political thought, deals with the more direct discussion of politics in Kierkegaard, and the ways in which political ideas are embedded in his literary, aesthetic, ethical, philosophical and religious thought.

Jacques Derrida is one of the most influential and controversial philosophers of the last fifty years. _Derrida on Deconstruction_ introduces and assesses: Derrida's life and the background to his philosophy the key themes of the critique of metaphysics, language and ethics that characterize his most widely read works the continuing importance of Derrida's work to philosophy. This is a much-needed introduction for philosophy or humanities students undertaking courses on Derrida.

Introduction Life, art and mysticism Luitzen Egbertus Jan Brouwer Logic and ethics as the limits of the world Anthony Rudd To what extent is solipsism a truth? Michael Kremer Frege at therapy Kelly Dean Jolley 'Making sense' of nonsense Conant and Diamond read Wittgenstein's Tractatus Diarmuid Costello More making sense of nonsense: from logical form to forms of life Daniel D. Hutto Saying and showing: an example from Anscombe Cora Diamond Why worry about the Tractatus? James Conant Transcendence and contradiction (...) in the Tractatus Barry Stocker Wittgenstein's onto-logic Barry Allen Bibliography Index. (shrink)

Keith Ansell-Pearson, An Introduction to Nietzsche as Political Thinker (Cambridge: Cambridge University Press, 1994) hb: 0-521-41722-8. pb: 0-521-42721-5. Paul Patton, ed., Nietzsche, Feminism and Political Theory (London: Routledge. 1993) 0-4150-8256-0. Lester M. Hunt, Nietzsche and the Origin of Virtue (London: Routledge, 1993) 0-4150-9580-8. David Owen, Maturity and Modernity. Nietzsche, Weber, Foucault and the Ambivalence of Reason (London: Routledge, 1994) 0-4150-5398-6. Peter Lassmann and Ronald Spiers, eds., Weber: Political Writings (Cambridge: Cambridge University Press. 1994) hb: 0-521 -39312-4. pb: 0-521 -39719-7. Friedrich (...) Nietzsche, On the Genealogy of Morality and Other Writings, ed. Keith Ansell-Pearson, tr. Carol Diethe (Cambridge University Press, 1994) hb: 0-521-40459-2. pb: 0-521-40610-2. (shrink)

The paper is an exploration ofhow Pascal and Derrida are both concerned with the consequences of not being able to find a transcendental centre for concepts. Both establish this through a discussion of the origin of geometry, and the contradictions of establishing a discourse for the pure principles of geometry. Pascal and Derrida both refer to the anxiety produced by the infinite possibilities of system and the impossibility of finding a foundation in a limited set of principles. For Pascal the (...) question emerges in his general philosophical work Pensées and ‘On the Spirit of Geometry’. Similarly for Derrida, what appears in his general philosophical work, also appears in a work referring to the possibility of transcendental foundations for geometry, ‘Introduction to Husserl’s Origin of Geometry’. For both philosophers questions arise of the contradictions of establishing basic concepts. Circularity inevitably appears, particularly with regard to ‘is’ and ‘being’; the concepts themselves are necessarily divided between their pure existence and their empirical applications. The essential difference suggested between Pascal and Derrida is that for Pascal, basic principles can be given an explanation in ‘reasons of the heart’, while for Derrida contradiction is necessary, present everywhere and is irreducible to any basic principle of any kind.L’article consiste en une exploration de la façon dont Pascal et Derrida se préoccupent des conséquences de ne pas pouvoir trouver un centre transcendantal pour les concepts. Tous deux en arrivent à ce constat suite à une discussion de l’origine de la géométrie, et des contradictions inhérentes au discours sur les principes purs de la géométrie. Pascal et Derrida renvoient tous deux à l’anxiété induite par les possibilités infinies du système et l’impossibilité d’une fondation se résumant à une suite limitée de principes. Pour Pascal, la question émerge dans ses Pensées et dans «De l’esprit géométrique». De façon similaire chez Derrida, la question se pose, comme dans son oeuvre générale, dans un ouvrage portant sur la possibilité de fondations transcendantales de la géométrie, Introduction à L’origine de la géométrie de E. Husserl. Pour les deux philosophes, la question se pose quant aux contradictions découlant de l’établissement de concepts fondamentaux. Une circularité est inévitable, en particulierautour du concept d’«etre»; les concepts eux-mêmes sont nécessairement divisés entre une existence pure et leur applications empiriques. La différence essentielle entre les deux penseurs, c’est que pour Pascal, les principes fondamentaux peuvent être expliqués par des «raisons du coeur», alors que pour Derrida, la contradiction est nécessaire, partout présente, et irréductible à un quelconque principe. (shrink)

The paper is an exploration ofhow Pascal and Derrida are both concerned with the consequences of not being able to find a transcendental centre for concepts. Both establish this through a discussion of the origin of geometry, and the contradictions of establishing a discourse for the pure principles of geometry. Pascal and Derrida both refer to the anxiety produced by the infinite possibilities of system and the impossibility of finding a foundation in a limited set of principles. For Pascal the (...) question emerges in his general philosophical work Pensées and ‘On the Spirit of Geometry’. Similarly for Derrida, what appears in his general philosophical work, also appears in a work referring to the possibility of transcendental foundations for geometry, ‘Introduction to Husserl’s Origin of Geometry’. For both philosophers questions arise of the contradictions of establishing basic concepts. Circularity inevitably appears, particularly with regard to ‘is’ and ‘being’; the concepts themselves are necessarily divided between their pure existence and their empirical applications. The essential difference suggested between Pascal and Derrida is that for Pascal, basic principles can be given an explanation in ‘reasons of the heart’, while for Derrida contradiction is necessary, present everywhere and is irreducible to any basic principle of any kind.L’article consiste en une exploration de la façon dont Pascal et Derrida se préoccupent des conséquences de ne pas pouvoir trouver un centre transcendantal pour les concepts. Tous deux en arrivent à ce constat suite à une discussion de l’origine de la géométrie, et des contradictions inhérentes au discours sur les principes purs de la géométrie. Pascal et Derrida renvoient tous deux à l’anxiété induite par les possibilités infinies du système et l’impossibilité d’une fondation se résumant à une suite limitée de principes. Pour Pascal, la question émerge dans ses Pensées et dans «De l’esprit géométrique». De façon similaire chez Derrida, la question se pose, comme dans son oeuvre générale, dans un ouvrage portant sur la possibilité de fondations transcendantales de la géométrie, Introduction à L’origine de la géométrie de E. Husserl. Pour les deux philosophes, la question se pose quant aux contradictions découlant de l’établissement de concepts fondamentaux. Une circularité est inévitable, en particulierautour du concept d’«etre»; les concepts eux-mêmes sont nécessairement divisés entre une existence pure et leur applications empiriques. La différence essentielle entre les deux penseurs, c’est que pour Pascal, les principes fondamentaux peuvent être expliqués par des «raisons du coeur», alors que pour Derrida, la contradiction est nécessaire, partout présente, et irréductible à un quelconque principe. (shrink)

This book explores the aesthetics of the novel from the perspective of Continental European philosophy, presenting a theory on the philosophical definition and importance of the novel as a literary genre. It analyses a variety of individuals whose work is reflected in both theoretical literary criticism and Continental European aesthetics, including Mikhail Bakhtin, Georg Lukács, Theodor Adorno, and Walter Benjamin. Moving through material from eighteenth century and ancient Greek philosophy and aesthetics, the book provides comprehensive coverage of the major positions (...) on the philosophy of the novel. Distinctive features include the importance of Vico’s view of the epic to understanding the novel, the importance of Kierkegaard’s view of the novel and irony along with his other aesthetic views, the different possibilities associated with seeing the novel as ‘mimetic’ and the importance of Proust in understanding the genre in all its philosophical aspects, relating the issue of the philosophical aesthetics of the novel with the issue of philosophy written as a novel and the interaction between these two alternative positions. (shrink)

Hegel's philosophy of literature, in the Aesthetics and other texts, gives no extended discussion of the novel. Hegel's predecessor Friedrich Schlegel had produced a philosophy of literature with a central position for the novel. Schlegel's discussion of the novel is based on a view of Irony which allows the novel to be the fusion of poetry and philosophy. Hegel retained a place for art, including poetry, below that of philosophy. The Ironic conception of the novel has themes, which also appear (...) in Hegel, of the unity of opposites. However, for Hegel Irony does not allow the unity of artistic form and does not allow art to be guided by law and science. Therefore Hegel's philosophy of literature owes much to Schlegel but needs to attack Irony and minimise the role of the novel. Irony is criticised as a purely negative position of a 'beautiful soul', which cannot act and in its absolutely subjective resistance to evil in the world becomes evil itself. Hegel gives great importance to Epic which foreshadows the emergence of philosophy in its unity, but it is a unity based on conflicting individuality and lawlessness. In the modern world Heroic lawlessness can only be approached as nostalgia, the novel cannot integrate individuality and law, only religion and philosophy above aesthetics, including the novel. (shrink)

Hegel's philosophy of literature, in the Aesthetics and other texts, gives no extended discussion of the novel. Hegel's predecessor Friedrich Schlegel had produced a philosophy of literature with a central position for the novel. Schlegel's discussion of the novel is based on a view of Irony which allows the novel to be the fusion of poetry and philosophy. Hegel retained a place for art, including poetry, below that of philosophy. The Ironic conception of the novel has themes, which also appear (...) in Hegel, of the unity of opposites. However, for Hegel Irony does not allow the unity of artistic form and does not allow art to be guided by law and science. Therefore Hegel's philosophy of literature owes much to Schlegel but needs to attack Irony and minimise the role of the novel. Irony is criticised as a purely negative position of a 'beautiful soul', which cannot act and in its absolutely subjective resistance to evil in the world becomes evil itself. Hegel gives great importance to Epic which foreshadows the emergence of philosophy in its unity, but it is a unity based on conflicting individuality and lawlessness. In the modern world Heroic lawlessness can only be approached as nostalgia, the novel cannot integrate individuality and law, only religion and philosophy above aesthetics, including the novel. (shrink)

The later Wittgenstein claimed to resolve philosophical problems through returning words to their 'ordinary' use. The paradox arises that Wittgenstein's own philosophy must be written in a philosophical language and, therefore, in an extra-ordinary language. The paradox is discussed with particular reference to rules. Rules constitute language, but the account of the 'rule' itself leads to paradox and contradiction. A rule is followed and following a rule requires an interpretation. The interpretation of the rule requires a decision. The decision precedes (...) the rule, so it justifies following a rule but there cannot be a rule for the decision itself. (shrink)

Paul Barry | : Michael Stocker’s “The Schizophrenia of Modern Ethical Theories” attacks versions of consequentialism and deontological ethics on the grounds that they are self-effacing. While it is often thought that Stocker’s argument gives us a reason to favour virtue ethics over those other theories, Simon Keller has argued that this is a mistake. He claims that virtue ethics is also self-effacing, and is therefore afflicted with the self-effacement-related problems that Stocker identifies in consequentialism and (...) deontology. This paper defends virtue ethics against this claim. Although there is a kind of self-effacement involved in the exercise of virtue, this is quite different from the so-called schizophrenia that Stocker thinks is induced by modern ethical theory. Importantly, manifesting virtue does not require one to embrace mutually inconsistent moral commitments, as is at times encouraged by consequentialists and deontologists. This paper also considers a reading of the virtue-ethical criterion of right action that is encouraged by Bernard Williams’s distinction between a de re and a de dicto interpretation of the phrase “acting as the virtuous person would.” I argue that such a reading addresses concerns that a virtue-ethical criterion of right action inevitably generates a problematic form of self-effacement. | : « The Schizophrenia of Modern Ethical Theories » de Michael Stocker réfute les versions du conséquentialisme et de l’éthique déontologique sous prétexte qu’elles conduisent à l’auto-effacement de l’agent. Alors que l’on pense souvent que l’argument de Stocker nous donne raison de préférer l’éthique des vertus à ces autres théories, cela constitue une erreur selon Simon Keller. Ce dernier affirme que l’éthique des vertus conduit aussi à l’auto-effacement et qu’elle rencontre par conséquent les mêmes problèmes d’auto-effacement que Stocker identifie dans le conséquentialisme et la déontologie. Cet article défend l’éthique des vertus contre cette hypothèse. Bien qu’il y ait une forme d’auto-effacement dans la manifestation des vertus, celle-ci diffère assez de la « schizophrénie » que Stocker juge induite par la théorie moderne de l’éthique. Il est important de comprendre que la manifestation de vertus n’implique pas d’adhérer à des engagements mutuellement inconsistants, comme les conséquentialistes et déontologues l’invoquent parfois. Cet article envisage aussi une lecture du critère éthique de la vertu de l’action juste suggérée par la distinction que fait Bernard Williams entre l’interprétation de re et de dicto dans la locution « Agir comme le ferait une personne vertueuse ». Je soutiens qu’une telle lecture répond à la préoccupation considérant qu’un critère éthique de vertu crée inévitablement une forme problématique d’auto-effacement. (shrink)

Whether we're buying a pair of jeans, ordering a cup of coffee, selecting a long-distance carrier, applying to college, choosing a doctor, or setting up a 401(k), everyday decisions ; both big and small ; have become increasingly complex due to the overwhelming abundance of choice with which we are presented. As Americans, we assume that more choice means better options and greater satisfaction. But beware of excessive choice: choice overload can make you question the decisions you make before you (...) even make them, it can set you up for unrealistically high expectations, and it can make you blame yourself for any and all failures. In the long run, this can lead to decision-making paralysis, anxiety, and perpetual stress. And, in a culture that tells us that there is no excuse for falling short of perfection when your options are limitless, too much choice can lead to clinical depression. In The Paradox of Choice, Barry Schwartz explains at what point choice ; the hallmark of individual freedom and self-determination that we so cherish ; becomes detrimental to our psychological and emotional well-being. In accessible, engaging, and anecdotal prose, Schwartz shows how the dramatic explosion in choice ; from the mundane to the profound challenges of balancing career, family, and individual needs ; has paradoxically become a problem instead of a solution. Schwartz also shows how our obsession with choice encourages us to seek that which makes us feel worse. By synthesizing current research in the social sciences, Schwartz makes the counter intuitive case that eliminating choices can greatly reduce the stress, anxiety, and busyness of our lives. He offers eleven practical steps on how to limit choices to a manageable number, have the discipline to focus on those that are important and ignore the rest, and ultimately derive greater satisfaction from the choices you have to make."--provided by publisher. (shrink)

This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection.

A collection of newly commissioned papers on themes from David Albert's Time and Chance (HUP, 2000), with replies by Albert. Introduction [Barry Loewer, Brad Weslake, and Eric Winsberg] I. Overview of Time and Chance 1. The Mentaculus: A Probability Map of the Universe [Barry Loewer] II. Philosophical Foundations 2. The Metaphysical Foundations of Statistical Mechanics: On the Status of PROB and PH [Eric Winsberg] 3. The Logic of the Past Hypothesis [David Wallace] 4. In What Sense Is the (...) Early Universe Fine-Tuned? [Sean M. Carroll] 5. The Meta-Reversibility Objection [Christopher J. G. Meacham] 6. Typicality versus Humean Probabilities as the Foundation of Statistical Mechanics [Dustin Lazarovici] 7. The Past Hypothesis and the Nature of Physical Laws [Eddy Keming Chen] 8. On the Albertian Demon [Tim Maudlin] III. Underwriting the Asymmetries of Knowledge and Intervention 9. Reading the Past in the Present [Nick Huggett] 10. Causes, Randomness, and the Past Hypothesis [Mathias Frisch] 11. Time, Flies, and Why We Can’t Control the Past [Alison Fernandes] 12. The Concept of Intervention in Time and Chance [Sidney Felder] Conclusion [David Albert]. (shrink)

The essay constructs an ontological theory designed to capture the categories instantiated in those portions or levels of reality which are captured in our common sense conceptual scheme. It takes as its starting point an Aristotelian ontology of “substances” and “accidents”, which are treated via the instruments of mereology and topology. The theory recognizes not only individual parts of substances and accidents, including the internal and external boundaries of these, but also universal parts, such as the “humanity” which is an (...) essential part of both Tom and Dick, and also “individual relations”, such as Tom’s promise to Dick, or their current handshake. (shrink)

Henri Bergson (1859-1941) was once the most famous philosopher in the world, but his reputation waned in the latter half of the 20th century. Barry Allen here makes the case for Bergson as a great philosopher, one whose thought has much to contribute to contemporary philosophical questions. Living in Time presents chapters on each of Bergson's four major works, explaining his theories of time, perception, memory, and panpsychic consciousness, his innovative concept of virtual existence, his objection to Darwin, his (...) controversy with Einstein, his philosophy of creative evolution, and his social philosophy of closed and open society. In particular Allen focusses on Bergson's powerful ideas on time. Classical arguments for determinism fallaciously apply spatial concepts to consciousness; once we take time seriously, which means acknowledging its reality as duration and its difference from space, Bergson showed that the arguments for determinism become insupportable. Bergson's ideas on time and evolution offer a comparison with Nietzsche, which Allen develops, exposing both philosophical concurrence and systematic difference. The book's conclusion discusses the question of Bergson and naturalism and summarizes the ontology of the virtual that emerges as a core part of Bergson's thought. (shrink)

This paper examines three approaches to the relationship between our moral reasons to bear costs for others’ sake before and beyond the call of duty. Symmetry holds that you are required to optimise your beneficial sacrifices even when they are genuinely supererogatory. If you are required to bear a cost C for the sake of a benefit B, when they are the only costs and benefits at stake, you are also conditionally required to bear an additional cost C, for the (...) sake of an additional benefit B, when enough other costs and benefits are at stake that both of your alternatives are presumptively supererogatory. Disconnection rejects the requirement to optimise when your options are presumptively supererogatory and maintains that you have an entirely free hand to choose as you will among them. Asymmetry holds that when acting beyond the call of duty you are entitled to a measure of additional freedom compared to when you are not taking on supererogatory costs—you can prioritise your own well-being and reasons to a greater degree—but places constraints on the options that you may permissibly choose. We defend a version of Asymmetry and explore its implications for recent debates on charitable giving. (shrink)

Scholars have detected hostility to technology in Daoist thought. But is this a problem with any machine or only some applications of some machines by some people? I show that the problem is not with machines per se but with the people who introduce them, or more exactly with their knowledge. It is not knowledge as such that causes the disorder Laozi and Zhuangzi associate with machines; it is confused, disordered knowledge—superficial, inadequate, unsubtle, and artless. In other words the problem (...) is not with machines but with the ethics of engineering and the government of technology. The Daoist argument does not devalue machines or knowledge of them; instead, it sets a new goal, defining an alternative ideal—alternative to techniques held hostage to despotic ideas about efficiency and profit. (shrink)

An ethical theory is alienating if accepting the theory inhibits the agent from fitting participation in some normative ideal, such as some ideal of integrity, friendship, or community. Many normative ideals involve non-consequentialist behavior of some form or another. If such ideals are normatively authoritative, they constitute counterexamples to consequentialism unless their authority can be explained or explained away. We address a range of attempts to avoid such counterexamples and argue that consequentialism cannot by itself account for the normative authority (...) of all plausible such ideals. At best, consequentialism can find a more modest place in an ethical theory that includes non-consequentialist principles with their own normative authority. (shrink)

This chapter discusses the prospects for logical, semantic, metaphysical, and epistemic characterisations of the autonomy of ethics.