Paul Boghossian (1997) has argued that there is much to be said on behalf of the notion of analyticity so long as we distinguish epistemic analyticity and metaphysical analyticity. In particular, (1) epistemic analyticity isn’t undermined by Quine’s critique of the analytic-synthetic distinction, (2) it can explain the a prioricity of logic, and (3) epistemic analyticity can’t be rejected short of embracing semantic irrealism. In this paper, we argue that all three of these claims are mistaken.

The propositionEsseest percipiplays an instructively ambiguous role in Berkeley's philosophy—as well as in the history of the theory of knowledge in general. It has, for instance, been construed as a false synthetic proposition by G. E. Moore and as a convention regarding sense-data by A. J. Ayer. And it is of course incompatible with the admission of material objects existing unperceived. I cannot myself see that Berkeley's account of the formula allows us to say that he regards it exc lusively (...) as a proposition or as a convention, and I think that to grasp the mixed way in which Berkeley employs the formula is to under-stand much about the strategy of disputes regarding perception. I base my remarks entirely on theDialogues. (shrink)

This chapter describes the potential far‐reaching consequences of contemplative higher education for the fields of science and medicine.

Philosophy is shaped by life and life is shaped by philosophy. This is reflected in The Philosophical I, a collection of 16 autobiographical essays by prominent philosophers.

The Language of Thought Hypothesis is often taken to have the fatal flaw that it generates an explanatory regress. The language of thought is invoked to explain certain features of natural language (e.g., that it is learned, understood, and is meaningful), but, according to the regress argument, the language of thought itself has these same features and hence no explanatory progress has been made. We argue that such arguments rely on the tacit assumption that the entire motivation for the language (...) of thought consists in explaining the explanandum that allegedly generates the regress. But this tacit assumption is simply false. The Language of Thought Hypothesis is a cogent view and one with considerable explanatory advantages. (shrink)

"[These] essays together form an extraordinary response, and radical but not self-righteous challenge, to Heidegger's unambiguous complicity with Hitler and Nazism....This book will provoke intense dialogue and controversy about issues which, for too long, too many philosophers have chosen either to gloss over or ignore." --Ronald E. Santoni The relation between Martin Heidegger's philosophical thought and his political commitment has been widely discussed in recent years, following the publication of Victor Farías's controversial study, Heidegger and Nazism, published in this country (...) by Temple University Press. The Heidegger Case is a collection of original essays, by both American and European philosophers, on issues raised by Heidegger's involvement with the Nazis. The contributors consider such matters as the relationship between Heidegger's philosophical theories and his public statements and activities, the ways in which his ideas on social and political life compare with those of other philosophers, and the role of philosophy with respect to politics. (shrink)

Creations of the Mind presents sixteen original essays by theorists from a wide variety of disciplines who have a shared interest in the nature of artifacts and their implications for the human mind. All the papers are written specially for this volume, and they cover a broad range of topics concerned with the metaphysics of artifacts, our concepts of artifacts and the categories that they represent, the emergence of an understanding of artifacts in infants' cognitive development, as well as the (...) evolution of artifacts and the use of tools by non-human animals. This volume will be a fascinating resource for philosophers, cognitive scientists, and psychologists, and the starting point for future research in the study of artifacts and their role in human understanding, development, and behaviour.Contributors: John R. Searle, Richard E. Grandy, Crawford L. Elder, Amie L. Thomasson, Jerrold Levinson, Barbara C. Malt, Steven A. Sloman, Dan Sperber, Hilary Kornblith, Paul Bloom, Bradford Z. Mahon, Alfonso Caramazza, Jean M. Mandler, Deborah Kelemen, Susan Carey, Frank C. Keil, Marissa L. Greif, Rebekkah S. Kerner, James L. Gould, Marc D. Hauser, Laurie R. Santos, Steven Mithen. (shrink)

Philosophers, psychologists, economists and other social scientists continue to debate the nature of human well-being. We argue that this debate centers around five main conceptualizations of well-being: hedonic well-being, life satisfaction, desire fulfillment, eudaimonia, and non-eudaimonic objective-list well-being. Each type of well-being is conceptually different, but are they empirically distinguishable? To address this question, we first developed and validated a measure of desire fulfillment, as no measure existed, and then examined associations between this new measure and several other well-being measures. (...) In addition, we explored associations among all five types of well-being. We found high correlations among all measures of well-being, but generally correlations did not approach unity, even when correcting for unreliability. Furthermore, correlations between well-being and related constructs (e.g., demographics, personality) depended on the type of well-being measured. We conclude that empirical findings based on one type of well-being measure may not generalize to all types of well-being. (shrink)

Social and personality psychology have been criticized for overreliance on potentially biased self-report variables. In well-being science, researchers have called for more “objective” physiological and cognitive measures to evaluate the efficacy of well-being-increasing interventions. This may now be possible with the recent rise of cost-effective, commercially-available wireless physiological recording devices and smartphone-based cognitive testing. We sought to determine whether cognitive and physiological measures, coupled with machine learning methods, could quantify the effects of positive interventions. The current 2-part study used a (...) college sample (N = 245) to contrast the cognitive (memory, attention, construal) and physiological (autonomic, electroencephalogram) effects of engaging in one of two randomly assigned writing activities (i.e., prosocial or “antisocial”). In the prosocial condition, participants described an interaction when they acted in a kind way, then described an interaction when they received kindness. In the “antisocial” condition, participants wrote instead about an interaction when they acted in an unkind way and received unkindness, respectively. Our study replicated previous research on the beneficial effects of recalling prosocial experiences as assessed by self-report. However, we did not detect an effect of the positive or negative activity intervention on either cognitive or physiological measures. More research is needed to investigate under what conditions cognitive and physiological measures may be applicable, but our findings lead us to conclude that they should not be unilaterally favored over the traditional self-report approach. (shrink)

This article formulates the grounds on which a pragmatist theory of knowledge may be favored against skepticism and foundationalism without requiring the refutation of skepticism. It explores in considerable detail some of the central positions bearing on the issue, Including views of g e moore, Bertrand russell, Roderick chisholm, Keith lehrer, Leonard nelson. It also provides a fresh characterization of pragmatism and shows the bearing of theories of truth on the justification of knowledge claims.

“The important point about a rule of thumb,” says E. D. Hirsch, “is that it is not a rule.” That depends very much on what a rule is or is said to be. Hirsch does not give an explicit answer to the question. Presumably, he means that a rule is criterially determinate and exceptionless; or, that it allows only a notably limited range of indeterminacy within an acknowledged space of application. Explicit and exceptionless rules are almost unheard of in ordinary (...) life—certainly they are quite rare in the practice of interpreting literature: they tend to sacrifice their usefulness in direct proportion to their insisting on fixity. But if the severe requirement were softened, it would be hard to say that a rule of thumb was not a rule; for, clearly, there cannot be a fixed rule for settling the acceptable indeterminacy of some prior rule. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:JOSEPH MARGOLIS THE LOGIC AND STRUCTURES OF FICTIONAL NARRATIVE The fascination of fiction and narrative is plainly immense, sind current analyses are notably fresh and ingenious. But ifone were to venture a compendious account of die most strategic conceptual claims bearing on those notions, they might well be captured by the following three theses: (i) that fiction and narrative are logically quite distinct, without necessarily excluding one anodier; (...) (ii) that fictional worlds are no worlds at all; they are merely imagined to exist; and (iii) that events, whether actual or imagined, cannot be specified independently of the categories by which we identify them as the events they are, categories subject to change over time. What is intriguing about mese three claims is that they strike the ear as utterly commonplace and obvious. But that is dieir strength. For it would be a great convenience if the relevant puzzles generated by analytic philosophy, hermeneutics, the new narratology, semiotics and the like could be resolved, convincingly, by appeal to die implications of these diree homely trudis. In addition, diey affect one another in a rather complicated way, and, taken joindy, easily expose certain influential false starts. The import of (iii), for example, is notably ignored in die otherwise powerful analysis of narrative afforded by Gérard Genette. Its bearing on (i) utterly undermines the explicit dualism favored by Seymour Chatman, who is clearly influenced by Genette himself. The failure to mark die force of (i) and its analogue regarding poetry is most obvious in I. A. Richards's contrast between poetry and science, the work of the Prague circle, Northrop Frye's Anatomy of Criticism, and such recent speech-act theories of poetry and fiction as those proposed by Richard Ohmann, Monroe Beardsley, and Mary Louise Pratt. The corresponding failure widi respect to (ii) is clear in John Searle's theory of reference and in die ontological claims made by Nicholas Wolterstorff. The connection between (i) and (ii) is muddled most famously by G. E. Moore. These charges suggest die quarrelsome promise of the intended economy. But, as we shall see, they also lead in the direction of a more constructive theory of texts and their interpretation and of die constraints of narrative and style diat affect fiction. 162 Joseph Margolis163 Fiction, we say, differs from reality as well as from legend. But in speaking thus, we betray an understandable confidence that these three kinds of"world"— or, these three worlds — are conceptually well-behaved and open to straightforward demarcation. Once more, we slip altogether too easily between talking about certain worlds and about the narrative accounts by which we do so. What distinguishes fictional reference? we ask, and what is a fictional world? The best way to proceed here is to begin with strong intuitions and to trace dieir systematic consequences in order to test how far they are unassailable — or whether and where they must yield to others that are more accommodating. One particularly promising equivocation is the following. We speak of fictional worlds as possible (but not actual) worlds; but even if what is possible in a fictional world corresponds (in some sense) to what is possible in the actual world, it is not, as such, a possibility of or at the actual world. The "possible worlds" idiom is fundamentally and doubly equivocal. For, a "possible world" signifies either what is merely logically or conceptually compossible, or what (under suitably referential, predicative, causal, and similar constraints) is compossible specifically with respect to the actual world (or some part of it). Certainly, Balzac's La Cousine Bette "presents" an imaginary world that is internally coherent and compossible. One might even say, ignoring its fictive nature, diat such a world — or events very much like those of the story — is compossible with a certain portion of the actual world of nineteenth-century France. But Lewis Carroll's Alice in Wonderfond, though it scrupulously presents a coherent world of compossible events, does not present a world compossible with the actual world. And, on certain views at least, Thomas Mann's The Transposed Heads presents a possible world that is a conceptual impossibility. There is, however, no need to quarrel about particular cases... (shrink)

1. A partire dagli anni Ottanta, Arthur Danto ha raccolto una meravigliosa concatenazione di rompicapi tra loro collegati sulla natura dell’opera d’arte e sulla storia di movimenti artistici - che coinvolgono principalmente la pittura - appartenenti ad anni relativamente recenti. Tali rompicapi possono senza dubbio venire annoverati tra gli argomenti più dibattuti in estetica analitica nel periodo, lungo più di vent’anni, tra l’uscita de La destituzione filosofica dell’arte (1986) e il presen...

On assiste ”a un « surplace » de la recherche philosophique en Occident. L’importance de l’histoire, le caract”ere d’ecisif de la culture, la dimension sociale de l’esprit, ne suscitent plus qu’un int’erêt ’episodique. On a oubli’e les apories de Kuhn. Am’ericains et Occidentaux sont des solipsiste s qui font mine d’ignorer la formation historique de l’esprit, renouvelant l’oubli de Kant et Husserl qui n’avaient pas su prendre en compte le caract”ere contingent, changeant, collectif, fortement historicis’e des comp’etences intellectuelles et cognitives. (...) S’epar’ee des pratiques consensuelles, la science perd son sens. Il faut revenir au probl”eme de l’individuation et reposer la question de l’acquisition de qualit’es uniques et pourtant g’en’erales qui font l’individualit’e. There is a general stagnation in western philosophical research. The importance of History, of Culture, the social nature of the Spirit, is of secondary interest, nowadays the meanest interest. What about the hard and sharp questions raised by Kuhn ? Americans or western nations are but solipsits, who get rid of the historical making of the spirit. To a certain extent, they keep on with Kant’s or Husserl’s tradition. None of them was in fact able to take care of historicism in the contingent and moving constitution of our intellectual capacities. In these conditions, no sense at all can be found in science. So, we must come back to the question of individuation and to these unique qualities of individuality, that is, at the same time, singularity and universality. (shrink)

An account of what Michael Krausz refers to as “a three tiered structure” within the interpretative process is defended. Starting with the employment of Peircian nomenclature, as employed by Joseph Margolis, artworks and persons - cultural entities - are distinguished from physical entities as tokens of types. But even if culturally emergent entities con be attributed to certain physical atributes in relation to their materiality at the first level of interpretation - the elucidatory - in which such culturally emergent (...) properties are embodied, cultural entities possess certain distinctive Intentional attributes, at a second level of interpretation - thc intentional - not assignable to purely physical properties nor, in the case of artworks such as Van Gogh’s The Potato Eaters, their creator’s intentions. But in order to make sense of Krausz’s notion of “aspectual reverberation” for an individual appreciator, a third level of interpretation is required - the elaborative - in order to make sense of Peirce’s notion not only of the type and token status of a work of art, but its tone, This third elaborative sense of interpretation is then considered in two ways: experientially in terms of what the spectator can bring to an appreciation of an artwork and performatively with respect to an artist’s interpretation of the work in performance, as in dance for example. Possible attacks on this position are then considered. (shrink)

An account of what Michael Krausz refers to as “a three tiered structure” within the interpretative process is defended. Starting with the employment of Peircian nomenclature, as employed by Joseph Margolis, artworks and persons - cultural entities - are distinguished from physical entities as tokens of types. But even if culturally emergent entities con be attributed to certain physical atributes in relation to their materiality at the first level of interpretation - the elucidatory - in which such culturally emergent (...) properties are embodied, cultural entities possess certain distinctive Intentional attributes, at a second level of interpretation - thc intentional - not assignable to purely physical properties nor, in the case of artworks such as Van Gogh’s The Potato Eaters, their creator’s intentions. But in order to make sense of Krausz’s notion of “aspectual reverberation” for an individual appreciator, a third level of interpretation is required - the elaborative - in order to make sense of Peirce’s notion not only of the type and token status of a work of art, but its tone, This third elaborative sense of interpretation is then considered in two ways: experientially in terms of what the spectator can bring to an appreciation of an artwork and performatively with respect to an artist’s interpretation of the work in performance, as in dance for example. Possible attacks on this position are then considered. (shrink)

A good anthology of articles drawn mainly from the British and American journals over the past twenty-five years. Some of the names appearing are Ziff, Margolis, Weitz, Black, Hospers, Mothersill, Hofstadter, Aiken, Aldrich, Urmson, and Passmore. The editor has contributed an introduction and an additional article of his own. The book is divided into five sections, the titles of which indicate fairly enough their thematic contents. The sections are concerned with the problems of defining, appreciating, and evaluating works of (...) art, "Problems concerning Fiction, Metaphor, Belief, and Artistic Truth," the epistemological tangles surrounding Aesthetic Experience, and "The Nature of Aesthetics and Aesthetic Theories." The price is a bit steep for a paper cover book.--E. A. R. (shrink)

The market has been flooded for some time with introductory anthologies such as the present one. What this one has over most of the others is more pages with a competitive price. Twenty-eight of the eighty-three selections come from "classical" sources. Except for a brief selection from Tillich, the modern selections come from the analytical and proto-analytical tradition. A good many classic papers make their appearance; Margolis has not indulged himself in many idiosyncratic choices. The topic divisions are predictable: (...) Meaning and Perception, Mind-Body Problem, Knowledge and Certainty, Conduct and Values, God and Religious Language, Human Behavior and Physical Phenomena, and an introductory set of readings on Philosophical Inquiry. Margolis' section introductions of three or so pages provide concise orientation in the problem areas. Unannotated bibliographies are provided for each section.--E. A. R. (shrink)

With the exception of standard selections from Moore, Ross, and Prichard, "Contemporary" means post Frankena's "The Naturalistic Fallacy", with most of the selections coming from the literature of the last fifteen years. "Ethical Theory" means Anglo-American analytical ethics, with Frankena, Rawls, and Stevenson holding up the American end. The depth-coverage achieved is perhaps justification enough for such a single-minded approach, and Margolis has not wasted the advantages of his chosen framework by indulging in any idiosyncrasies; the papers are all (...) important because they provoked or significantly continued the twentieth-century discussion. Included are Austin's "Ifs and Cans," Rawls' "Justice as Fairness" and "Two Concepts of Rules," Hare's "'Ought' and Imperatives," and Hampshire's "Fallacies in Moral Philosophy." Other authors represented are Ryle, Nowell-Smith, Foot, Strawson, Hart, Peters, and Quinton. "Moore and Metaethics" and "Duty, Self-Interest, and Welfare" are the two main section groupings. Margolis has put some care into a well-ordered, seventeen page bibliography.—E. A. R. (shrink)

All’interno del dibattito sulla definizione filosofica della menzogna, alcuni autori hanno sostenuto che mentire è sempre sbagliato. Margolis, in particolare, ha espresso la tesi radicale secondo cui “mentire è moralmente sbagliato” è una tautologia. Nella prima parte dell’articolo introduco la tesi di Margolis, e ne difendo la plausibilità contro le semplificazioni che ha subito all’interno del dibattito filosofico, mostrando che l’applicazione condizionale del predicato “sbagliato” consente di trattare in modo adeguato alcune menzogne intuitivamente giustificabili. Nella seconda parte argomento (...) che, nonostante questo stratagemma, non è possibile difendere la tesi che “mentire è moralmente sbagliato” sia una tautologia, perché bisognerebbe assumere che “mentire è moralmente sbagliato” sia una condizione necessaria fra quelle che definiscono il concetto stesso di menzogna. Questo non è desiderabile perché, come dimostro nella parte finale del mio articolo, ogni definizione di menzogna che incorpori requisiti morali nelle sue condizioni necessarie é destinata a contraddire le intuizioni del senso comune su che cos’é una menzogna. La conclusione è che la tesi che “mentire è moralmente è sbagliato” è una tautologia non può essere difesa, se non al prezzo, troppo alto, di ridefinire in modo controintuitivo il significato del termine “menzogna”. (shrink)

Concepts: Core Readings traces the develoment of one of the most active areas of investigation in cognitive science. This comprehensive volume brings together the essential background readings on concepts from philosophy, psychology, and linguistics, while providing a broad sampling of contemporary research. The first part of the book centers around the fall of the Classical Theory of Concepts in the face of attacks by W.V.O. Quine, Ludwig Wittgenstein, Eleanor Rosch, and others, emphasizing the emergence and development of the Prototype Theory (...) and the controversies it spurred. The second part surveys a broad range of contemporary theories—Neoclassical Theories, the Prototype Theory, the Theory-Theory, and Conceptual Atomism. (shrink)

The point of Hegel's dissatisfaction with Kant -- Rethinking Peirce's fallibilism -- Pragmatism's future : a touch of prophecy.

This critical reader covers Joseph Margolis's controversial views of mind, truth, science, and reality, along with his revolutionary theories about culture, art, language, personhood, and morality.

The starting point of Joseph Margolis' last philosophical effort is represented by the problem of the human "gap" in animal continuity: "There appear to be no comparable variants of animal evolution [...] effected by anything like the culturally enabled creation". While we share with other animals more or less refined forms of societal life, acquiring a natural language remains a distinctively human character: although it is grounded in the completely natural favourable changes in the human vocal apparatus and brain, (...) the merely causal emergence of language in humans reacts back into human primates by transforming them into persons or selves. The artifactuality of persons appears to be at the same time a natural and emergent phenomenon, constituting the other side of the process of language acquisition both by early hominids and by human infants. In this perspective the largely informal, mongrel and approximate functionality of ordinary language is interpreted as a good tool for the cultural animal to cope with the world, while the collective dimension of human forms of life appears as the shared context of external and internal constitution of the human selves. (shrink)