A new English translation of Schelling’s unfinished magnum opus, complete with a contextualizing introduction by the translator.

Part novella, part philosophy, Clara was Schelling's most popular work during his lifetime, and appears here in English for the first time.

Correspondence and texts by Fichte and Schelling illuminate their thought and the trajectory of their philosophical falling out.

Schelling’s masterpiece investigating evil and freedom.

Schelling's first systematic attempt to articulate a complete philosophy of nature.

Schelling's 1806 polemic against Fichte, and his last major work on the philosophy of nature. The heat of anger can concentrate the mind. Convinced that he had been betrayed by his former collaborator and colleague, Schelling attempts in this polemic to reach a final reckoning with Fichte. Employing the format of a book review, Schelling directs withering scorn at three of Fichte’s recent publications, at one point likening them to the hell, purgatory, and would-be paradise of Fichtean (...) philosophy. The central bone of contention is the understanding of nature: Fichte sees it as lifeless matter in motion, sheer opposition to be overcome, while Schelling waxes poetic in his defense of a living, organic nature of which humanity is a vital part. Indeed, we do not know ourselves without understanding our connection to nature, argues Schelling, anticipating many thinkers in contemporary environmental ethics. Dale E. Snow’s introduction sets the stage and explains the larger context of the conflict, which was already visible in the correspondence of the two philosophers, which broke off by 1802. Notes are included throughout the text, providing background information and identifying the many references to Fichte. Dale E. Snow is Associate Professor of Philosophy at Loyola University of Maryland and the author of Schelling and the End of Idealism, also published by SUNY Press. (shrink)

This is an English translation of Schelling's Ideas for a Philosophy of Nature, one of the most significant works in the German tradition of philosophy of nature and early nineteenth-century philosophy of science. It stands in opposition to the Newtonian picture of matter as constituted by inert, impenetrable particles, and argues instead for matter as an equilibrium of active forces that engage in dynamic polar opposition to one another. In the revisions of 1803 Schelling incorporated this dialectical view (...) into a neo-Platonic conception of an original unity divided upon itself. The text is of more than simply historical interest: its daring and original vision of nature, philosophy, and empirical science will prove absorbing reading for all philosophers concerned with post-Kantian German idealism, for scholars of German Romanticism, and for historians of science. (shrink)

On the History of Modern Philosophy is a key transitional text in the history of European philosophy. In it, F. W. J. Schelling surveys philosophy from Descartes to German Idealism and shows why the Idealist project is ultimately doomed to failure. The lectures trace the path of philosophy from Descartes through Spinoza, Leibniz, Kant, Fichte, Jacobi, to Hegel and Schelling's own work. The extensive critiques of Hegel prefigure many of the arguments to be found in Feuerbach, Kierkegaard, Marx, (...) Nietzsche, Heidegger, and Derrida. This is the first English translation of On the History of Modern Philosophy. In his introduction Andrew Bowie sets the work in the context of Schelling's career and clarifies its philosophical issues. The translation will be of special interest to philosophers, intellectual historians, literary theorists, and theologians. (shrink)

Appearing in English for the first time, Schelling’s 1842 lectures develop the idea that many philosophical concepts are born of religious-mythological notions.

Makes Schelling’s dialogue Bruno readily accessible to the English-language reader, with valuable commentary on the work itself, which details Schelling’s account of his differences from Fichte.

These notebooks were written during the years that F. W. J. Schelling spent as a student at the Tübinger Stift (1790–1795). From dates written by Schelling in the margins, we can surmise that the first portion (AA II/4: 15–28) was begun in August of 1792, and the latter portion (AA II/5: 133–142) was written in early 1794. To this latter portion is appended a substantial work, Schelling’s Timaeus-commentary, which is not included in the present translation. It appeared (...) as “Timaeus (1794)” (translated by Adam Arola, Jena Jolissaint, Peter Warnek) in Epoché 12: 2. These notebooks offer a window into Schelling’s philosophical development and proclivities, in light of his engagement with various Platonic dialogues, most notably the Ion, Theaetetus, Meno, Timaeus, and Philebus. They include discussions of divine power, rapture, and genius, especially as these relate to poetry, prophecy, and ordinary forms of human knowledge. These topics are discussed in the first portion (AA II/4: 15–25). In the latter portion, Schelling discusses myth, its function and relation to human greatness, Socrates’s daimonion, and the authority of tradition (AA II/4: 25–28; II/5: 133–142). (shrink)

Traduçáo do original alemáo: Schelling, F. W. J. "Einleitung zu dem Entwurf eines Systems der Naturphilosophie oder über den Begriff der speculativen Physik und die innere Organisation eines Systems dieser Wissenschaft". In: Schelling, K. F. A. (Org.). Sämmtliche Werke. 14 Bdn. 1 Abt. I-X; 2 Abt. I-IV, Stuttgart/Augsburg: Cota, 1856-1861.

English summary: Schelling's Die Weltalter was frequently announced as ready for publication, but little of the book was ever written. Schelling planned Die Weltalter as a volume in three parts, describing the past, present, and future of the world; however, he began only the first part, rewriting it several times and at last keeping it unpublished. The other two parts were left only in planning. French text.French description: « Commencé seulement les Ages du monde ». Cette note que (...) Schelling consigne dans son Tagebuch à la date du 27 décembre 1810 donne le coup d'envoi d'un des projets les plus grandioses qu'un philosophe se soit proposé, retracer sur la base de concepts philosophiques les étapes de la vie divine et de la création. S'il est vrai, comme le disait Novalis, que « vouloir écrire une Bible est un penchant à la folie que tout homme doit avoir pour être complet », cette grande fresque cosmique et théologique représente la tentative la plus magistrale qu'ait menée l'idéalisme allemand pour rendre compte de la totalité de la manifestation divine et en proposer une présentation effective et complète. Or, dans la dernière version de l'ouvrage, celle-là même que Schelling fit introduire dans ses Sammtliche Werke et dont nous donnons ici une nouvelle traduction dans la continuité de celle des brouillons de 1811 et 1813, le récit et la construction spéculative cherchent encore à atteindre un point d'équilibre. Un double effort pour implanter la succession au coeur même de l'Absolu tout en équilibrant en Dieu les rapports de l'idéal et du réel prépare l'avènement d'une philosophie historique sans ue l'on débouche jamais tout à fait sur une hétérogénéité radicale de l'être et du penser. Ainsi, à travers cette description du passé le plus archaïque, Schelling met pour la première fois effectivement la philosophie en possession de ce qu'elle recherche depuis toujours : « la science, c'est-à-dire l'histoire ». (shrink)