The divisions that mark my subject are three. The first is that point where the world begins--where it appears from out of the mystery of non-being. The second lies somewhere between its progeny and its future--the times between beginnings and ends where we, the beneficiaries of our being-here, come together to sing a celebration of the wonder that it happened at all, and then intone the fear of its ending. The third division is a speculation on ends--our own and the (...) ending of the world. I use these divisions to locate a something that comes from nothing onto a historical tradition that imposes a value on the progression of that something, and so requires a judgment on all that has passed. I first discuss these through religious attempts to invest life and history with purpose--for they form the major explanatory traditions of Western culture and are a thematic source of much of its greatest art. I continue with an art-critical approach where themes of process and purpose are located in artworks through their stylistic histories and ambitions. I indicate how present art, when open to reconstitute such themes, could change the nature of today's efforts to give art polemical purposes, and so provide new reasons for its making. I conclude with some stories, unevenly biographical, partly fictional, which I offer as parables for the developed themes and their transformations. This last aim is to elucidate a view of art as providing specific symbols for a cosmology of beginning, living, and ending. (shrink)

In Aesthetic Legacies, Lucian Krukowski traces the influence of three nineteenth-century theories of art through twentieth-century modernism and into the postmodernist present. Following the theories of Kant, Schopenhauer, and Hegel, Krukowski first discusses how each philosopher locates the aesthetic within the framework of the philosophical system. He then identifies each theory through a dominant theme and traces the transformations of these themes into later thought and practice. The Kantian legacy originates in the theme of beauty and continues (...) through an examination of aesthetic taste into the modernist concern with artistic form. Schopenhauer's legacy moves from the dynamics of will into the themes of creative expression and artistic intentionality. Hegel's identification of art as a symbol of spirit's evolution is traced through the themes of artistic progress and cultural criticism. Krukowski interprets late modernism as a period in which the continuing transformation of aesthetic themes is arrested and congeals into dogma. This precipitates the reaction we now call postmodernism. The author first examines postmodernism through its various rejections of modernist dogma and, in the book's concluding section, evokes the alternative ideologies and practices that characterize present-day art. (shrink)

INTRODUCTION This book is on the relationship between certain theories or " concepts" about art and particular periods ...

Krukowski, a painter/philosopher, tries to understand postmodern art and then speculates about what post-postmodern art will be. He gives a valuable account of the roots of modernism in 19th C philosophy and of its slide into skepticism about art serving any epistemic function. Postmodern aesthetics though is just an inconsistent mix of modernist ideas and their opposites. Postmodern artists believed themselves creative only by coming up with a work, or an idea, unconnected to modernism. Post-postmodernists will likely do the (...) same to postmodernism since they too are constrained to deny any purpose or progress in art. In that case, Krukowski thinks, art will remain local and marginal, or end altogether. (In the sequel most artists now ignore the philosophical conundrum and get on with producing works, sometimes playful, sometimes deep, sometimes beautiful. This 21st C eclecticism is a welcome respite from the theory wars.). (shrink)

All these extracts are linked by his general epistemology, especially his distinction between two types of knowledge: ‘paradisiac’ or Type 1, which is that of everyday awareness and the current methods, concepts and presuppositions of the sciences of nature and humanity, plus mathematics and philosophy, and accumulates in ‘plus knowledge’ and resolves problems in standard ways; and ‘Luciferican’ or Type 2, which opens up the ‘mysteries’ of new realms of reality which do not fit the current methods, concepts and presuppositions, (...) and so results in ‘minus’ knowledge, the awareness that there are things which at the moment we cannot understand. For these ‘mysteries’ new methods, concepts and presuppositions are required, which ‘abyssal’ categories can supply, ones below those we normally employ and may be aware of. It is part of man’s role in the cosmos to reveal such mysteries.. (shrink)

The Hermotimus is Lucian’s longest piece of writing, surpassing even the two books of the True Tales, and at the same time his most successful effort to recreate the style and atmosphere of a Platonic dialogue, filled with a new—and for Lucian uncharacteristically serious—content, namely a sustained attack on “dogmatic” philosophical schools (the “haireseis” of its subtitle) and, inversely, a ringing endorsement of the tenets of Pyrrhonian Scepticism.... (review at BMCR).

As Roger Ariew shows, one of the most fascinating challenges for the authors trying to create a Cartesian complete course on philosophy was coming up with a Cartesian Logic based on the existing texts of the master. Were the few simple rules from the Discourse on Method the "logic" of Descartes? Were the Rules for the Direction of the Mind "logic"? How can we even have a logic without syllogism? When looking at the authors studied by Ariew one finds that (...) the best that they could come up was adding some Cartesian elements on what remains basically a traditional Aristotelian Logic. It seems that there was no Cartesian Logic after all.I want to show here that Cartesian Logic is something else, not exactly... (shrink)

Although David Mitrany’s international thought is not usually associated with the concept of the international anarchy, I argue that his analysis actually compares two forms of anarchical order. The first form is the order associated with the relations between states, while the second is his functional alternative to this order. The functional approach is anarchical in the sense that it remains an order without an orderer. In first analysing the dynamics and failings of the inter-state order, and then suggesting pragmatic (...) process-orientated solutions to those failings, I argue that Mitrany follows a similar approach to his classical realist contemporaries. (shrink)

There is an interesting historical detour in the dissemination of one of the seventeenth century’s most praised discoveries: the reception of Harvey’s account of the circulation of the blood is closely intertwined, especially in the Low Countries, with Descartes’ account of the origin of the heartbeat. Descartes was one of the first figures to support the circulation of the blood and to give credit to Harvey for it, although he presumably arrived at the same conclusion independently through his own anatomical (...) experiments. He did so while vocally rejecting Harvey’s views on the muscular nature of the heart and his explanation of cardiac motion, to promote his own mechanistic solutions instead. Although Descartes’ .. (shrink)

This book is written for middle and high school students, for teachers and for those with a passion for math, containing 150+1 problems (which are followed by solutions) to make it more accessible to the reader. The last problem (150+1), a very interesting one, leaves some space for comments and generalizations. The book is a collaboration between a multi-awarded student at Romania’s National Mathematics Olympiad (Carina Maria Viespescu, student in year 10 at Liceul International of Informatics Bucuresti), a teacher from (...) Colegiul National “Fratii Buzesti” din Cravoia and prof. Dr. Emeritus Florentin Smarandache from the University of New Mexico. A couple of problems are proposed by colleagues, and their names indicated in footnotes. (shrink)

In “On the Abolition of All Political Parties,” Simone Weil poses the hypothetical predicament of a person who is intent on solving highly complex mathematical problems but is flogged every time the answer he arrives at is an even number. The person will oscillate between his genuine desire for the truth and the painful cries of his body. “[I]nevitably,” Weil writes, “he will make many mistakes—even if he happens to be very intelligent, very brave and deeply attached to the truth.” (...) She then asks: “What should he do?” Weil’s answer may surprise many readers, even though she claims it is “simple.” If possible, “he must run away” from those who wield the whip. It would have been best, she avers, had he avoided these associations in the first place. Elsewhere in her writings, Weil openly endorses the argument for the lesser evil, justifying active, potentially violent, resistance instead of a pacifist ethic of refusal. This essay analyses the tension between Weil’s ethic of “running away” and her acceptance of the lesser evil. (shrink)

These manifestos for the future of world thought offer a uniquely global outlook by incorporating forceful examples from both western and non-western regions and placing important movements of western and non-western societies into a theoretical dialogue.

As forças pessoais/de caráter são as características psicológicas positivas que se refletem nos pensamentos, sentimentos e comportamentos. Esse artigo objetivou descrever as forças pessoais/de caráter mais prevalentes em 60 profissionais de Tecnologia da Informação e comparar quatro grupos distintos nos cargos de Atendimento e Suporte Técnico, Desenvolvedor de Software, Gestor e Líder Técnico em um Parque Tecnológico do Sul do Brasil. Estudo com delineamento quantitativo, descritivo, comparativo e transversal com aplicação online de um Questionário Sócio Demográfico e Laboral e da (...) Escala das Forças de Caráter. As forças mais prevalentes são a imparcialidade, a curiosidade, a bondade, o pensamento crítico e o amor ao aprendizado. As forças com menor prevalência são a apreciação do belo, a espiritualidade, o perdão, a inteligência social e a sensatez. As implicações práticas sugerem que as características psicológicas positivas sejam fortalecidas em processos de desenvolvimento pessoal e profissional dos trabalhadores de TI no âmbito organizacional. (shrink)

Responding to the co-production of screen seriality and human subjectivity within contemporary machine cultures and economies of excess, this article examines televisual affect and proposes concepts that address the languages, components and processes of particular televisual subjectivities. Discussions focus on science fiction fantasy series Farscape – a space odyssey fascinated with biotechnological evolution and mutative consciousness. This article aims to invigorate and extend the critical analysis of contemporary televisual affect, taking up questions and methodologies from Félix Guattari’s machinic ontology and (...) Georges Bataille’s formulation of a sacrificial economy to address the conditions of consumption–production relevant to television today. (shrink)

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Developments in both China and Russia are a challenge to political science, and more particularly to theories of political culture. Both countries are engaged in profound processes of transition involving the abandonment of totalitarianism and the adoption of market-based economies. It is, however, far from clear what form their political systems will eventually take. They are currently following strikingly different paths. Are the differences a reflection of their distinctive cultures? Or, are the differences more structural, a manifestation of their respective (...) stages of economic and social development? Or, are they merely the consequences of the idiosyncratic choices and policy decisions of the two leaderships? (shrink)