Results for 'James Diggle'

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  1.  15
    Notes on the Cyclops of Euripides1.James Diggle - 1971 - Classical Quarterly 21 (1):42-50.
    The pluralis inapposite, sinceωμος applied to a band of revellers is a collective noun and, however many times the band accompanied Dionysus, it is still the sameωμος and not a plurality ofωμοι. Dobree's and Bothe's κμοις must face the same objection, unless it is understood as ‘songs’, in which case it becomes a feeble anticipation of οιδις in 40. Florens Christianus' κμοί is negligible. Porson suggested κμωι but left it unclear whether he interpreted Bακχίωι as adjective or noun. Bάκχιος is (...)
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  2.  19
    On the Manuscripts and Text of Euripides, Medea: II. The Text1.James Diggle - 1984 - Classical Quarterly 34 (1):50-65.
    νδνουϲα μν Φυγι πολιτν ν Φκετο θόνα, ατ τε πάνταξυμΦέρουϲ' 'Iάϲονι. 12 πολιτν Π1 codd. et Σ bv: πολίταιϲ V3, sicut coni. Barnes θονοϲ Π1 gE; δ Stob. 4. 22. 30 The two Sophoclean passages by which Page supports his plea that 'πολιτν stands for πολίταιϲ…, being attracted by the following ν into the genitive case’ do not inspire much confidence, since both are capable of being explained differently. Further, as a recent writer has remarked, ‘on cherche en vain la (...)
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  3.  7
    Five Late Manuscripts of Euripides, Hippolytus.James Diggle - 1983 - Classical Quarterly 33 (01):34-.
    Barrett has given a brief account of the affiliations of Hn with the manuscripts which he has collated. He derives his information about the readings of Hn from the reports of nineteenth-century editors, and he does not report this manuscript in his apparatus criticus. He concludes that ‘In three instances Haun. has the truth, or an approximation to it, where the rest of our tradition is at fault … in each case the reading can be accounted for as a lucky (...)
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  4.  19
    A Note on Achilles Tatius.James Diggle - 1972 - The Classical Review 22 (01):7-.
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  5.  18
    A Transposition in the Choephori.James Diggle - 1970 - The Classical Review 20 (03):267-269.
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  6.  5
    Aelian, Varia Historia 5.5.James Diggle - 1999 - Classical Quarterly 49 (02):641-.
    This translation of καì ατɂυ υπŵυτα gives the sense we need. But the words mean something different: ‘and it too was dirty ’. Cf. VH 12.1 πευομέυη δέ ༐καì τρεøομέυη ὑπɂ πατρì καì ατŵι πέυητι . See LSJ ατóc 1.8, KG 1.653.
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  7.  24
    David Seale: Vision and Stagecraft in Sophocles. Pp. 269. London: Croom Helm, 1982. £15.95.James Diggle - 1983 - The Classical Review 33 (02):312-.
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  8.  11
    David Seale: Vision and Stagecraft in Sophocles. Pp. 269. London: Croom Helm, 1982. £15.95.James Diggle - 1983 - The Classical Review 33 (2):312-312.
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  9.  27
    Euripides, Bacchae 68–70.James Diggle - 1967 - The Classical Review 17 (03):261-262.
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  10.  6
    Euripides, Heraclidae 147–50.James Diggle - 1977 - Classical Quarterly 27 (01):236-.
    The Argive herald is dissuading the king from championing the cause of his petitioners. ‘It is either because they have detected some stupidity that they have come here to you, or because, being in a hopeless position, they are just chancing their arm to see whether or not . For I doubt if they expect that, in your right senses, you would, etc’ For the alleged impersonal use of editors can quote only two passages of Aeschylus, which I transcribe from (...)
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  11.  29
    Euripides, Hippolytus 88–89.James Diggle - 1967 - The Classical Review 17 (02):133-134.
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  12.  33
    Greek Metre M. L. West: Greek Metre. Pp. xiv+208. Oxford: Clarendon Press, 1982.£15.James Diggle - 1984 - The Classical Review 34 (01):66-71.
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  13.  34
    Hans-Ulrich Gösswein: Die Briefe des Euripides. (Beiträge zur klassischen Philologie, 55.) Pp. 142. Meisenheim am Glan: Anton Hain, 1975. Paper, DM.34.James Diggle - 1977 - The Classical Review 27 (1):105-105.
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  14.  16
    Juvenal 8. 220.James Diggle - 1974 - The Classical Review 24 (02):183-184.
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  15.  6
    Notes on fragments of Euripides1.James Diggle - 1997 - Classical Quarterly 47 (01):98-.
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  16.  1
    Notes on fragments of Euripides.James Diggle - 1997 - Classical Quarterly 47 (1):98-108.
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  17.  21
    Notes on Greek lyric Poets.James Diggle - 1970 - The Classical Review 20 (01):5-6.
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  18.  9
    Notes on Ovid's Tristia, Books I–II.James Diggle - 1980 - Classical Quarterly 30 (02):401-.
    When I refer to ‘modern editors’ I mean the following: S. G. Owen, who edited the Tristia thrice and produced a small commentary on the first book and a large one on the second ; C. Landi ; R. Ehwald-Fr. W. Levy ; A. L. Wheeler ; J. André ; Georg Luck, 1968–72, 1977 ).
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  19.  12
    Notes on Ovid's Tristia, Books I–II.James Diggle - 1980 - Classical Quarterly 30 (2):401-419.
    When I refer to ‘modern editors’ I mean the following: S. G. Owen, who edited the Tristia thrice and produced a small commentary on the first book and a large one on the second ; C. Landi ; R. Ehwald-Fr. W. Levy ; A. L. Wheeler ; J. André ; Georg Luck, 1968–72, 1977 ).
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  20.  5
    Notes on seven passages of plutarch's lives.James Diggle - 2021 - Classical Quarterly 71 (1):454-458.
    This article discusses the text and interpretation of passages in Plutarch's Lives of Romulus, Agis and Cleomenes, Pericles, Brutus, Marcellus, Alexander and Marius.
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  21.  3
    Notes on the Heraclidae of Euripides.James Diggle - 1972 - Classical Quarterly 22 (02):241-.
    I start at the end. Iolaus appeals to Demophon : ‘become their kinsman, friend, father, brother, master: all this is better than falling into the hands of the Argives.’ One should hope so. When Pearson comments ‘: i.e. submission to Demophon is better than subjection by the Argives. The remark is prompted by , the climax of the preceding appeal’, he is unconsciously repeating what had been said by Herwerden, R.Ph. N.S. xvii , 236: ‘manifestum est ad solum referri posse, (...)
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  22.  7
    Notes on the Heraclidae of Euripides.James Diggle - 1972 - Classical Quarterly 22 (2):241-245.
    I start at the end. Iolaus appeals to Demophon : ‘become their kinsman, friend, father, brother, master: all this is better than falling into the hands of the Argives.’ One should hope so. When Pearson comments ‘: i.e. submission to Demophon is better than subjection by the Argives. The remark is prompted by, the climax of the preceding appeal’, he is unconsciously repeating what had been said by Herwerden, R.Ph. N.S. xvii, 236: ‘manifestum est ad solum referri posse, nam praegressa (...)
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  23.  13
    Notes on The Iohannis of Corippus.James Diggle - 1968 - Classical Quarterly 18 (1):132-141.
    It has been the fate of Corippus' Iohannis to survive in one manuscript, the fourteenth-century Trivultianus, and to find one competent editor. The first edition of the Iohannis was published in 1820 by P. Mazzucchelli. It contained a few notes, in content mainly geographical and ethnographical and useless for the interpretation of the text; it remains the only commentary in existence.
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  24.  5
    Notes on the Text of Ovid, Heroides.James Diggle - 1967 - Classical Quarterly 17 (1):136-144.
    This couplet has escaped critical attention, even though it contains two anomalies. First the combination ut iam has lost its normal meaning ‘even granted that’ and must be split into its two elements and iam translated as though it were tandem. Second, the reflexive adjective is used in a dependent clause to refer to the subject of the main-clause verb: though there is no reason why Ovid should not have used this licence for metrical convenience.
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  25.  11
    Notes on the Text of Ovid, Heroides.James Diggle - 1967 - Classical Quarterly 17 (01):136-.
    This couplet has escaped critical attention, even though it contains two anomalies. First the combination ut iam has lost its normal meaning ‘even granted that’ and must be split into its two elements and iam translated as though it were tandem. Second, the reflexive adjective is used in a dependent clause to refer to the subject of the main-clause verb: though there is no reason why Ovid should not have used this licence for metrical convenience.
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  26.  12
    Notes on The Iohannis of Corippus.James Diggle - 1968 - Classical Quarterly 18 (01):132-.
    It has been the fate of Corippus' Iohannis to survive in one manuscript, the fourteenth-century Trivultianus, and to find one competent editor. The first edition of the Iohannis was published in 1820 by P. Mazzucchelli. It contained a few notes, in content mainly geographical and ethnographical and useless for the interpretation of the text; it remains the only commentary in existence.
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  27.  21
    Notes on the text of Sophocles' Philoctetes.James Diggle - 1966 - The Classical Review 16 (03):262-263.
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  28.  18
    Notes on the Agamemnon_ and _Persae of Aeschylus.James Diggle - 1968 - The Classical Review 18 (01):1-4.
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  29.  22
    On the Manuscripts and Text of Euripides, Medea.James Diggle - 1983 - Classical Quarterly 33 (02):339-.
    Murray's edition of Medea made use of five manuscripts: BAVLP. Page added a sixth, the Jerusalem palimpsest, H. But Medea is preserved in six more manuscripts , which Murray and Page cite rarely or never. I investigate here the value and affiliations of these six and of a fragmentary seventh , which they do cite. The seven manuscripts are: O , late twelfth century2 C , fourteenth century; lacks 880–4, 1050 to the end3 D , fourteenth century4 E , early (...)
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  30.  9
    On the Manuscripts and Text of Euripides, Medea.James Diggle - 1983 - Classical Quarterly 33 (2):339-357.
    Murray's edition ofMedea(1902) made use of five manuscripts: BAVLP. Page (1938) added a sixth, the Jerusalem palimpsest, H. ButMedeais preserved in six more manuscripts (I do not count apographs), which Murray and Page cite rarely or never. I investigate here the value and affiliations of these six and of a fragmentary seventh (F), which they do cite. The seven manuscripts are:O (Florence, Bibl. Laurenziana, 31. 10), late twelfth century2C (Vatican, Vaticano greco 910), fourteenth century; lacks 880–4, 1050 to the end3D (...)
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  31.  24
    On the Orestes of Euripides.James Diggle - 1990 - Classical Quarterly 40 (01):100-.
    I cite manuscripts from my own collations. Information about most of these manuscripts, and explanation of the symbols by which I designate them, may be found in A. Turyn, The Byzantine Manuscript Tradition of the Tragedies of Euripides , K. Matthiessen, Studien zur Textüberlieferung der Euripideischen Hekabe , and D. J. Mastronarde and J. M. Bremer, The Textual Tradition of Euripides' Phoinissai . I shall discuss the affiliations and the relative value of these manuscripts on a later occasion. For the (...)
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  32.  29
    Song and Dance T. B. L. Webster: The Greek Chorus. Pp. xiv+223; 14 plates. London: Methuen, 1970. Cloth, £2 50.James Diggle - 1972 - The Classical Review 22 (02):230-231.
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  33.  8
    Tibullus 2.1.45–6 and 'amplificatory pleonasm'.James Diggle - 2005 - Classical Quarterly 55 (02):642-643.
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  34.  1
    Two Conjectures in Plato (Laches 183e, Sophist 261a).James Diggle - 2020 - Hermes 148 (3):381.
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  35.  2
    Two Conjectures in Apollonius Rhodius (1.723, 2.165).James Diggle - 2020 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 164 (2):348-350.
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  36.  18
    The Classical Text.James Diggle - 1977 - The Classical Review 27 (01):85-.
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  37.  18
    Three-Word Trimeters.James Diggle - 1985 - The Classical Review 35 (01):12-.
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  38.  21
    The teubner andromache.James Diggle - 1981 - The Classical Review 31 (01):4-.
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  39.  16
    The Transmission of Euripides.James Diggle - 1971 - The Classical Review 21 (01):19-.
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  40.  1
    Ucalegon (verg. Aen. 2.311–12) and other burning neighbours.James Diggle - 2020 - Classical Quarterly 70 (2):904-905.
    Verg. Aen. 2.311–12 iam proximus ardet | Vcalegon. This striking phrase is twice echoed, as commentators observe. The burning neighbour Ucalegon reappears in Juv. 3.198–201 iam poscit aquam, iam friuola transfert | Vcalegon … | ultimus ardebit quem …. And the words proximus ardet reappear in Hor. Epist. 1.18.84 paries cum proximus ardet.
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  41.  22
    Varia Phaethonter: three critical notes.James Diggle - 1967 - The Classical Review 17 (02):136-.
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  42.  32
    W. Biehl: Euripides, Orestes. Pp. lxi + 158. Leipzig: Teubner, 1975. Cloth.James Diggle - 1978 - The Classical Review 28 (02):343-344.
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  43.  23
    Xenophon, Memorabilia ii. 1. 24.James Diggle - 1967 - The Classical Review 17 (03):262-.
  44.  1
    Euripidis Fabulae ii.David Kovacs, J. Diggle & James Diggle - 1984 - American Journal of Philology 105 (2):236.
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  45.  39
    Aeschylus' Supplices H. Friis Johansen and Edward W. Whittle (edd.): Aeschylus The Suppliants. 3 vols. Pp. 120, 517, 480. Copenhagen: Gyldendal, 1980. Dan. Kr. 750. [REVIEW]James Diggle - 1982 - The Classical Review 32 (02):127-134.
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  46.  18
    Aeschylean Theatre Oliver Taplin: The Stage craft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy. Pp. 508. Oxford: Clarendon Press, 1977. £20. [REVIEW]James Diggle - 1979 - The Classical Review 29 (02):206-209.
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  47.  22
    B. Schartau: Codices Graeci Haunienses. Ein deskriptiver Katalog des griechischen Handschriftenbestandes der Königlichen Bibliothek Kopenhagen. (Danish Humanist Texts and Studies, 9.) Pp. 615; 40 plates. Copenhagen: Museum Tusculanum Press, 1994. DKr 500. [REVIEW]James Diggle - 1996 - The Classical Review 46 (1):170-170.
  48.  18
    David Bain: Masters, Servants and Orders in Greek Tragedy: A Study of some Aspects of Dramatic Technique and Convention. (Publications of the Faculty of Arts of the University of Manchester, 26.) Pp. vi + 73. Manchester: Manchester University Press, 1981. £12.50. [REVIEW]James Diggle - 1983 - The Classical Review 33 (01):127-.
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  49.  17
    David Bain: Masters, Servants and Orders in Greek Tragedy: A Study of some Aspects of Dramatic Technique and Convention. (Publications of the Faculty of Arts of the University of Manchester, 26.) Pp. vi + 73. Manchester: Manchester University Press, 1981. £12.50. [REVIEW]James Diggle - 1983 - The Classical Review 33 (1):127-127.
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  50.  37
    E. Flores: Elementi critici di critica del testo ed epistemologia. Pp. 107. Naples: Loffredo, 1998. Paper, L. 22,600. ISBN: 88-8096-564-6. [REVIEW]James Diggle - 2000 - The Classical Review 50 (1):315-316.
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