Our existence is increasingly lived at a distance. As we move from flesh to image, we are in danger of losing touch with each other and ourselves. How can we combine the physical with the virtual, our embodied experience with our global connectivity? How can we come back to our senses? Richard Kearney offers a timely call for the cultivation of the basic human need to touch and be touched. He argues that touch is our most primordial sense, (...) foundational to our individual and common selves. Kearney explores the role of touch, from ancient wisdom traditions to modern therapies. He demonstrates that a fundamental aspect of touch is interdependence, its inherently reciprocal nature, which offers a crucial corrective to our fixation with control. Making the case for the complementarity of touch and technology, this book is a passionate plea to recover a tangible sense of community and the joys of life with others. (shrink)

What is Imagination? What is the relationship between aesthetics and ethics in a contemporary civilization dominated by the image? How can we reconcile the right to imagine with the right to justice? Are the claims of artistic creativity and moral responsibility compatible? With an extended foreword and an afterword chapter, and fascinating new material on the narrative imagination, Poetics of Imagining: Modern to Post-modern provides a critically developed and accessible account of the major theories of imagination in modern European thought. (...) It analyses and assesses the decisive contributions made to our understanding of the imaginary life by phenomenology (Husserl, Sartre, Merleau-Ponty, Bachelard), hermeneutics (Heidegger, Ricoeur), and post-modernism (Vattima, Kristeva, Lyotard). Richard Kearney achieves this with a coherent and committed approach, which displays his own passionate concern for the claims of imagination in our post-modern world of fragmentation and fracture. This is essential reading for those interested in current leading debates on the role of imagining in continental philosophy, ethics, psychoanalysis, art theory and literary criticism. (shrink)

Contemporary conversations about religion and culture are framed by two reductive definitions of secularity. In one, multiple faiths and nonfaiths coexist free from a dominant belief in God. In the other, we deny the sacred altogether and exclude religion from rational thought and behavior. But is there a third way for those who wish to rediscover the sacred in a skeptical society? What kind of faith, if any, can be proclaimed after the ravages of the Holocaust and the many religion-based (...) terrors since? Richard Kearney explores these questions with a host of philosophers known for their inclusive, forward-thinking work on the intersection of secularism, politics, and religion. An interreligious dialogue that refuses to paper over religious difference, these conversations locate the sacred within secular society and affirm a positive role for religion in human reflection and action. Drawing on his own philosophical formulations, literary analysis, and personal interreligious experiences, Kearney develops through these engagements a basic gesture of hospitality for approaching the question of God. His work facilitates a fresh encounter with our best-known voices in continental philosophy and their views on issues of importance to all spiritually minded individuals and skeptics: how to reconcile God's goodness with human evil, how to believe in both God and natural science, how to talk about God without indulging in fundamentalist rhetoric, and how to balance God's sovereignty with God's love. (shrink)

Strangers, Gods and Monster is a fascinating look at how human identity is shaped by three powerful but enigmatic forces. Often overlooked in accounts of how we think about ourselves and others, Richard Kearney skillfully shows, with the help of vivid examples and illustrations, how the human outlook on the world is formed by the mysterious triumvirate of strangers, gods and monsters. Throughout, Richard Kearney shows how strangers, gods and monsters do not merely reside in myths (...) or fantasies but constitute a central part of our cultural unconscious. Above all, he argues that until we understand better that the Other resides deep within ourselves, we can have little hope of understanding how our most basic fears and desires manifest themselves in the external world and how we can learn to live with them. (shrink)

This book proposes a way to think and speak about God in and through our contemporary, secular society, bridging the theist/atheist divide by considering the divine through the lens of aesthetics. It represents a timely contribution to Continental philosophy of religion that includes some of the most respected and important voices in the field.

Engaging some of the most recent and more urgent issues in the philosophy of religion today, in this lively book Richard Kearney proposes that instead of thinking of God as "actual," God might best be thought of as the possibility of the ...

Stories offer us some of the richest and most enduring insights into the human condition and have preoccupied philosophy since Aristotle. On Stories presents in clear and compelling style just why narrative has this power over us and argues that the unnarrated life is not worth living. Drawing on the work of James Joyce, Sigmund Freud's patient 'Dora' and the case of Oscar Schindler, Richard Kearney skilfully illuminates how stories not only entertain us but can determine our lives (...) and personal identities. He also considers nations as stories, including the story of Romulus and Remus in the founding of Rome. Throughout, On Stories stresses that, far from heralding the demise of narrative, the digital era merely opens up new stories. (shrink)

This book explores this question and argues how by accepting that we know nothing about God, we can rediscover an absent holiness in our lives and reclaim an everyday divinity.

With his remarkable range of vision, the author takes us on a voyage of discovery that leads from Eden to Fellini, from paradise to parody - plotting the various models of the imagination as: Hebraic, Greek, medieval, Romantic, existential and post-modern.

With his remarkable range of vision, the author takes us on a voyage of discovery that leads from Eden to Fellini, from paradise to parody - plotting the various models of the imagination as: Hebraic, Greek, medieval, Romantic, existential and post-modern.

This article explores the crisis of narrative in contemporary culture. It begins by examining the challenge represented by the mass media for the continuing art of storytelling. Taking up Walter Benjamin’s warning that we are moving from an age of narrative experience to an age of instant information, it analyses the implications of the post‐modern ‘cult of simulation’ for education, historiography and ethics. The paper concludes by advocating a critical hermeneutic approach as the most apt response to this contemporary dilemma. (...) Only by means of such hermeneutic retrieval, inspired by the work of Ricoeur and Gadamer, can we avoid the current reduction of temporal experience to a ‘depthless present’ without past or future, thereby reaffirming the crucial narrative dimensions of historical memory and hope. (shrink)

With his remarkable range of vision, the author takes us on a voyage of discovery that leads from Eden to Fellini, from paradise to parody - plotting the various models of the imagination as: Hebraic, Greek, medieval, Romantic, existential and post-modern.

Introduction Why philosophize about imagination? Why turn one of the great gifts of human existence into an object of intellectual interrogation? ...

What is strange? Or better, who is strange? When do we encounter the strange? We encounter strangers when we are not at home: when we are in a foreign land or a foreign part of our own land. From Freud to Lacan to Kristeva to Heidegger, the feeling of strangeness--das Unheimlichkeit--has marked our encounter with the other, even the other within our self. Most philosophical attempts to understand the role of the Stranger, human or transcendent, have been limited to standard (...) epistemological problems of other minds, metaphysical substances, body/soul dualism and related issues of consciousness and cognition. This volume endeavors to take the question of hosting the stranger to the deeper level of embodied imagination and the senses. This volume plays host to a number of encounters with the strange. It asks such questions as: How does the embodied imagination relate to the Stranger in terms of hospitality or hostility? How do we distinguish between projections of fear or fascination, leading to either violence or welcome? How do humans "sense" the dimension of the strange and alien in different religions, arts, and cultures? How do the five physical senses relate to the spiritual senses, especially the famous "sixth" sense, as portals to an encounter with the Other? Is there a carnal perception of alterity, which would operate at an affective, prereflective, preconscious level? What exactly do "embodied imaginaries" of hospitality and hostility entail, and how do they operate in language, psychology, and social interrelations? And what, finally, are the topical implications of these questions for an ethics and practice of tolerance and peace? (shrink)

Questioning Ethics is a major discussion by some of world's leading thinkers of some of the most important ethical issues confronting us today. New essays including Habermas, MacIntyre, Ricoeur and Kristeva discuss issues such as the nature of politics, women's rights, lying, repressed memory, historical debt and forgiveness, the self and responsibility, revisionism, bioethics and multiculturalism. The contributors organize their discussions along the topics of hermeneutics, deconstruction, critical theory, psychoanalysi and the applications of ethics. Also included in this collection is (...) an interview with Jacques Derrida which provides the most accessible insight into his thinking. Contributors: Karl-Otto Apel, Geoffrey Barash, John Caputo, Maeve Cooke, Simon Critchley, Jacques Derrida, Simon Glendinning, Jean Greish, Jurgen Habermas, Richard Kearney, Peter Kemp, Julia Kristeva, Alasdair MacIntyre, Thomas McCarthy, David Rasmussen, William J. Richardson, Paul Ricoeur, David Wood. (shrink)

With his writings on phenomenology, psychoanalysis, Marxism, ideology, and religion, Paul Ricoeur has single-handedly redefined and revitalized the hermeneutic tradition. _From Text to Action_ is an essential companion to the now classic_ The Conflict of Interpretation_s. Here, Ricoeur continues and extends his project of constructing a general theory of interpretation, positioning his work in relation to its own philosophical background: Hegel, Husserl, Gadamer, and Weber. He also responds to contemporary figures like K.O. Apel and Jürgen Habermas, connecting his own theorization (...) of ideology to their version of ideology critique. (shrink)

Study one: Between phenomenology and hermeneutics -- Study two: Between imagination and language -- Study three: Between myth and tradition -- Study four: Between ideology and utopia -- Study five: Between good and evil -- Study six: Between poetics and ethics -- Dialogue 1: Myth as the bearer of possible worlds -- Dialogue 2: The creativity of language -- Dialogue 3: Universality and the power of difference -- Dialogue 4: Imagination, testimony, and trust -- Dialogue 5: On life stories.

This text explores the relationship between politics, terror and religion as discussed in the recent work of Jacques Derrida and Richard Kearney. The dialogue was conducted just weeks after 9/11.

This essay looks at how Ricoeur's hermeneutics functions as both philosophy of translation and philosophy as translation. It starts with a overview of Ricoeur's theories in the light of the history of the philosophy of translation and shows how he, following in the footsteps of Gadamer, understands the act of translation as an art of negotiating and mediating between Self and Other. It then goes on to explore the hermeneutic model of translation, advanced in Ricoeur's later work, in terms of (...) three main paradigms: linguistic, ontological and ethical. The essay concludes with a discussion of the crucial role played by translation in hospitality, pluralism and pardon. (shrink)

Building on a hermeneutic tradition in which accounts of carnal embodiment are overlooked, misunderstood, or underdeveloped, this work initiates a new field of study and concern. Carnal Hermeneutics provides a philosophical approach to the body as interpretation. Transcending the traditional dualism of rational understanding and embodied sensibility, the volume argues that our most carnal sensations are already interpretations. Because interpretation truly goes "all the way down," carnal hermeneutics rejects the opposition of language to sensibility, word to flesh, text to body. (...) In this volume, an impressive array of today's preeminent philosophers seek to interpret the surplus of meaning that arises from our carnal embodiment, its role in our experience and understanding, and its engagement with the wider world. (shrink)

_The Continental Philosophy Reader_ is the first complete anthology of classic writings from the major figures in European thought and provides a powerful introduction to one of the 20th century's most influential intellectual movements.

The encroachment of globalization and demands for greater regional autonomy have had a profound effect on the way we picture Ireland. This challenging new look at the key of sovereignty asks us how we should think about the identity of a postnationalist' Ireland. Richard Kearney goes to the heart of the conflict over demand for communal identity - traditionally expressed by nationalism, and the demand for a universal model of citizenship - traditionally expressed by republicanism. In so doing, (...) he asks us to question whether the sacrosanct concept of absolute national sovereignty is becoming a luxury ill afforded in the emerging new Europe. Kearney then takes us beyond the political with chapters on the influence of philosophers such as George Berkeley, John Toland and John Tyndall and looks at some of the myths in Irish poetry and nationhood. Postnationalist Ireland provides a recasting of contemporary Irish politics, culture, literature and philosophy and will appeal to students of these subjects and Irish studies in general. (shrink)

This is an edited, abridged, and revised version of a chapter written by Richard Kearney which will appear in his forthcoming book Touch: Recovering Our Most Vital Sense to be published by Columbia University Press in 2021. The chapter in the book contains many extensions, footnotes, and references that do not appear in this paper. Many thanks to Professor Kearney for his permission to print a version of this chapter in the Journal of Applied Hermeneutics. Keywords: touch, (...) trauma, healing, carnal hermeneutics. (shrink)

States of Mind is a series of dialogues conducted by Richard Kearney with twenty-two of the world's leading political, philosophical and literary thinkers. Each has helped to shape the most pressing debates of the century: national and international identity, ethics, art, language, psychology and religion.