Results for 'Ruth Saw'

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  1.  64
    Dr. Margaret Macdonald.Ruth Saw - 1955 - Analysis 16 (4):73 - 74.
  2.  12
    I—The Presidential Address: The Logic of the Particular Case.Ruth Saw - 1966 - Proceedings of the Aristotelian Society 66:1-14.
    Ruth Saw; I—The Presidential Address: The Logic of the Particular Case, Proceedings of the Aristotelian Society, Volume 66, Issue 1, 1 June 1966, Pages 1–14, ht.
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  3.  20
    The Presidential Address: The Logic of the Particular Case.Ruth Saw - 1966 - Proceedings of the Aristotelian Society 66 (1):1 - 14.
    Ruth Saw; I—The Presidential Address: The Logic of the Particular Case, Proceedings of the Aristotelian Society, Volume 66, Issue 1, 1 June 1966, Pages 1–14, ht.
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  4.  84
    Sense and reference in aesthetics—2. A reply.Ruth Saw - 1963 - British Journal of Aesthetics 3 (4):365-366.
    Smart argues that saw ("british journal of aesthetics", Vol. I, 2) has given an account of the subject-Matter of aesthetics which is too general. It allows that the playing and watching of some games are aesthetic phenomena. Saw admits that there are aesthetic elements involved in these cases, But she claims that in enjoying these aspects of games one is not enjoying the game as such. (staff).
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  5.  20
    Aesthetics as a branch of philosophy.Ruth Saw & Harold Osborne - 1960 - British Journal of Aesthetics (1):6-20.
  6.  7
    Meaning in the Arts, By Louis Arnaud Reid. (London: Allen and Unwin, 1970. Pp. 317. £3.25p.).Ruth Saw - 1971 - Philosophy 46 (178):361-.
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  7.  37
    What Is a "Work of Art"?Ruth Saw - 1961 - Philosophy 36 (136):18 - 29.
    This examination of the concept “work of art” has been prompted by the desire to find a starting point for aesthetic inquiry which, to begin with at any rate, will arouse no dispute. A claim for general agreement such as Clive Bell's: “The starting point for all systems of aesthetics must be the personal experience of a pecular emotion”, is countered by I. A. Richards's “the phantom aesthetic state”, and any attempt to claim “beauty” as the central concept is straightway (...)
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  8.  50
    ‘Apology’ for aesthetics.Ruth Saw - 1969 - British Journal of Aesthetics 9 (4):321-329.
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  9.  11
    Conversation and Communication.Ruth L. Saw - 1980 - Thinking: The Journal of Philosophy for Children 2 (1):55-64.
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  10.  63
    E. F. Carritt.Ruth L. Saw - 1964 - British Journal of Aesthetics 4 (1):3-6.
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  11.  65
    Fifth international congress of aesthetics.Ruth Saw - 1965 - British Journal of Aesthetics 5 (1):53-74.
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  12.  3
    IX.—Our Knowledge of Individuals.Ruth L. Saw - 1952 - Proceedings of the Aristotelian Society 52 (1):167-188.
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  13.  15
    III.—William of Ockham on Terms, Propositions, Meaning.Ruth L. Saw - 1942 - Proceedings of the Aristotelian Society 42 (1):45-64.
  14.  10
    Leibniz.Ruth Lydia Saw - 1954 - [Harmondsworth, Middlesex]: Penguin Books.
  15. Leibniz.Ruth Lydia Saw - 1955 - Philosophy of Science 22 (4):327-328.
     
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  16. Leibniz.Ruth Lydia Saw - 1956 - British Journal for the Philosophy of Science 6 (24):343-345.
     
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  17. Leibniz.Ruth Lydia Saw - 1956 - Philosophy 31 (116):92-92.
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  18.  3
    No Title available: PHILOSOPHY.Ruth Saw - 1971 - Philosophy 46 (178):361-363.
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  19.  4
    No Title available: PHILOSOPHY.Ruth L. Saw - 1954 - Philosophy 29 (109):176-178.
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  20.  18
    Our knowledge of individuals.Ruth L. Saw - 1952 - Proceedings of the Aristotelian Society 52:167-188.
  21.  89
    Personal identity in Spinoza.Ruth L. Saw - 1969 - Inquiry: An Interdisciplinary Journal of Philosophy 12 (1-4):1 – 14.
    Spinoza's avowed aim is to discover and present the essential stages in achieving the life of human blessedness. The most important element in this progression is knowledge, of one's own nature as man, and of one's place in the universe. Utility as opposed to truth of belief will not serve Spinoza's purpose. Spinoza assumes the unity of the human individual without question, and it is doubtful whether this assumption is justified on his own principles. The concept of the human individual (...)
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  22.  63
    Sense and nonsense in aesthetics.Ruth Saw - 1961 - British Journal of Aesthetics 1 (2):100-112.
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  23.  71
    The Task of Metaphysics for Spinoza.Ruth Saw - 1971 - The Monist 55 (4):660-667.
    Any rational discipline has as its proper and primary task to present itself as an internally interconnected and coherent system. If it is important to human beings that it should be true, its practitioners cannot be content with premisses from which it follows as a hypothetical system, but must either show them as indubitable by their own nature or as grounded in fact. If they are grounded in fact then we must continually appeal to experimentally verified hypotheses which will further (...)
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  24.  6
    The vindication of metaphysics.Ruth Lydia Saw - 1951 - New York,: Russell & Russell.
  25.  2
    The Vindication of Metaphysics, a Study in the Philosophy of Spinoza.Ruth Lydia Saw - 2021 - Hassell Street Press.
    This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...)
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  26. The Vindication of Metaphysics; A Study in the Philosophy of Spinoza.Ruth Lydia Saw - 1952 - Philosophy 27 (101):172-178.
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  27.  11
    What is a “Work of Art”?Ruth Saw - 1961 - Philosophy 36 (136):18.
    This examination of the concept “work of art” has been prompted by the desire to find a starting point for aesthetic inquiry which, to begin with at any rate, will arouse no dispute. A claim for general agreement such as Clive Bell's: “The starting point for all systems of aesthetics must be the personal experience of a pecular emotion”, is countered by I. A. Richards's “the phantom aesthetic state”, and any attempt to claim “beauty” as the central concept is straightway (...)
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  28.  5
    William of Ockham on Terms, Propositions, Meanings.Ruth L. Saw - 1943 - Journal of Symbolic Logic 8 (4):147-147.
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  29.  19
    Way to Wisdom: an Introduction to Philosophy. By Karl Jaspers. Translated by Ralph Manheim. (London: Gollancz. 1951. Pp. 208. Price 10s. 6d.). [REVIEW]Ruth L. Saw - 1954 - Philosophy 29 (109):176-.
  30. "Aesthetics and the Philosophy of Art Criticism": Jerome Stolnitz. [REVIEW]Ruth Saw - 1962 - British Journal of Aesthetics 2 (1):87.
     
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  31. "Fundamental Questions in Aesthetics": P. C. Chatterji. [REVIEW]Ruth Saw - 1971 - British Journal of Aesthetics 11 (1):96.
     
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  32. "In Praise of Aesthetics": Elizabeth Wilkinson. [REVIEW]Ruth Saw - 1964 - British Journal of Aesthetics 4 (2):168.
     
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  33. "L'Estetica e i suoi Problemi": Luigi Pareyson. [REVIEW]Ruth Saw - 1963 - British Journal of Aesthetics 3 (1):75.
     
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  34. "Modern Aesthetics": The Earl of Listowel. [REVIEW]Ruth Saw - 1968 - British Journal of Aesthetics 8 (3):298.
     
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  35.  12
    New books. [REVIEW]Ruth Saw, W. G. Brock & H. D. Lewis - 1947 - Mind 56 (222):173-179.
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  36. "Preface to Aesthetics": Eva Schaper. [REVIEW]Ruth Saw - 1969 - British Journal of Aesthetics 9 (4):410.
     
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  37. REID, Louis Arnaud.-"Meaning in the Arts". [REVIEW]Ruth Saw - 1971 - Philosophy 46:361.
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  38. "The Appreciation of the Arts. Drawing": Philip Rawson. [REVIEW]Ruth Saw - 1970 - British Journal of Aesthetics 10 (4):376.
     
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  39. "The Disintegration of an Old Culture": Lord Annan. [REVIEW]Ruth Saw - 1967 - British Journal of Aesthetics 7 (3):288.
     
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  40. "The Structure of Aesthetics": F. E. Sparshott. [REVIEW]Ruth Saw - 1964 - British Journal of Aesthetics 4 (2):169.
     
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  41.  8
    Art and the Language of the Emotions.E. H. Gombrich & Ruth Saw - 1962 - Aristotelian Society Supplementary Volume 36 (1):215-246.
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  42.  16
    Symposium: Art and the Language of the Emotions.E. H. Gombrich & Ruth Saw - 1962 - Aristotelian Society Supplementary Volume 36:215 - 246.
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  43. Symposium: Art and the Language of the Emotions.E. H. Gombrich & Ruth Saw - 1962 - Aristotelian Society Supplementary Volume 36:215-246.
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  44.  11
    The Vindication of Metaphysics.Francis S. Haserot & Ruth Lydia Saw - 1952 - Philosophical Review 61 (2):257.
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  45.  25
    Happiness Rich and Poor: Lessons From Philosophy and Literature.Ruth Cigman - 2014 - Journal of Philosophy of Education 48 (2):308-322.
    Happiness is a large idea. It looms enticingly before us when we are young, delivers verdicts on our lives when we are old, and seems to inform a responsible engagement with children. The question is raised: do we want this idea? I explore a distinction between rich and poor conceptions of happiness, suggesting that many sceptical arguments are directed against the latter. If happiness is to receive its teleological due, recognised in rather the way Aristotle saw it, as a final (...)
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  46.  90
    Ambiguity and quantification.Ruth M. Kempson & Annabel Cormack - 1980 - Linguistics and Philosophy 4 (2):259 - 309.
    In the opening sections of this paper, we defined ambiguity in terms of distinct sentences (for a single sentence-string) with, in particular, distinct sets of truth conditions for the corresponding negative sentence-string. Lexical vagueness was defined as equivalent to disjunction, for under conditions of the negation of a sentence-string containing such an expression, all the relevant more specific interpretations of the string had also to be negated. Yet in the case of mixed quantification sentences, the strengthened, more specific, interpretations of (...)
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  47. "Conversation and Communication": Ruth Saw. [REVIEW]Peter Alexander - 1964 - British Journal of Aesthetics 4 (2):170.
     
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  48.  75
    Professor Ruth L. saw.R. Meager - 1982 - British Journal of Aesthetics 22 (2):99-102.
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  49.  56
    Professor Ruth L. saw.Harold Osborne - 1986 - British Journal of Aesthetics 26 (4):307-308.
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  50.  26
    Leibniz. Ruth Lydia Saw. Baltimore: Penguin Books Inc., 1954. Pp. 240. $0.65.H. S. Harris - 1955 - Philosophy of Science 22 (4):327-328.
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