In this work, Kathleen V. Wider discusses Jean-Paul Sartre's analysis of consciousness in Being and Nothingness in light of recent work by analytic philosophers ...

This paper argues that there were women involved with philosophy on a fairly constant basis throughout Greek antiquity. It does so by tracing the lives and where extant the writings of these women. However, since the sources, both ancient and modern, from which we derive our knowledge about these women are so sexist and easily distort our view of these women and their accomplishments, the paper also discusses the manner in which their histories come down to us as well as (...) the histories themselves. It discusses in detail the following women: the Pythagorean women philosophers of the 6th and 5th centuries B.C., Aspasia and Diotima of the 5th century B.C., Arete, Hipparchia, Pamphile and the women Epicureans-all from the 4th century B.C. the five logician daughters of a famous Stoic philosopher of the 3rd century B.C., and finally Hypatia who lived in the 4th century A.D. (shrink)

In Being and Nothingness Jean-Paul Sartre contends that the self's fundamental relation with the other is one of inescapable conflict. I argue that the research of the last few decades on the ability of infants - even newborns - to imitate the facial expressions and gestures of adults provides counter-evidence to Sartre's claim. Sartre is not wrong that the look of the other may be a source of self-alienation, but that is not how it functions in the first instance. An (...) earlier and more primary form of looking with and at the other is a source of self-discovery. In early imitation, the infant and adult each see the other not as objects of experience but as subjects of action. Such looking is necessary for the infant to realize its own potential as a self-conscious, goal-directed subject of perception and action. (shrink)

What surfaces first when one examines the philosophy of mind of Sartre and Spinoza are the differences between them. For Spinoza a human mind is a mode of the divine mind. That view is a far cry from Sartre’s view of human consciousness as a desire never achieved: the desire to be god, to be the foundation of one’s own existence. How could two philosophers, one a determinist and the other who grounds human freedom in the nature of consciousness itself, (...) be seen as having any commonalities worth exploring? How could the noted user of the deductive method and one of the most important phenomenologists of the twentieth century share any philosophical ground at all? I will argue in this paper that despite the very real differences between their two philosophies, there are striking similarities between Sartre’s view of consciousness and Spinoza’s view of the mind. They become apparent when one examines each one’s analysis of the nature of mind and its relationship to itself, the body, and the world. Both are heir to a kind of Aristotelian naturalism. This commonality between them derives from their mutual rejection of Descartes’ substance dualism. I first explore the consequences of that rejection on how each one conceives of the relationship between the mind and its objects. Next I examine their view of the mind’s relation to itself and finally I look at how each one understood the mind’s relationship to the body and the world. The examination of their two views reveals how much they anticipate and support theories of mind defended by contemporary analytic philosophers of mind. (shrink)

Although Sartre rejects a certain kind of idealism in "Truth and Existence", I argue that a commitment to a kind of transcendental idealism remains. I explore the expression of this idealism in "Truth and Existence" and how it enhances an idealist tradition which begins with Kant. More importantly, I examine Sartre's divergence from Kantian idealism and his blending of pragmatism with idealism, in a way most similar to Wittgenstein's. Unlike Wittgenstein's idealism, however, Sartre's idealism, I argue, brings him dangerously close (...) to solipsism and creates for his theory of truth a serious problem of cognitive splintering. (shrink)

This paper argues that the force and weaknesses of Thomas Nagel’s arguments against psychophysical reductionism can be felt more fully when held up to the defense of a similar view in Jean-Paul Sartre’s Being and Nothingness. What follows for both from their shared rejection of psychophysical reductionism is a defense of the claim that an objective conception of subjective reality is necessarily incomplete. I examine each one’s defense of this claim. However, although they both claim an objective conception of subjectivity (...) will be incomplete, they do think we have some ability to form such a conception and I examine next the quite different ways in which Nagel and Sartre relate this ability to our use of language. The last sections of the paper discuss each philosopher’s belief that although the tension between the objective and the subjective is irreconcilable, humans continue to desire such reconciliation, i.e., they desire to be God. (shrink)

This paper argues that the force and weaknesses of Thomas Nagel’s arguments against psychophysical reductionism can be felt more fully when held up to the defense of a similar view in Jean-Paul Sartre’s Being and Nothingness. What follows for both from their shared rejection of psychophysical reductionism is a defense of the claim that an objective conception of subjective reality is necessarily incomplete. I examine each one’s defense of this claim. However, although they both claim an objective conception of subjectivity (...) will be incomplete, they do think we have some ability to form such a conception and I examine next the quite different ways in which Nagel and Sartre relate this ability to our use of language. The last sections of the paper discuss each philosopher’s belief that although the tension between the objective and the subjective is irreconcilable, humans continue to desire such reconciliation, i.e., they desire to be God. (shrink)

The central tenet in the ontology Sartre describes and seeks to defend in Being and Nothingness is that being divides into the for-itself and the in-itself. Self-consciousness characterizes being-for-itself and distinguishes it from being-in-itself. What it means for a being to exist for itself is that it is self-conscious. How Sartre characterizes self-consciousness in Being and Nothingness is, however, a question that remains to be asked. There is no simple answer to this question. For Sartre, there are really several levels (...) of self-consciousness: the self-consciousness of consciousness at the pre-reflective level, at the level of reflection and at the level of being-for-others. There is a profound difference between the self-consciousness of being-for-others and impure reflection, on the one hand, and the self-consciousness of reflection and pre-reflective consciousness, on the other. With being-for-others and impure reflection, self-consciousness involves the attempt to grasp the self as an object for consciousness. Although the nature of this attempt and the reasons for its ultimate failure differ at each level, these levels are bound together by a common sense of self-consciousness as a consciousness of the self as an object. (shrink)

This entry considers the question “What is objectification?” After preliminary remarks about different methodological approaches, several possible answers, or groups of answers, are introduced, separated out in terms of broad themes. Each is situated in relation to historical and more contemporary authors. These themes are: objectification as instrumentalization; objectification as reduction to the body; objectification as negation of subjectivity or agency; objectification as naturalization. Objectification is considered in relation to both sexual and racial contexts. Finally, these themes are discussed in (...) relation to the wider category of “mind suppression,” and its relation to objectification in the familiar context of imagery. (shrink)

Experimental encounters in music and beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term "experimental", this book reimagines experimentation as an open working definition encompassing multiple forms of artistic attitudes and processes. The texts, images, and sounds offer multiple traces, faces, and spaces, revealing what experimentalism in music and the wider arts entails today. With perspectives from a range of disciplines - from (...) choreography through composition to philosophy and beyond - the different experiences and artistic projects documented and discussed explore the complexity of experimentation in a way that is all the richer for being never-ending."--Page 4 of cover. (shrink)

The 2013 Past President’s Panel at the Dewey Society annual meeting invited scholars to revisit the classic political text, The Public and Its Problems . Four exceptional papers were presented at the session and are now gathered here to gain the wider audience they deserve.Dewey’s most comprehensive work of political theory and democratic politics, The Public and Its Problems was a response to the deeply embedded skepticism about participatory democracy and public life expressed by democratic realists of the era, (...) most famously, Walter Lippmann in his The Phantom Public . In response to Lippmann, Dewey offered a thorough analysis of early 20th century democracy and some of his best thinking on both the .. (shrink)

In bringing together this special edition we wish to contribute to a conversation concerning the meaning of 'evidence-based practice'. We are nurses and phenomenological researchers interested in lifeworld approaches and in the many ways of knowing that are relevant to everyday caring practice. In the context of the ever-increasing specialisation of knowledge, we wish to widen the embrace of current notions of evidence and point to ways of knowing that are inclusive of the 'head, hand and heart'. This wider (...) embrace of evidence does not excessively exclude kinds of knowledge that include the aesthetic, empathic, embodied and relational dimensions of understanding. (shrink)

One model for creating artificial consciousness is replicating every fine detail of the brain on computers and setting the model in motion. Consciousness has been experimentally demonstrated to be a much more fragmented experience than we think it to be, perhaps we only need snippets of ourselves to feel conscious. Perhaps consciousness is nothing less and nothing more than story, and all we need do to continue to feel conscious is maintain identity through computer‐based narrative. Applied nanotechnology has generated uncountable (...) applications in electronics, pharmacology, and materials engineering. The best approach to life extension and consciousness expansion might lie in our own marvelously complex and entire bodies, meshed with and augmented by tiny bionan machines that become a part of us, rather than the opposite vision of humans migrating into a machine substrate. (shrink)

Palliative Care Nursing: Caring for Suffering Patients explores the concept of suffering as it relates to nursing practice. This text helps practicing nurses and students define and recognize various aspects of suffering across the lifespan and within various patient populations while providing guidance in alleviating suffering. In addition, it examines spiritual and ethical perspectives on suffering and discusses how witnessing suffering impacts nurses' ability to assume the professional role. Further, the authors discuss ways nurses as witnesses to suffering can optimize (...) their own coping skills and facilitate personal growth. Rich in case studies, pictures, and reflections on nursing practice and life experiences, Palliative Care Nursing: Caring for Suffering Patients delves into key topics such as how to identify when a patient is suffering, whether they are coping, sources of coping facades, what to do to ease suffering, and how to convey the extent of suffering to members of the health care team.Palliative Care Nursing: Caring for Suffering Patients helps practicing nurses and students define and recognize various aspects of suffering across the lifespan and within various patient populations while providing guidance in alleviating suffering. (shrink)

Teilhard's words divided into a "Book of Hours" of eight days, according to Dawn, Day, Dusk, and Dark.

One of the reasons for the disappearance of beauty in the artistic ideology of the late twentieth century has been the seeming similarity of beauty to certain kinds of kitsch. Beauty has also been associated with flawlessness and with glamour. I will content that the flawless and the glamorous are actually categories of kitsch, and that the dominance of these images in marketing has contributed to our societal tendency to confuse them with beauty. The quests for flawlessness and glamour are (...) both self-sabotaging, a premise on which the marketing of beauty depends. These false paradigms of beauty have ob cured the fact that human beauty manifests an ideal of balance and health that is neither self-conscious nor a consequence of deliberate effort. I will defend the relevance of this ideal to beauty to our personal and cultural well-being. (shrink)

This paper aims at presenting a horizontal approach to the design of communication for joint action in human-robot interaction. According to this approach, social robotics must focus on different parameters of the whole joint action including context, the embedded situation and human psychological profile during the design and test process. Such an approach aims at complementing the standard building-block model that represents the state-of-the-art in robotic communication. Moreover, we provide some general ideas of how the model can facilitate the use (...) of available communicative strategies for creating more efficient culturally sustainable robots in contexts of joint action. (shrink)

Scientists depend on complex computational systems that are often ineliminably opaque, to the detriment of our ability to give scientific explanations and detect artifacts. Some philosophers have s...

This article examines the relationship between an aspect of a firm’s corporate social responsibility, corporate community programs, and the effectiveness of its corporate political activity. Developing a conceptual model based on resource-based view of the firm, the authors argue that the mechanism linking a firm’s CCP to CPA mechanism is the effect of CCPs on the development of firm level resources. Specifically, the intensity of a firm’s CCPs enhances a firm’s human capital, organizational capital, and geographic resources, which in turn (...) improve the effectiveness of two key aspects of CPA: information and constituency-building political strategies. This linkage of CCPs to CPA effectiveness may be particularly relevant when the firm faces unfavorable political markets. (shrink)

A popular approach to defining fictive utterance says that, necessarily, it is intended to produce imagining. I shall argue that this is not falsified by the fact that some fictive utterances are intended to be believed, or are non-accidentally true. That this is so becomes apparent given a proper understanding of the relation of what one imagines to one's belief set. In light of this understanding, I shall then argue that being intended to produce imagining is sufficient for fictive utterance (...) as well. (shrink)

This volume examines the motives behind rejections of beauty often found within contemporary art practice, where much critically acclaimed art is deliberately ugly and alienating. It reflects on the nature and value of beauty, asking whether beauty still has a future in art and what role it can play in our lives generally. The volume discusses the possible “end of art,” what art is, and the relation between art and beauty beyond their historically Western horizons to include perspectives from Asia. (...) The individual chapters address a number of interrelated issues, including: art, beauty and the sacred; beauty as a source of joy and consolation; beauty as a bridge between the natural and the human; beauty and the human form; the role of curatorial practice in defining art; order and creativity; and the distinction between art and craft. The volume offers a valuable addition to cross-cultural dialogue and, in particular, to the sparse literature on art and beauty in comparative context. It demonstrates the relevance of the rich tradition of Asian aesthetics and the vibrant practices of contemporary art in Asia to Western discussions about the future of art and the role of beauty. (shrink)

The concept of a relational self has been prominent in feminism, communitarianism, narrative self theories, and social network theories, and has been important to theorizing about practical dimensions of selfhood. However, it has been largely ignored in traditional philosophical theories of personal identity, which have been dominated by psychological and animal theories of the self. This book offers a systematic treatment of the notion of the self as constituted by social, cultural, political, and biological relations. The author's account incorporates practical (...) concerns and addresses how a relational self has agency, autonomy, responsibility, and continuity through time in the face of change and impairments. This cumulative network model of the self incorporates concepts from work in the American pragmatist and naturalist tradition. The ultimate aim of the book is to bridge traditions that are often disconnected from one another--feminism, personal identity theory, and pragmatism--to develop a unified theory of the self. (shrink)

The tremendous recent growth of the women's movement as a political force has been accompanied by an event of equal import to the academic world--the development of the discipline of women's studies. Colleges across the nation are establishing programs in this area. Women's Studies is a classroom anthology designed for use in these newly-introduced courses.