Professor Deutscher studies Beauvoir's philosophy on "otherness" not just through her famous views on gender (in her celebrated 1949 work The...

This paper interrogates the status of the Malthusian couple and the policing and government of reproduction in the first volume of Foucault's History of Sexuality, Volume I ( HS1), and the associated Collège de France lectures. Presented by Foucault as one of the four ‘strategic ensembles’ of the 18th century through which knowledge and power became centered on sex, what Foucault calls the socialization of procreative sexuality ( HS1: 104) also constitutes a largely invisible hinge between the trajectories in HS1: (...) biopolitics (vector of governmentality, management, administration and intensification of life) and sex (vector through which the repressive hypothesis is rejected). Particularly because it is one of the least discussed figures in Foucauldian commentary, my argument is that a reading of HS1 through the prism of its Malthusian couple produces unexpected results. A text that can be interpreted from the perspective of (a) its debate with psychoanalysis, or (b) its potential debate with those for whom sexual rights belong to a sexual subject, or (c) its status as a watershed text for biopolitical theory, enters into a fourth dialogue with the history of reproduction as politicized and biopoliticized, a problematic to date taken up most directly by Ann Stoler in Race and the Education of Desire. This allows for a revisiting of the complex relationship between the vectors of ‘sex’ and ‘life’ in HS1. Although reproductive sex, and reproductive life, are not the themes of the strongest importance in HS1, they serve as the invisible hinge at the interface of biopolitics and sex in HS1. Considering the status of reproductive life from this perspective becomes a departure point for reconsidering the reproductive woman, in her historical role as part of the problematized Malthusian couple and at the intersection of biopolitics and thanatopolitics. (shrink)

Penelope Deutscher reconsiders the role of procreation in Foucault's thought, especially its proximity to risk, mortality, and death. Foucault's Futures brings together his work on sexuality and biopolitics to provide new insights into the conflicted political status of reproductive conduct and what it means for feminism and critical theory.

Traditional accounts of the feminist history of philosophy have viewed reason as associated with masculinity and subsequent debates have been framed by this assumption. Yet recent debates in deconstruction have shown that gender has never been a stable matter. In the history of philosophy 'female' and 'woman' are full of ambiguity. What does deconstruction have to offer feminist criticism of the history of philosophy? _Yielding Gender_ explores this question by examining three crucial areas; the issue of gender as 'troubled'; deconstruction; (...) and feminist criticism of the history of philosophy. The first part of the book discusses the work of Judith Butler, Jacques Derrida, and contemporary French feminist philosophy including key figures such as Luce Irigiray. Particular attention is given to the possibilities offered by deconstruction for understanding the history of philosophy. The second part considers and then challenges feminist interpretations of some key figures in the history of philosophy. Penelope Deutscher sketches how Rousseau, St. Augustine and Simone de Beauvoir have described gender and argues that their readings of gender are in fact empowered by gender's own contradiction and instability rather than limited by it. (shrink)

Sexual difference as a basis of equality : an introduction to Irigarayan politics -- Irigaray on language : from the speech of dementia to the problem of sexual indifference -- Rethinking the politics of recognition : the declaration of Irigarayan sexuate rights -- Irigarayan performativity : is this a question of can saying it make it so? -- Sexuate genre : ethics and politics for improper selves -- Anticipating sexual difference : mediation, love, and divinity -- Interrogating an unasked question (...) : is there sexual difference? -- The impossible friend : traversing the heterosocial, the homosocial, and the successes of failure -- Sexed discourse and the language of the philosophers : to be two -- Effacement redoubled? : between the Orient and the Occident. (shrink)

The work of the distinguished philosopher Sarah Kofman has, since her tragic death in 1994, become a focus for many scholars interested in contemporary French philosophy. The first critical collection on her thought to appear in English, Enigmas evaluates Kofman's most important contributions to philosophy, psychoanalytic theory, feminism, and literary theory. These insightful essays range from analyses of Kofman's first book, L'Enfance de l'art, to her last, L'Imposture de la beauté. This unique volume represents the major themes in Kofman's scholarship: (...) literature and aesthetics; philosophy and metaphor; women, feminism, and psychoanalysis; and Jews and German nationalism. Selected essays explore and diagnose Kofman's personal struggles as they are reflected in her writing. (shrink)

World-renowned specialists in contemporary critical theory address the recent crises and transformations of the global political and economic order.

This paper considers two among the several points of intersection in the work of Roberto Esposito and Jacques Derrida. First, and most obviously: in the context of conceptualizing community, and more broadly, Esposito and Derrida have elaborated concepts of immunity and auto-immunity to refer to auto-destructive modes of defense which profoundly threaten what – seemingly – ought to have been safeguarded through their mechanism. The second point of proximity is the use both make of figures of maternity and birth in (...) these conceptualizations. This comparison not only illuminates the differing philosophical commitments of Derrida and Esposito but also offers a means of challenging the fate of sexual difference in the work of Esposito. (shrink)

Luce Irigaray's argument that women need a feminine divine is placed in the context of her analyses of the interconnection between man's appropriation of woman as his “negative alter ego” and his identification with the impossible ego ideal represented by the figure of God. As an alternative, the “feminine divine” is conceived as a realm with which women would be continuous. It would allow mediation between humans, and interrupt cannibalizing appropriations of the other.

This paper addresses the appropriation of theories of evolution by nineteenth-century feminists, focusing on the critical response to Darwin's The Descent of Man by Eliza Burt Gamble and Antoinette Brown Blackwell and Charlotte Perkins Gilman's social evolutionism. For Gilman, evolutionism was a revolutionary resource for feminism, one of its greatest hopes. Gamble and Blackwell revisit Darwin's data with the aim of locating, amidst his ostensive conclusions to the contrary, his implicit "defense" of either the equality or the superiority of women. (...) This article identifies the reasons for, and limitations of, this enthusiasm. To some extent, the basis of this feminism is provided by its keen perception of disparities between what a text does, and what it says it is doing. But these feminists did not think through the implications for their own rhetoric about race hierarchy. Darwin's trope of the "savage" would return in the work of some of these feminists, occasionally displaced or rejected, but usually reiterated, and sometimes integral to the feminism in question. (shrink)

Beauvoir argued that both femininity and old age were “the other.” So did she understand their relationship to be analogical? This chapter answers in the negative. Understanding the relationship between femininity and aging in non‐analogical terms, Beauvoir also offers an alternative means of understanding their intersectionality. This variant can be found in the oscillating motion which emerges, according to Beauvoir's accounts, between the constitutions and the deconstitutions of femininity and aging.

This article compares the status of sexual and cultural difference in Luce Irigaray's earliest work and her most recent publication Between East and West, in which Irigaray argues that a culture of sexual difference would facilitate improved structural relations between those of different cultures, races and traditions. Many commentators have argued that Irigaray's recent, more simple formulations on legal reform must be understood in the context of the early, very complex Irigarayan concept of sexual difference. But what about Irigaray's recent (...) formulations concerning cultural difference? Are we to understand these as based on an `aporia' of recognition, as are her formulations on sexual difference? The article argues against such an interpretation, and considers problems arising from the disjunction between Irigaray's treatment of sexual and cultural difference. (shrink)

: This paper addresses the appropriation of theories of evolution by nineteenth-century feminists, focusing on the critical response to Darwin's The Descent of Man by Eliza Burt Gamble (The Evolution of Woman, 1893) and Antoinette Brown Blackwell (The Sexes Throughout Nature, 1875) and Charlotte Perkins Gilman's social evolutionism. For Gilman, evolutionism was a revolutionary resource for feminism, one of its greatest hopes. Gamble and Blackwell revisit Darwin's data with the aim of locating, amidst his ostensive conclusions to the contrary, his (...) implicit "defense" of either the equality (Blackwell) or the superiority (Gamble) of women. This article identifies the reasons for, and limitations of, this enthusiasm. To some extent, the basis of this feminism is provided by its keen perception of disparities between what a text does, and what it says it is doing. But these feminists did not think through the implications for their own rhetoric about race hierarchy. Darwin's trope of the "savage" would return in the work of some of these feminists, occasionally displaced or rejected, but usually reiterated, and sometimes integral to the feminism in question. (shrink)

An avid reader of Nietzsche, the German radical feminist Helene Stöcker referred in 1893 to the Verfrühung of the modern woman, her prematurity. She used references to Mill, Bebel, Darwin, Galton, and Nietzsche among others to develop a concept of women's untimely modernity. This paper considers how a number of concepts of time, transformation, biological futurity, and putative agency over nature became, for Stöcker, the basis for a feminist claim to autonomy, agency, and reproductive rights. The paper goes on to (...) ask how some of these concepts and their context could also have provided the implicit resources to resist their conversion by Stöcker. (shrink)

It may be that denouncing the ideals of objectivity or neutrality associated with the sciences leads us into a trap: that of accepting, in order to criticize it, that there would be a common identity for the many ways to produce science. Learning to laugh, we choose to laugh with and laugh at. But we accept the risk of being interested, that is, of giving up the position of a judge.

: How might we locate originality as emerging from within the "discrete" work of commentary? Because many women have engaged with philosophy in forms (including commentary) that preclude their work from being seen as properly "original," this question is a feminist issue. Via the work of selected contemporary French women philosophers, the author shows how commentary can reconfigure the philosophical tradition in innovative ways, as well as in ways that change what counts as philosophical innovation.

: This article compares translation and commentary practices surrounding the texts associated with French feminism with those of contemporary French women philosophers more generally. Many of the latter, discussing the history of philosophy, ask questions such as "How do texts play against the means they supply themselves?" and "How are philosophical forces, and the institutions of commentary, countered, destabilized, deregulated?" Deutscher asks what institutional means are available to understand this work as innovative philosophy, and to what extent these projects (...) can usefully be analyzed as the gestures of women in philosophy. (shrink)

How might we locate originality as emerging from within the "discrete" work of commentary? Because many women have engaged with philosophy in forms that preclude their work from being seen as properly "original," this question is a feminist issue. Via the work of selected contemporary French women philosophers, the author shows how commentary can reconfigure the philosophical tradition in innovative ways, as well as in ways that change what counts as philosophical innovation.

How might we locate originality as emerging from within the “discrete” work of commentary? Because many women have engaged with philosophy informs that preclude their work from being seen as properly “original,” this question is a feminist issue. Via the work of selected contemporary French women philosophers, the author shows how commentary can reconfigure the philosophical tradition in innovative ways, as well as in ways that change what counts as philosophical innovation.

: This essay considers the important role attributed to education in the writings of nineteenth-century feminist Harriet Taylor Mill. Taylor Mill connected ignorance to inequality between the sexes. She called up the specter of regression into lowness and ignorance when she associated feminism with progress. As she stressed the importance of education, she constructed an 'other' to feminism, variously associated with lowness, poverty, and the primitive. She made a case for the advantages of civilization (education, enfranchisement, equality) to be opened (...) up to women. Yet Taylor Mill's position that the ignorant poor, like all humans, should be in a position of so-called "perfect equality" drifted intermittently into the view that the elevation of women to perfect equality would refine and elevate the lower classes. (shrink)

This article compares translation and commentary practices surrounding the texts associated with French feminism with those of contemporary French women philosophers more generally. Many of the latter, discussing the history of philosophy, ask questions such as “How do texts play against the means they supply themselves?” and “How are philosophical forces, and the institutions of commentary, countered, destabilized, deregulated?” Deutscher asks what institutional means are available to understand this work as innovative philosophy, and to what extent these projects can (...) usefully be analyzed as the gestures of women in philosophy. (shrink)

This article compares translation and commentary practices surrounding the texts associated with French feminism with those of contemporary French women philosophers more generally. Many of the latter, discussing the history of philosophy, ask questions such as "How do texts play against the means they supply themselves?" and "How are philosophical forces, and the institutions of commentary, countered, destabilized, deregulated?" Deutscher asks what institutional means are available to understand this work as innovative philosophy, and to what extent these projects can (...) usefully be analyzed as the gestures of women in philosophy. (shrink)

This article compares translation and commentary practices surrounding the texts associated with French feminism with those of contemporary French women philosophers more generally. Many of the latter, discussing the history of philosophy, ask questions such as “How do texts play against the means they supply themselves?” and “How are philosophical forces, and the institutions of commentary, countered, destabilized, deregulated?” Deutscher asks what institutional means are available to understand this work as innovative philosophy, and to what extent these projects can (...) usefully be analyzed as the gestures of women in philosophy. (shrink)

Proust interrogates Gilles Deleuze's notion of resistance in relation to death as that which is "turned against death." She questions a concept of resistance which is "no more than impassivity and indifference." How, she asks, can we know if the force of resistance is on the side of death or life? Characterizing life as movement, she speaks for a concept of resistance as on the side of life.

Françoise Dastur describes her efforts to practice history of philosophy in a (paradoxically) non-historical fashion. She discusses her concept of the historical, and argues that the only true way to be of one's time is to be against one's time.

Françoise Dastur describes her efforts to practice history of philosophy in a non-historical fashion. She discusses her concept of the historical, and argues that the only true way to be of one's time is to be against one's time.

In lieu of an abstract, here is a brief excerpt of the content:DisaffiliationsBeauvoir and Gorz on Masculinity as AgingPenelope DeutscherThe same drama of flesh and spirit, and of finitude and transcendence, plays itself out in both sexes; both are eaten away by time, stalked by death.The Second Sex, 763Simone de Beauvoir wrote her second large theoretical work in 1970, La Vieillesse (V), some nine years after André Gorz published a two-part article, “Le Vieillissement,” in Les Temps Modernes, in 1961 and (...) 1962. These were essays in which Gorz did not hesitate to refer to the “conflict between generations.” He found unremarkable the constant transitions involved in what he saw as a combat between younger and older age groups, unremarkable that the young would resent the domination of the aged and find themselves resented in turn. The aged would bear heavily on the young, but eventually find themselves demeaned if not subordinated by them.Since Gorz was one of the many references in La Vieillesse, Beauvoir was using resources that could have prompted her to think of youth and aging as a further domain of group-based conflict and hostility. Instead, she preferred a different language. Stories that might have seemed to be those of inter-generational conflict were present in her work—she mentions a story from the Brothers Grimm of three generations: son, father, and grandfather. The father treats the grandfather abusively until he learns that his son accordingly anticipates repeating the same treatment toward him. But Beauvoir does not narrate the story as one of conflict between groups who should be understood as “generations.”1 For Gorz, by contrast, such relations seem inevitable. He writes [End Page 88] of young men frustrated by their disenfranchisement by older men, who are in turn disenfranchised as young men eventually manage to usurp them.Just as the language of group-based conflict seems to Gorz obvious to describe such relations, so does the tacit (though not overtly noted) masculinity of their experience. But because he does not directly note that the conflict, on his own account, occurs between the younger and older generations of males, it is not clear how a vision of generational conflict might be inflected by a sense that such relations are also those of sexual difference. How might that affect relations between the sexes or relations among women of different ages?For her part, Beauvoir did refer to tensions between younger and older women, both in The Second Sex (SS) and Old Age(OA), but these were largely references to relations between mothers and daughters. They were familial stories. Certainly, they were refracted through structure and social context: It is the impoverished status and history of women that, in Beauvoir’s view, inhibits their lives to the point that mothers and daughters resent each other. But describing such tensions, Beauvoir does not present them as competition between groups. Her visions are those of individual experiences occurring in family contexts, not those of a generation of women of a particular age group, understanding each other as engaged in some kind of potentially conflictual group relations with a group of women understood as generationally younger or older. This is not to say that Beauvoir ought to have preferred the language of generational conflict in considering aging. But in understanding that she turned away, without saying so, from a model that might well have seemed most plausible, we can think further about the interpretation that did seem more plausible to her.How, then, do aging and sex interact for Beauvoir? Her presentation of aging in The Second Sex is characteristically ambivalent. She describes middle-aged women who have bet on the norms of femininity—“She has counted on her sexual attributes far more than man has” (SS, 620)—only to be confronted with the dilemmas of the transformation brought by time. Beauvoir takes this transformation to be largely negative—comprehended in terms of loss rather than possible gain. She describes the physical transformation of aging in terms of degeneration and the passing of youth, beauty, health, innovation, capacity. She also claims, albeit with an important exception, that it is experienced by the woman negatively, with accompanying effects of shock, discontinuity, crisis, anxious concern, denial... (shrink)