Allen Carlson has argued that a proper aesthetics of nature must judge nature for ‘what it is’, and that such judgements must be informed by a scientific understanding of nature, in particular, one shaped by the science of ecology. Carlson uses these claims to support his theory of positive aesthetics. This paper argues that there are problems in this view. First, it misunderstands ecology, thereby adopting a view of the natural world that holds it to be much more integrated than (...) it is. Second, it ignores an even more fundamental science of nature, evolution. Thus, it misunderstands both ecology and nature. An alternative to this view would be an aesthetics based on an evolutionary understanding of nature, which holds that, although there are many functional wholes in nature, there is also significant conflict, disintegration, and incongruent scales. A proper aesthetics of nature must take these conflicts into account. The paper ends with a sketch of an aesthetic theory based on the science of evolution. (shrink)

Beginning with Ronald Hepburn’s path-breaking essay, “Contemporary Aesthetics and the Neglect of Natural Beauty,” which helped establish the modern discipline of environmental aesthetics, philosophers have provided sketches of what, after Hegel, might be called “philosophical histories of the aesthetics of nature.” These histories are remarkably similar and can easily be blended together to create a “received history” of the discipline. This history has subtly influenced work in the field. Unfortunately, it is not completely accurate and, as a result, has had (...) a misleading effect. A more accurate and expanded alternative history calls into question the received history’s view both on the origins of the field in arts-based aesthetic theories and on the nature and value of the aesthetic categories, “the picturesque” and “the sublime.” These categories were not borrowed from philosophy of art and inappropriately applied to nature, but instead were developed to appraise landscapes, which unlike natural objects could only rarely be judged beautiful since they are almost never symmetrical or ordered. (shrink)

This essay present a critical analysis of Hare's article 'Contrasting Methods in Environmental Planning' . It argues that Hare has drawn an important distinction between two 'methods' used in both urban and environmental planning, and that Hare is correct in the conclusion of his argument that one of these methods, 'the trial-design method', is superior to the other, 'the means-end method'. However, this paper presents a new argument in support of that conclusion. This new argument is important for two reasons. (...) First, it points to the existence of at least two different kinds of preference schedule. Second, it supports a type of decision making procedure to be used in 'multiple-client situations' different from the one envisioned by Hare. This procedure, oddly enough, resembles the procedures outlined by both Habermas and Rawls. However, it can be defended on recognisably utilitarian grounds. (shrink)

In this book, Adu-Amankwah attempts to present and critically evaluate R. M. Hare’s entire moral philosophy. The book is divided into five extremely long chapters, an organization which permits the author to present his material in a roughly historical order.

"Williams's masterful translation satisfies (at last!) a long-standing need. There are lots of good translations of Augustine's great work, but until now we have been forced to choose between those that strive to replicate in English something of the majesty and beauty of Augustine's Latin style and those that opt instead to convey the careful precision of his philosophical terminology and argumentation. Finally, Williams has succeeded in capturing both sides of Augustine's mind in a richly evocative, impeccably reliable, elegantly readable (...) presentation of one of the most impressive achievements in Western thought--Augustine's Confessions." --Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell University. (shrink)

By some of the top philosophers in the field of aesthetics as well as those in the architectural profession, essays in this book related architecture to other artforms such as photography. literature and painting. relates architecture to other artforms such as photography, literature and painting contains essays by some of the world's top philosophers works with a diversity of architectural concepts and issues philosophical discussions are generated by professionally designed architectural projects as well as vernacular ones extends the bounds of (...) architectural issues presently discussed by philosophers. (shrink)

The Moral Nexus develops and defends a new interpretation of morality—namely, as a set of requirements that connect agents normatively to other persons in a nexus of moral relations. According to this relational interpretation, moral demands are directed to other individuals, who have claims that the agent comply with these demands. Interpersonal morality, so conceived, is the domain of what we owe to each other, insofar as we are each persons with equal moral standing. The book offers an interpretative argument (...) for the relational approach. Specifically, it highlights neglected advantages of this way of understanding the moral domain; explores important theoretical and practical presuppositions of relational moral duties; and considers the normative implications of understanding morality in relational terms. The book features a novel defense of the relational approach to morality, which emphasizes the special significance that moral requirements have, both for agents who are deliberating about what to do and for those who stand to be affected by their actions. The book argues that relational moral requirements can be understood to link us to all individuals whose interests render them vulnerable to our agency, regardless of whether they stand in any prior relationship to us. It also offers fresh accounts of some of the moral phenomena that have seemed to resist treatment in relational terms, showing that the relational interpretation is a viable framework for understanding our specific moral obligations to other people. (shrink)

We should approach this topic with great fear and respect. It is not a merely “academic” issue. Human rights are trampled upon in the East as in the West, in the North as in the South of our planet. Granting the part of human greed and sheer evil in this universal transgression, could it not also be that Human Rights are not observed because in their present form they do not represent a universal symbol powerful enough to elicit understanding and (...) agreement? (shrink)

Chemical structures are among the trademarks of our profession, as surely chemical as flasks, beakers and distillation columns. When someone sees one of us busily scribbling formulas or structures, he or she has no trouble identifying a chemist. Yet these familiar objects, which accompany our work from start to end, from the initial doodlings (Fig. I) to the final polished artwork in a publication (Fig. II), are deceptively simple. They raise interesting and difficult questions about representation. It is the intent (...) of this article to reflect upon molecular graphics. (shrink)

Ethics and Decision Making in Counseling and Psychotherapy has a distinct and timely focus on counseling as a profession. Chapters address the mental health professions, values in counseling, decision making, ethical principles, ethical standards, technology, ethical climate, and office/administrative practices. The early chapters present a foundation for ethical practice of the profession and provides solid building blocks to the more advanced perspectives in later chapters. Chapters on specialty practice are lively and contemporary overviews of these practice areas in counseling that (...) reflect more recent trends to increased differentiation of these areas of practice. Each specialty has its own chapter to allow for an extended discussion of the unique aspects of the field that provide clarity to understanding the particular ethical issues and standards that apply in each specialty. The specialty areas recognized by CACREP are included: mental health counseling; school counseling; couple, marital, and family counseling; rehabilitation counseling; addictions counseling; career counseling; and group counseling. This book is broad in its coverage of the most practiced specialties in mental health practice, and provides an efficient and effective overview of the broad scope of particular areas addressed in counseling. (shrink)

I investigate the consequences of Nietzsche's perspectivism for notions of truth and objectivity, and show how the metaphor of visual perspective motivates an epistemology that avoids self-referential difficulties. Perspectivism's claim that every view is only one view, applied to itself, is often supposed to preclude the perspectivist's ability to offer reasons for her epistemology. Nietzsche's arguments for perspectivism depend on “internal reasons”, which have force not only in their own perspective, but also within the standards of alternative perspectives. Internal reasons (...) allow a perspectivist argument against dogmatism without presupposing aperspectival criteria for theory choice. Nietzsche also offers “internal” conceptions of truth and objectivity which reduce them to a matter of meeting our epistemic standards. This view has pluralistic implications, which conflict with common sense, but it is nevertheless consistent and plausible. Nietzsche's position is similar to Putnam's recent internalism, and this is due to their common Kantian heritage. (shrink)

The inaugural collection in an exciting new exchange between philosophers and geographers, this volume provides interdisciplinary approaches to the environment as space, place, and idea. Never before have philosophers and geographers approached each other's subjects in such a strong spirit of mutual understanding. The result is a concrete exploration of the human-nature relationship that embraces strong normative approaches to environmental problems.

According to Kuhn a new scientific discipline comes into existence when a group of scientists adopt a common paradigm within which to conduct research. The adoption of this paradigm senes to focus the attention of the group’s members on a common explanatory task-at-hand and leads them to adopt similar methods and aims, thus making possible the standard puzzle solving activities that allow normal science to advance rapidly. However, Kuhn argues, in pre-paradigm periods and during revolutionary phases, scientists do not engage (...) in such singleminded, puzzle-solving behavior, as the paradigm itself is put into question. Instead, during these periods, they become at least partially self-reflective in that they become interested in understanding the nature of their discipline and its relationships to other disciplines. In this paper, I argue that Philosophical Counseling is in a pre-paradigm period and is in need of a paradigm centered definition if it is to develop an identity and advance rapidly. In an Aristotelian mood, I seek this definition though an examination of the related fiends of psychotherapy and pastoral counseling. (shrink)

According to Aristotle, both urban planning and political philosophy originated in the work of one man, Hippodamus of Miletus. If Aristotle is right, then the study of Hippodamus's work should help us understand their history as interrelated fields. Unfortunately, it is difficult to determine with any degree of precision exactly what Hippodamus's contributions were to these two fields when the two fields are studied separately. In urban planning, Hippodamus was traditionally credited with having invented the ''grid pattern'' in which straight (...) streets intersect each other at right angles to form regular city blocks. However, as grid patterned cities have been discovered that were built before Hippodamus's birth, this traditional attribution must be false. In political philosophy, Hippodamus was credited with having written the first utopian ''constitution''. However, Aristotle's account of this constitution is so brief that it is difficult to determine what philosophical position lies behind it and, as that account makes clear, several of the laws governing Hippodamus's ideal city seem contradictory. In this paper, I argue that Hippodamus did significant work in both fields but that his intentions can only be seen clearly if his philosophical and architectural works are read together. This reading not only makes clear the unique contribution that Hippodamus made to both disciplines, but it shows how they were-and perhaps how they should be-related. (shrink)

The eighteenth century notion of the “picturesque” has been misunderstood by many contemporary environmental aestheticians. This has contributed both to amisunderstanding of the history of environmental aesthetics and, within the discipline, to a misunderstanding of English garden design. This essay contains a discussion of the term as it appears in environmental aesthetics literature and an examination of the history of the term as used in eighteenth-century garden design literature. This history is used to contest the account of the term as (...) used by contemporary environmental aestheticians and to develop a philosophically more interesting interpretation of it. (shrink)

This paper seeks to discover if urban planning has any 'internal values' which might help guide its practitioners and provide standards with which to judge their works, thereby providing for some disciplinary autonomy. After arguing that such values can best be discovered through an examination of the history of utopian urban planning, I examine one period in that history, the early Renaissance and, in particular, the work of Leon Battista Alberti. Against Susan Lang's thesis that Alberti's work was guided by (...) the fundamental value of beauty, I argue that Alberti was centrally concerned to design cities that would help their citizens develop civic virtue. Against Françoise Choay's thesis that Alberti was not a utopian, I argue that Alberti was a procedural utopian interested in advancing certain political goals. This analysis suggests that urban planning has an internal value structure which includes some specific political values. (shrink)

A multi-disciplinary study of the house that the philosopher Ludwig Wittgenstein built for his sister in Vienna between 1926 and 1928, this book weaves together ideas taken from a number of disciplines_sociology, political science, aesthetics, architecture, urban planning, and philosophy_to develop a complex, multifaceted interpretation of the purpose and design of the house, which, in turn, is used to ground a new interpretation of Wittgenstein's philosophical works emphasizing their mystical nature and practical purpose.

A growing literature testifies to the persistence of place as an incorrigible aspect of human experience, identity, and morality. Place is a common ground for thought and action, a community of experienced particulars that avoids solipsism and universalism. It draws us into the philosophy of the ordinary, into familiarity as a form of knowledge, into the wisdom of proximity. Each of these essays offers a philosophy of place, and reminds us that such philosophies ultimately decide how we make, use, and (...) understand places, whether as accidents, instruments, or fields of care. (shrink)

This essay examines the possibility of developing a more complete evolutionary aesthetics that can be used to appraise both natural landscapes and works of landscape architects. For the purpose of this essay, an “evolutionary aesthetics” is an aesthetic theory that is closely connected to Darwin’s theory of evolution. Two types of Darwinian evolutionary aesthetics seem possible; a theory of evolved tastes, such as that developed by Dennis Dutton, and an aesthetics of evolving nature based on Carlson’s positive aesthetics. After, exploring (...) both theories, I argue that, while the two positions approach aesthetics from different directions, they support similar aesthetic judgments concerning landscapes, and this suggests that the two positions might be incorporated into a broader theory of evolutionary aesthetics. That theory is briefly outlined and applied to both natural landscapes and parks. (shrink)

It is tempting to think that all of normativity, such as our reasons for action, what we ought to do, and the attitudes that it is fitting for us to have, derives from what is valuable. But value-first approaches to normativity have fallen out of favour as the virtues of reasons- and fittingness-first approaches to normativity have become clear. On these views, value is not explanatorily prior to reasons and fit; rather the value of things is understood in terms of (...) the pro-attitudes it is fitting to have, or that we have reasons to have, towards these things. The value-first accounts of reasons and fit that have been proposed have been direct accounts of reasons and fit. On these views, the fittingness of an attitude is explained in terms of the value of having it or the value of the object of that attitude. This chapter details and surveys these problems, explaining which are yet to be overcome, and explaining which problems direct value-first accounts can overcome. This chapter then explores the prospects of an indirect value-first account of reasons and fit. It argues that it avoids the problems that direct value-first accounts face and may be as explanatorily powerful as fittingness- and reasons-first accounts of value and normativity more generally. (shrink)

Is the essay literature or philosophy? A form of art or a form of knowledge? The contemporary essay is torn between its belletrist ancestry and its claim to philosophical legitimacy. The Spanish philosopher Eduardo Nicol captured the genre's uncertain status when he dubbed it “almost literature and almost philosophy” (Nicol 1961:207). The problem is hardly a new one. It goes back to what Plato called the “ancient quarrel” between poetry and philosophy, and more recently to the German Romantic theorist, Friedrich (...) Schlegel, who called for a mode of criticism which would be at once philosophical and poetic. But today, when the status of critical discourse is up for grabs, reflecting the crisis of knowledge in the universities, the question of the essay takes on a new urgency. Now the predominant form of writing in the human sciences, it cannot avoid the challenge to define itself according to the prevailing standards of scientific knowledge and method. (shrink)

This paper outlines a normative/philosophical theory of evolutionary aesthetics, one that differs substantially from existing explanatory/psychological theories, such as Dutton’s. This evolutionary theory is based on Carlson’s scientific cognitivism, but differs in that it is based on evolutionary rather than ecological theory. After offering a short account of Carlson’s theory, I distinguish it from a normative evolutionary aesthetics. I then explore an historically important normative/philosophical theory of the aesthetics of nature that is consistent with Darwin’s theory of natural selection; namely, (...) the theory of the picturesque. Finally, after summarizing Nietzsche’s early theory of tragedy, I discuss how some of his ideas might be incorporated into an evolutionary aesthetics. (shrink)

Many environmental aestheticians—most prominently, Allen Carlson—have drawn a distinction between “arts-based” and “nature-based” approaches to the aesthetics of nature and have argued that the widespread practice of using arts-based theories and categories to understand the aesthetics of nature is a mistake. This practice, they argue, should be rejected and replaced by a practice in which an aesthetics of nature based on a clear, scientifically grounded understanding of the environment is used to appraise nature. In this paper, I will challenge important (...) parts of this argument through a discussion of an example often used by these environmental aestheticians in developing their arguments: namely, landscape.. (shrink)

The book is written for anyone seriously interested in Plato's thought and in the history of literary theory or of rhetoric. No knowledge of Greek is required. The focus of this account is on how the resources both of persuasive myth and of formal argument, for all that Plato sets them in strong contrast, nevertheless complement and reinforce each other in his philosophy.