Abela accepts Fine’s account of realism and instrumentalism, but thinks that we can reject the Natural Ontological Attitude by distinguishing the theoretical attempt to make sense of scientific practice from choosing the attitude we bring to the debate, or to science itself. But Abela’s attitudes are vulnerable to Fine’s criticisms of the philosophical positions. However, if we take attitude as contrastive and as full‐blooded enough to lead to different behaviour we can see a gap in Fine’s position. He cannot tell (...) us why it is science that he trusts. When we look more widely, the philosophical positions might be seen as ways of justifying that trust. (shrink)

Informal logicians recognise the frequent use of unstated assumptions; some (e.g. Fisher) also recognise entertained arguments and recommend a suppositional approach (such as Mackie's) to conditional statements. It is here argued that these two be put together to make argument diagrams more accurate and subtle. Philosophical benefits also accrue: insights into Jackson's apparent violations of modus tollens and contraposition and McGee's counterexamples to the validity of modus ponens.

This book, first published in 1987, examines the notion of truth and then discusses knowledge and the way in which much of our knowledge revises or rejects the common-sense we start from. The author argues that our knowledge is not as secure as some would like to think and that there are important limits to the possibility for explanation. He shows how values permeate our ordinary thinking and argues against the objectivity of these values, showing the practical consequences of this (...) argument for teaching in schools. This stimulating approach to a fundamental educational issue does not require previous experience of formal philosophy and will be useful to both education students and teachers in schools. (shrink)

Michael Williams has frequently considered and rejected approaches to "our knowledge of the external world" that see it as the best explanation for certain features of experience. This paper examines the salience of his position to approaches such as Mackie’s that do not deny the presentational directness of ordinary experience but do permit a gap between how things appear and how they are that allows for sceptical doubts. Williams’ main argument is that, to do justice to its place in a (...) foundationalist strategy, the external world as hypothesis must offer an explicandum that does not invoke concepts of objects but is rather purely experiential. He next claims that no coherent regularities are available at such a level so there is nothing to be explained. Coherence only comes with objects, not as something objects could explain. Confronting this with Mackie’s Lockean theory of perception, we find that Mackie decisively rejects the first claim about the nature of the explicandum, since he sees ordinary perception as involving intentional objects which are distinct from the persisting objects they present. He is also committed to rejecting Williams’ line on purely experiential regularities, though this plays a subordinate role in his general position. The crucial issue then becomes the tenability of Mackie’s intentional object analysis and the extent to which it might yet tilt the argument in favour of realism against a global sceptic. In formulating his own epistemological strategies Williams might appear to countenance a version of Mackie’s view divorced from foundationalism. But while Williams’ contextualism in its minimal version might do so, in practice it retains the lessons derived from his skirmishes with scepticism and thus disallows certain types of enquiry. I conclude by contrasting Mackie’s response to scepticism with that of Williams in his diagnostic vein. (shrink)

J. Gingell, E. P. Brandon; Popular Culture, Journal of Philosophy of Education, Volume 34, Issue 3, 7 March 2003, Pages 461–485, https://doi.org/10.1111/1467-97.

In the course of this book we shall frequently appeal to what we call an Arnoldian filter, a principle we wish to urge for choosing much of what should form part of education in schools. This priniciple is based on a remark in Matthew Arnold's Preface to Culture and Anarchy,1 that culture is a matter of getting ‘to know, on all the matters which most concern us, the best which has been thought and said in the world’ (1935, p.6, emphasis (...) added). Arnold's work here and elsewhere is often seen as a key monument in English humanist thought. Trilling claims that ‘he established criticism as an intellectual discipline among the people of two nations and set its best tone’ (1949, p.3). It may not be of merely historical interest to consider some of the concerns that drove Arnold to offer culture in his sense as a contribution to contemporary and future society. (shrink)

Defenders of high culture can be found invoking many and various allies. Many are, we think, out of place. These defences raise issues that we do not need to worry about or themselves create unnecessary difficulties for clarity of thought on these matters. In this chapter we will touch upon a number of such irrelevancies. We will begin by examining the assimilation of high culture to religion and religious concerns in the thought of Eliot and Scruton: this will allow us (...) to indicate our stance on the place of religion in schools. We will then examine some psychological and sociological issues that Bantock has invoked in defending his secular vision of the role of culture, and conclude with Barrow's curious identification of culture with general intelligence. (shrink)

This chapter deals with a crucial component of our position, the presumption that there are objective grounds for preferring one thing to another within the various cultural institutions we deal with, that there are better or worse symphonies, soufflés and theories of the atom. The task of showing this is more urgent for some institutions than others. While philosophers can doubt anything, most people are persuaded of the objectivity of our efforts to comprehend the physical world and to weigh, count (...) and measure accurately in many areas of human activity. Again, when we are faced with a choice among functional objects or processes, most people will admit that we can ground a preference for a knife or an exercise routine on objectively established facts: sharpness, or measurable increase in strength. Here, certainly, various conflicting desiderata may enter and make actual decisions more difficult — the sharpest knife may also be the most expensive; we may need to worry about its safety features; it may be ugly; and so on. But many will doubt that our judgements of comparative worth for non-functional objects such as paintings or sonatas can claim a similarly objective basis. We shall, therefore, concentrate our efforts on the most doubted areas, but will begin with the less contentious, where we think it is useful to draw attention to the genuine problems some philosophers have stressed, to show in fact that what we believe to be popular unconcern deserves to be somewhat ruffled. (shrink)

The fact that education is, and must be, a process of enculturation for those being educated gives us some, but by no means enough, guidance as to what we would expect to see going on in our schools. For given that our educational institutions are part of our culture and, given that anything that is part of our culture will transmit cultural messages, if we put children in school and let them play all day, or simply asked teachers to explain (...) their hobbies to the children, then some processes of enculturalisation would be going on. But no one with any real concern for either our children or their education would think such things fulfil a proper role for schools. Certainly if, as Arnold thought, education is a question of passing on, or trying to pass on, the features from our culture that we value, then any such reliance on random processes must be ruled out. Instead we have to select those aspects of our culture which we wish our children to partake of and insist that our educational establishments make sustained and intentional efforts to ensure such participation. (shrink)

Arnold wrote in an educational tradition that both lay in a main line of descent from the cultural formations he most valued and equipped him with the tools necessary to appreciate many of the elements in those traditions that are not in his native language. So when he referred, as exemplars of high culture, to Homer and Cicero, Montesquieu and Goethe, he presumed acquaintance with their works in the original languages on his own part and on that of his audience. (...) His own vernacular derived from that of Shakespeare and the Authorised Version of the Bible. (shrink)