The text is divided into four chapters: 1.0 Metaphysics, transcendental philosophy and analytic philosophy; 2.0 The senses of being ; 3.0 Being and existence ; and 4.0 Modalities. After a defense of contemporary analytic philosophy against the usual charge of its supposedly superficial character and its lack of philosophical significance, Llano offers a thoughtful reading of Wittgenstein against his ancient, medieval and Kantian scholastic background. Following Gilson's historical analysis, Llano diagnoses a "tendency to reflect upon concepts with the risk of (...) forgetting the real things whose natures these concepts represent.... While the scholasticism most directly bound to Aristotle kept the consideration of real, concrete being firmly in view, Duns Scotus--in a direction already pointed out by Avicenna--was completely occupied with the concept of pure being ; a concept which, by being abstract, was understood as univocal. This perspective led him to 'prescind' from the actual reality of things, i.e., from their real existence; because, although existence itself is a notion or ratio knowable in the object, it is nevertheless required as actually belonging to the object in so far as it is knowable: 'existentia non est per se ratio obiecti, ut scibile est'". Against this background, being is taken as intelligibility, involving a relationship to the understanding that logicizes the meaning of being itself so that "the formal-essential dimension takes unto itself the whole weight of reality" and "esse is reduced to a quasi-accidental mode of the essence", which comes to be thematized in its own right as "the real modality, until a linguistic analysis, which can accept only the logical modality, passing through the logico-transcendental mediation of the gnoseological modality". Being is accordingly progressively "reabsorbed into human thought and later into various anthropological dimensions ". Section 1.3, "Toward a realist semantics," starts from Frege's attack on psychologism in the Foundations of Arithmetic and leads to a reinstatement of Aristotelian semantics in section 1.4, "Word and concept." Chapter 2 deals with the standard topics: 2.1, Predication, identity, existence; 2.2, being in propositions and being in reality; 2.3, accidental being ; and 2.4, being as it pertains to truth. Chapter 3 on being and existence suggests the thought-provoking comparison: as natura is to suppositum in Aquinas, so is Begriff to Gegenstand in Frege. Chapter 4, on the modalities of being, gets to the heart of the metaphysical issue of what happens when one of the modalities of being is substituted for being as the foundation of metaphysics. In Section 4.1, on actuality and facticity, Llano deftly centers attention on Heidegger's Grundprobleme der Phänomenologie, where Heidegger maintains that the Thomistic notion of actus essendi is merely another instance of the forgetfulness of being. Llano rightly judges that Heidegger's understanding of an opposition between essence as one thing and existence as another is derived from a position of Giles of Rome and has nothing to do with the position of Aquinas himself. Llano cites Avicenna roughly five times as often as he does Giles of Rome; Heidegger, apparently relying on hearsay reports, mentions Avicenna only once in the Grundprobleme der Phänomenologie, without citing any text, and mentions Giles of Rome three times, citing only one text. Heidegger uses a late scholastic as his authority for discrediting Aquinas. Llano quotes some of the explicit Thomistic criticisms against Avicenna including one that Heidegger partially omits ; the passage Heidegger suppresses begins "Opinio Avicennae fuit...." Though rhetorically subtle, Llano's clearly and forcefully written book is loaded with philosophical insights, bridges conversational gaps between analysts and phenomenologists, and offers a glimpse at some of the most important medieval notions sedimented within contemporary philosophy.--E. M. Macierowski, Washington, D.C. (shrink)

This is a welcome reprint of a book that continues to grow in importance.

With increased visibility of trans people comes increased philosophical interest in gendered language. This chapter aims to look at the research on gendered language in analytic philosophy of language so far, which has focused on two concerns: (1) determining how to define gender terms like ‘man’ and ‘woman’ such that they are trans inclusive and (2) if, or to what extent, we should use gendered language at all. We argue that the literature has focused too heavily on how gendered language (...) can harm trans people, and has not considered how trans people use gendered language to create meaning and joy for ourselves. Pulling from the literature in sociolinguistics, we look at examples of how trans people use language to make their lives better by gaining recognition, playing with gendered language, finding joy in gendered language, and taking control of definitional power, concluding that debates about gendered language need to consider not only how such language harms trans people but also how trans people use it for our own liberation. (shrink)

Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as On the Heights of Despair and Tears and Saints, The New Gods eschews his usual aphoristic approach in favor of more extensive and analytic essays. Returning to many of Cioran’s favorite themes, The New Gods (...) explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pedestrian destination rife with decay, death, and human weakness. In another chapter, Cioran explores suicide in shorter, impressionistic bursts, while “The Demiurge” is a shambolic exploration of man’s relationship with good, evil, and God. All the while, The New Gods reaffirms Cioran’s belief in “lucid despair,” and his own signature mixture of pessimism and skepticism in language that never fails to be a pleasure. Perhaps his prose itself is an argument against Cioran’s near-nihilism: there is beauty in his books. (shrink)

This chapter contains sections titled: I II.

This chapter contains sections titled: I II.