Results for 'Frank Sibley'

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  1. Aesthetic Concepts.Frank Sibley - 1959 - Philosophical Review 68 (4):421-450.
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  2. Aesthetic and nonaesthetic.Frank Sibley - 1965 - Philosophical Review 74 (2):135-159.
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  3. Approach to aesthetics: collected papers on philosophical aesthetics.Frank Sibley (ed.) - 2001 - New York: Oxford University Press.
    A complete collection of Frank Sibley's articles on philosophical aesthetics, this volume includes five, remarkable, hitherto unpublished papers written in Sibley's later years. It addresses many topics, among them the nature of aesthetic qualities versus non-aesthetic qualities, the relation of aesthetic description to aesthetic evaluation, the different levels of evaluation, and the objectivity of aesthetic judgement. The later papers constitute both a significant development of Sibley's individual approach to aesthetics, such as his discussion of the distinction (...)
  4.  80
    Aesthetics: Problems in the Philosophy of Criticism. [REVIEW]Frank Sibley - 1961 - Philosophical Review 70 (2):275-279.
  5. General criteria and reasons in aesthetics.Frank Sibley - 1983 - In Monroe C. Beardsley & John Fisher (eds.), Essays on Aesthetics: Perspectives on the Work of Monroe C. Beardsley. Temple University Press. pp. 3--20.
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  6. Approach to Aesthetics: Collected Papers on Philosophical Aesthetics.Frank Sibley, John Benson, Betty Redfern, Jeremy Roxbee Cox, Emily Brady & Jerrold Levinson - 2002 - Philosophical Quarterly 52 (207):237-246.
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  7.  18
    Perception and the Physical World.Frank Sibley - 1964 - Philosophical Review 73 (3):404.
  8.  26
    The Psychology of Perception.Frank N. Sibley & D. W. Hamlyn - 1959 - Philosophical Review 68 (2):263.
  9.  68
    Aesthetics and the looks of things.Frank Sibley - 1959 - Journal of Philosophy 56 (23):905-915.
  10.  93
    Symposium: About taste.Frank Sibley - 1966 - British Journal of Aesthetics 6 (1):68-69.
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  11. Seeking, scrutinizing and seeing.Frank N. Sibley - 1955 - Mind 64 (October):455-478.
  12. Estetické pojmy.Frank Sibley - 2001 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 8 (3):412-437.
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  13. Making Music Our Own.Frank Sibley - 1993 - In Michael Krausz (ed.), The Interpretation of music: philosophical essays. New York: Oxford University Press. pp. 173--74.
     
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  14. Aesthetic concepts: A rejoinder.Frank Sibley - 1963 - Philosophical Review 72 (1):79-83.
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  15.  28
    Colours.Frank N. Sibley - 1968 - Proceedings of the Aristotelian Society 68:145-166.
    F. N. Sibley; VIII—Colours, Proceedings of the Aristotelian Society, Volume 68, Issue 1, 1 June 1968, Pages 145–166, https://doi.org/10.1093/aristotelian/68.1.1.
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  16.  22
    A theory of the mind.Frank Sibley - 1950 - Review of Metaphysics 4 (2):259-278.
  17.  7
    A Theory of the Mind,The Concept of Mind.Frank Sibley - 1950 - Review of Metaphysics 4 (2):259-278.
    In Professor Ryle's words, the aim of the book is to offer "what may with reservations be described as a theory of the mind". But it claims to give no new information about minds but rather to "rectify the logical geography of the knowl- edge which we already possess". The need for rectification comes from a fundamental error underlying the generally accepted or official doctrine about the nature and status of Mind, a doctrine which hails chiefly from Descartes. This doctrine (...)
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  18.  43
    Perception: A Philosophical Symposium.Frank Noel Sibley (ed.) - 1971 - London,: Methuen.
  19. Frank Sibley: In memoriam.Colin Lyas - 1996 - British Journal of Aesthetics 36 (4):345-355.
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  20.  5
    Frank Sibley: IN MEMORIAM.Colin Lyas - 1996 - British Journal of Aesthetics 36 (4):345-355.
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  21. Frank Sibley's “Aesthetic Concepts”.R. David Broiles - 1964 - Journal of Aesthetics and Art Criticism 23 (2):219-225.
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  22.  16
    Sibley, Frank. Approach to Aesthetics: Collected Papers on Philosophical Aesthetics. [REVIEW]Benjamin F. Ward - 2003 - Review of Metaphysics 56 (3):678-679.
  23. Why Sibley is Not a Generalist After All.Anna Bergqvist - 2010 - British Journal of Aesthetics 50 (1):1-14.
    In his influential paper, ‘General Criteria and Reasons in Aesthetics’, Frank Sibley outlines what is taken to be a generalist view (shared with Beardsley) such that there are general reasons for aesthetic judgement, and his account of the behaviour of such reasons, which differs from Beardsley's. In this paper my aim is to illuminate Sibley's position by employing a distinction that has arisen in meta-ethics in response to recent work by Jonathan Dancy in particular. Contemporary research involves (...)
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  24. Sibley on ‘Beautiful’ and ‘Ugly’.Andrea Sauchelli - 2014 - Philosophical Papers 43 (3):377-404.
    Frank Sibley's ideas have been particularly influential among contemporary philosophers interested in aesthetics. Most studies, however, have focused only on his earlier works. In this essay, I explore Sibley's account of the adjectives ‘beautiful’ and ‘ugly’, paying particular attention to three papers that have only recently been published and that have not yet received adequate attention. In particular, I discuss his account of the adjective ‘beautiful’, which relies on the controversial notion of an aesthetic ideal. In addition, (...)
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  25.  86
    Why Sibley Is (Probably) Not a Particularist After All.C. Kirwin - 2011 - British Journal of Aesthetics 51 (2):201-212.
    Anna Bergqvist claims that Frank Sibley—despite his own claims to the contrary—should be considered a particularist when it comes to aesthetics. In this paper I argue that whilst Sibley does hold many of the views that Dancy advances in his Ethics without Principles , Bergqvist is certainly wrong to present Sibley's position as ‘uncontroversially’ particularist. In fact, the relationship between Sibley's account of judgement in aesthetics and Dancy's ethical particularism serves to highlight several ambiguities involved (...)
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  26.  83
    Reading Sibley.George Dickie - 2004 - British Journal of Aesthetics 44 (4):408-412.
    Haydar claim that Frank Sibley offers a criterion for distinguishing aesthetically valenced from non-aesthetically valenced properties. I argue that they have misunderstood what Sibley was doing and that he never even intended to offer any such criterion. They also argue that Sibley was wrong to claim that inherently aesthetic merits are reversible. They claim that aesthetic merits—for example, elegance—are irreversible and offer some arguments for their view. I produce a counterexample to their claim about elegance and (...)
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  27.  25
    Sibley's Legacy.Brandon Cooke - 2005 - Journal of Aesthetic Education 39 (1):105-118.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 39.1 (2005) 105-118 [Access article in PDF] Sibley's Legacy Brandon Cooke Philosophy Department Auburn University Approach To Aesthetics, by Frank Sibley. John Benson, Betty Redfern, and Jerome Roxbee Cox, editors. Oxford: Clarendon Press, 2001, 280 pp., $45.00 hardcover. Aesthetic Concepts: Essays After Sibley, edited by Emily Brady and Jerrold Levinson. Oxford: Clarendon Press, 2001, 239 pp., $49.95 hardcover. Unquestionably, (...) Sibley should be counted among those who helped return aesthetics to intellectual health and respectability as a proper field for philosophical investigation. He published no monographs outlining his views, but managed nonetheless to make highly influential contributions to research in aesthetics through a small number of papers. The two books under review in a sense are long overdue. Sibley died in 1996, before he could assemble a collection of his papers for publication in a single volume. Approach to Aesthetics is perhaps the next best thing — a collection of essays assembled and shaped by a highly conscientious editorial team. The book collects all of Sibley's published writings in aesthetics, together with a number of unpublished papers in various states of completion. The editors were confronted with the difficult question of what to do with many of these latter pieces. In the end, they made the unhappy but correct decision to leave out some work, which would have been of great interest but was still embryonic at the time of Sibley's death. But while we may not have in this volume the fullness of Sibley's mature thinking on aesthetics, the importance of its contribution to the literature is in no way diminished. Clarendon has published Aesthetic Concepts: Essays After Sibley as a companion to the collection of Sibley's work. It, too, is a valuable contribution, and evidence of Sibley's agenda-setting influence on subsequent work in aesthetics. First I shall explore some of the main themes of Sibley's thought in Approach to Aesthetics. Approach to Aesthetics "Aesthetic Concepts" leads off the collection. Sibley concentrates on two sorts of remarks we make in talking about art: those that "may be made by...anyone with normal eyes, ears, and intelligence," and those that require "the exercise of taste, perceptiveness, or sensitivity, of aesthetic discrimination or appreciation" (p. 1). Concepts in the second group are aesthetic [End Page 105] or taste concepts. Sibley notices that in support of aesthetic judgments, we often (but not always) adduce reasons which involve non-aesthetic concepts only. The question to ask, then, is just what is the relation between the two? Sibley remains deliberately uncommitted on the specific nature of the relation, except for the important claim that whatever it is, it is not condition-governed. That is, "there are no non-aesthetic features which serve in any circumstances as logically sufficient conditions for applying aesthetic terms" (p. 4). The claim is strict, and in the tradition which says that nothing can substitute for individual, spontaneous contact with an artwork to judge its aesthetic qualities; no application of principles will suffice. On the one hand, such a position makes aesthetic education quite an important task, if the distinctive qualities of artworks are out of reach even to those who are cognitively and perceptually well-equipped. And yet, if no rules or general standards can be brought to the experience of art, one might well wonder just how such an education is to be carried out. Sibley is aware of this tension. The solution lies first in realizing that the aesthetic terminology is not different in kind from "everyday" language. Even if in the art-related cases, some of those are deployed in metaphors, our understanding of their use here is deeply related to their ordinary uses. But then, what stops any one of us from seeing that a painting is imbalanced or lurid? Sibley describes the several ways in which the critic "gets his audience to see what he sees" (p. 18). These include pointing out salient non-aesthetic features, using the aesthetic terms themselves, making use of metaphors, contrasts, comparisons, and so on. In effect, the critic's... (shrink)
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  28. Aesthetic concepts: essays after Sibley.Emily Brady & Jerrold Levinson (eds.) - 2001 - New York: Oxford University Press.
    Exploring key topics in contemporary aesthetics, this work analyzes the issues that arise from the unique works of Frank Sibley (1923-1996), who developed a distinctive aesthetic theory through a number of papers published between 1955 and 1995. Here, thirteen philosophical aestheticians bring Sibley's insight into a contemporary framework, exploring the ways his ideas foster important new discussion about issues in aesthetics. This collection will interest anyone interested in philosophy, art theory, and art criticism.
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  29.  3
    Aesthetic Concepts: Essays after Sibley[REVIEW]Ronald Hepburn - 2003 - Review of Metaphysics 56 (3):635-636.
    Frank Sibley was a philosopher who achieved notably sharp, lucid analyses of fundamental issues in aesthetics. This lively collection witnesses to the continuing power of his ideas to stimulate fresh thinking in and beyond his field.
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  30. Epiphenomenal qualia.Frank Jackson - 1982 - Philosophical Quarterly 32 (April):127-136.
  31. Alan Watts and the therapeutic process. Prefatory note / Peter J. Columbus ; Essay.Dennis T. Sibley - 2023 - In Peter J. Columbus (ed.), Alan Watts in late-twentieth-century discourse: commentary and criticism from 1974-1994. New York, NY: Routledge.
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  32. Truth and probability.Frank Ramsey - 2010 - In Antony Eagle (ed.), Philosophy of Probability: Contemporary Readings. New York: Routledge. pp. 52-94.
     
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  33. Reference and description revisited.Frank Jackson - 1998 - Philosophical Perspectives 12:201-218.
  34.  16
    The World as Spectacle.W. M. Sibley - 1945 - Philosophy and Phenomenological Research 6 (1):140-143.
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  35.  27
    Attention. By A. R. White. (Oxford: Blackwell, 1964. Pp. 134. Price 18s.).F. N. Sibley - 1966 - Philosophy 41 (157):281-.
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    Justice and World Society.W. M. Sibley - 1945 - Philosophy and Phenomenological Research 5 (3):416-418.
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  37.  4
    On the Nature of Value.W. M. Sibley - 1948 - Philosophy and Phenomenological Research 8 (4):720-722.
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    Al-Ghazālī's philosophical theology.Frank Griffel - 2009 - New York: Oxford University Press.
    In this book, Frank Griffel presents the most comprehensive examination to date of the life and thought of this important figure.
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  39.  8
    Departures: at the crossroads between Heidegger and Kant.Frank Schalow - 2013 - Boston: De Gruyter.
    In this study, the author shows new entry points to the dialogue between Kant and Heidegger. Schalow takes up the question: "Why should a philosopher like Kant, for whom language seemed to be almost inconsequential, become the crucial counter point for a thinker like Heidegger to develop a novel way to understand and express the most perennial of all philosophical concepts, namely, 'being' as such?" This approach allows for addressing issues which are normally relegated to the periphery of the exchange (...)
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    Al-Ghazālī's philosophical theology.Frank Griffel - 2009 - New York: Oxford University Press.
    In this book, Frank Griffel presents the most comprehensive examination to date of the life and thought of this important figure.
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  41. (7) law and causality.Frank Ramsey - 1961 - In John Langshaw Austin (ed.), Philosophical Papers. Oxford, England: Clarendon Press. pp. 140-163.
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  42. Probability and Partial Belief.Frank Plumpton Ramsey - 1961 - In John Langshaw Austin (ed.), Philosophical Papers. Oxford, England: Clarendon Press. pp. 95-96.
    This note is a postscript to Ramsey's 'Truth and Probability'. It replaces that article's psychological reading of subjective probability with a reading of it as a consistency condition on the theory that we act to maximise expected utility.
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  43. Ectogestative Technology and the Beginning of Life.Lily Frank, Julia Hermann, Ilona Kavege & Anna Puzio - 2023 - In Ibo van de Poel (ed.), Ethics of Socially Disruptive Technologies: An Introduction. Cambridge, UK: Open Book Publishers. pp. 113–140.
    How could ectogestative technology disrupt gender roles, parenting practices, and concepts such as ‘birth’, ‘body’, or ‘parent’? In this chapter, we situate this emerging technology in the context of the history of reproductive technologies and analyse the potential social and conceptual disruptions to which it could contribute. An ectogestative device, better known as ‘artificial womb’, enables the extra-uterine gestation of a human being, or mammal more generally. It is currently developed with the main goal of improving the survival chances of (...)
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  44.  99
    All that can be at issue in the theory-theory/simulation debate.Frank Jackson - 1999 - Philosophical Papers 28 (2):77-96.
  45. But Where Is the University?Frank Hindriks - 2012 - Dialectica 66 (1):93-113.
    Famously Ryle imagined a visitor who has seen the colleges, departments, and libraries of a university but still wonders where the university is. The visitor fails to realize that the university consists of these organizational units. In this paper I ask what exactly the relation is between institutional entities such as universities and the entities they are composed of. I argue that the relation is constitution, and that it can be illuminated in terms of constitutive rules. The understanding of the (...)
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  46.  6
    Meaning, truth, and reference in historical representation.Frank Ankersmit - 2012 - Ithaca: Cornell University Press.
    Historicism -- Time -- Interpretation -- Representation -- Reference -- Truth -- Meaning -- Presence -- Experience (I) -- Experience (II) -- Subjectivity -- Politics.
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  47. "Spinoza" von Dimitri Frenkel Frank: ein Ketzer-Brevier zur Aufführung.Dimitri Frenkel Frank & Joachim Johannsen (eds.) - 1984 - [Zürich]: Neue Schauspiel.
     
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  48. On Gettier Holdouts.Frank Jackson - 2011 - Mind and Language 26 (4):468-481.
    How should we react to the contention that there is empirical evidence showing that many judge Gettier cases to be cases of knowledge, contrary to the verdict of most analytical philosophers about these cases? I argue that there is no single answer to this question. The discussion is set inside a view about how to view the role and significance of intuitive responses to some of philosophy's famous thought experiments. One take-home message is that experimental philosophy and conceptual analysis are (...)
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    Constitutional essentials: on the constitutional theory of political liberalism.Frank I. Michelman - 2022 - New York, NY: Oxford University Press.
    We enter here upon a history of conversational traffic between the respective departments of philosophy and law in the old academy of liberalism, where lawyers hear much from philosophers, yes-and philosophers hear from lawyers, too, in what has fruitfully been a both-ways exchange. Our philosophical protagonist is John Rawls. This book comprises a study of the rise and workings, within the Rawlsian political-liberal philosophy, of the idea of a country's higher-legal constitution as a public platform for the justification of political (...)
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  50.  81
    The Aš‘arite Ontology: I Primary Entities: RICHARD M. FRANK.Richard M. Frank - 1999 - Arabic Sciences and Philosophy 9 (2):163-231.
    The present study seeks to lay out the most basic elements of the ontology of classical Aš‘arite theology. In several cases this requires a careful examination of the traditional and the formal lexicography of certain key expressions. The topics primarily treated are: how they understood “Being/ existence” and “being/existent” and essential natures; the systematic exploitation of the equivocities of certain expressions within a general context in which other than words there are no universals proves to be elegant as well as (...)
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