In Friendship, Italian philosopher Claudia Baracchi explores the philosophical underpinnings of friendship. Tackling the issue of friendship in the era of Facebook and online social networks requires courage and even a certain impertinence. The friendship relationship involves trust, fidelity, and availability for profound sharing. Sociologists assure us this attitude was never more improbable than in our time of dramatic anthropological reconfiguration. Research on friendship cannot therefore ignore ancient thought: with unparalleled depth, Friendship examines the broader implications of relationship, (...) both emotional and political. Today, the grand socio-political structures of the world are trembling. The hold of valued paradigms that traditionally positioned individuals, determined their destinies, and assigned them their roles and reciprocal responsibilities is becoming uncertain. In these many global shifts, previously unforeseen possibilities for individual and collective becoming are unleashed. Perhaps friendship has to do with worlds that are not: that are not yet, and that should be desired all the more. Focusing on the works of Aristotle, Baracchi explores ancient reflections on friendship, in the belief that they have much to teach us about our relationships in the present day. (shrink)

The essay articulates a rhapsodic reflection on the place of images, their surfacing, and the invisible that sustains them. By way of introduction, it focuses on (1) the initial scenes of Pasolini’s Medea (1969). Following this spellbinding sequence, it addresses (2) the abiding philosophical attraction to the phenomenon of dreams and visions. This will lead to (3) the story of a momentous flight from the Eastern Mediterranean to the Western coast of Italy, sometime during the VI century BCE. One of (...) the outcomes of this event was the founding of Velia, Elea in Attic Greek. These meanderings take us to the periphery of the region “we” call “the West.” More precisely, they point to the periphery of a certain received way of thinking and may contribute to unsettle it. For what begins to emerge from this rhapsody is an unusual profile of the most celebrated pre-classical thinker: Parmenides. (shrink)

Book Description\n\nIn Aristotle's Ethics as First Philosophy, Claudia Baracchi demonstrates\nthe indissoluble links between practical and theoretical wisdom in\nAristotle's thinking. Baracchi shows how the theoretical is always\ninformed by a set of practices, and, specifically, how one's encounter\nwith phenomena, the world, or nature in the broadest sense, is always\na matter of ethos. \n\nAbout the Author\n\nClaudia Baracchi is a Professor of Moral Philosophy at the Universit...\ndi Milano-Bicocca, Italy and the author of Of Myth, Life, and War\nin Plato's Republic.

In Aristotle's Ethics as First Philosophy Claudia Baracchi demonstrates the indissoluble links between practical and theoretical wisdom in Aristotle's thinking. Referring to a broad range of texts from the Aristotelian corpus, Baracchi shows how the theoretical is always informed by a set of practices, and specifically, how one's encounter with phenomena, the world, or nature in the broadest sense, is always a matter of ethos. Such a 'modern' intimation can, thus, be found at the heart of Greek (...) thought. Baracchi's book opens the way for a comprehensively reconfigured approach to classical Greek philosophy. (shrink)

"Baracchi has identified pivotal points around which the Republic operates; this allows a reading of the entire text to unfold.... a very beautifully written book." —Walter Brogan "... a work that opens new and timely vistas within the Republic.... Her approach... is thorough and rigorous." —John Sallis Although Plato’s Republic is perhaps the most influential text in the history of Western philosophy, Claudia Baracchi finds that the work remains obscure and enigmatic. To fully understand and appreciate its (...) meaning, she argues, we must attend to what its original language discloses. Through a close reading of the Greek text, attentive to the pervasiveness of story and myth, Baracchi investigates the dialogue’s major themes. The first part of the book addresses issues of generation, reproduction, and decay as they apply to the founding of Socrates’ just city. The second part takes up the connection between war and the cycle of life, employing a thorough analysis of Plato’s rendition of the myth of Er. Baracchi shows that the Republic is concerned throughout with the complex but intertwined issues of life and war, locating the site of this tangled web of growth and destruction in the mythical dimension of the Platonic city. (shrink)

By reference to the Aristotelian meditation, this essay undertakes to articulate an understanding of phronesis and sophia, praxis and theoria, in their belonging together. In so doing, it strives to overcome the traditional opposition of these terms, an opposition preserved even by those thinkers, such as Gadamer and Arendt, who have emphasized the practical over against the theoretical simply by inverting the order of the hierarchy.What is at stake, ultimately, is thinking ethics as first philosophy, i.e., seeing the philosophical articulation (...) of scientific knowledge, even of ontology, as resting on (belonging in) living-in-action, as phenomenologically, phenomenally, sensibly grounded. Of course, “ethics as first philosophy” here can mean neither a normative-prescriptive compilation nor a self-founding, autonomous discourse. Rather, the phrase names the comprehensiveness of ethics vis-à-vis all mannerof human endeavor and the openness of ethics vis-à-vis that which exceeds it, that which is irreducible to discourse and in which the ethical discourse belongs. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 34.2 (2001) 151-176 [Access article in PDF] Beyond the Comedy and Tragedy of Authority: The Invisible Father in Plato's Republic Claudia Baracchi They say that, when asked who the noble are, Simonides answered: those with ancestral wealth. --Aristotle, fr. 92 Rose When the victor of the mule-race offered him only a small recompense, Simonides would not compose a poem, for he could not endure (...) poetizing in honor of half-asses; but on being offered an adequate amount he wrote, "Greetings, daughters of storm-footed horses!" Yet, they were daughters of the asses also. --Aristotle, Rhet. 1405b Socrates was driving them to agree that the same man could know how to compose both comedy and tragedy and that a skillful tragic poet could also be a comic poet. They were thus driven, though hardly following and getting drowsy; Aristophanes fell asleep first and, as day was breaking, Agathon also. --Plato, Symp. 223d Introductory remarks What follows is a reading of Plato's Republic in the light of Aristophanes' Clouds. More precisely, what is here offered is the bare outline of such a reading--a set of preliminary notes that, by illuminating the inceptive stages of the Republic (especially book 1), constitutes a propaedeutic to the interpretation of the Platonic dialogue as a whole. Questions that one would typically be expected to raise in this context, questions regarding the relation of philosophy to poetry, the nexus between the Aristophanean and the Platonic Socrates, or Aristophanes' comedy in connection with the fate of the historical Socrates, will here remain unaddressed or will be touched upon only marginally (and obliquely). Far from accidental, this qualified [End Page 151] silence reflects a certain reluctance simply to take up these issues in their time-honored formulations and to speak under the force of their dictation. In this way, perhaps (and only perhaps), motifs of the Platonic discourse that would otherwise remain almost imperceptible if not altogether inaccessible--despite their pervasiveness--may come to show themselves.Leo Strauss wrote that Plato's Socrates may be seen, at least in part, as "a reaction or response to the Aristophanean Socrates" (1966, 316 n 20). The present study articulates the suggestion that the dialogue on the Republic may be understood as a response to Aristophanes' Clouds. Indeed, we shall see how the dialogue makes its own the problems delineated in the comedy, how it rewrites them, and how it unfolds in an attempt to address them. In spite of its remoteness from the tone and mode of the comedy, the Platonic text offers a meticulously punctual, even contrapuntal transcription of the main thematic features of the Clouds--as if an infinitely compelling provocation were to be found there, calling for thinking. The philosophical venture seems to be called forth and stem from such ground--as if comedy were the matter (indeed, the subject matter) of philosophy.Emerging from this interpretive approach to the Republic is the centrality of the figure of paternity, namely, of authority and instituted power. The Clouds depicts fatherhood in its dejection and loss of credibility. What this caricatured remnant of paternity signals is the simultaneous collapse of the orders of the divine, of ancestral authority, and of legality. This is the plexus of problems taken up in the Platonic dialogue.But the question of decay and the dying of the city mark the opening of the dialogue in a rather inconspicuous, even unapparent way. In the Republic, all terms are reversed. Indeed, the rendition of paternity one finds in the Republic is virtually opposite to the risible father of the comedy. Here, a dignified old man commanding respect seems to safeguard the integrity of the family, and hence the stability of the polis, both in its intrapolitical-juridical structures (regulating communal interaction) and in its relation to the gods, to its beyond. Yet, in spite of this inversion, it will become apparent that paternal authority has become an empty simulacrum. Simultaneously, the relation to the gods has become mere commerce, ancestral authority is invoked as a... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 34.2 (2001) 151-176 [Access article in PDF] Beyond the Comedy and Tragedy of Authority: The Invisible Father in Plato's Republic Claudia Baracchi They say that, when asked who the noble are, Simonides answered: those with ancestral wealth. --Aristotle, fr. 92 Rose When the victor of the mule-race offered him only a small recompense, Simonides would not compose a poem, for he could not endure (...) poetizing in honor of half-asses; but on being offered an adequate amount he wrote, "Greetings, daughters of storm-footed horses!" Yet, they were daughters of the asses also. --Aristotle, Rhet. 1405b Socrates was driving them to agree that the same man could know how to compose both comedy and tragedy and that a skillful tragic poet could also be a comic poet. They were thus driven, though hardly following and getting drowsy; Aristophanes fell asleep first and, as day was breaking, Agathon also. --Plato, Symp. 223d Introductory remarks What follows is a reading of Plato's Republic in the light of Aristophanes' Clouds. More precisely, what is here offered is the bare outline of such a reading--a set of preliminary notes that, by illuminating the inceptive stages of the Republic (especially book 1), constitutes a propaedeutic to the interpretation of the Platonic dialogue as a whole. Questions that one would typically be expected to raise in this context, questions regarding the relation of philosophy to poetry, the nexus between the Aristophanean and the Platonic Socrates, or Aristophanes' comedy in connection with the fate of the historical Socrates, will here remain unaddressed or will be touched upon only marginally (and obliquely). Far from accidental, this qualified [End Page 151] silence reflects a certain reluctance simply to take up these issues in their time-honored formulations and to speak under the force of their dictation. In this way, perhaps (and only perhaps), motifs of the Platonic discourse that would otherwise remain almost imperceptible if not altogether inaccessible--despite their pervasiveness--may come to show themselves.Leo Strauss wrote that Plato's Socrates may be seen, at least in part, as "a reaction or response to the Aristophanean Socrates" (1966, 316 n 20). The present study articulates the suggestion that the dialogue on the Republic may be understood as a response to Aristophanes' Clouds. Indeed, we shall see how the dialogue makes its own the problems delineated in the comedy, how it rewrites them, and how it unfolds in an attempt to address them. In spite of its remoteness from the tone and mode of the comedy, the Platonic text offers a meticulously punctual, even contrapuntal transcription of the main thematic features of the Clouds--as if an infinitely compelling provocation were to be found there, calling for thinking. The philosophical venture seems to be called forth and stem from such ground--as if comedy were the matter (indeed, the subject matter) of philosophy.Emerging from this interpretive approach to the Republic is the centrality of the figure of paternity, namely, of authority and instituted power. The Clouds depicts fatherhood in its dejection and loss of credibility. What this caricatured remnant of paternity signals is the simultaneous collapse of the orders of the divine, of ancestral authority, and of legality. This is the plexus of problems taken up in the Platonic dialogue.But the question of decay and the dying of the city mark the opening of the dialogue in a rather inconspicuous, even unapparent way. In the Republic, all terms are reversed. Indeed, the rendition of paternity one finds in the Republic is virtually opposite to the risible father of the comedy. Here, a dignified old man commanding respect seems to safeguard the integrity of the family, and hence the stability of the polis, both in its intrapolitical-juridical structures (regulating communal interaction) and in its relation to the gods, to its beyond. Yet, in spite of this inversion, it will become apparent that paternal authority has become an empty simulacrum. Simultaneously, the relation to the gods has become mere commerce, ancestral authority is invoked as a... (shrink)

Este ensayo se enfoca en las reflexiones de Aristóteles sobre el ser humano - sobre la humanidad no como algo dado, sino como un hecho en devenir, entendido como una tarea. Resalto el trabajo constructivo involucrado en el proceso de llegar a hacerse humano, y muestro que, lejos de una construcción en su carácter meramente técnico-mecánico, está en juego un proceso formativo que en buena medida se desenvuelve en la oscuridad y carece de guías eidéticas claras. En efecto, es a (...) través de dicho proceso, de semejante tanteo en la oscuridad, como se puede llegar a obtener, si es que esto es posible, claridad eidética. En el análisis del extraordinario artefacto que es el ser humano, discuto cuestiones relativas a la indemostrabilidad de los primeros principios, el carácter arquitectónico de la ética y su función fundamental respecto a las demás empresas humanas incluyendo las disciplinas científicas, la relación entre constitución humana y naturaleza, y problemas sobre la libertad, la autorrealización y la autosuperación. (shrink)

Aristotle is one of the most crucial figures in the history of Western thought, and his name and ideas continue to be invoked in a wide range of contemporary philosophical discussions. The Bloomsbury Companion to Aristotle brings together leading scholars from across the world and from a variety of philosophical traditions to survey the recent research on Aristotle's thought and its contributions to the full spectrum of philosophical enquiry, from logic to the natural sciences and psychology, from metaphysics to ethics, (...) politics, and aesthetics. Further essays address aspects of the transmission, preservation, and elaboration of Aristotle's thought in subsequent phases of the history of philosophy (from the Judeo-Arabic reception to debates in Europe and North America), and look forward to potential future directions for the study of his thought. In addition, The Bloomsbury Companion to Aristotle includes an extensive range of essential pedagogic tools offering assistance to researchers working in the field, including a chronology of recent research, a glossary of key Aristotelian terms with Latin concordances and textual references, and a guide to further reading. (shrink)

In its contents as well as discursive strategy, Plato’s Republic occasions a few reflections on the phenomenon of memory. The essay situates the philosophical discourse, along with that of divination and poetry, in the context of the practices of memory and, more broadly, within the sphere of Mnemosune. The figure of the philosopher retains traces of archaic humanity, most notably of the Homeric hero. At the same time, in the Platonic Socrates we discern a transfiguration of heroic heritage, in the (...) direction of a thorough ethical recalibration emphasizing the awareness of mortality, the art of finite life, and the visionary celebration of life in its excessive and indestructible movement. In this way, at the very heart of the Republic we may heed the cipher and resonance of Dionysus. (shrink)

This essay considers the tensions informing Nietzsche's reflection on intertwined issues of nature, art, sexuality, and the feminine. Through the figure of Dionysus, Nietzsche articulates a suggestive understanding of generation as the upsurge of nature in its transformative movement. The juxtaposition of Luce Irigaray's elaboration of the Dionysian calls for an interrogation of Nietzsche's work regarding (1) the sublimation of nature into art and of sexuality or sensuality into artistic drives, (2) the oblivion of sexual difference in the coupling of (...) Apollo and Dionysus, and (3) the disappearance of love from the scene of creativity and procreation and, concomitantly, the emphasis on suffering and dismemberment. (shrink)

The ancient Greek philosophical discourse harbors an anthropology radically discontinuous with the framework of modernity. Rather than emphasizing the tension between the individual and community, and far from understanding the political on the ground of instinctual sacrifice, Greek thought illuminates the interdependence of ethics and politics, and situates the human being in a cosmos in which the human is neither central nor prominent. In particular the reflection of philia, most notably in Plato and Aristotle, calls for the exploration of human (...) potentiality with outstanding vigor and visionary audacity. (shrink)

Sallis situates himself within the discourse of the “end of metaphysics” that in various idioms traversed the twentieth century. This lineage has variously declared the fulfillment and completion of the epoch of Western philosophy as metaphysics, exposed metaphysics to the discipline of the question, inverted its hierarchical structure with a view to overcoming the privileges of disembodied reason. Yet, even within such a lineage of systematic exhaustion and often spectacular provocations, John Sallis’s work stands out for its radical traits. First (...) and foremost, for the unrelenting interrogation of the things below. His deconstructive gesture does not simply rest on textual encounters, but crucially also on the frequentation of the things of sense and the cultivation of intimacy with them. (shrink)

The essay focuses on human self-understanding as it arises from out of the experience of nature—the experience of a relatedness to nature that is at once a belonging in nature. At stake, then, is not a conceptual approach to the question of nature but rather the emergence of the human within the embrace of what presents itself as a mystery irreducible to the human, inhuman in the sense of other-than-human. The experience of nature “hiding itself” gave rise to the longing (...) for mastery as well as to a celebration of the mystery in its wonder and beauty. The juxtaposition of Giordano Bruno's cosmological vision and Renaissance painting illuminates this latter perspective, disclosing mystery not so much as that which would lie beyond appearances, but as that which inhabits appearances and in them becomes manifest as such. (shrink)

In spite (or because) of the infinity of (the) voice, of the boundless mystery it carries and exhales, of its disembodied traversing and joining, sayings follow barely traced courses. They travel along fragile lines of memory, often discontinuous bridges, transpositions into notational forms. They travel alone, exposed to corruption, consuming friction, repetition - their beginning and final destination often lost to those who listen to them and send them past. In spite of the power of memory and its arts, there (...) are sayings and stories handed down to us in fragments, like decapitated Níke and disfigured Diónysos. There are poems reaching us, race of diggers and preservers, through somebody else's reminiscence, recovery, or loving quotation. In turn, our receiving and sending (stretching) forth, our being thus traversed, shares something with the destiny of these sayings and sculpted deities - being sent, crossing and (un)covering distances, in the fragmented continuity of dialogues, or what remains of them. The present essay is devoted to a meditation on the question of temporality and history in its epistemologico-metaphysical implications. It is developed mainly by reference to Aristotle, after Heidegger. (shrink)

Probably during the years at the Academy, Aristotle wrote a work known as Περὶ τἀγαθοῦ, on the good, exposing Plato’s teachings on the principles. Various sources confirm that Plato gave public lectures on the theme of the good, most notably Aristoxenus of Tarentum, who would in turn become Aristotle’s student. In his treatise on harmony, Aristoxenus recalls that, while many would gather to listen to Plato, they would leave dismayed since, instead of hearing about the good in the quotidian sense (...) of the term, they would be subjected to speeches on mathematics and geometry, culminating with the statement of the identity of the good and the one. The testimony is worth quoting, despite the ritual reservations surrounding Aristoxenus’ reports, especially those about Plato. (shrink)

Probably during the years at the Academy, Aristotle wrote a work known as Περὶ τἀγαθοῦ, on the good, exposing Plato’s teachings on the principles. Various sources confirm that Plato gave public lectures on the theme of the good, most notably Aristoxenus of Tarentum, who would in turn become Aristotle’s student. In his treatise on harmony, Aristoxenus recalls that, while many would gather to listen to Plato, they would leave dismayed since, instead of hearing about the good in the quotidian sense (...) of the term, they would be subjected to speeches on mathematics and geometry, culminating with the statement of the identity of the good and the one. The testimony is worth quoting, despite the ritual reservations surrounding Aristoxenus’ reports, especially those about Plato. (shrink)

This dissertation is a propaedeutic to the study of the myth of Er concluding Plato's dialogue on the politeia. This work would have to be understood, therefore, as a set of remarks having a merely preparatory function with respect to the analysis of the myth proper. ;A number of crucial issues had to be elucidated before setting out to encounter Socrates' mythical narration in a meaningful way. It seemed important, above all, to consider the general issue of the role of (...) myth in the Platonic discourse. The question concerning the manifoldness of discursive modes and, in particular, the unique, ubiquitous, and unavoidable register of myth preserves its provocative force--especially if the body of texts under consideration is the Platonic corpus. Indeed, raising the question of the discursive comportment characterizing Plato's texts means to wonder about the status of what goes under the heading of western philosophy as a whole, namely, the complex of variously intertwined lineages in whose context the Platonic reflection has been systematically elaborated. (shrink)

Aristotle's discussion of friendship provides an inclusive analysis that, along with common everyday understanding, tries to take into account approaches as different as that of the sophists and Plato's meditation on this theme. The present essay examines the complexity of the phenomenon of friendship —especially the difficult intersection of friendship as loving intimacy between excellent individuals and friendship as a genuinely political bond. Above all, it attempts to cast light on the political relevance of perfect friendship. Thus understood, friendship is (...) disclosed as the end or destination of politics and may even presage the self-overcoming of politics as mere legality. This opens the way for an understanding of political finality as no mere expediency and for thinking the political on the basis of pathos and singularity. (shrink)

The artist understands his work as intimately connected with the life and symbolism of plants. Art, thus, demands an attunement to life’s elemental operations, the thrust “into dimensions far removed from the conscious process.” The first part of the present essay aims at recovering what is implied in the imagery of trees, delving into ancient archives of dormant collective memories and immemorial imaginal stratifications. The second and third parts, deploying the re-energized figure of the tree, explore the theme of the (...) relation between art and life, indeed, what Klee calls the “art of life.” By reference to Klee’s 1924 Jena lecture and the artist’s diaries, the discussion addresses the intersecting themes of artistic formation, mindful self-formation, the vital importance of worldly roots, and the transcendent fragrance of flowers and fruits. (shrink)

In light of the mandate of social distancing imposed by the Covid-19 pandemic, and the subsequent disruption in habitual practices involving physical contact, the essay explores the ancient gesture of the handshake with reference to both its cultural codifications and its iconography, widespread especially in Mediterranean and Near Eastern areas. While involving manifold semantic and symbolic significance, the handshake is taken into account especially as a gesture implying a tactile exposure to another, hinting at the possibility of joining radically discontinuous (...) worlds. Ancient Greek funerary art is considered and a few final remarks return to the experience of isolation we lived on a global scale in recent years. (shrink)

This essay raises the question of the character and status of imagination in ancient Greek philosophy. It is often said that neither Plato nor Aristotle conceived of imagination in genuinely productive terms. The point, however, is not approaching ancient thought while thinking with Kant, as if we were looking for proto-Kantian insights in antiquity. Ancient thought is not a series of ‘tentative steps’ destined to reach a full-blown articulation in modernity, let alone an anticipation of the first critique. On the (...) contrary, it is essential to acknowledge the discontinuities that make the ancient discourse remote and, in many respects, opaque, hidden from us. On the ground of such assumptions, the essay addresses the understanding of imagination (eikasia, phantasia) in the Greek context, focusing in particular on Plato’s Timaeus. First, we consider how imagination, precisely in its creative aspect, operates at the very heart of philosophical argumentation. Plato’s emphatic awareness of this disallows the rhetoric of philosophy as the discipline of truth (of apodictic necessity, objectivity, and neutrality). In fact, it calls for a profound re-thinking of the relation between creativity and the philosophical turn to the ‘things themselves.’ Timaeus imagines the cosmos as a theatrical device: the place of seeing and being seen, of contemplation and the originary emergence of images. This evokes an understanding of imagination outside the order of subjectivity and its faculties, i.e., a meditation on the impersonal character of production and the force of images (of symbols) arising without being constituted by ‘me.’. (shrink)

The essay follows the fil rouge of ancient Greek thinking in the work of Gregory Bateson, an unusually multi-faceted and energetically nomadic intellect in the landscape of twentieth-century hyper-specialized disciplines, whose eclectic research focused on the question of life and of human participation in a living world. Through the reverberation of Neoplatonic motifs and echoing pre-Socratic intuitions, Bateson reflects on the “pattern which connects”—the λόγος that says one and all things, and the interpenetration of one and all things, thus operating (...) as the connective tissue of all that is, the communicational web of contacts, exchanges, and transmissions, perhaps the nervous system of life. (shrink)

_ Source: _Volume 45, Issue 2, pp 267 - 287 Heraclitus reportedly said that πόλεμος is “father of all, king of all”. However, we should be cautious around the translation of πόλεμος as “war.” How to hear this term in its multifarious signification is precisely the theme of the present essay. The analysis of various Heraclitean fragments, furthermore, may call into question the view of politics as constitutively involving war and violence and contribute to the task of understanding politics otherwise. (...) Granted, the examination of Heraclitean texts may appear rather tangential, even remote, with respect to this question. And yet, however obliquely, this study points to a meditation on politics as genuinely and meaningfully resting on the practice of peace—or, one might say, on a radically other understanding of the word “war.”. (shrink)

In Plato’s Phaedrus divine inspiration comes literally to mean “environmental inspiration.” Intimated thereby is the insufficiency of all reflection on the divine and the natural which would fail to interrogate these categories precisely in their convergence, indeed, in their being one. The theme of inspiration, in its divine or elemental character, necessarily raises further questions concerning the status of inspired utterance—that is, in this case, of philosophical discourse itself. These themes finally point to the problem of the provenance of speaking (...) and writing, if not from a purely active and free subject. (shrink)

(1) In Plato’s Phaedrus divine inspiration comes literally to mean “environmental inspiration.” Intimated thereby is the insufficiency of all reflection on the divine and the natural which would fail to interrogate these categories precisely in their convergence, indeed, in their being (at) one. (2) The theme of inspiration, in its divine or elemental character, necessarily raises further questions concerning the status of inspired utterance—that is, in this case, of philosophical discourse itself. (3) These themes finally point to the problem of (...) the provenance of speaking and writing, if not from a purely active and free subject. (shrink)

Vattimo's intellectual trajectory unfolds from the monographic studies of the 1960s and early 1970s to texts such as, to mention only those available in the English translation, The End of Modernity and The Transparent Society. A sustained concern with the ethical and political implications of postmodern thought has led Vattimo, in his recent works, to focus in particular on the question of the possibility of interpretation, recollection, and communication in the fading of comprehensive metaphysical frameworks, and on the exploration of (...) alternatives to transcendental or "bourgeois/christian" models of subjectivity. In the context of these reflections Vattimo has come to elaborate his felicitous diagnosis of the "weakness" of thought, and to revive the forgotten notion of pietas, strategically reintroduced into the discourse of hermeneutics in order to illuminate both the compassionate and demystifying dimensions of remembrance. (shrink)