Offers philosophical and psychological reflections on cruelty and tenderness. The Cudgel and the Caress explores the enduring significance of tenderness and cruelty in a range of works across philosophy, psychoanalysis, and literature. Divided into two parts, the book initially focuses on tenderness, with David Farrell Krell delivering original readings of Homer’s Iliad, Sophocles’s Antigone, and writings by Hölderlin, Hegel, Freud, and Derrida that deal with the importance of tenderness and the tragic consequences of its absence. Part One (...) concludes with an extended reading of Robert Musil’s Man Without Qualities, in which Krell analyzes the tender relationship between Ulrich and Agathe. In Part Two, Krell begins by examining Otto Rank’s Birth Trauma, which reflects on the tenderness of gestation in the womb and the cruel necessity of birth. He then turns to an examination of cruelty in general, focusing on Derrida’s challenge to contemporary psychoanalysis, his opposition between Kant and Nietzsche, and his analysis (and indictment) of the death penalty. Groundbreaking and insightful, the book provides a rare philosophical treatment of subjects vital to the world we live in. David Farrell Krell is Emeritus Professor of Philosophy at DePaul University and Brauer Distinguished Visiting Professor of German Studies at Brown University. (shrink)

A Black Forest Walden is a work of philosophical reflection, nature description, and sly humor. In brief chapters, or aphorisms, the American philosopher David Farrell Krell recounts his experiences in a cabin located in the mountains of southern Germany's Black Forest, where he has lived for several decades. Insofar as Krell compares his experiences with those of Henry David Thoreau, who serves as both inspiration and irritation, the book could be described as a critical commentary (...) on Thoreau's Walden. Yet it equally reads as a rigorous yet playful and profoundly literary manifestation of where and how the mind wanders. Hence, the "Marlonbrando" of the subtitle is not the late actor but a feral cat who frequents the cabin and comes to be an important interlocutor, as if playing the role of analyst to the author. The subjects Krell treats are wide-ranging: the changing seasons, environmental issues, romantic love, parent-child relations, European versus American "values," higher education, artistic creativity, solitude, and the contrast between lifestyles in a quiet Black Forest village and in a noisy contemporary United States. Forty-one black-and-white photographs taken by the author accompany and enliven the text. (shrink)

In 1974, thirty-year-old philosopher and translator David Krell began corresponding and then meeting with Martin Heidegger and Hannah Arendt. Years later, he would meet Jacques Derrida and, through many letters and meetings, came to know him well. Drawing on unpublished correspondence and Krell's warmly told personal recollections, Three Encounters presents an intimate and highly insightful look at the lives and ideas of three noted philosophers as they neared the culmination of their careers. Three Encounters offers a chance (...) for readers to encounter these three great philosophers and their ideas, not through the lens of their biographies, but as "people" known through their personal correspondence and Krell's recollections, demonstrating the entanglement of thought and the lived experience. (shrink)

"Daimon Life is life-enchancing. To read it is to become richer in word." –John Llewelyn Disclosure of Martin Heidegger’s complicity with the National Socialist regime in 1933-34 has provoked virulent debate about the relationship between his politics and his philosophy. Did Heidegger’s philosophy exhibit a kind of organicism readily transformed into ideological "blood and soil"? Or, rather, did his support of the Nazis betray a fundamental lack of loyalty to living things? David Farrell Krell traces Heidegger’s political (...) authoritarianism to his failure to develop a constructive "life-philosophy"—his phobic reactions to other forms of being. Krell details Heidegger’s opposition to Lebensphilosophie as expressed in Being and Time, in an important but little-known lecture course on theoretical biology given in 1929–30 called "The Basic Concepts of Metaphysics," and in a recently published key text, Contributions to Philosophy, written in 1936–38. Although Heidegger’s attempt to think through the problems of life, sexual reproduction, behavior, environment, and the ecosystem ultimately failed, Krell contends that his methods of thinking nonetheless pose important tasks for our own thought. Drawing on and away from Heidegger, Krell expands on the topics of life, death, sexuality, and spirit as these are treated by Freud, Nietzsche, Derrida, and Irigaray. Daimon Life addresses issues central to contemporary philosophies of politics, gender, ecology, and theoretical biology. (shrink)

_Lectures on ecstatic temporality and on Heidegger’s political legacy._.

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

"This is vintage Krell—he is as always, a reader in the best sense of the word...." —Dennis J. Schmidt "Krell is a strong and often eloquent writer.

The third chapter of Brentano's dissertation "On the Manifold Meaning of Being According to Aristotle" (1862) analyzes "Being in the sense of the True." Because Heidegger has always related the Question of Being to the Question of Truth, and because he calls Brentano's work the "chief help and guide" of his first venture into philosophy, the question arises: does Brentano's account of "Being in the sense of the True" have significant bearing on Heidegger's response to the principal matter of his (...) thought, i.e., Aletheia as the Unconcealment of Beings in Presence? This article traces the parallels and divergencies in Brentano's and Heidegger's accounts of the relation between Being and Truth. (shrink)

"Infectious Nietzsche is simply one of the most interesting and engaging works to appear on Nietzsche’s philosophy in years." —David Allison Krell explores health, illness, and creativity in the life and thought of Friedrich Nietzsche. Drawing on a varied literature of philosophical reflections on health, and analyzing Nietzsche’s confrontation with traditional values, Krell skillfully engages the legacy of Platonism and Western metaphysics that is at the core of Nietzsche’s thought. Nietzsche’s genealogical critique, his doctrine of eternal recurrence (...) of the same, and the Nietzschean physiology and psychology of decadence are principal foci. Anyone interested in a philosophical reflection on questions of genius and pathology, and all readers of Nietzsche, will find Krell’s new book compelling reading. (shrink)

"Krell creates a remarkable interplay of meanings, allusions, and connotations—an interplay of multiple resonance which is finely tuned to Derrida's thought and which makes his essay as artful as it is conceptually disciplined. He is surely one of the most astute translators and readers in contemporary Continental thought." —Charles E. Scott.

Derrida’s seminar “The Phantom of the Other”, reads Heidegger’s “Language in the Poem”, which has the poetry of Georg Trakl at its center. Among the principal themes of Derrida’s seminar and/or of Heidegger’s essay are Heidegger’s effort to “place” Trakl’s presumably single, unsung poem; the relation of pain to poetry; the two “strokes” of Geschlecht, a word that in part means the sexes, the first stroke being neutral, the second being evil; the German language and the Heideggerian idiom; philosophical nationalities (...) and nationalisms; Derridean double-reading. (shrink)

Jacques Derrida’s final seminars were devoted to animal life and political sovereignty—the connection being that animals slavishly adhere to the law while kings and gods tower above it and that this relationship reveals much about humanity in the West. David Farrell Krell offers a detailed account of these seminars, placing them in the context of Derrida’s late work and his critique of Heidegger. Krell focuses his discussion on questions such as death, language, and animality. He concludes (...) that Heidegger and Derrida share a commitment to finding new ways of speaking and thinking about human and animal life. (shrink)

_Features a reconstruction of an unfinished text by Jacques Derrida from his most penetrating series of readings of Heidegger’s philosophy._.

The following paper, delivered as a lecture to the philosophy departments of a number of American universities in 1979, traces a parallel between Hegelian phenomenology and Freudian psychoanalysis. It stems from a project I have been working on for several years now entitled Erinnerungsversuch or "Essay in Remembrance. " In my studies of Freud and Hegel for that project I was struck by the importance of memory for their work, not only as a field of investigation but also as a (...) method of the investigation itself. Remembering and forgetting are the crucial events for both psychoanalysis and phenomenology, crucial yet maddeningly intertwined, so that while memory seems eminently subject to malfunction and even illness it remains the sole source of insight and cure. I therefore determined to extend the parallel as far as it would go-perhaps even farther-and the present paper is the result. I am of course aware that Hegel was not a psychotherapist, Freud not a systematic philosopher, and realize that if essays like this one may be excused at all it is only because they eventually grow silent and allow irreconcilable differences to reassert themselves. Yet there is a sense in which Hegel's creative recapitulation of the history of philosophy, seeking as it does to liberate philosophical thought from a crippling self-ignorance, amounts to therapy of spirit; and there is a sense in which Freudian therapy must shatter traditional prejudices in our thoughts about what the psyche or spirit is, by letting psychological phenomena show themselves as they are. I have tried to make the parallel as concrete as possible, shunning Freud's metapsychology and turning instead to one of his earliest accounts of psychoanalytic praxis, eschewing sweeping remarks about Hegel's "system" and concentrating on just a few pages from the Phenomenology. Readers trained in philosophy will know that a few pages of Hegel are bound to contain labyrinths. I hope that my psychologist-readers will overlook the oversimplified presentation of Freud-which results partly from the lecture form-and will forgive my unwillingness to make Hegel's thought seem less demanding than it is. Finally, if I am right, the Freud-Hegel parallel with respect to memory tells us a good deal not only about this fascinating faculty but also about that singular creature who is so ardent to remember and so prone to forget. (shrink)

The following paper, delivered as a lecture to the philosophy departments of a number of American universities in 1979, traces a parallel between Hegelian phenomenology and Freudian psychoanalysis. It stems from a project I have been working on for several years now entitled Erinnerungsversuch or "Essay in Remembrance. " In my studies of Freud and Hegel for that project I was struck by the importance of memory for their work, not only as a field of investigation but also as a (...) method of the investigation itself. Remembering and forgetting are the crucial events for both psychoanalysis and phenomenology, crucial yet maddeningly intertwined, so that while memory seems eminently subject to malfunction and even illness it remains the sole source of insight and cure. I therefore determined to extend the parallel as far as it would go-perhaps even farther-and the present paper is the result. I am of course aware that Hegel was not a psychotherapist, Freud not a systematic philosopher, and realize that if essays like this one may be excused at all it is only because they eventually grow silent and allow irreconcilable differences to reassert themselves. Yet there is a sense in which Hegel's creative recapitulation of the history of philosophy, seeking as it does to liberate philosophical thought from a crippling self-ignorance, amounts to therapy of spirit; and there is a sense in which Freudian therapy must shatter traditional prejudices in our thoughts about what the psyche or spirit is, by letting psychological phenomena show themselves as they are. I have tried to make the parallel as concrete as possible, shunning Freud's metapsychology and turning instead to one of his earliest accounts of psychoanalytic praxis, eschewing sweeping remarks about Hegel's "system" and concentrating on just a few pages from the Phenomenology. Readers trained in philosophy will know that a few pages of Hegel are bound to contain labyrinths. I hope that my psychologist-readers will overlook the oversimplified presentation of Freud-which results partly from the lecture form-and will forgive my unwillingness to make Hegel's thought seem less demanding than it is. Finally, if I am right, the Freud-Hegel parallel with respect to memory tells us a good deal not only about this fascinating faculty but also about that singular creature who is so ardent to remember and so prone to forget. (shrink)

After listing a series of topics in Scott’s Living with Indifference that I would have wanted to address but, if only for reasons of space, could not, I focus on the uses of narrative or fiction in Scott’s book. I am particularly interested in the relation of fiction to trauma. It is the resilience of fiction that perhaps enables it to speak—or to write—so eloquently about traumatic occurrences. As a writer of fiction, I am gripped by the proximity and even (...) intimacy of fiction and trauma in Scott’s thinking. (shrink)

Heidegger’s thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. “The theme of mortality—finite human existence—pervades Heidegger’s thought,” in the author’s words, “before, during, and after his magnum opus, _Being and Times_, published in 1927.” This theme is manifested in Heidegger’s work not “as funereal melodramatics or as despair and destructive nihilism” but rather “_as a thinking within anxiety_.” Four (...) major subthemes in Heidegger’s thinking are explored in the book’s four parts: the fundamental ontology developed in _Being and Time_; the “lighting and clearing” of Being, understood as “unconcealment”; the history of philosophy—with emphasis on Heraclitus, Hegel, and Nietzsche—interpreted as the “destiny” of Being; and the poetics of Being, explicated as the “fundamental experience” of mortality. Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger’s books, lectures, and articles—including extensive material not yet translated into English—informed by the author’s conversations with Heidegger in 1974_–_76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger’s thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems. (shrink)

Through photographs and translations of Friedrich Nietzsche's evocative writings on his work sites, David Farrell Krell and Donald L. Bates explore the cities and landscapes in which Nietzsche lived and worked.

Through photographs and translations of Friedrich Nietzsche's evocative writings on his work sites, David Farrell Krell and Donald L. Bates explore the cities and landscapes in which Nietzsche lived and worked. "A brilliant juxtaposition of life and thought.... The sympathy of this pictorial biography is rivaled by few books on Nietzsche."—Charles M. Stang, _Boston Book Review_ "[A] distinguished addition to the Nietzsche-friendly corpus."—Alain de Botton, _Los Angeles Times Book Review_ "An odd and oddly endearing record of Nietzsche's (...) travels."—John Banville, _New York Review of Books_. (shrink)

The “deconstruction” that is commonly seen to be the method of Derrida’s philosophy has an inescapably negative connotation. To counter this view of Derrida’s thought as basically destructive, David Farrell Krell invites readers to understand how it may instead be seen as fundamentally affirmative—just as Nietzsche’s philosophy, so allegedly nihilistic, is at heart a call for tragic affirmation, in _amor fati_. But, while affirmative, Derrida is also engaged in a thinking of mourning, which he views as the (...) promise of memory—a fragile yet vital promise that binds past and future. The book explores what mourning means in Derrida’s writing and how the labors of mourning and affirmation are mediated by works of art. Thus the book engages many different areas of Derrida’s work, from the classic texts of deconstruction to the more recent meditations on art and mourning. "This chance [affirmation without issue] can come to us only from you, do you hear me? Do you understand me?... And me, the purest of bastards, leaving bastards of all kinds just about everywhere.” This passage from Derrida’s _La Carte postale _nicely encapsulates what David Farrell Krell wants to convey about Derrida’s thought_—_its astonishing mix of negativity and affirmation in his labors of mourning. (shrink)

Jacques Derrida’s final seminars were devoted to animal life and political sovereignty—the connection being that animals slavishly adhere to the law while kings and gods tower above it and that this relationship reveals much about humanity in the West. David Farrell Krell offers a detailed account of these seminars, placing them in the context of Derrida’s late work and his critique of Heidegger. Krell focuses his discussion on questions such as death, language, and animality. He concludes (...) that Heidegger and Derrida share a commitment to finding new ways of speaking and thinking about human and animal life. (shrink)

The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.

Heidegger’s thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. “The theme of mortality—finite human existence—pervades Heidegger’s thought,” in the author’s words, “before, during, and after his magnum opus, _Being and Times_, published in 1927.” This theme is manifested in Heidegger’s work not “as funereal melodramatics or as despair and destructive nihilism” but rather “_as a thinking within anxiety_.” Four (...) major subthemes in Heidegger’s thinking are explored in the book’s four parts: the fundamental ontology developed in _Being and Time_; the “lighting and clearing” of Being, understood as “unconcealment”; the history of philosophy—with emphasis on Heraclitus, Hegel, and Nietzsche—interpreted as the “destiny” of Being; and the poetics of Being, explicated as the “fundamental experience” of mortality. Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger’s books, lectures, and articles—including extensive material not yet translated into English—informed by the author’s conversations with Heidegger in 1974_–_76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger’s thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems. (shrink)

David Farrell Krell reflects on nine writers and philosophers, including Heidegger, Derrida, Blanchot, and Holderlin, in a personal exploration of the meaning of sensual love, language, tragedy, and death. The moon provides a unifying image that guides Krell's development of a new poetics in which literature and philosophy become one. Krell pursues important philosophical motifs such as time, rhythm, and desire, through texts by Nietzsche, Trakl, Empedocles, Kafka, and Garcia Marquez. He surveys instances in which (...) poets or novelists explicitly address philosophical questions, and philosophers confront literary texts--Heidegger's and Derrida's appropriations of Georg Trakl's poetry, Blanchot's obsession with Kafka's tortuous love affairs, and Garcia Marquez's use of Nietzsche's idea of the Eternal Return--all linked by the tragic hero Empedocles. In his search to understand the insatiable desire for completeness that patterns so much art and philosophy, Krell investigates the identification of the lunar voice with woman in various roles--lover, friend, sister, shadow, and narrative voice. (shrink)

Behind the third ventricle of the human brain a miniscule pedunculate bud, close to the optic thalamus, that is, to the two beds of optic nerves, a gland soft in substance yet containing gritty particles. Function: unknown. Because of its pine-cone shape it is called the conarium or pineal body, even though the recent photographs of it by Nilsson and Lindberg show it to be morphologically reminiscent of nothing so much as the plucked tail of a gamebird, which Simon Dedalus (...) refers to as ‘the pope's nose’. Today it is presumed to be an endocrine gland of some sort, even though there is no doubt that morphogenetically in all vertebrates it is a vestigial unpaired eye. As fossil evidence indicates—and we still find it almost fully developed in some extant amphibians—ancestral vertebrates possessed in addition to the paired bilateral eyes a solitary dorsal eye opening at the top of the skull to the sky. This singular evagination of the brain—something betwixt a visual organ and a gland—seems to hold a special fascination for philosophers. Here we shall consider two of them: René Descartes (1596–1650), the father, as we say, of modern philosophy; and Georges Bataille (1897–1962), the father, as many say, of post-modern philosophy. Three hundred years separate them. Devotion to the pineal body conjoins them. (shrink)

"Krell writes here with a brilliance of style that few other philosophers can match." —John Sallis Although the Romantic Age is usually thought of as idealizing nature as the source of birth, life, and creativity, David Farrell Krell focuses on the preoccupation of three key German Romantic thinkers—Novalis, Schelling, and Hegel—with nature’s destructive powers—contagion, disease, and death.

In 1990-1991 Jacques Derrida taught a seminar in Paris involving the scientific-philosophical notebooks of the German Romantic writer and thinker Novalis. The present article offers an account of that seminar, which was entitled, "The Rhetoric of Cannibalism.".

Calls for rethinking architecture as a way of renegotiating our encounter with the world, taking into account the role of love and desire in all human making.

Heidegger’s thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. “The theme of mortality—finite human existence—pervades Heidegger’s thought,” in the author’s words, “before, during, and after his magnum opus, _Being and Times_, published in 1927.” This theme is manifested in Heidegger’s work not “as funereal melodramatics or as despair and destructive nihilism” but rather “_as a thinking within anxiety_.” Four (...) major subthemes in Heidegger’s thinking are explored in the book’s four parts: the fundamental ontology developed in _Being and Time_; the “lighting and clearing” of Being, understood as “unconcealment”; the history of philosophy—with emphasis on Heraclitus, Hegel, and Nietzsche—interpreted as the “destiny” of Being; and the poetics of Being, explicated as the “fundamental experience” of mortality. Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger’s books, lectures, and articles—including extensive material not yet translated into English—informed by the author’s conversations with Heidegger in 1974_–_76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger’s thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems. (shrink)

The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.

The “deconstruction” that is commonly seen to be the method of Derrida’s philosophy has an inescapably negative connotation. To counter this view of Derrida’s thought as basically destructive, David Farrell Krell invites readers to understand how it may instead be seen as fundamentally affirmative—just as Nietzsche’s philosophy, so allegedly nihilistic, is at heart a call for tragic affirmation, in _amor fati_. But, while affirmative, Derrida is also engaged in a thinking of mourning, which he views as the (...) promise of memory—a fragile yet vital promise that binds past and future. The book explores what mourning means in Derrida’s writing and how the labors of mourning and affirmation are mediated by works of art. Thus the book engages many different areas of Derrida’s work, from the classic texts of deconstruction to the more recent meditations on art and mourning. "This chance [affirmation without issue] can come to us only from you, do you hear me? Do you understand me?... And me, the purest of bastards, leaving bastards of all kinds just about everywhere.” This passage from Derrida’s _La Carte postale _nicely encapsulates what David Farrell Krell wants to convey about Derrida’s thought_—_its astonishing mix of negativity and affirmation in his labors of mourning. (shrink)

"Three Ends of the Absolute" discusses Schelling's notion of inhibition in the philosophy of nature, Hölderlin's notion of separation in his "Seyn, Urtheil, Modalität," and Novalis' notion of the density of God in his late scientific notes. All three thinkers can be contrasted with Hegel on the basis of their attacks on philosophical absolutes. Schelling, in his First Projection of a Philosophy of Nature, reflects on the conundrum of absolute inhibition in nature, an inhibition of absolute freedom that is necessary (...) if there is to be a procession of natural products. Inhibition conditions all putative absolutes. Hölderlin argues that absolute separation is essential to consciousness of any kind. Whereas he advances no "doctrine" of the end of the absolute as such, he does emphasize the tragic separation and dissolution to which all intellectual intuition comes. The absolute "original" suffers from an irremediable "debility." Novalis, in his Universal Sketchbook, continues the work of his early Fichte Studies by resisting the notion of the absolute ego. "Everything pure is... a deception." For Novalis, the absolute can only be our absolute inability to think or act in conformity with an absolute. The article ends with a reflection on Goethe's opposition between "relative" and "absolute" death. (shrink)

The following piece reflects a bit on the role of anecdotes in philosophy, and compares the anecdote, which rcounts a heretofore “unpublished” story based on oral tradition, to the aphorism, the narrative, and the fable. It offers some anecdotes involving Heidegger, Gadamer, Arendt, and Derrida.

Derrida’s Geschlecht series, along with the books Of Spirit and Aporias, constitutes his most sustained close-reading of Heidegger. Three essays of the four-partGeschlecht series have been published: the first, second, and fourth, these together comprising some 130 book pages. The third Geschlecht exists only as a thirty-three-page typescript prepared sometime before March 1985 and distributed to the speakers at a colloquium in Chicago organized by John Sallis. These thirty-three pages are among the 100 to 130 pages that Derrida by his (...) own account devoted to Heidegger’s Trakl essay of 1953 (“Die Sprache im Gedicht”); however provisional and fragmentary, the typescript tells us much about the themes that “magnetize” the entire Geschlecht series. (shrink)

Countless poets and thinkers over the ages have identified closely with Empedocles of Acragas. Friedrich Hölderlin (1770–1843) is one of these. The threeversions of his mourning-play, The Death of Empedocles, give us an opportunity to conceive of the unity of the Empedoclean project—to confront nature and humanexistence alike as tragic. Central to this tragic view of both On Nature and Purifications, reputedly the two books of Empedocles, is the theme of doubling and duplicity, especially the presence in the (one) sphere (...) of love and strife. Tragic doubling is a unity in perpetual dispersion. (shrink)

Countless poets and thinkers over the ages have identified closely with Empedocles of Acragas. Friedrich Hölderlin (1770–1843) is one of these. The threeversions of his mourning-play, The Death of Empedocles, give us an opportunity to conceive of the unity of the Empedoclean project—to confront nature and humanexistence alike as tragic. Central to this tragic view of both On Nature and Purifications, reputedly the two books of Empedocles, is the theme of doubling and duplicity, especially the presence in the (one) sphere (...) of love and strife. Tragic doubling is a unity in perpetual dispersion. (shrink)