Glenn Alexander Magee's controversial book argues that Hegel was decisively influenced by the Hermetic tradition, a body of thought with roots in Greco-Roman ...

Mysticism and esotericism are two intimately related strands of the Western tradition. Despite their close connections, however, scholars tend to treat them separately. Whereas the study of Western mysticism enjoys a long and established history, Western esotericism is a young field. The Cambridge Handbook of Western Mysticism and Esotericism examines both of these traditions together. The volume demonstrates that the roots of esotericism almost always lead back to mystical traditions, while the work of mystics was bound up with esoteric or (...) occult preoccupations. It also shows why mysticism and esotericism must be examined together if either is to be understood fully. Including contributions by leading scholars, this volume features essays on such topics as alchemy, astrology, magic, Neoplatonism, Kabbalism, Renaissance Hermetism, Freemasonry, Rosicrucianism, numerology, Christian theosophy, spiritualism, and much more. This handbook serves as both a capstone of contemporary scholarship and a cornerstone of future research. (shrink)

On Thursday and Friday, April 8-9, 1993, the University of Georgia in Athens served as the host for a conference on the topic, “Hegel and Modernity.” The conference was organized by Glenn A. Magee with the help of Richard Dien Winfield and Gregory R. Johnson, and was sponsored by the University of Georgia chapter of Phi Sigma Tau, the Department of Philosophy, and the College of Arts and Sciences.

A contribution to the sixth installment of the Common Knowledge symposium “Apology for Quietism,” this article argues that a strong strain of quietism runs through German intellectual history, from medieval mystics such as Eckhart to the main line of modern philosophers, including Kant, Fichte, Hegel, Schopenhauer, Nietzsche, Wittgenstein, and Heidegger. Magee treats each of these in turn, establishing case by case that the relation of the individual to the universal is the central issue of German thought, as it is (...) of quietist thinking generally. The identity of the universal varies; sometimes it is said to be God, sometimes the moral law, and sometimes reason (whether human reason or an objective reason inherent in the nature of the world). The process of grappling with how human beings must orient themselves toward the universal very often issues in conclusions that are quietistic: we are enjoined to acquiesce to the universal, and to accept the world as its manifestation. And such, Magee argues, is the case throughout the mainstream German intellectual tradition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Architectonic, Truth, and RhetoricGlenn Alexander MageeScientists, we are often told, employ "aesthetic criteria" in their work: a scientific theory must be "simple" and "elegant" if it is to be a good candidate for truth.1 Is this also true of philosophers? Do philosophers rely (implicitly or explicitly) on aesthetic criteria in the development of their ideas, not simply in order to make their ideas accessible or palatable but also as (...) a guide to truth? This question bears on the relationship between art and philosophy, between art and truth, and between beauty and truth. If the answer is yes, then is there a point at which the line between art and philosophy becomes blurred? This is often claimed, though almost always in reference to the way in which philosophers use metaphor and rhetoric to express their ideas. However, I am suggesting in addition that the line may be blurred not just in the expression of their ideas but in the very form or structure they give to their philosophies. This aesthetic moment is not dispensable. On the contrary, philosophers make their thought into an aesthetic object because of a tacit, pre-reflective intuition that the beautiful is the true. In what follows, I will argue for this thesis and explore its implications.I.First of all, the philosophers I have in mind are philosophers in the classic sense: creators of systematic worldviews, those who aim at knowledge of the whole. I have in mind, therefore, thinkers like Plato, Aristotle, Plotinus, [End Page 59] Aquinas, Spinoza, Leibniz, Kant, Schelling, and Hegel, among others. All these thinkers are alike in that they do not approach philosophy piecemeal, as a set of disconnected "problems." Instead, they take the aim of philosophy to be to give a complete account of what is real. In the introduction to The Phenomenology of Spirit, for instance, Hegel writes that philosophy is "actual cognition of what truly is" (1977, 46). This is a definition one can imagine Plato and Aristotle—indeed almost all of the great philosophers—agreeing with. Philosophical knowledge, in this classical understanding, becomes a whole of ideas in which each element depends on every other and nothing of significance is left out. (Perhaps the best example of such a philosophy is, again, Hegel's.) It is only to "systems" of philosophy that our question about aesthetic criteria in philosophy is applicable,2 for it is only when a number of ideas are taken together into an overall structure and given a fundamental unity that a philosophy can become "beautiful" or "ugly."The Greek word sustema literally means "things which stand together or are made to stand together so as to form a whole" or "a whole compounded of several parts" (Klein 1985, 201). The Greeks applied the word to many things but never, it seems, to thought. Then, as Jacob Klein writes, "from about the year 1600 on there is a sudden and most remarkable shift: book after book appears under titles like 'System of Logic,' 'System of Rhetoric,' 'System of Grammar,' 'System of Theology,' 'System of Ethics and Politics,' 'System of Physics,' 'System of Jurisprudence,' 'System of Astronomy,' of Arithmetic, of Geography, of Medicine and even 'System of Systems' " (1985, 201). According to Klein, systematic philosophy is a response to the peculiar anxiety of modernity expressed so well by Yeats: "Things fall apart"—and we need a philosophical system to put them back together again.The idea of a system of philosophy cannot, however, be dismissed merely as a "modern invention," for it is a legitimate extension of the Greek concept of sustema. The Greek philosophers would not have reflected on their activity as "systematic" because they regarded themselves as describing a reality that was itself a sustema. Pressed to explain what philosophers are, Pythagoras, according to legend, compared them to the theoroi or onlookers at the Olympic Games. As Werner Jaeger writes of the legend, "The comparison depends on the ambiguity of the word theorein, which means both watching a spectacle and contemplation and research in the ' theoretical' sense" (1962, 432). Reality is a sustema; the philosopher's account of reality is a reflection of it and thus is itself a sustema... (shrink)

“Esotericism” refers, more or less, to what used to be called “the occult.” It comprises such matters as astrology, alchemy, kabbalism, magic, and theosophy—to name just a few. In other words, it refers to just about everything that came to be marginalized in the modern period as “superstition” and “pseudo-science,” and anathematized by scientists and philosophers. In recent decades, there has been an explosion of scholarly interest in esotericism, partly because of research revealing that many “canonical” scientists and philosophers of (...) the past were strongly interested in these “irrational” currents. The philosophers include Leibniz, Kant, Hegel, Schelling, and Schopenhauer; the scientists include Newton. Such .. (shrink)

"Hegel's debts to ancient philosophy are widely acknowledged by scholars, and by the philosopher himself. Roughly half of his Lectures on the History of Philosophy is devoted to ancient philosophy, and throughout his work Hegel frequently frames his positions in relation to the thinkers and movements of antiquity. This volume presents original essays from leading scholars dealing with Hegel's debts to ancient thinkers, as well as his own, often problematic readings of ancient philosophy. While around half of the chapters discuss (...) Hegel's treatment of Aristotle--a topic that has long been at the forefront of scholarship--the other half explore his relationship to such ancient figures as Xenophanes, Anaxagoras, Socrates, Plato, Sextus Empiricus, and the Stoics. The essays challenge a number of longstanding scholarly assumptions regarding, for example, Hegel's denigration of the "mythical," his developmentalist approach to ancient thought, his conception of the state in relation to the Greek polis, his "hermeneutic" of the Platonic dialogues, and his use of Aristotelian concepts in arguments concerning the psyche, the body, and their unity and distinction.?"--Provided by publisher. (shrink)

_Dreams of a Spirit-Seer_, Immanuel Kant's book on Emanuel Swedenborg, has mystified readers since its publication in 1766 during Swedenborg's lifetime. The unusual style and content of _Dreams_ have given rise to two opposing interpretations. Most Kant scholars regard the work as a skeptical attack on Swedenborg's mysticism. Other critics, however, believe that Kant regarded Swedenborg as a serious philosopher and visionary, and that _Dreams_ both reveals Kant's profound debt to Swedenborg and coneals that debt behind the mask of irony. (...) In addition, Dr. Gregory R. Johnson provides selections from other Kantian writings that mention Swedenborg and also contemporary reviews of _Dreams_, showing that Kant himself was ambivalent about Swedenborg's claims and that readers of his day questioned his position. With its extensive notes, this work is an invaluable resource for students of Kant and of Swedenborg. (shrink)

Introducing the sixth and final installment of the Common Knowledge symposium “Apology for Quietism,” Allen looks at the symposium retrospectively and concludes that it has mainly concerned “sage knowledge,” defined as foresight into the development of situations. The sagacious knower sees the disposition of things in an early, incipient form and knows how to intervene with nearly effortless and undetectable (quiet) effectiveness. Whatever the circumstance, the sage handles it with finesse, never doing too much but also never leaving anything undone (...) that must be accomplished. Quiet, when it is knowingly and effectively quiet (not pusillanimous or poor in spirit), is about what not to do, how not to approach a problem, what not to decide, what is not known, what will not work. Allen explains these principles in terms of traditional Chinese thought, Daoist and Confucian: wei we wei, or “doing-not-doing,” means effective inaction. What makes such wisdom possible is not mystical insight, he argues, but discipline in a certain kind of art. The sage has no need of reasons (let alone doctrines), only effectiveness; and he does not need truth or justice, only subtlety. The detachment of a quietist has little, if anything, to do with transcending perspectives. Detachment is good as a means to flexibility, and instead of transcending perspectives, a sage is skilled in the quiet art of never getting stuck in one. To be effectively quiet is not so much to be silent as to be inaudible, invisible; the sage “vanishes into things.”. (shrink)

The appreciation of nature and natural beauty demands our attention as environmental issues become ever more urgent. In this timely introduction, Glenn Parsons provides an overview of philosophical work on the aesthetics of nature, identifying key conceptual questions, clarifying central theories, and analyzing the ethical ramifications of our experience of natural beauty. Outlining five major approaches to understanding the aesthetic value of nature, this second edition explores the aesthetic appreciation of nature as it occurs in wilderness, in gardens, and (...) in the context of appreciating environmental art. Now updated to cover recent developments in the field, it includes: · A new chapter on the sublime, the picturesque, and the beautiful · Expanded discussion of empirical and evolutionary accounts of nature appreciation, as well as the appreciation of the environment in non-Western cultures · A new chapter on the aesthetic appreciation of animals · An in-depth analysis of the appreciation of nature through cinema and photography · Discussion of the relation between environmental appreciation and climate change __ Combining a clear and engaging style with a sophisticated treatment of a fascinating subject, _Aesthetics and Nature_ explores the aesthetic dimension of humanity's relationship with our physical surroundings. This a must-read for anyone who cares about nature and the future of our environment. (shrink)

Americans today seem to be more divided than at any time since the Civil War. Our differences are not just political and moral, but philosophical and even spiritual. Red and Blue America hardly seem to live in the same reality. Something has gone terribly wrong with the American political community. It has been a long time since the people of the United States fully exercised their sovereign authority to choose the officials in government whose primary job is to protect the (...) people's natural rights according to the Constitution. Our political community has become something different. America, our "regime," has become post-constitutional. Yet it is not entirely clear what this post-constitutional arrangement is, how it operates, who is in charge, or how to fix it. Where did this crisis come from? Can it be overcome? What does the future hold for the survival of the American Constitution? Glenn Ellmers--a senior fellow with the Claremont Institute, prolific analyst of current affairs, and scholar of political philosophy--explores the deepest roots of our political turmoil and shows the connections between government bureaucracy, the misuse of science, and the leftwing ideology that controls so much of our public and private life. (shrink)

The evolutionary theory of artefact proper function holds that an artefact’s proper function is that effect which explains the reproduction of past instances of the artefact type. This theory has many sources but received its clearest presentation in Beth Preston’s essay “Why Is a Wing Like a Spoon?”. More recently, Preston has raised an objection to the theory, based on the phenomenon of ‘phantom functions’: these are functions that an artefact type is unable to perform, but which nonetheless apparently constitute (...) its proper function. Deflecting qi energy, for example, is the proper function of feng shui mirrors, even though no feng shui mirror is able to do this. Preston concludes that the existence of phantom functions refutes the evolutionary theory of artefact proper function. In this paper, the evolutionary theory is defended, by arguing that it can adequately account for phantom function cases. (shrink)

Amid the ongoing debate over the proper interpretation of Aristotle's theory of sense perception in the "De Anima," Steven Everson has recently presented a well-documented and ambitious treatment of the issue, arguing in favor of Richard Sorabji's controversial position that sense organs literally take on the qualities of their proper objects. Against the interpretation of M. F. Burnyeat, Everson and others make a compelling case the Aristotelian account of sensation requires some physical process to occur in sense organs. A detailed (...) examination of the interpretation by Everson and Sorabji of Aristotle's theory, however, shows that their reading cannot be the correct one, since it involves many textual and philosophical difficulties. Their interpretation, for instance, would require abandoning Aristotle's requirement that only a transparent substance is suitable matter for an eye. Likewise, their understanding of the Aristotle's doctrine of sensation as the reception of form without matter in "DA 2.12" cannot be reconciled with other texts of his from "On Generation and Corruption." An analysis of these texts, as well as "DA 2.7" and "De Sensu 6" on the roles of light and the transparent medium in vision, show that, for Aristotle, the physical processes which sense organs undergo are not standard qualitative changes (i.e. alterations), but activities or the actualizations of potencies in the material constituents of living animal bodies. (shrink)

Degrees of belief; Dempster's rule of combination; Simple and separable support functions; The weights of evidence; Compatible frames of discernment; Support functions; The discernment of evidence; Quasi support functions; Consonance; Statistical evidence; The dual nature of probable reasoning.

Difficulties in distinguishing veridical reports of experience from confabulations have implications for theories of consciousness. I develop some of these implications through a consideration of out-of-body experiences (OBEs). Do these variations indicate individual variation in experience or are they post-hoc confabulations, stories told by subjects to themselves in an attempt to make sense of the core phenomenology? I argue that no existent or possible evidence would be sufficient to favour one hypothesis over the other. How such evidence is interpreted depends (...) on prior commitments to one or other of these hypotheses or to a theory of consciousness that is not neutral as to these hypotheses. One of these types of theory, namely vehicle theories, has difficulty accommodating the existence of confabulations and so allows for only the elaborate phenomenology hypothesis. Because we cannot know that reports are not confabulations, vehicle theories are insufficient to explain OBEs. (shrink)

This book is an account of the life and work of the Russian novelist and political essayist Konstantin Nikolaevich Leontiev, 1831-1891.

This chapter contains sections titled: Mothers on Baby Beauty Good Mom, Bad Critic? Beauty, Love, and Prejudice Notes.

Dating back to the early modern theories of Burke and Kant, philosophical accounts have made cognitive failure central to the experience of the sublime. This essay argues for a re-conception of the sublime in terms of the notion of epistemic expansion. Doing so not only provides a plausible account of traditional examples of the sublime, but also provides us with language that can capture an important but neglected aesthetic dimension of experimental science: the expansion of human perception. Recognizing this dimension, (...) it is argued, also enriches our understanding of the ways in which experimental science can facilitate broader public engagement with science. (shrink)

Glenn Kreider explores the whole Bible to show us the full scope of God's active involvement in his creation from the very beginning. This better understanding of God's humility will affect our own humility and our attitude toward serving those around us."--Publisher description.

Glenn Aparicio Parry organized and participated in thirteen groundbreaking dialogues between Native American elders and leading-edge Western scientists that explored the underlying principles of the cosmos. Inspired by these dialogues, Original Thinking unfolds in a similar way to a dialogue circle. The questions it asks penetrate ever deepening layers of meaning, such as, Is it possible to come up with an original thought?, What does it mean to be human?, and How has our thinking created our world today? Delving (...) into the evolution of Western thought, Parry seeks to recover the living roots of wisdom that can correct the imbalances in our modern worldview. In doing so he invites us to reconnect with a living, original source--nature and her interconnected elements and cycles--and to reintegrate our heart with our head in order to expand our self-imposed narrowing of consciousness"-- Provided by publisher. (shrink)