This volume is a tribute to the thought of Seth Benardete by contributors who had the rare good fortune of studying with him or those who discovered the treasure of his writings. Benardete was fully immersed in the world of the ancients, starting with Homer, but their works opened up for him a way to the fundamental questions-about justice and love, nature and law, human and divine. Finding "the problem of the human good grounded in the city, (...) and the problem of being in god," he was led to the conclusion that "Political philosophy is the eccentric core of philosophy." While Benardete wrote this statement reflecting on the theological-political issue in the work of his teacher, Leo Strauss, the paradoxical notion of an "eccentric core," in giving this volume its title, is meant to capture a characteristic of his own way of thinking. The essays in this collection-on the Bible and Homer, the pre-Socratics, Plato, Aristotle, and the Roman writers-indicate the range of Benardete's studies and teaching. The centrality of Plato is evident at the same time in those pieces as well as in the reviews of Benardete's books included here, along with three of his own previously unpublished essays. Book jacket. (shrink)

Plato, Allan Bloom wrote, is "the most erotic of philosophers," and his Symposium is one of the greatest works on the nature of love ever written. This new edition brings together the English translation of the renowned Plato scholar and translator, Seth Benardete, with two illuminating commentaries on it: Benardete's "On Plato's _Symposium_" and Allan Bloom's provocative essay, "The Ladder of Love." In the _Symposium,_ Plato recounts a drinking party following an evening meal, where the guests include (...) the poet Aristophanes, the drunken Alcibiades, and, of course, the wise Socrates. The revelers give their views on the timeless topics of love and desire, all the while addressing many of the major themes of Platonic philosophy: the relationship of philosophy and poetry, the good, and the beautiful. (shrink)

_The Being of the Beautiful_ collects Plato’s three dialogues, the _Theaetetus_, _Sophist_, and _Statesmen_, in which Socrates formulates his conception of philosophy while preparing for trial. Renowned classicist Seth Benardete’s careful translations clearly illuminate the dramatic and philosophical unity of these dialogues and highlight Plato’s subtle interplay of language and structure. Extensive notes and commentaries, furthermore, underscore the trilogy’s motifs and relationships. “The translations are masterpieces of literalness.... They are honest, accurate, and give the reader a wonderful sense (...) of the Greek.”—Drew A. Hyland, _Review of Metaphysics_. (shrink)

This book provides a fresh interpretation of the Republic and a new understanding of philosophy as practiced by Plato and Socrates.

In _The Tragedy and Comedy of Life,_ Seth Benardete focuses on the idea of the good in what is widely regarded as one of Plato's most challenging and complex dialogues, the _Philebus._ Traditionally the _Philebus_ is interpreted as affirming the doctrine that the good resides in thought and mind rather than in pleasure or the body. Benardete challenges this view, arguing that Socrates vindicates the life of the mind over the life of pleasure not by separating the (...) two and advocating a strict asceticism, but by mixing pleasure and pain with mind in such a way that the philosophic life emerges as the only possible human life. Benardete combines a probing and challenging commentary that subtly mirrors and illuminates the complexities of this dialogue with the finest English translation of the _Philebus_ yet available. The result is a work that will be of great value to classicists, philosophers, and political theorists alike. (shrink)

In _The Tragedy and Comedy of Life,_ Seth Benardete focuses on the idea of the good in what is widely regarded as one of Plato's most challenging and complex dialogues, the _Philebus._ Traditionally the _Philebus_ is interpreted as affirming the doctrine that the good resides in thought and mind rather than in pleasure or the body. Benardete challenges this view, arguing that Socrates vindicates the life of the mind over the life of pleasure not by separating the (...) two and advocating a strict asceticism, but by mixing pleasure and pain with mind in such a way that the philosophic life emerges as the only possible human life. Benardete combines a probing and challenging commentary that subtly mirrors and illuminates the complexities of this dialogue with the finest English translation of the _Philebus_ yet available. The result is a work that will be of great value to classicists, philosophers, and political theorists alike. (shrink)

This volume brings together Seth Benardete's studies of Hesiod's Theogony, Homer's Iliad, and Greek tragedy, of eleven Platonic dialogues, and Aristotle's Metaphysics. These essays, some never before published, others difficult to find, span four decades of his work and document its impressive range. Benardete's philosophic reading of the poets and his poetic reading of the philosophers share a common ground that makes this collection a whole. The key, suggested by his reflections on Leo Strauss in the last (...) piece, lies in the question of how to read Plato. Benardete's way is characterized not just by careful attention to the literary form that separates doctrine from dialogue, and speeches from deed rather, by following the dynamic of these differences, he uncovers the argument that belongs to the dialogue as a whole. The "turnaround" such an argument undergoes bears consequences for understanding the dialogue as radical as the conversion of the philosopher in Plato's image of the cave. Benardete's original interpretations are the fruits of this discovery of the "argument of the action.". (shrink)

Benardete here interprets and, for the first time, pairs two important Platonic dialogues, the Gorgias and the Phaedrus . In linking these dialogues, he places Socrates' notion of rhetoric in a new light and illuminates the way in which Plato gives morality and eros a place in the human soul.

In this section-by-section commentary, Benardete argues that Plato's _Republic_ is a holistic analysis of the beautiful, the good, and the just. This book provides a fresh interpretation of the _Republic_ and a new understanding of philosophy as practiced by Plato and Socrates. "Cryptic allusions, startling paradoxes, new questions... all work to give brilliant new insights into the Platonic text."—Arlene W. Saxonhouse, _Political Theory_.

The Laws was Plato's last work, his longest, and one of his most difficult. In contrast to the Republic, which presents an abstract ideal not intended for any actual community, the Laws seems to provide practical guidelines for the establishment and maintenance of political order in the real world. With this book, the distinguished classicist Seth Benardete offers an insightful analysis and commentary on this rich and complex dialogue. Each of the chapters corresponds to one of the twelve (...) books of the Laws, illuminating the major themes and arguments, which have to do with theology, the soul, justice, and education. The Greek word for law, "nomos," also means musical tune. Bernardete shows how music--in the broadest sense, including drama, epic poetry, and even puppetry--mediates between reason and the city in Plato's philosophy of law. Most broadly, however, Benardete here uncovers the concealed ontological dimension of the Laws, explaining why it is concealed and how it comes to light. In establishing the coherence and underlying organization of Plato's last dialogue, Benardete makes a significant contribution to Platonic studies. (shrink)

_Theaetetus_, the _Sophist_, and the _Statesman_ are a trilogy of Platonic dialogues that show Socrates formulating his conception of philosophy as he prepares the defense for his trial. Originally published together as _The Being of the Beautiful_, these translations can be read separately or as a trilogy. Each includes an introduction, extensive notes, and comprehensive commentary that examines the trilogy's motifs and relationships. "Seth Benardete is one of the very few contemporary classicists who combine the highest philological competence (...) with a subtlety and taste that approximate that of the ancients. At the same time, he as set himself the entirely modern hermeneutical task of uncovering what the ancients preferred to keep veiled, of making explicit what they indicated, and hence...of showing the naked ugliness of artificial beauty."—Stanley Rose, _Graduate Faculty Philosophy Journal_ Seth Benardete was professor of classics at New York University. He was the author or translator of many books, most recently _The Argument of the Action, Plato's "Laws," and Plato's "Symposium,"_ all published by the University of Chicago Press. (shrink)

The physicist defines anger in terms of heart, blood, and heat; the dialectician says it is the desire to inflict pain in retaliation. Both give fairly sure signs for its recognition; but neither can show why these signs must go together and in what they can cohere. Aristotelian physics is presumably a way to avoid such a split, and whatever defects his account of perception or intellection suffers from cannot be traced to it. Phantasia, however, seems to be dialectically distinguished (...) from other faculties of soul and physically defined as a kind of motion; and even if Aristotle could say at what speed it moves, we do not discern in such a definition the ground for its being the link between perception and intellection. The soul is the source of both motion and awareness; and since it cannot be the efficient cause of motion without destroying the possibility of awareness, something in its cognitive capacity must be able to translate the nonmotivating acts of perception or of intellection into causes of motion. That something seems to be again phantasia, which thus comes to light as the soul’s double bond, linking the aesthetic with the noetic and awareness with motion. Phantasia is as inseparable from desire as it is from thought. It is the closest Aristotle comes to acknowledging that self-moving motion is soul. (shrink)

_Theaetetus_, the _Sophist_, and the _Statesman_ are a trilogy of Platonic dialogues that show Socrates formulating his conception of philosophy as he prepares the defense for his trial. Originally published together as _The Being of the Beautiful_, these translations can be read separately or as a trilogy. Each includes an introduction, extensive notes, and comprehensive commentary that examines the trilogy's motifs and relationships. "Seth Benardete is one of the very few contemporary classicists who combine the highest philological competence (...) with a subtlety and taste that approximate that of the ancients. At the same time, he as set himself the entirely modern hermeneutical task of uncovering what the ancients preferred to keep veiled, of making explicit what they indicated, and hence...of showing the naked ugliness of artificial beauty."—Stanley Rose, _Graduate Faculty Philosophy Journal_ Seth Benardete was professor of classics at New York University. He was the author or translator of many books, most recently _The Argument of the Action, Plato's "Laws," and Plato's "Symposium,"_ all published by the University of Chicago Press. (shrink)

_Theaetetus_, the _Sophist_, and the _Statesman_ are a trilogy of Platonic dialogues that show Socrates formulating his conception of philosophy as he prepares the defense for his trial. Originally published together as _The Being of the Beautiful_, these translations can be read separately or as a trilogy. Each includes an introduction, extensive notes, and comprehensive commentary that examines the trilogy's motifs and relationships. "Seth Benardete is one of the very few contemporary classicists who combine the highest philological competence (...) with a subtlety and taste that approximate that of the ancients. At the same time, he as set himself the entirely modern hermeneutical task of uncovering what the ancients preferred to keep veiled, of making explicit what they indicated, and hence...of showing the naked ugliness of artificial beauty."—Stanley Rose, _Graduate Faculty Philosophy Journal_ Seth Benardete was professor of classics at New York University. He was the author or translator of many books, most recently _The Argument of the Action, Plato's "Laws," and Plato's "Symposium,"_ all published by the University of Chicago Press. (shrink)

The Archaeology of the Soul is a testimony to the extraordinary scope of Seth Benardete's thought. Some essays concern particular authors or texts; others range more broadly and are thematic. Some deal explicitly with philosophy; others deal with epic, lyric, and tragic poetry. Some of these authors are Greek, some Roman, and still others are contemporaries writing about antiquity. All of these essays, however, are informed by an underlying vision, which is a reflection of Benardete's life-long engagement (...) with one thinker in particular -Plato. The Platonic dialogue presented Benardete with the most vivid case of that periagoge, or turn-around, that he found to be the sign of all philosophic thinking and that is the signature as well of his own interpretations not only of Plato but also of other thinkers. The core of The Archaeology of the Soul consists of a set of essays Benardete produced in his last years; the collection provides at the same time an entry into that world through some of Benardete's earliest articles on Plato and on Greek poetry. Benardete's earlier path of close textual analysis always reflected his intimate philosophic dialogue with the thinker in whose work he was immersed; later, he drew on resources of erudition acquired over a lifetime to present a broader picture, on a theme like the dialectics of eros or freedom and necessity. In his late work Benardete was not only engaged in putting together in more general form material he had worked out earlier; he was still on the trail of new discoveries, above all, by extending his Platonic understanding of philosophy to pre- and post-Platonic thinkers. He had become increasingly aware that the discovery of philosophy through the "Socratic turn" was really the rediscovery of an understanding already present in some form in the Greek poets and that awareness guided his last years of study of the pre-Socratic philosophers. According to the standard view of the history of Greek philosophy, the Socratic turn, with its focus on "the human things," marks a point of radical change in philosophy's history. Benardete's late studies led him to the conclusion that the kind of pivotal reorientation thought to be Socratic is in fact the mark of what it means to think philosophically, and Heraclitus or Parmenides is a genuine philosophic thinker precisely to the extent that a Socratic turn can be found in some form within his own thought. At the same time that he was pursuing a track backward, from Plato to the poets and pre-Socratic philosophers, Benardete was also proceeding on a forward path, from Plato to the Latin writers, who adopt the Platonic way of thinking with full understanding of what it means to be "post-Platonic." As the essays collected in this volume demonstrate, the Platonic notion of a "second sailing" gave Benardete a key to the relation between Greek and Latin thought - and with that to a comprehensive under-standing of antiquity-as it did to the relation between poetry and philosophy as such. Ronna Burger teaches philosophy at Tulane University; she is the author of The Phaedo: A Platonic Labyrinth from St. Augustine's Press and Aristotle's Dialogue with Socrates: On the Nicomachean Ethics. Michael Davis teaches philosophy at Sarah Lawrence College; he authored Wonderlust: Ruminations on Liberal Education, The Poetry of Philosophy: On Aristotle's Poetics and, with Seth Benardete, translated Aristotle - On Poetics, both from St. Augustine's Press. Burger and Davis collaborated on editing Seth Benardete's Achilles and Hector: The Homeric Hero. (shrink)

In this interpretation of the Odyssey, Seth Benardete suggests that Homer may have been the first to philosophize in a Platonic sense. He argues that the Odyssey concerns precisely the relation between philosophy and poetry and, more broadly, the rational and the irrational in human beings.

In this interpretation of the Odyssey, Seth Benardete suggests that Homer may have been the first to philosophize in a Platonic sense. He argues that the Odyssey concerns precisely the relation between philosophy and poetry and, more broadly, the rational and the irrational in human beings.

The first major piece of unpublished work by Leo Strauss to appear in more than thirty years, this volume offers the public the unprecedented experience of encountering this renowned scholar as his students did. Given as a course in autumn 1959 under the title "Plato's Political Philosophy," these provocative lectures—until now, never published, but instead passed down from one generation of students to the next—show Strauss at his subtle and insightful best.

The first major piece of unpublished work by Leo Strauss to appear in more than thirty years, this volume offers the public the unprecedented experience of encountering this renowned scholar as his students did. Given as a course in autumn 1959 under the title "Plato's Political Philosophy," these provocative lectures—until now, never published, but instead passed down from one generation of students to the next—show Strauss at his subtle and insightful best.

LUCRETIUS, AFTER HE HAS EXPOUNDED THAT NOTHING comes out of nothing and nothing goes into nothing, and there are only bodies and void, turns to three pre-Socratics: Heraclitus, Empedocles, and Anaxagoras. He characterizes Heraclitus, clarus ob obscuram linguam, as having a bright principle and a dark account; he says of Empedocles, than whom Sicily nil... habuisse praeclarius... videtur, that his principles are as bright as his song about them; and he says of Anaxagoras, who must resort to quaedam latitandi copia (...) tenvis, that his principles are as dark as his account. He then turns to himself; he borrows brightness from Empedocles and darkness from Anaxagoras and turns Heraclitus inside out: he has a bright song about completely dark principles : clarius audi. nec me animi fallit quam sint obscura. Without denying the difficulty of putting together Heraclitean fire and Heraclitean logos, which seems intended to formulate a problem rather than a solution—it is nothing less than a demand that the causality of things and the equations that model their motions be one and the same—I would like to bring some clarity to the Heraclitean logos and make it at least as bright as his fire. Heraclitus’s logos is nothing but his name for thinking when it is philosophic. If Heraclitus did not coin the word philosophos, he is the first we know of who used it. (shrink)

In the first part, it is argued that the Stranger has employed in his divisions both eikastic and phantastic speech, and that the issue of being arises because Theaetetus fails to recognize Socrates as the philosopher. In the second part, it is argued that phantastic speech as the experience of eikastic speech is false opinion, and that the double account of logos, as the weaving together of species and of agent and action, corresponds respectively to that which makes speech possible, (...) the other, and that which determines truth and falsehood in terms of whether the agent is other than the action. (shrink)

Aristotle begins not with the question of being but with its correlative, the question of knowledge and wisdom. This question is the substitute for the lack of anything self-evidently prior to that which metaphysics itself establishes. The theme of the first chapter is delight and admiration—the delight we ourselves take in any effortless acquisition of knowledge, and the admiration we grant to anyone who is manifestly superior to ourselves in knowledge. That which unites that kind of delight with this kind (...) of admiration is the absence in both of calculation. Without any regard to our own advantage, we no less want by nature to know than are we willing to admire discoverers and inventors. Our admiration for discoverers and inventors is the intersubjective analogue to our own natural curiosity. The selflessness Aristotle detects in curiosity and admiration culminates in the freedom that belongs preeminently to the highest kind of wisdom. The freedom from need which is manifest even in the senses is the natural origin of the freeman’s being his own cause. (shrink)

THE OPENING OF THE THEAETETUS is curious. The report we have of another opening of nearly the same length indicates that it was always a curiosity. If both openings are Plato’s, and the rest of the dialogue they preface were not different, then Plato changed his mind about how to start off the trilogy to which the Theaetetus belongs. If the second version is spurious, someone thought he could surpass Plato and make a more sensible introduction. If ours is spurious, (...) however, then we cannot hope to interpret it. If we assume its genuineness and that it represents Plato’s only or final recension—the other one is said to be spurious and rather frigid—then the Theaetetus opens with our listening in on a recital of the conversation Socrates had with Theaetetus and Theodorus shortly before his death, while we supposedly are hearing it in Megara many years after the conversation occurred. (shrink)

THE OPENING OF THE THEAETETUS is curious. The report we have of another opening of nearly the same length indicates that it was always a curiosity. If both openings are Plato’s, and the rest of the dialogue they preface were not different, then Plato changed his mind about how to start off the trilogy to which the Theaetetus belongs. If the second version is spurious, someone thought he could surpass Plato and make a more sensible introduction. If ours is spurious, (...) however, then we cannot hope to interpret it. If we assume its genuineness and that it represents Plato’s only or final recension—the other one is said to be spurious and rather frigid—then the Theaetetus opens with our listening in on a recital of the conversation Socrates had with Theaetetus and Theodorus shortly before his death, while we supposedly are hearing it in Megara many years after the conversation occurred. (shrink)

This detailed commentary on the action and argument of Sophocles' Antigone is meant to be a reflection on and response to Hegel's interpretation in the Phenomenology. It thus moves within the principles Hegel discovers in the play but reinserts them into the play as they show themselves across the eccentricities of its plot. Wherever plot and principles do not match, there is a glimmer of the argument: Haemon speaks up for the city and Tiresias for the divine law but neither (...) for Antigone. The guard who reports the burial and presents Antigone to Creon is as important as Antigone or Creon for understanding Antigone. The Chorus too in their inconsistent thoughtfulness have to be taken into account, and in particular how their understanding of the canniness of man reveals Antigone in their very failure to count her as a sign of man's uncanniness: She who is below the horizon of their awareness is at the heart of their speech. Megareus, the older son of Creon, who sacrificed his life for the city, looms as large as Eurydice, whose suicide has nothing in common with Antigone's. She is "all-mother"; Antigone is anti-generation. (shrink)

Virtually everyone knows that Aristotle sometimes lies. His account of the pre-Socratics in the first book of the Metaphysics leaves out of account everything that does not suit his scheme, the gradual disclosure of the four causes, compelled, as he says, by the truth itself. Heraclitus’ fire is there but not Heraclitus’ logos. Parmenides’ Eros is there but not Parmenides’ mind. This triumphant progress, however, comes abruptly to an end at the end of Book I, and Book II begins the (...) crisis of first philosophy. It is the very triumph of Book I that brings about the crisis of Book II, and it is Book II that is first philosophy: it consists of nothing but questions. These seventeen questions could not have been formulated had not Book I preceded it and confirmed that wisdom was the theoretical knowledge of cause. The knowledge of cause, however, does not establish first philosophy; it merely discloses what still must be known, being. Being emerges as the problem of first philosophy through the non-problematic status of the four causes. The emergence of being as the problem is not adventitious to the four causes. There lurks within the four causes one cause that is not an answer but a question, and the question is, What is? Formal cause is the only cause that appears among the categorial predicates, and of these it is the only one that is a question, and whose formulation includes in itself that which the question is about. To ask about being is to acknowledge belatedly that it has come to light as a question about which one asks questions. If, then, first philosophy is first only the second time around, where are we to begin? Aristotle has another name for first philosophy. He calls it theology. Theology is a tainted word. It is first used, as far as we know, by Plato, and he puts it in the mouth of Adimantus, whom Socrates is questioning about what myths are to be told the future guardians when young. Theology, then, is theomythy. It precedes any true account of the gods. Socrates’ theology is set in opposition to the stories of Homer and Hesiod. It is one set of myths against another. Hesiod’s myth, however, is not Hesiod’s but the Muses’, and the Muses tell Hesiod that they speak lies like the truth and they pronounce, whenever they wish, the truth. Before philosophy there are lies like the truth. Before philosophy, we say, there is poetry. Poetry has already divided lies from truth and put them together again. Poetry is not at the beginning but after the beginning, when the speaking about the speaking about things has become part of the speaking. This double speak puts things at a distance from us. The things the Muses speak about are the beginning. We are not at the beginning when we hear from the Muses about the beginning. At the beginning are the Muses who sing about the beginning. (shrink)

This short book, a German translation of an unpublished English version, with 95 pages of text and 114 of notes, consists of three main chapters: I. The nature of the complete human life is similar to the nature of God's; II. The activity of the complete human being resembles that of God; III. The function of god in the Nicomachean Ethics. Its author tries to show that it is possible to assign, in a strictly Aristotelian way, a metaphysical ground to (...) Aristotle's ethics. His treatment of this topic is not as interesting as the topic itself, for he not only tends to believe that a precise understanding of the terms in which a passage is couched is the equivalent of its understanding, but he restricts the issue to the theoretical life of EN X, and Aristotle at the end of Book I distinguishes between ethical and dianoetic virtues. Dudley, however, wishes to show that the unmoved mover of Met. XII is not only the model for the highest human activity but is also the object of that activity at its peak. Although he is well aware that Aristotle never gives a proof that the unmoved mover is unique, he tends to dismiss all talk of "gods" as signs of "dialectical" passages, from which Aristotle's own doctrine is distinguished by the use of the singular. The 55 unmoved movers are not so readily brushed aside; but the real difficulty lies elsewhere. Dudley grants that the human intellect cannot understand god thinking himself ; he does not raise the question whether Aristotle thought the highest human activity would cease to be such if Aristotle were mistaken about god. Consequently he does not see that god thinking himself cannot be the model for human thinking if it consists in thinking god thinking himself, for to deny the difference would be to identify god with a momentary state of the human mind. Human thinking, moreover, has to come to the highest principle; the highest principle thus is known as a cause before it is known as a being in itself. This is essentially the difference between the unmoved mover of Physics VIII, which is never an ousia, and that of Met. XII. Dudley is indifferent to this difference. Human thinking, if it could complete itself, would comprehend more than god and alone think the being of the beings together with the being of the highest being. If Dudley had started from the beginning of the Ethics, where Aristotle remarks on the vast difference between proceeding from rather than to the principles, he would not have had to face this absurdity.--Seth Benardete, New York University. (shrink)