Translator's Preface LA LOGIQUE DE HUSSERL, etude sur "Logique for- melle et logique transcendentale" the original of the present translation, was published ...

" Nous avons tenté dans cet ouvrage de tracer le chemin qui va de la logique traditionnelle à la logique transcendantale [...] à la logique transcendantale qui n'est pas une seconde logique mais qui est seulement la logique elle-même, radicale et concrète, qui doit son développement à la méthode phénoménologique. En vérité, pour s'exprimer plus précisément, nous n'avons justement eu en vue, comme logique transcendantale, que la logique telle qu'elle est délimitée traditionnellement, la logique analytique qui sans contredit grâce à (...) sa généralité vide et formelle embrasse toutes les sphères d'êtres et d'objets, corrélativement toutes les sphères de connaissances. Toutefois, étant astreints à reconsidérer la caractérisation du sens et de l'ampleur de la recherche transcendantale, nous avons par avance acquis aussi du même coup le moyen de comprendre les " logiques " (qu'il reste à fonder) ayant un autre sens, conçues comme doctrines de la science, mais comme doctrines matérielles ; doctrines de la science parmi lesquelles la plus élevée et la plus étendue serait la logique de la science absolue, la logique de la philosophie phénoménologico-transcendantale elle-même ". E. Husserl. (shrink)

The publication of FRAGMENTS OF A POETICS OF FIRE is a milestone in Bachelard studies that will influence the way we think about his themes & method for a long time to come. Dissatisfied with his earlier attempt to come to terms with the element of fire in "The Psychoanalysis of Fire" (1937), Bachelard returned to this theme in the book he was working on at the time of his death in 1962. Because of delays in &, eventually, (...) the abandonment of a projected edition of his complete works, these FRAGMENTS OF A POETICS OF FIRE remained unpublished & their very existence unknown to all but a handful of Bachelard's readers. The author's daughter, Suzanne Bachelard, edited them for separate publication over a quarter-century later in 1988. For the first time we have an insight into the way Bachelard constructed his remarkable books. Miss Bachelard's introduction & extensive notes are an indispensable guide to the workings of his mind as "he shapes a meandering series of observations on the phoenix, Prometheus, & Empedocles into a coherent & engaging structure that respects the fluidity & openness of a living image - the powerful image of fire.". (shrink)

J'ai choisi de travailler un portrait de Bachelard pour retrouver son humanité, sa qualité de coeur, d'âme, ce qui est trop souvent absent dans les ouvrages traitant de ses travaux, ses livres. Fils de cordonnier, le chant des outils, le parfum des cuirs, l'attitude de l'artisan appliqué à faire et à parfaire son travail : le quotidien resta vivant en sa mémoire. Il n'avait pas oublié d'où il venait, l'admiration vient de là. Son humanité porte aussi la mort prématurée (...) de son épouse, Jeanne, le 20 juin 1920. Marié le 8 juillet 1914, mobilisé le 2 août de la même année jusqu'au 16 mars 1919, il a vécu 38 mois dans les tranchées. De leur union est née une fille, Suzanne. On peut dire qu'en dépassant ses peines, son deuil, il est devenu un fin guetteur de la beauté de vivre et du monde. La poésie a été pour lui une matière lui donnant de vibrer et respirer l'Univers. "La sagesse, dit-on, a pour origine et pour creuset de savoir lutter". Au long de son oeuvre, Bachelard a plaidé pour "la liberté, les hautes valeurs morales". En écrivant "Le visage de Bachelard", peu à peu, s'est instauré un dialogue, s'est imposée une façon de maïeutique ouvrant à des réflexions sur la vie, l'amitié, l'amour, agressivité, égocentrisme, haine, racisme, "la mauvaise foi" selon Sartre, "l'illusion" selon Pascal. En outre, il ressort en rapprochant plusieurs de leurs pensées que Gaston Bachelard et Léonard de Vinci étaient et restent en parenté de génie. Benoît Aubierge. (shrink)

Dans les heures de grandes trouvailles, une image poétique peut être le germe d'un monde, le germe d'un univers imaginé devant la rêverie d'un poète. La conscience d'émerveillement devant ce monde créé par le poète s'ouvre en toute naïveté. [...] L'exigence phénoménologique à l'égard des images poétiques est d'ailleurs simple : elle revient à mettre l'accent sur leur vertu d'origine, à saisir l'être même de leur originalité et à bénéficier ainsi de l'insigne productivité psychique qui est celle de l'imagination.

In The Good Representative, Suzanne Dovi argues that democratic citizens should assess their representatives by their display of three virtues: they must be fair-minded, build critical trust, and be good gatekeepers. This important book provides standards for evaluating the democratic credentials of representatives. Identifies the problems with and obstacles to good democratic representation. Argues that democratic representation, even good democratic representation, is not always desirable. Timely and original, this book rejects the tendency to equate respect for the preferences of (...) citizens with neutrality on the standards used in choosing their representatives. (shrink)

The Just War principle of jus ad bellum explicitly requires a reasonable prospect of success; the prevailing view about personal self-defence is that it can be justified even if the prospect of success is low. This chapter defends the existence of this distinction and goes on to explore the normative basis of this difference between defensive war and self-defence and its implications. In particular, the chapter highlights the rationale of the ‘success condition’ within Just War thinking and argues that this (...) condition is grounded in assumptions about the nature of political authority and responsibility that do not apply to personal self-defence. This important difference is commonly ignored or side-lined by contemporary theorists who regard the principles of these two types of conflict as very closely aligned and the moral differences between them as matters of degree only. (shrink)

La tension entre le non-dualisme et le dualisme domine toute l’histoire du Vedanta. En face de l’advaita de Śaṅkara, le système de Madhva, auquel cette étude est consacrée, représente l’extrême dualisme, dvaita. Cependant Madhva, après avoir posé la réalité irréductible de la différence entre Dieu et le monde, a comme compensé cette scission de l’être par l’affirmation que tout être autre que l’Être absolu est dépendant de celui-ci, seul Dieu ne dépendant que de lui-même. L’originalité du système de Madhva est (...) d’inventer une relation nouvelle entre l’Être et les êtres. Seul l’Être est capable de faire exister des êtres différents de lui et totalement dépendants de lui ; Dieu permet à toute réalité d’être, et d’être ce qu’elle est. (shrink)

In this chapter, I offer an overview of current scholarly debates on Plato's Lysis. I also argue for my own interpretation of the dialogue. In the Lysis, Socrates argues that all love is motivated by the desire for one’s own good. This conclusion has struck many interpreters as unattractive, so much so that some attempt to reinterpret the dialogue, such that it either does not offer an account of interpersonal love, or that it offers an account on which love is, (...) in fact, an other-regarding state. Others, notably Vlastos, criticize Socrates’ theory as implausibly and repellently egoistic. I maintain, against the first group, that Socrates is indeed offering an egoistic theory of love. I argue, against the second, that, while Socrates’ theory may be repellent, it possesses considerable explanatory power and avoids certain weaknesses which infect contemporary approaches to love. (shrink)

Examines the changes during the twentieth century in the views of mathematics, physics, and the scientific method and discusses the role of the mind in science.

Cover; Table of Contents; Introduction; References; List of Illustrations; Acknowledgments; 1. Essays; Intimacy Unveiled (Suzanne Anker); From Apocalypse to Analogy; Transforming Life; References; List of Illustrations; Through the Looking Glass: Encounters with Suzanne Anker's Wonderlands (Sabine Flach); I. Making is Thinking -- Art as Knowledge; II. "We can know more than we can tell"; III. Ars Quaerendi -- The Art of Asking Questions; IV. Synechein -- The Art of Interweaving; References; List of Illustrations; 2. Dialogues; Dialogue I: The (...) Glass Veil. (shrink)

In his Confessions, Saint Augustine narrates the intense struggle of a self divided and dissociated from itself in the throes of becoming other than what it is. His attempts at conversion and self-transformation involve a struggle with his habituated self; his habits, ever resistant to change, impede his becoming. Insofar as Augustine disavows the significance of his self ’s multiplicity to enabling his capacity to convert, he comes short of providing us with an account of the self ’s capacity for (...) change. It is on this point that reading Confessions with Deleuze and Guattari’s concept of “the body without organs” (a term that describes creative experimentation with forms of life and subjectivity) helps deepen our insights into the self ’s becoming. Such a minor reading of Confessions can be achieved by extracting the concept of “formless matter” (a term Augustine uses to designate the primacy of the capacity for mutability in creation) from his reading of Genesis in order to bring it to bear on thinking through the work of the self that enables his capacity for conversion. Beneath the theological account that privileges heaven, because of its changeless “cleaving to God,” over the ever-transient creatures of the earth, there lies an ontological account wherein formless matter, the capacity to change, plays a pivotal role in ethical becoming and capacitation. In his process of conversion, Augustine breaks his habituated patterns of sensing and makes himself into a “body without organs” in order to be capacitated by alterity, and in so doing enables a becoming different that takes place with and through difference. (shrink)

Nature, a topic central to art history, is concurrently a dominant concept in contemporary art, art theory and its related disciplines such as cultural theory, philosophy, aesthetic theory and environmental studies. The project Naturally Hypernatural questions lines of tradition and predetermined categories that coexist with the topic of nature. Currently, nature in art surpasses the simple depiction of art as a material or object. To clarify and analyze the interrelations between nature and art is the aim of the project Naturally (...) Hypernatural. Concepts of Nature - the first volume of this project - argues that contemporary art is predominantly concerned with concepts of nature regarding the depth of their implications in order to reveal and analyze their internal structure. (shrink)

The metaphysics of dust -- Realist atomism -- Problems of the composition of phenomena -- Positivist atomism -- Critical atomism -- Axiomatic atomism.

Teaching Ethics through Literature provides in-depth understanding of a new and exciting shift in the fields of English education, Literature, Language Arts, and Literacy through exploring their connections with ethics. The book pioneers an approach to integrating ethics in the teaching of Literature. This has become increasingly relevant and necessary in our globally connected age. A key feature of the book is its integration of theory and practice. It begins with a historical survey of the emergence of the ethical turn (...) in Literature education and grounds this on the ideas of influential Ethical Philosophers and Literature scholars. Most importantly, it provides insights into how teachers can engage students in ethical concerns through rich on-the-ground case studies of high school Literature teachers in Australia, Singapore and the United States. (shrink)

The Educational Significance of Human and Non-Human Animal Interactions explores human animal/non-human animal interactions from different disciplinary perspectives, from education policy to philosophy of education and ecopedagogy. The authors refute the idea of anthropocentrism (the belief that human beings are the central or most significant species on the planet) through an ethical investigation into animal and human interactions, and 'real-life' examples of humans and animals living and learning together. In doing so, Rice and Rud outline the idea that interactions between (...) animals and humans are educationally significant and vital in the classroom. (shrink)

What are the moral challenges that confront doctors as they manage healthcare institutions? How do we build trust in medical organisations? How do we conceptualize moral action? Based on accounts given by senior doctors from organisations throughout the UK, this book discusses the issues medical leaders find most troubling and identifies the moral tensions they face. Moral Leadership in Medicine examines in detail how doctors protect patients' interests, implement morally controversial change, manage colleagues in difficulty and rebuild trust after serious (...) medical harm. The book discusses how leaders develop moral narratives to make sense of these situations, how they behave while balancing conflicting moral goals and how they influence those around them to do the right thing in difficult circumstances. Based on empirical ethical analysis, this volume is essential reading for clinicians in leadership roles and students and academics in the fields of healthcare management, medical law and healthcare ethics"--Provided by publisher. (shrink)

"In recent years, we have grown accustomed to philosophical language that is intensely self-conscious and rhetorically thick, often tragic in tone. It is enlivening to read Bergson, who exerts so little rhetorical pressure while exacting such a substantial effort of thought.... Bergson's texts teach the reader to let go of entrenched intellectual habits and to begin to think differently—to think in time.... Too much and too little have been said about Bergson. Too much, because of the various appropriations of his (...) thought. Too little, because the work itself has not been carefully studied in recent decades."—from Thinking in Time Henri Bergson, whose philosophical works emphasized motion, time, and change, won the Nobel Prize for Literature in 1927. His work remains influential, particularly in the realms of philosophy, cultural studies, and new media studies. In Thinking in Time, Suzanne Guerlac provides readers with the conceptual and contextual tools necessary for informed appreciation of Bergson's work. Guerlac's straightforward philosophical expositions of two Bergson texts, Time and Free Will and Matter and Memory, focus on the notions of duration and memory—concepts that are central to the philosopher's work. Thinking in Time makes plain that it is well worth learning how to read Bergson effectively: his era and our own share important concerns. Bergson's insistence on the opposition between the automatic and the voluntary and his engagement with the notions of "the living," affect, and embodiment are especially germane to discussions of electronic culture. (shrink)

Interviews met tien hedendaagse Nederlandse filosofen over hun manier van denken.

" L'expérience esthétique, n'est autonome, écrit Adorno, que lorsqu'elle se débarrasse du goût culinaire, la voie qui y conduit passe par le désintéressement.... ", à ce lointain écho de la rupture transcendantale au sein de l'Esthétique du goût, à ce déni pur et simple de la sensibilité et du plaisir " sensuel et grossier ", comme principes du goût, on préfèrera, ici, une présentation non morale, ou non kantienne, de la notion de goût ; une réflexion qui, de Voltaire et (...) Montesquieu à Brillat-Savarin, prend en compte le goût " lui-même " et non seulement sa métaphore ; on cherchera le raffinement et la délicatesse du goût non seulement dans les sphères supérieures de l'existence, mais aussi dans les relations primordiales de la vie, celle de la consommation, de la préparation et de la production, ainsi que le voulait Charles Fourier, (beau) frère de Brillat-Savarin. Dans les deux essais, ici étudiés, s'impose, en effet, la dimension organique et sensuelle mais néanmoins esthétique du goût, dans les choses de la nature et de l'art. L'Essai sur le goût de Montesquieu et La Physiologie du goût de Brillat-Savarin, témoignent, dans des domaines distincts mais étroitement liés, de l'Esthétique comme " science de la sensibilité ". Par leur rapprochement, on entend montrer que le goût n'est pas une " chose mentale " mais l'affaire de tous les sens, que l'âme qui goûte est l'âme qui sent. On cherchera à dépasser le divorce, qui semble s'être installé, entre le jugement esthétique et le plaisir esthétique, on tentera par là, de restaurer la continuité entre les deux pôles de la sensibilité gustative et de redonner, par une réévaluation du goût culinaire, une assise réelle, vitale et réconfortante à la notion de goût, comme sentiment délicat. (shrink)