This chapter contains sections titled: Change and the Arts Time and the Arts Time and Change in Gardens Music Makes the Passage of Time Audible Gardens Make the Passage of Time Visible Notes.

Ismay Barwell, Kathleen Lennon; II*—The Principle of Sufficient Reason, Proceedings of the Aristotelian Society, Volume 83, Issue 1, 1 June 1983, Pages 19–34, h.

Ismay Barwell, Kathleen Lennon; II*—The Principle of Sufficient Reason, Proceedings of the Aristotelian Society, Volume 83, Issue 1, 1 June 1983, Pages 19–34, h.

The search for a unified and coherent feminine aesthetic theory could not be successful because it relies upon "universals" which do not exist and assumes simple parallels among psychological, social and aesthetic structures. However, with an apparatus of narrative points of view, one can demonstrate that individual narrative texts are organized from a feminine point of view. To this extent, the intuition that there is a feminine aesthetic can be vindicated.

Book Information Charles Taylor: Meaning Morals and Modernity. Charles Taylor: Meaning Morals and Modernity Nicholas H. Smith , Cambridge and Malden: Polity Press , 2002 , ix + 285 , US$24.95 ( paperback ) By Nicholas H. Smith. Cambridge and Malden: Polity Press. Pp. ix + 285. US$24.95 (paperback:).

This volume brings together essays by leading philosophers of art who consider what can be learned from the meaning of art about society, morality, and life in general. This subject inevitably leads to discussion of other issues. Is art distinct from life? Is a concern with art's messages consistent with an appropriately aesthetic appreciation of its works? Is there anything distinctive about the manner in which art communicates its messages, or about the messages it conveys? The topic of art's social (...) and moral importance has always been a central one in aesthetics. However, whereas Plato and Schiller, for instance, viewed art as intimately implicated in a person's moral and social education, modernist theories have argued for art's autonomy and separation from worldly matters. The essays presented here provide a contemporary perspective on this long-standing debate and reveal the recent revitalization of humanist concerns in describing art and its significance. Contributors are Stephen Davies, Susan L. Feagin, T. J. Diffey, Jenefer Robinson, Gregory Currie, Peter Lamarque, Jerrold Levinson, David Novitz, Ismay Barwell, Göran Hermerén, and Richard Shusterman. (shrink)