The episode at Croton is the last series of events we possess from the surviving Satyrica, though not necessarily the last part of the novel in its original form. The action takes place in a town which no longer existed at the suggested time of the novel's composition. The plot is focused, mainly, on two themes: legacy-hunting and Encolpius' impotence. His unsuccessful relationship with the nymphomaniac Circe and his painful experience with the witch-like priestesses Proselenos and Oenothea are manifestations of (...) the latter theme. Philomela's prostitution of her children is a brief example of the former theme and shows the kind of gifts the Crotonians offered Eumolpus in order to win his favour and a share in his vast legacy . The purpose of this paper is to demonstrate that the anecdote of the matron Philomela was composed by Petronius as a narrative equivalent of a theatrical farce. The paper is divided in two parts. The first aims to establish the theatrical backcloth of the story, in front of which the ensuing action is going to take place. The second shows the theatrical nature of the anecdote itself, i.e. the structure, the characters, the staging, the language and the multiple levels of its description that demonstrate its theatricality. (shrink)

The episode at Croton is the last series of events we possess from the surviving Satyrica, though not necessarily the last part of the novel in its original form. The action takes place in a town which no longer existed at the suggested time of the novel's composition. The plot is focused, mainly, on two themes: legacy-hunting and Encolpius' impotence. His unsuccessful relationship with the nymphomaniac Circe and his painful experience with the witch-like priestesses Proselenos and Oenothea are manifestations of (...) the latter theme. Philomela's prostitution of her children is a brief example of the former theme and shows the kind of gifts the Crotonians offered Eumolpus in order to win his favour and a share in his vast legacy. The purpose of this paper is to demonstrate that the anecdote of the matron Philomela was composed by Petronius as a narrative equivalent of a theatrical farce. The paper is divided in two parts. The first aims to establish the theatrical backcloth of the story, in front of which the ensuing action is going to take place. The second shows the theatrical nature of the anecdote itself, i.e. the structure, the characters, the staging, the language and the multiple levels of its description that demonstrate its theatricality. (shrink)

A non-productivist Marxism departing from the analysis of capitalism’s “dialectic of scarcity” can make a valuable contribution to the field of environmental ethics. On the one hand, the analysis of capitalism’s dialectic of scarcity shows that the ethical yardstick by which capitalism should be measured is immanent in this social system’s dynamic tendencies. On the other hand, this analysis exposes capitalism’s inability to fulfill the potential for an ecologically sustainable society without unnecessary human suffering that capitalism’s technological dynamism generates. This (...) argument can be illustrated by a critical analysis of Bjorn Lomborg’s The Skeptical Environmentalist. An exploration of capitalism’s dialectic of scarcity can bring to light those weaknesses and internal contradictions of antiecological discourses that are likely to escape the attention of non-Marxist ecologists. This analysis shows that to the extent capitalism’s dialectic of scarcity encourages the fragmentation of social justice and environmental movements, a critical analysis of this dialectic can contribute to the formation of the alliance of emancipatory movements that the attainment of a just and ecologically sustainable society presupposes. (shrink)

A non-productivist Marxism departing from the analysis of capitalism’s “dialectic of scarcity” can make a valuable contribution to the field of environmental ethics. On the one hand, the analysis of capitalism’s dialectic of scarcity shows that the ethical yardstick by which capitalism should be measured is immanent in this social system’s dynamic tendencies. On the other hand, this analysis exposes capitalism’s inability to fulfill the potential for an ecologically sustainable society without unnecessary human suffering that capitalism’s technological dynamism generates. This (...) argument can be illustrated by a critical analysis of Bjorn Lomborg’s The Skeptical Environmentalist. An exploration of capitalism’s dialectic of scarcity can bring to light those weaknesses and internal contradictions of antiecological discourses that are likely to escape the attention of non-Marxist ecologists. This analysis shows that to the extent capitalism’s dialectic of scarcity encourages the fragmentation of social justice and environmental movements, a critical analysis of this dialectic can contribute to the formation of the alliance of emancipatory movements that the attainment of a just and ecologically sustainable society presupposes. (shrink)

Tenho escrito muitos prefácios para livros, mas nenhum me deu tanto prazer em tempos recentes quanto o livro de Caetano Costa. Estou a falar de quê? De um livro de teoria jurídica, de um livro de sociologia do direito, de um romance que tem como principais personagens dois juízes? Estou a falar de tudo isso e nessa complexidade reside o fascínio desta obra, cuja leitura eu recomendo vivamente a todos e a todas.

In this paper, I argue that the indirect realists’ recourse to mental representations does not allow them to account for the possibility of hallucination, nor for the presentational character of visual experience. To account for the presentational character, I suggest a kind of intentionalism that is based on the interdependency between the perceived object and the embodied perceiver. This approach provides a positive account to the effect that genuine perception and hallucination are different kinds of states. Finally, I offer a (...) tentative suggestion as to how a hallucinatory experience may still be mistaken for a genuine perceptual experience. (shrink)

Darwin and the Art of Science will consist of excerpts from six of Darwin's books, chosen and introduced by James Costa. The excerpts will be arranged by plant (rather than according to which book they're from) in order to make the most of extraordinary images provided by the Oak Springs Garden Foundation library. As a group, they will provide unparalleled access to Darwin's fascinating observations and musings about the world of plants and how their distinctive features have evolved.

Os textos reunidos nesta obra analisam a chamada crise de valores contemporâneos a partir de fenômenos como o culto ao corpo e à aparência, o consumismo e a cultura de imagem. São textos marcados ao mesmo tempo pela erudição, pelo rigor e pela ética. Embora pontuado pela filosofia, pelas ciências sociais e pela psicanálise, este não é um livro apenas para acadêmicos ou especialistas. A escritura de Jurandir Freire torna seu pensamento acessível a todos os que se interessam pelas grandes (...) questões da existência humana e pelos impasses do mundo de hoje. (shrink)

In this chapter, I examine the metaphysics elaborated by Viscountess Anne Finch Conway in the effort of determining the meaning she assigned to the notions of transcendence and immanence. In the Early Modern period, her philosophy is one of the most original attempts towards an integration of notions deriving from Lurianic Kabbalah and Sufism into debates stemming from the confrontation of mainstream Protestantism with its most heterodox cognates, such as Quakerism. Responding to these variegated influences, Conway elaborated a unique response (...) to the problem of immanence, and the presence of God in the world. (shrink)

En este volumen José de Faria ofrece una muestra de los fundamentos que brindan una forma propia de pensar en cuanto pensamiento pensado, pero también en tanto que pensamiento pensante, con todo lo que esto acarrea de frágil, de nuevo, e incluso de ruptura a la filosofía del derecho a partir de un étimo onto-antropológico. -- En esta perspectiva es donde el derecho, en cuanto orden sumergido en la historia, se concibe como un enorme y genuino pedazo de lo real (...) construido que pertenece a la galaxia de la razón práctica.No se trata simplemente de un (válido) deber-ser que es. -- En realidad, y sobre todo, se trata de un válido es que debe ser. -- A lo largo del texto, el lector podrá encontrar reflexiones actuales e importantes, no sólo sobre el problema de la obediencia al derecho, con la búsqueda de una respuesta posible de nuestro tiempo, sino que también podrá indagar sobre aspectos más analíticos de la normatividad jurídica, especialmente en lo referente a la dimensión del derecho como categoría del pensamiento, realizado en el horizonte de una lógica comprensiva.Todo eso sin perder de vista la necesidad de analizar una vertiente crucial para la fundamentación antropológica del Derecho: su dimensión temporal, críticamente reflejada en la temporalidad de lo justo. (shrink)

Costa, M. La evidencia de la causalidad en Descartes y Malebranche.--Broide, T. La función de la causa final en Descartes, Malebranche y Leibnez.--Orlandi, C.A. Función de la causalidad.

Introdução: Apontamentos para a biografia de Amoroso Costa, por A. Gerhardt Santos.--A obra de Amoroso Costa, por L. Gama.--O neopositivismo no Brasil. Período de formação corrente, por A. Paim.--Conferências, ensaios e artigos do período 1918/1922.--Artigos dos anos de 1923 e 1928 e conferência, comemorativa do bicentenário de Kant (1924).--As idéias fundamentais da matemática.

O principal objectivo deste artigo é comparar uma figura da história da filosofia contemporânea que poderíamos considerar relativamente distante de nós – Edmund Husserl (1859-1938) – com um autor vivo – John Searle (1932-). Parte-se da filosofia da mente de John Searle, nomeadamente no que diz respeito à intencionalidade e à filosofia da linguagem e explora-se a possível relação com Husserl, tendo por chave o fenómeno da intencionalidade. Outros aspectos analisados são a consciência e a percepção. O artigo termina com (...) uma comparação das teorias do conhecimento dos dois filósofos. (shrink)