The concept of human dignity and the relationship between dignity and human rights have been important subjects in contemporary international academia. This article first analyzes the different understandings of the concept of dignity, which has left great influences in history (including the “theory of attribution-dignity”, the “theory of autonomy-dignity” or the “theory of moral completeness/achievement-dignity”, and the “theory of end-in-itself-dignity”); it then exposes the obvious defects of these modes of understanding; finally, it tries to define dignity as a moral right (...) to be free from insult. Meanwhile, the relationship between human dignity and human rights is clarified as a result of this research: Rather than being the foundation of human rights, human dignity is one of human rights. The idea of dignity nevertheless has a particular status in ethics in that it embodies a kind of core moral concern, representing a basic demand rooted in the human self or individuality, and hence representing an important aspect of human rights. We may anticipate that sooner or later, the idea of human dignity will become, together with other human rights, the only intangible cultural heritage of human society. (shrink)

The revival of Aristotelian virtue ethics since the 1980s does not signify that it goes back to its original form; rather, it is generally manifested in three different variations: The first is a variation of what is known as communitarianism, the second is universalism, and the third is phronesis. On the social level of morality, the serious attempt of modern virtue ethics towards improving the moral spirit of society is laudable. However, its method and reasoning deviates greatly from the demands (...) of modern society’s integration of its operating rules and regulations, and concept of values; hence all of its attempts can hardly escape the fate of becoming just a fantasy. Yet, on the level of dealing with ethic conflicts and moral paradox, modern virtue ethics—via interpreting the theory of phronesis by Aristotle—proposes the valuable thought of a balanced morality that principlism should concern itself with and nourish itself from. (shrink)

本书包括:导论:论应用伦理学;基因超人与后现代前景;从辛格的“人”的概念看堕胎与安乐死等内容。.

本书分两个部分：第一部分通过对神仙信仰的文化、心理根源的发掘揭示神仙信仰的来源、变化，介绍神仙信仰的内容，如成仙的境界、成仙的方术等等；第二部分则根据对历代的神仙传说和这些被尊为神仙的历史、传说人物的 真实史实的照片，介绍了这些在民间影响巨大的神仙。.

Explorer l'Allemagne, c'est explorer quelque chose qui était là avant d'exister : un emplacement sur la carte de l'Europe, une tache dans son histoire, au mieux une "culture", comme on dit quand on ne sait comment nommer les choses. C'est aussi se confronter à des constructions intellectuelles grandioses qui ont eu pour auteurs, entre autres Kant, Fichte, Hegel, Marx, mais aussi Nietzsche, Husserl, Heidegger. Pourtant, si la philosophie a pour territoire l'universel, pourquoi s'intéresser à la philosophie allemande? Et d'abord, peut-il (...) y avoir quelque chose de tel? C'est à une enquête sur la spécificité de la philosophie d'expression allemande que nous invite ce livre. Enquête qui réfléchit en même temps le parcours de son auteur. Ainsi l'entretien avec Thibaut Gress qui ouvre le livre montre le long commerce passionné entretenu par Jean-François Kervégan avec les penseurs allemands, de Kant et Hegel à Habermas et Honneth ; il éclaire son mode d'approche et la façon dont il comprend aujourd'hui l'activité philosophique. Cet échange dense et précis interroge la conception ambitieuse de la rationalité portée par cette philosophie : le projet d'autodétermination de la raison, son pouvoir normatif. Les chapitres ultérieurs détaillent ces formes et pouvoirs de la rationalité au prisme de l'événement révolutionnaire et scrutent les échos contemporains des thèmes et des problèmes issus de la tradition de l'idéalisme allemand. Ils évoquent enfin la question disputée de l'existence d'une pensée post-métaphysique. Un parcours engagé et érudit."--Page 4 of cover. (shrink)

Semi-compatibilists intend to reconcile moral responsibility with causal determinism, even if determinism is incompatible with freedom to do otherwise. For them, moral responsibility does not require free will, which is not a necessary condition for moral responsibility. They agree with the view that causal determinism is incompatible with free will. Free will is incompatible with determinism as well as moral responsibility. Both compatibilists and semi-compatibilists argue for the compatibility between determinism and moral responsibility. However, the latter fails to prove sufficiently (...) the reason why determinism is compatible with moral responsibility. (shrink)

Sanskrit text, portion of Tattvacintāmaṇi dealing with syllogism (avayava) ; with commentary and supercommentary, of the Navya-Nyaya school in Indic philosophy.

Comment et pourquoi la philosophie juridique et politique contemporaine est-elle revenue à Kant? Il faut pour le comprendre s'intéresser d'abord à l'ancrage de la pensée du droit dans la théorie kantienne de la raison pratique et aux problèmes que pose le statut kantien d'une raison normative dans les deux champs coordonnés de l'éthique et du droit. L'articulation entre droit privé et droit public, entre droit et politique dans la Métaphysique des moeurs doit être considérée en relation avec l'exigence d'une fondation (...) unitaire du système des normes pratiques. La philosophie politique de Kant peut dès lors être envisagée dans le prolongement de sa théorie du droit international, avec l'ouverture d'une perspective cosmopolitique qu'il importe de définir avec précision. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.1 (2001) 14-30 [Access article in PDF] Mallarmé Contra Wagner Eric Gans I In early 1885, Edouard Dujardin wrote to Stéphane Mallarmé for a contribution to his newly founded Revue wagnérienne. Mallarmé, admitting that he had never seen--and perhaps never heard--anything of Wagner, replied to Dujardin in July that he was working on a "half article, half prose poem," and that "never has anything seemed to (...) me more difficult." 1 A month later, the Revue published a text, more prose poem than article, entitled "Richard Wagner, rêverie d'un poète français." 2Wagner was an increasingly obligatory reference for the French avant-garde after his death in 1883. But as far back as 1862, the 20-year-old Mallarmé, no doubt influenced by Baudelaire's enthusiastic groundbreaking article "Richard Wagner et Tannhäuser à Paris" of the year before, had included Wagner along with Mozart and Beethoven in a group of three creators of the "mystery" of music, in a brief article entitled "Artistic Heresies: Art for Everyone." Characteristically enough, what fascinated the young Mallarmé was not music itself so much as the "signes sévères, chastes, inconnus" ("severe, chaste, unknown signs") (OC, p. 257) with which it was written, which give music the advantage over poetry--written in the universally understood alphabet--of being inaccessible to the uninitiated. This characteristic emphasis on writing over sound reappears in the "Hommage" sonnet for Wagner published in Dujardin's journal in January 1886, where Wagner's music is described as "mal tu par l'encre même en sanglots sibyllins" ("badly silenced by the ink itself in Sibylline sobs") (OC, p. 71). As we shall see, however, the relation between music and poetry suggested in "Art for Everyone" had by then been reversed. [End Page 14]Unlike most of his circle, Mallarmé was no Wagnerite; his "Rêverie," like his sonnet, expresses reluctant praise and reflects a certain professional jealousy. The theater had long been Mallarmé's chief preoccupation, as it had been for so many nineteenth-century writers who would be forced to make their reputation in other genres. The unfinished poem "Hérodiade," which occupied him throughout his life, took the form of a drama, and an early version of the "Après-midi d'un faune" had actually been presented to a theater director. References to music in Mallarmé's writings increase in number and specificity after 1885, and it is not unreasonable to assume that for him the prime representative of "music" in this period was Wagner. However much Mallarmé's own theater had become internalized and idealized, Wagner's theatrical success, as well as his near-deification by friends and disciples like Dujardin or Villiers de l'Isle-Adam, could not leave the poet indifferent. II What I would like to explore, however, is something more fundamental than the personal equation. Mallarmé's rivalry with Wagner over the theatrical center of culture is the rivalry of two arts and their respective means. What makes Mallarmé's critique of Wagner of particular interest is the exemplary rigor of the former's artistic intentions. Mallarmé's poems are a series of attempts to produce literary form with a minimum of figural content. Each poem has been submitted, so to speak, to Ockham's razor. The ultimate aim of this labor may be described as the discovery of the originary scene of poetry itself, the minimal sine qua non of representation, and therefore of humanity. 3 On the contrary, Wagner did not shrink from saturating the figural imagination in the pursuit of his totalizing aims. The confrontation reveals that musical maximalism in the service of national myth becomes a threat to what we may call, from Mallarmé's minimalist perspective, the anthropological mission of true art.Mallarmé held no particular brief for the theater of words; his tastes in performance went rather to the ballet, or to the mime-show, the subject of one of his most aesthetically interesting reflections. 4 Mallarmé anticipated 20th-century dramaturgy in seeing the theater not as a place for ratiocination and... (shrink)

Comparative philosophy studies on Sustainable development and Ethics.

Digest of the logical systems of Nyaya and Vaiśeṣika philosophy.

Les auteurs réunis sous la direction de Bernard Mabille et Jean-François Kervegan appartiennent à la tradition « continentale » et à la tradition analytique (anglo-saxonne). Certes les rapports de Hegel à la métaphysique étaient ambigus. Ne prétendait-il pas à la fois rompre avec la métaphysique et la prolonger sous une figure rénovée? Mais dissocier les analyses hégéliennes de leur arrière-plan métaphysique, comme le tentent les tenants de la philosophie analytique, n’est-ce pas les priver de ce qu’elles ont de plus tranchant, (...) les priver de leur mordant, bref, les ramener au niveau de ce que Hegel nommait avec dédain la « pensée d’entendement ». A vouloir « actualiser » la philosophie de Hegel, ne la condamne-t-on pas à l’insignifiance? Une réflexion exigeante et une pièce majeure de la discussion contemporaine autour de la philosophie de Hegel. (shrink)

This book represents a study of Evelyn Underhill's premier work on mysticism, using Hegel's dialectics and Kant's theory of the sublime as interpretive tools. It especially focuses on two prominent features of Underhill's text: the description of the mystical life as one permeated by an intense love between the mystic and infinite reality, and the detailed delineation of stages of mystical development. Given these two features, the text lends itself to a construction of a valuable discourse predicated on dialecticism, sublimity, (...) and mysticism. The book also articulates a number of insights into the content and nature of the writings of Christian mystics. (shrink)

Supercommentary on the concept of pervasion (vyāpti) from a topic in Tattvacintāmaṇi, a basic neo-Nyaya work by Gaṅgeśa.

Portion of Tattvacintāmaṇi dealing with syllogism (avayava); includes commentaries and supercommentary.

Writings and discourses on spiritual life and Hindu philosophy; translated into Gujarati.

Two Sanskrit texts focus new light on Prabhakara and Kumarila thoughts on Purva Mimamsa philosophy.

Vedantic treatise on knowledge of self and self-realization, with Kaivalyakalpadruma, an autocommentary and notes.

Classical treatise on Navya Nyaya philosophy.

Classical work, with commentaries, on neo-Nyaya school of Indic philosophy; portion dealing with the interpretation of Vedic commandments.

Basic work, with 18th century commentary, on analogy (upamāna) in neo-Nyaya epistemology.

Basic work, with commentary and supercommentary, of neo-Nyaya school in Indic philosophy; portion of Tattvacintāmaṇi dealing with definitions of invariable concomitance (vyāpti).

Treatise on Navya-Nyāya philosophy; portion dealing with definition of invariable concomitance (vyāpti); includes two classical commentaries.

Verse work on the Hindu cosmological and metaphysical concepts, chiefly found in the Upanishads.