Reprinted in Aristotle's Ethics, edited by T. Irwin, Garland Press, 1995; revised in Essays on Aristotle's Rhetoric, edited by A. Rorty, University of California Press, 1996.

ONE question asked about the relationship between feelings and emotion is whether feelings are a feature necessary to constitute emotion. Answers vary from James's assertion that they are so central as to be emotion, to Bedford's and Solomon's insistence that they are irrelevant to emotion. More moderate answers, however, have emerged, views in which feelings have a place with regard to emotion--at least some of the time. Assuming that feelings do have some status with regard to emotion, a further question (...) is to be asked. When feelings are a feature relevant to emotion, what is their status with regard to the features of the complex that are said to be emotion? (shrink)

While philosophical speculation into the nature and value of emotions is at least as old as the Pre-Socratics, William James' "What is an emotion?" reinvigorated interest in the question. Coming to grips with James' proposals, particularly in the light of subsequent concerns for the difficulties inherent in a so-called private language, led philosophers away from analyses centred on feelings to ones centred on thoughts. Analyzing the emotions in this way involves returning to a vision of the emotions that traces its (...) ancestry back to the Stoics, but has proven to be enormously insightful and influential again in modern times. The papers collected here centre on James' question and often respond explicitly to one another. Together, they provide a sense of what a cognitive view of the emotions maintains, what it denies, and how it has arisen. The connection provides wide-ranging coverage of the point of dispute amongst those impressed by the cognitive approach, and gives a good sense too of the tremendous explanatory power of this view. (shrink)

This paper considers an allegation by M. Stocker and E. Hegeman that Aristotle’s account of anger yields a narcissistic passion bedevilled by illusions of self-sufficiency. The paper argues on behalf of Aristotle’s valuing of anger within a virtuous and flourishing life, showing that and why Aristotle’s account is neither narcissistic nor involves illusions of self-sufficiency. In so arguing a deeper appreciation of Aristotle’s understanding of a self-sufficient life is reached, as are some interesting contrasts between Aristotle's understanding of anger, its (...) connections to value and our own understanding of these matters. (shrink)

This chapter contains sections titled: The Rhetoric's Conception of the Passions Persuasion and the Passions Rousing the Passions Tactics The Legitimacy of the Passions Notes Bibliography.

This paper was originally presented at a Conference held at the University of Texas at Austin, part of a celebration of the career of Doug Browning.

When characterizing ta pathē in the Eudemian Ethics Aristotle claims that they are usually accompanied by perceptual pleasure or pain. He says: λέγω δ πάθη μν τ τοιατα, θυμν όβον αδ πιθυμίαν, λως ος πεται ώς π τ πολ ασθητικ ήδον ἢ λύπη καθ' ατά. By affections I mean such things as anger, fear, shame, desire – in general anything which, as such, gives rise usually to perceptual pleasure and pain.

When characterizing ta pathē in the Eudemian Ethics Aristotle claims that they are usually accompanied by perceptual pleasure or pain. He says: λέγω δ πάθη μν τ τοιατα, θυμν όβον αδ πιθυμίαν, λως ος πεται ώς π τ πολ ασθητικ ήδον ἢ λύπη καθ' ατά. By affections I mean such things as anger, fear, shame, desire – in general anything which, as such, gives rise usually to perceptual pleasure and pain.

The present study considers whether poetry is capable of providing insight that can illuminate our lives, doing so from the perspective of Aristotle’s understanding of tragedy, fear, and the emotions more generally. It argues that and explains how fear as understood by Aristotle can foster insight in a tragedy’s audience, depicts the nature and the bases for such insight, and suggests several ways in which insight that fear can bring to tragedy can be especially or particularly illuminating. The argument for (...) these conclusions proceeds by considering Aristotle’s understanding of fear, noting particularly its epistemological powers. It then turns to fear’s realization in response to tragedy, arguing that and explaining how tragedy’s form and a number of its distinctive features can shape fear in ways that more readily foster insight than is to be found in fear felt in more ordinary circumstances. The conclusion reached is that on Aristotle’s understanding fear in response to tragedy can prove particularly illuminating, and can illuminate our ordinary lives. (shrink)

A Brief History of Time: From the Big Bang to Black Holes is a popular-science book on cosmology (the study of the origin and evolution of the universe) by British physicist Stephen Hawking. It was first published in 1988. Hawking wrote the book for readers who have no prior knowledge of the universe and people who are interested in learning.

A comprehensive reassessment of the concept of mimesis in the history of ancient Greek aesthetics and philosophy of art, with particular attention to Plato, Aristotle, Hellenistic philosophy, and neoplatonism. There is also a wide-ranging review of arguments pro and contra the idea of artistic mimesis from the Renaissance to modern literar theory. The book challenges standard accounts in numerous respects and builds a new dialectical model with which to make sense of the entire history of mimeticist thinking in aesthetics.

Teachings on the practice of things-as-they-are, through commentaries on a legendary Chinese Zen figure. The ninth-century Tang dynasty Chinese master Dongshan is an important ancestor of the Zen tradition that has spread widely throughout the world in the twentieth century. He features prominently in koan texts and teaching stories, but he's not been written about or translated much in English yet. Dan Leighton comes to the rescue with this excellent book that takes the texts and teachings attributed to Dongshan, (...) as well as the teaching stories and koan cases about him, and provides commentary for understanding the teaching of the House of Caodong he's associated with, particularly as it relates to "suchness"--tathata, the absolute and true nature inherent in all appearance--focusing on the practical relevance of the teachings Dongshan represents to the practice and life of us folks today. (shrink)

Aboutness has been studied from any number of angles. Brentano made it the defining feature of the mental. Phenomenologists try to pin down the aboutness-features of particular mental states. Materialists sometimes claim to have grounded aboutness in natural regularities. Attempts have even been made, in library science and information theory, to operationalize the notion. But it has played no real role in philosophical semantics. This is surprising; sentences have aboutness-properties if anything does. Aboutness is the first book to examine through (...) a philosophical lens the role of subject matter in meaning. A long-standing tradition sees meaning as truth-conditions, to be specified by listing the scenarios in which a sentence is true. Nothing is said about the principle of selection--about what in a scenario gets it onto the list. Subject matter is the missing link here. A sentence is true because of how matters stand where its subject matter is concerned. Stephen Yablo maintains that this is not just a feature of subject matter, but its essence. One indicates what a sentence is about by mapping out logical space according to its changing ways of being true or false. The notion of content that results--directed content--is brought to bear on a range of philosophical topics, including ontology, verisimilitude, knowledge, loose talk, assertive content, and philosophical methodology. Written by one of today's leading philosophers, Aboutness represents a major advance in semantics and the philosophy of language. (shrink)

This essay explores ways in which cultures at different levels and in different historical circumstances employ different modes of discourse to deal with conflict and with ways to resolve it. The study is based on ethnographic observations of the Tsimshian myth of Asdiwal, collected by Boas and made famous by Lévi-Strauss; the story of Sakuntala, from a Sanskrit epic, the Mahabharata; and Remarque's war novel of 1929, All Quiet on the Western Front. In the first case, no resolution of the (...) conflicts comprising the narrative is required, because in mythical thinking adversaries are united in the strife that divides them. In the second example, the conflict is between the contested realities, colliding ideologies, and divergent social practices of the priestly and warrior castes; the discourse of the epic illuminates the differences in explicit detail in order to permit negotiation. The final instance is of a modern European narrative in which the specific causes and consequences of the Great War are obscure to the soldiers fighting in it. It is random chance, rather than the negotiation or transcendence of difference, that is thought, in this mode, to determine who lives and dies. The essay concludes with speculation about why this third and present mode has been less successful than the other two in dealing with conflict and its resolution. (shrink)

Hegel's conception of God.--Fichte's conception of God.--Schleiermacher's conception of God.--Mr. Spencer's unknown God.

In Return to Reason, Stephen Toulmin argues that the potential for reason to improve our lives has been hampered by a serious imbalance in our pursuit of ...

The importance of the gesture and the glance in oral communication face-to-face are undeniable, however, the communication skills of children with Specific Language Impairment has been measured, primarily preferring a description of its language orally or has been considered the verbal and non-verbal in an isolated manner. Given this, the objective of this study was to describe and interpret the use of the word, gesture and glances in narrative discourse in children SLI from a multimodal perspective, that allows to observe (...) not only the use of these resources, but also their integration. With a retelling task with support of visual images, oral productions of six Chilean children between 5 years and 5 years 11 months were analyzed. The findings indicate that children construct narratives from a combination of verbal and non-verbal resources and their number increases when the character’s actions are described. Also, it was possible to account for two instances of multisemiotic meaning construction through an assembly between different elements, in coordination or integration. These results corroborate previous findings that show that these children replace some of their problems with oral language through gestures and looks, which allow them to increase the communicability of their stories. (shrink)