A critical edition of Planudes' edition of excerpts from Plato's dialogues.

Trapp offers a new annotated translation of the philosophical orations of Maximus of Tyre. These orations cover a range of topics from Platonic theology to the proper attitude to pleasure. They open a window onto the second century's world of the Second Sophistic and Christian apologists, as well as on to that of the Florentine Platonists of the later fifteenth century who read, studied, and imitated the orations.

Introduction to philosophy in education and research: African perspectives -- Paradigms, theoretical frameworks and conceptual frameworks in educational research --An afrocentric paradigm in education and research -- Comparative perspectives in philosophy of education in Africa -- Sociological imperatives for education and the theory of change -- Ubuntu's application to the exclusion of students with disability -- Philosophy of disability: African perspectives -- Distance education and the use of information and communication technologies: ethical challenges -- Quality assurance in distance education and (...) ethical imperatives -- Supporting students transition through the academic journey -- Using ICT support in distance education: the blended learning approach. (shrink)

Socrates (469-399 BC) is one of history's most enigmatic figures. Our knowledge of him comes to us second-hand, primarily from the philosopher Plato, who was Socrates' most gifted student, and from the historian and sometime-philosopher Xenophon, who counted himself as a member of Socrates' inner circle of friends. We also hear of Socrates in one comic play produced during his lifetime (Aristophanes' Clouds) and in passing from the philosopher Aristotle, a student of Plato. Socrates is a figure of enduring interest. (...) He is often considered the father of Western Philosophy, yet the four most famous accounts we have of him present a contradictory, confusing picture. Just who was Socrates? A brilliant philosopher, at times confounding and infuriating, morally serious and yet ironic; the ever-worldly man, sometime mystic, and uncommon martyr depicted by Plato? Or did Plato conflate Socrates' views with his own startling genius, as Aristotle suggests? Was So rates instead the less impressive, more mundane man whose commonsense impressed the laconic Xenophon? Or was Socrates the charlatan, the long-winded phony of Aristophanes' play? The Socratic works of Diogenes Laertius (3rd century AD), Libanius (AD 314 -- c. 393), Maximus of 'Tyre (2nd century AD), and Apuleius (born c. AD 125) add important dimensions to the portrait of Socrates: Diogenes Laertius' Life of Socrates emphasizes Socrates' deep ethical nature and his extraordinary personality; Libanius' Apology of Socrates is based on sources now lost to us; Maximus of Tyre's Whether Socrates Did the Right Thing When He Did Not Defend Himself makes the star ling claim (against testimony of Plato and Xenophon) that Socrates never spoke athis own trial; from Apuleius' On the God of Socrates we hear at length of Socrates' infamous daimonion: the "divine sign" only mentioned elsewhere, the sign that warned Socrates against certain courses of action. In short, from these four texts we are reintroduced to Socrates, and new wrinkles are added to an already intriguing historical figure. (shrink)

The study of Maximus the Confessor’s thought has flourished in recent years: international conferences, publications and articles, new critical editions and translations mark a torrent of interest in the work and influence of perhaps the most sublime of the Byzantine Church Fathers. It has been repeatedly stated that the Confessor’s thought is of eminently philosophical interest. However, no dedicated collective scholarly engagement with Maximus the Confessor as a philosopher has taken place—and this volume attempts to start such a (...) discussion. Apart from Maximus’ relevance and importance for philosophy in general, a second question arises: should towering figures of Byzantine philosophy like Maximus the Confessor be included in an overview of the European history of philosophy, or rather excluded from it—as is the case today with most histories of European philosophy? Maximus’ philosophy challenges our understanding of what European philosophy is. In this volume, we begin to address these issues and examine numerous aspects of Maximus’ philosophy—thereby also stressing the interdisciplinary character of Maximian studies. (shrink)

It has been repeatedly stated that Maximus the Confessor’s (c. 580–662) thought is of eminently philosophical interest, and his work has been approached from a philosophical point of view in a number of monographs. However, no dedicated collective scholarly engagement on Maximus the Confessor as a philosopher has been produced. Although Maximus’ treatises reflect a strong philosophical background, prior research has failed to determine with clarity his specific philosophical sources and predilections. Besides apologetic purposes, he referred occasionally (...) to purely philosophical topics, which are more adequate to reveal Maximus’ philosophical education and knowledge. Among these topics are representation and imagination, which have a significant role in epistemology. Maximus’ epistemology proves his dependence on ancient Greek philosophy, especially Aristotle, Stoicism and Alexandrian Neoplatonism. A few centuries later, Abū Naṣr Muḥammad ibn Muḥammad Al-Farabi (c.870—c.950), the founder of medieval Arabic philosophy, dealt with the same topics in his epistemology. Al-Farabi’s philosophy has been studied extensively and we have a good idea about his possible sources. There are several indications that Al-Farabi and Maximus the Confessor share common insights, for they resort to the same ancient Greek tradition. In this paper, I attempt to compare Maximus’ and Al-Farabi’s epistemology in order to reveal affinities and differences that permit us to analyze and assess Maximus’ philosophical education. (shrink)

Although the similarities between the trial of Socrates and the trial of Jesus have been discussed since the age of the Apologists, the same cannot be said about the anonymously written Trial of Maximus the Confessor and Plato’s Apology. My paper seeks to start this discussion. First I look at the historical context of each trial, finding that each was preceded by a rebellion that the accused was suspected of inciting. Then I summarize the Trial, noting numerous similarities between (...) it and the Apology. After this, I examine some of these similarities in detail. In particular, I show that the defense speeches of both Socrates and Maximus reveal a layer of duplicity endemic to the text: while both Socrates and Maximus appear to exonerate themselves, their defense speeches actually contain harsh mockeries of their accusers. Next, I elucidate the consanguinity between the defendants’ opposition to their cities’ god, whom they feel compelled to reject, and their introduction of new gods into their cities —a charge for which both defendants were tragically convicted. Finally, I examine the manner in which both figures play gadfly to their city. (shrink)

The disappearance of the imperial biographies written by Marius Maximus is one of the more frustrating losses of Latin literature, for various reasons: the well-known testimony of Ammianus, the interest of Marius Maximus' attested contribution to the Historia Augusta, his importance, much in dispute, to the writer of that work, the lack of information on much of the period he covered, and, not least, the fascinating role assigned to him by modern scholars, remodelling a previous duality of sources, (...) of bad biographer in contrast to the good Ignotus. It has recently become common practice for the evidence of Ausonius' Caesares to be used in the search for this biographer. The suggestion goes back to a dissertation of F. della Corte in 1956/7, and was taken up in his edition of Ausonius' works by Pastorino, and discussed in the following year by Cazzaniga who, though uncertain about the dependence of Ausonius on Marius Maximus, does misleadingly assert ‘e certo che l'ultima epigramma tocca Elagabalo, che chiude la silloge’. More recently, della Corte has returned to the question and sketched a possible model for the growth of the whole extant collection of Ausonius' Caesares, on the basis of the manuscript tradition. The same volume contains a contribution to the question by S. d'Elia and includes, by a felicitous piece of editing, an extended footnote in which d'Elia is able to comment on the relevant part of della Corte's paper. Meanwhile, outside Italy, there have been parallel and independent developments. (shrink)

The disappearance of the imperial biographies written by Marius Maximus is one of the more frustrating losses of Latin literature, for various reasons: the well-known testimony of Ammianus, the interest of Marius Maximus' attested contribution to the Historia Augusta, his importance, much in dispute, to the writer of that work, the lack of information on much of the period he covered, and, not least, the fascinating role assigned to him by modern scholars, remodelling a previous duality of sources, (...) of bad biographer in contrast to the good Ignotus. It has recently become common practice for the evidence of Ausonius' Caesares to be used in the search for this biographer. The suggestion goes back to a dissertation of F. della Corte in 1956/7, and was taken up in his edition of Ausonius' works by Pastorino, and discussed in the following year by Cazzaniga who, though uncertain about the dependence of Ausonius on Marius Maximus, does misleadingly assert ‘e certo che l'ultima epigramma tocca Elagabalo, che chiude la silloge’. More recently, della Corte has returned to the question and sketched a possible model for the growth of the whole extant collection of Ausonius' Caesares, on the basis of the manuscript tradition. The same volume contains a contribution to the question by S. d'Elia and includes, by a felicitous piece of editing, an extended footnote in which d'Elia is able to comment on the relevant part of della Corte's paper. Meanwhile, outside Italy, there have been parallel and independent developments. (shrink)

Although the similarities between the trial of Socrates and the trial of Jesus have been discussed since the age of the Apologists, the same cannot be said about the anonymously written Trial of Maximus the Confessor and Plato’s Apology. My paper seeks to start this discussion. First I look at the historical context of each trial, finding that each was preceded by a rebellion that the accused was suspected of inciting. Then I summarize the Trial, noting numerous similarities between (...) it and the Apology. After this, I examine some of these similarities in detail. In particular, I show that the defense speeches of both Socrates and Maximus reveal a layer of duplicity endemic to the text: while both Socrates and Maximus appear to exonerate themselves, their defense speeches actually contain harsh mockeries of their accusers. Next, I elucidate the consanguinity between the defendants’ opposition to their cities’ god, whom they feel compelled to reject, and their introduction of new gods into their cities —a charge for which both defendants were tragically convicted. Finally, I examine the manner in which both figures play gadfly to their city. (shrink)

Valerius Maximus’ Facta et dicta memorabilia provide an opportunity of seeing how an undistinguished talent responded to the demise of the republic and the establishment of an imperial system. Fergus Millar has argued that we should view Valerius as a contemporary of Ovid, that is as an author influenced by the last years of Augustus and writing in the early years of Tiberius’ reign, but the internal evidence of Facta et dicta memorabilia better fits publication in the early 30s (...) a.d. in the aftermath of Sejanus’ unsuccessful conspiracy. Although this does distance Valerius further from the key years of transition, he is not remote—and because of the relative paucity of prose authors of the period his presentation of the domus Augusta and of Augustus and Tiberius repays attention. (shrink)

In defining the theological problem of participation as the question of how created beings, namely human beings, can participate in the transcendent Uncreated God towards deification without a pantheistic blurring of essences, this article examines the Christologically intuitive way in which Maximus the Confessor would have responded. Specifically, Maximus’ Cyrilline Chalcednonianism, featuring an unconfused perichoretic union between Christ's two natures in his hypostatic union, serves directly as an apologetic and hermeneutic for humanity's and creation's participation in God. In (...) addition, taking into account the scholarly debate over Maximus’ understanding of the relationship between the Logos and the logoi, it is argued that this indirectly provides a second Christological way forward to resolve the problem at hand, particularly when the two types of logoi are correctly distinguished. Insofar as the Logos and the logoi, not to mention the notions of participation and deification, were viewed by Maximus through his Cyrilline Chalcedonian lens, his Cyrilline Chalcednonian Christology was ultimately his answer to the theological problem of participation. (shrink)

In defining the theological problem of participation as the question of how created beings, namely human beings, can participate in the transcendent Uncreated God towards deification without a pantheistic blurring of essences, this article examines the Christologically intuitive way in which Maximus the Confessor would have responded. Specifically, Maximus’ Cyrilline Chalcednonianism, featuring an unconfused perichoretic union between Christ's two natures in his hypostatic union, serves directly as an apologetic and hermeneutic for humanity's and creation's participation in God. In (...) addition, taking into account the scholarly debate over Maximus’ understanding of the relationship between the Logos and the logoi, it is argued that this indirectly provides a second Christological way forward to resolve the problem at hand, particularly when the two types of logoi are correctly distinguished. Insofar as the Logos and the logoi, not to mention the notions of participation and deification, were viewed by Maximus through his Cyrilline Chalcedonian lens, his Cyrilline Chalcednonian Christology was ultimately his answer to the theological problem of participation. (shrink)

This article investigates the meaning and the historical implications of the term praetor maximus quoted by Livy from an early republican law. In modern scholarship it has mostly been interpreted as a technical term for the supreme magistrate. Instead of taking praetor maximus as an official title, though, I suggest to follow Mommsen who understands the term as a generic expression. Going further from this general idea and given the meticulous observance of rituals in Roman religion, the law (...) seems to have used a generic term denoting any person who happened to be in charge of the community, which extended to matters touching on relations to the gods. Other than in Mommsen's interpretation, the term is here argued to belong to the immediate aftermath of the monarchic stage of the Roman community. In a period of great insecurity, when the republic had probably just barely been established, praetor maximus referred to the possibility of a rex as much as to any republican office. Thus, this term does not allow for any conclusions about the emergence of the supreme magistracy in Rome, but rather gives testimony to royal support still active in Rome after the expulsion oft he Tarquins. (shrink)

Saint Maximus the Confessor’s voluminous corpus constitutes a coherent and lucid philosophical and theological system, notwithstanding the existence of obscure, difficult, and at times even contradictory passages. A question stemming from Maximus’ work is whether the “intelligible creation” is imperishable or corruptible, which would have important implications for a number of other issues like the created / uncreated distinction, Maximus’ relationshipto Neoplatonism, et al. However, Maximus provides us with contradictory passages concerning this subject, characterizing the noēte (...) ktisis as both corruptibleand imperishable. While in certain passages of the Ambigua ad Ioannem he states that created intelligible beings move “according to corruption,” excludingthe possibility of natural incorruptibility for them, in other passages he states that the noēte ktisis possesses imperishability by nature, and not merely by grace. Inthis paper I will attempt to examine this apparent inconsistency on the basis of these two examples and to discuss which of both positions should be consideredas Maximus’ “primary” position. (shrink)

Saint Maximus the Confessor’s voluminous corpus constitutes a coherent and lucid philosophical and theological system, notwithstanding the existence of obscure, difficult, and at times even contradictory passages. A question stemming from Maximus’ work is whether the “intelligible creation” is imperishable or corruptible, which would have important implications for a number of other issues like the created / uncreated distinction, Maximus’ relationship to Neoplatonism, et al. However, Maximus provides us with contradictory passages concerning this subject, characterizing the (...) noēte ktisis as both corruptible and imperishable. While in certain passages of the Ambigua ad Ioannem he states that created intelligible beings move “according to corruption,” excluding the possibility of natural incorruptibility for them, in other passages he states that the noēte ktisis possesses imperishability by nature, and not merely by grace. In this paper I will attempt to examine this apparent inconsistency on the basis of these two examples and to discuss which of both positions should be considered as Maximus’ “primary” position. (shrink)

Saint Maximus the Confessor’s voluminous corpus constitutes a coherent and lucid philosophical and theological system, notwithstanding the existence of obscure, difficult, and at times even contradictory passages. A question stemming from Maximus’ work is whether the “intelligible creation” is imperishable or corruptible, which would have important implications for a number of other issues like the created / uncreated distinction, Maximus’ relationship to Neoplatonism, et al. However, Maximus provides us with contradictory passages concerning this subject, characterizing the (...) noēte ktisis as both corruptible and imperishable. While in certain passages of the Ambigua ad Ioannem he states that created intelligible beings move “according to corruption,” excluding the possibility of natural incorruptibility for them, in other passages he states that the noēte ktisis possesses imperishability by nature, and not merely by grace. In this paper I will attempt to examine this apparent inconsistency on the basis of these two examples and to discuss which of both positions should be considered as Maximus’ “primary” position. (shrink)

Imperial Plato presents new translations of three introductions to Plato's thought from the second half of the second century CE: the Introduction to Plato by Albinus of Smyrna, Dissertation 11 of Maximus of Tyre, and On Plato and his Teaching by Apuleius of Madaurus. These three presentations of Plato's ideas--one a Greek dialectic introduction with a suggested reading order for Plato's dialogues, another a Greek speech in the sophistic style of the time, and one a lengthy doxological study in (...) Latin--are examples by three distinct authors using divergent methods of the assorted ways in which Plato and Platonism were understood and discussed during the revival of Hellenism and Greek Philosophy, and the period of the Roman Empire often referred to as the Second Sophistic. (shrink)

L’élection du Pape François (Bergoglio) est un changement inattendu dans l’orientation de l’Église. Nous en prenons dans cet article pour preuve son encyclique « écologique » Laudato Si, qui dénonce l’actuel « système de relations commerciales et de propriété structurellement pervers » comme responsable des inégalités sociales et de la crise écologique.

A corrupt proverb in the paroemiographic corpus relates to an incident recounted in Caesar’s Bellum Civile, and elucidates the stemma of the Aurelii Cottae.

As he draws toward the conclusion of a lengthy string of Romanexemplaon the topic ofmoderatio, a virtue highly regarded by the reigning Emperor Tiberius, Valerius introduces a brief discussion on the challenges he faces in producing the kind of account he wants to create. Unfortunately, for a rare passage in which Valerius speaks about his own work, the text is uncertain: various problems have been identified and different solutions have been proposed, but not, I will argue, ones that satisfactorily recognize (...) the prominence of Valerius’ authorial role here or understand his meaning or pay appropriate attention to the immediate context in which he makes his remarks. I propose a new emendation which helps clarify that the primary challenge concerns the scale and the style of coverage of individualexemplarequired by theFacta et dicta memorabilia. I will show that Valerius deliberately alludes to his own programmatic remarks in the work's preface, which then illuminate his purpose and practice, both broadly in relation to his mission to record and praise outstanding individuals and more narrowly in providing a transition to a specificexemplum. (shrink)

Giving justice to Maximus any philosophy wich does not include mysticism will be false as philosophy. Our metaphysics must be mystical in order to be rational. In Maximus’ doctrine, then, Christ comes not to destroy but to fulfill the metaphysics of mystery elaborated by the philosophers. For him there can be no separation between philosophy and theology, or between natural and revealed theology. Thereby, Christology and liturgical mysticism are not additional to a neoplatonic, aristotelian, and other methaphysics. (...) class='Hi'>Maximus concern was to continue, not the philosophical tradition of the Aristotelian commentators, but the theological one of the Fathers. He was not an Aristotelian commentator himself. The union and distinction are basic logical concepts in Maximus’ thinking, but the Chalcedonian logic is the application of these concepts. Only in this way one can talk about Christianization of aristotelian logic. St. Maximus the Confessor synthesized Aristotelianism influences with those of Platonism in order to exceed the daring speculations of cosmology origeniene. He had an extraordinary ability to combine metaphysical requirements with the effort of defining the faith dogma, and the monastic experiences with the depth thinking, succeeding to propose a new conception in which converge all cultural and religious influences. This study is analyzing the relationship between logoi and energeia (the intentional or “logical” energeia and the ontology of divine energy as ontological “logic”) within the maximian cosmology, by referring to the palamite theology. The concept of logoi for St. Maximus play a role similar in many respects to that of energy (energeiai) in Cappadocian Fathers, but the functional similarity it should not lead to the identification rationales with the energies. (shrink)

The Heythrop Journal, Volume 63, Issue 4, Page 780-795, July 2022.

The most striking example of Roman intervention in the affairs of mainland Greece between the Achaean and Mithridatic Wars is provided by an inscription now in the Fitzwilliam Museum, Cambridge. This stone bears the text of a letter to the city of Dyme in Achaea from a Roman proconsul named Q. Fabius Maximus, which describes his trial and sentencing of certain men of Dyme whom he had judged responsible for a recent disturbance in that city. One crux to be (...) resolved is chronological: A date of c. 115 b.c. has long been generally accepted, but recently evidence from another, still unpublished inscription has been thought to point to the year 144. Further, the letter of Fabius Maximus has long been held to exemplify the close supervision that most scholars, regardless of their position on the vexed question of Greece's formal status after 146, assume was exercised over Greece by Roman commanders in Macedonia from the time of the Achaean War. The document has also often been cited to bolster the claim that Rome pursued in second-century Greece a conscious policy of suppressing democracy or the political aspirations of the lower class. This is not, of course, the place for reassessment of these old, complex controversies. My purpose here is rather to show that interpretation of the letter of Fabius Maximus has not always been sufficiently mindful of the many obscurities of the text and, consequently, of the events that lie behind it; too often the great lacunae in our knowledge have been filled with assumptions that beg the questions that are under debate. (shrink)

The Aristotelian categories are a fundamental element in Eriugena’s philosophical system on account of his realist view of dialectic. He received his texts concerning the categories from Boethius and the De decem catagoriis, but key ideas in his treatment of them—namely, the metaphysical importance of dialectic, the unknowability of essence, and the origin of being in place and time, ideas fundamentally rooted in Byzantine developments of the Christology of Chalcedon—are taken from Maximus the Confessor. Eriugena’s work on the categories (...) represents an attempt, much misunderstood, to assimilate the richness of the Eastern tradition to Western philosophical and theological method. This paper examines the synthesis of Maximus’s ideas with Ciceronian and Boethian elements in Eriugena’s striking treatment of the Aristotelian Categories. (shrink)

St. Maximus the Confessor claims that the logos of created beings represents their essence as an icon. This claim gives us the opportunity to understand the term essence as an dynamic reality and not as a static given. Essence is not something that the being is, but what it is supposed to be. The idea of icon is herein present as ultimately ontological. The icon is no mirror of reality, but rather its eschatological realization. That which will be uncovers (...) the truth of the being. This way, St. Maxius has founded a dynamic ontology, which is a fundamental step away from the Hellenic heritage. The equalization of the essence of beings and icon is only possible in an Eucharistic view of the world, wherein the Eucharist represents in an iconic way the presence of the eschatological truth in history. (shrink)

There has been a tendency, even among authors who have regarded Valerius Maximus as worthy of independent study, to use theFacta et Dictaas a neutral conduit of information about other wider areas. Valerius has thus sometimes become a sourcebook mined for nuggets of information but effectively invisible to those who work it. The past thirty years have seen valuable contributions that raise awareness of the importance of the genre of theFacta et Dictaand the personal input of Valerius, but traces (...) of the ‘conduit’ approach are still preserved in some authors’ attempts to justify their study of the work. For instance, Valerius provides an insight into the historical image of Marius, and is valuable precisely because he has no opinion or personal ideas to offer, because he preserves the language of school rhetoric, because his collection gives us strictly conventional material about religion, because he presents an unadulterated mirror-image of imperial policy and propaganda and because he is ‘middle-brow’ and thus depicts common attitudes. The text has also sometimes been studied for what it reveals about Early Imperial Latin, non-Republican culture and the organisation of Roman knowledge. Most recently, Tara Welch has argued that Valerius deliberately stripsexemplaof all authorial input, including his own, in an attempt to make himself a conduit fortraditio.Alternatively, study of the text is justified by interest in the time period in which it was written. (shrink)

Cette étude traite des réponses poétiques apportées par Paulin de Périgueux et Venance Fortunat à un passage très célèbre de la Vie de saint Martin composée par Sulpice Sévère, à savoir sa description du banquet du saint avec l'empereur Maximus. Chacun des poètes amplifie cette version sur la base d'autres traditions littéraires. Paulin exploite une tradition satirique alors que Venance se réfère à une source toute différente. L'A. ici montre comment ces points de départ fructifient chez l'un et l'autre (...) poètes pour mettre en valeur dans la rédaction l'action de saint Martin et sa portée symbolique. (shrink)

The present paper consists of emendations in the text of Maximus Tyrius. For convenience in citing the text I shall refer by page and line to Hobein's edition. All the known codices of Maximus, as M. Mutschmann and F. Schulte have shown, most probably derive from the Parisinus 1962 which belongs to the tenth or the eleventh century. In Hobein's edition and in the present paper the codex is indicated by the letter R.