Ce texte est le fruit d’une collaboration entre un astrophysicien, Jean-René Roy, et un philosophe de l’éducation, Normand Baillargeon. Ils ont en commun d’avoir été marqués par la fréquentation des oeuvres de Mario Bunge, auxquelles ils attachent un grand prix, sur un plan personnel, d’abord, mais aussi, et c’est ce qu’ils veulent rappeler dans ces pages : parce qu’ils estiment que les oeuvres de Bunge contribuent de manière extrêmement forte et positive à rendre plus salubre la vie de l’esprit, (...) en enrichissant notre intellect et en luttant contre diverses formes troublantes d’obscurantisme qui y sévissent parfois, notamment dans les domaines familiers aux deux auteurs. (shrink)

Recent research has provided converging evidence, using multiple tasks, of sensitivity to fairness in the second year of life. In contrast, findings in the first year have been mixed, leaving it unclear whether young infants possess an expectation of fairness. The present research examined the possibility that young infants might expect windfall resources to be divided equally between similar recipients, but might demonstrate this expectation only under very simple conditions. In three violation-of-expectation experiments, 9-month-olds (N = 120) expected an experimenter (...) to divide two cookies equally between two animated puppets (1:1), and they detected a violation when she divided them unfairly instead (2:0). The same positive result was obtained whether the experimenter gave the cookies one by one to the puppets (Experiments 1–2) or first separated them onto placemats and then gave each puppet a placemat (Experiment 3). However, a negative result was obtained when four (as opposed to two) cookies were allocated: Infants looked about equally whether they saw a fair (2:2) or an unfair (3:1) distribution (Experiment 3). A final experiment revealed that 4-month-olds (N = 40) also expected an experimenter to distribute two cookies equally between two animated puppets (Experiment 4). Together, these and various control results support two broad conclusions. First, sensitivity to fairness emerges very early in life, consistent with claims that an abstract expectation of fairness is part of the basic structure of human moral cognition. Second, this expectation can at first be observed only under simple conditions, and speculations are offered as to why this might be the case. (shrink)

Normand Baillargeon, dans ces Légendes pédagogiques, se veut très mordant, virulent parfois, mais toujours juste et honnete dans ce qui se veut une mise en perspective de nos idées reçues sur l'éducation.--[Memento].

De manière remarquablement constante, la question de l'éducation a été une préoccupation majeure du mouvement anarchiste tout au long de son histoire. Malheureusement, cet héritage demeure en général méconnu, si ce n'est ignoré. Une des ambitions de cette anthologie, qui réunit des textes importants de penseurs et de praticiens anarchistes d'horizons divers, est précisément de nous permettre de redécouvrir la riche tradition dans le domaine de l'éducation de ce courant politico-philosophique. Qu'est-ce que l'éducation? Sur quels plans et pour quelles raisons (...) l'éducation, telle que généralement pratiquée, est-elle déficiente? Comment devrait-on s'y prendre pour former des êtres libres? À ces questions et à de nombreuses autres semblables, des théoriciens ont tenté de répondre, tandis que des praticiens anarchistes se sont efforcés de mettre en oeuvre leur idéal d'une éducation réellement émancipatrice. La présente anthologie, qui comprend deux tomes, réunit les principaux écrits consacrés à l'éducation de ces théoriciens et praticiens anarchistes, des écrits trop peu connus et souvent difficilement accessibles. On retrouve dans ce premier tome, qui couvre les années 1793 à 1918, des textes de Michel Bakounine, Sébastien Faure, Francesco Ferrer, William Godwin, Pierre Kropotkine, Fernand Pelloutier, Pierre-Joseph Proudhon, Paul Robin et Max Stirner. Ils mettent en lumière une riche et toujours inspirante tradition de pensée, de militantisme et de réalisations concrètes. (shrink)

I have always considered that the two questions respecting God and the Soul were the chief of those that ought to be demonstrated by philosophical rather than ...

This edition contains Donald Cress's completely revised translation of the Meditations (from the corrected Latin edition) and recent corrections to Discourse on Method, bringing this version even closer to Descartes's original, while maintaining the clear and accessible style of a classic teaching edition.

In 1988, Nadine Dormoy conducted a series of interviews with Rene Girard after a number of books and conferences had situated his work in a new context of research on self-organizing systems. In these interviews, Girard discusses the intellectual activity that followed the 1982 Stanford University conference, Disorder and Order. Girard also discusses Theater of Envy, his book on Shakespeare, as well as corrects several misunderstandings of his mimetic hypothesis.

In Descartes's Meditations, one of the key texts of Western philosophy, the thinker rejects all his former beliefs in the quest for new certainties. Discovering his own existence as a thinking entity in the very exercise of doubt, he goes on to prove the existence of God, who guarantees his clear and distinct ideas as a means of access to the truth. He develops new conceptions of body and mind, capable of serving as foundations for the new science of nature. (...) Subsequent philosophy has grappled with Descartes's legacy, questioning many of its conclusions and even his basic approach, but his arguments set the agenda for many of the greatest philosophical thinkers, and their fascination endures.This new translation includes the Third and Fourth Objections and Replies in full, and a selection from the rest of Descartes's exchanges with contemporaries that helped to shape and expound his philosophy. (shrink)

Dernier ouvrage publie par Descartes, le Traite des Passions de l'ame (1649) est le fruit de toute sa philosophie. Ce traite, qui s'appuie sur un resume de la biologie cartesienne, s'oriente vers une medecine concrete des affections psycho-physiologiques et s'epanouit en une apologie de la generosite. Aux observations scientifiques, Descartes ne dedaigne pas d'adjoindre des notations psychologiques dont la finesse evoque parfois ces maximes qui fleurissaient dans les salons au XVIIe siecle. Ainsi l'ampleur des conclusions scientifiques, morales et metaphysiques, sources (...) d'etudes toujours renaissantes pour les specialistes, se colore par surcroit d'une richesse vecue qui fait de ce Traite, ecrit pour une princesse et offert a une reine, le modele des ouvrages accessibles au plus grand public. (shrink)

Theory of Literature was originally published in 1949. It is not a textbook introducing the young to the elements of literary appreciation nor a survey of the techniques employed in scholarly research. The authors have sought to unite "poetics" (or literary theory) and "criticism" (evaluation of literature) with "scholarship" ("research") and "literary history" (the "dynamics"of literature, in contrast to the "statics" of theory and criticism).

These two volumes provide a translation of the philosophical works of Descartes, based on the best available Latin and French texts. They are intended to replace the only reasonably comprehensive selection of his works in English, by Haldane and Ross, first published in 1911. All the works included in that edition are translated here, together with a number of additional texts crucial for an understanding of Cartesian philosophy, including important material from Descartes' scientific writings. The result should meet the widespread (...) demand for an accurate and authoritative edition of Descartes' philosophical writings in clear and readable modern English. (shrink)

Law-enforcement agencies are increasingly able to leverage crime statistics to make risk predictions for particular individuals, employing a form of inference that some condemn as violating the right to be “treated as an individual.” I suggest that the right encodes agents’ entitlement to a fair distribution of the burdens and benefits of the rule of law. Rather than precluding statistical prediction, it requires that citizens be able to anticipate which variables will be used as predictors and act intentionally to avoid (...) them. Furthermore, it condemns reliance on various indexes of distributive injustice, or unchosen properties, as evidence of law-breaking. (shrink)

The avant-garde has been popular for some time, but its popularity has tended to fly under the radar. This ¿popular avant-garde,¿ conceived as the meeting ground of the avant-garde and popular, avoids the divorce of art and praxis of which the avant-garde has been accused. The Popular Avant-Garde takes stock of the debates about both the ¿historical¿ (¿modernist¿) and posterior avant-gardes, and sets them in relation to popular culture and art forms. With a critical introduction that examines the concepts of (...) ¿the avant-garde,¿ ¿the popular,¿ and ¿the popular avant-garde,¿ the series of essays analyzes the way in which the avant-garde employs popular genres for political purposes, as well as how the popular acquires a critical function with respect to the avant-garde. Each of the volume¿s three sections considers a different aspect of the productive exchange between the avant-garde and popular: the popular avant-garde as a culturally hybrid and cross-border phenomenon; the play between the popular avant-garde and developments in media and technology; and the popular avant-garde¿s upending of conventional ideas about ¿the people¿ and ¿the popular.¿ The Popular Avant-Garde takes a fresh look at the now canonical Dadaist, Futurist, and Surrealist movements from the perspectives of gender and sexuality, and cultural and critical theory, while at the same time exploring less well-known avant-garde work in literature, film, television, music, photography, dance, sculpture, and the graphic arts. This volume¿s coverage of the American and Afro-American, Luso-Brazilian and Latin-American, East-European, and Scandinavian avant-gardes, in addition to the vanguards of Spain and other parts of Western Europe, will appeal to all those interested in avant-garde and popular art forms. (shrink)