An accessible overview of Humphrey's evolving views on consciousness -- particularly the topic of phenomenal consciousness -- from his early neurophysiology studies in the 1960's to his debates with philosophers today.

How is consciousness possible? What biological purpose does it serve? And why do we value it so highly? In Soul Dust, the psychologist Nicholas Humphrey, a leading figure in consciousness research, proposes a startling new theory. Consciousness, he argues, is nothing less than a magical-mystery show that we stage for ourselves inside our own heads. This self-made show lights up the world for us and makes us feel special and transcendent. Thus consciousness paves the way for spirituality, and (...) allows us, as human beings, to reap the rewards, and anxieties, of living in what Humphrey calls the "soul niche." Tightly argued, intellectually gripping, and a joy to read, Soul Dust provides answers to the deepest questions. It shows how the problem of consciousness merges with questions that obsess us all--how life should be lived and the fear of death. Resting firmly on neuroscience and evolutionary theory, and drawing a wealth of insights from philosophy and literature..."--Jacket. (shrink)

Essays discuss the evolution of consciousness, self-knowledge, aesthetics, religious ecstasy, ghosts, and dreams.

This book is a tour-de-force on how human consciousness may have evolved. From the "phantom pain" experienced by people who have lost their limbs to the uncanny faculty of "blindsight," Humphrey argues that raw sensations are central to all conscious states and that consciousness must have evolved, just like all other mental faculties, over time from our ancestorsodily responses to pain and pleasure. '.

How is consciousness possible? What biological purpose does it serve? And why do we value it so highly? In Soul Dust, the psychologist Nicholas Humphrey, a leading figure in consciousness research, proposes a startling new theory. Consciousness, he argues, is nothing less than a magical-mystery show that we stage for ourselves inside our own heads. This self-made show lights up the world for us and makes us feel special and transcendent. Thus consciousness paves the way for spirituality, and (...) allows us, as human beings, to reap the rewards, and anxieties, of living in what Humphrey calls the "soul niche." Tightly argued, intellectually gripping, and a joy to read, Soul Dust provides answers to the deepest questions. It shows how the problem of consciousness merges with questions that obsess us all--how life should be lived and the fear of death. Resting firmly on neuroscience and evolutionary theory, and drawing a wealth of insights from philosophy and literature, Soul Dust is an uncompromising yet life-affirming work--one that never loses sight of the majesty and wonder of consciousness. (shrink)

The mind-body problem is widely seen as the great remaining challenge to science and philosophy. Why and how did matter evolve to take on the quality of mind? The author takes the reader to the edges of current knowledge and back to the beginning of time, before mind existed, and in doing so constructs a history of consciousness.

The purpose of this book is to build towards an explanation of just what the matter is.

The identity of conscious states and brain states must remain a mystery until we find a way of characterising both sides of the equation in terms that have the same ‘dimensions’. In this paper I stress the need for ‘dual currency concepts’ that not only are but can be seen to be as appropriate for talking about, say, the experience of pain as for talking about the corresponding working of the brain. In the light of evolutionary theory I make a (...) radically new proposal for what the common dimension is, centred on the idea of ‘authorship’. (shrink)

Abstract. A rhesus monkey, Helen, from whom the striate cortex was almost totally removed, was studied intensively over a period of 8 years. During this time she regained an effective, though limited, degree of visually guided behaviour. The evidence suggests that while Helen suffered a permanent loss of `focal vision she retained (initially unexpressed) the capacity for `ambient vision.

In English we use the word “invention” in two ways. First, to mean a new device or process developed by experimentation, and designed to fulfill a practical goal. Second, to mean a mental fabrication, especially a falsehood, designed to please or persuade. In this paper I argue that human consciousness is an invention in both respects. First, it is a cognitive faculty, evolved by natural selection, designed to help us make sense of ourselves and our surroundings. But then, second, it (...) is a fantasy, conjured up by the brain, designed to change the value we place on our existence. (shrink)

The emergence of cave art in Europe about 30,000 years ago is widely believed to be evidence that by this time human beings had developed sophisticated capacities for symbolization and communication. However, comparison of the cave art with the drawings made by a young autistic girl, Nadia, reveals surprising similarities in content and style. Nadia, despite her graphic skills, was mentally defective and had virtually no language. I argue in the light of this comparison that the existence of the cave (...) art cannot be the proof which it is usually assumed to be that the humans of the Upper Palaeolithic had essentially ‘modern’ minds. The article includes peer commentary by Paul Bahn, Paul Bloom, Uta Frith, Ezra Zubrow, Steven Mithen, Ian Tattersall, Chris Knight, Chris McManus and Daniel Dennett , with response by Nicholas Humphrey. [Owing to the number of illustrations, the full text for this file is in excess of 1 Mb. .]. (shrink)

Nicholas Humphrey's writings about the evolution of the mind have done much to set the agenda for contemporary psychology.

It is the ambition of evolutionary psychology to explain how the basic features of human mental life came to be selected because of their contribution to biological survival. Counted among the most basic must be the subjective qualities of conscious sensory experience: the felt redness we experience on looking at a ripe tomato, the felt saltiness on tasting an anchovy, the felt pain on being pricked by a thorn. But, as many theorists acknowledge, with these qualia, the ambition of evolutionary (...) psychology may have met its match. Everyone agrees that a trait can only contribute to an organism's biological survival in so far as it operates in the public domain. Yet almost everyone also agrees that the subjective quality of sensory experience is (at least for all practical purposes) private and without external influence. Then, maybe we must either concede that the subjective quality of sensations cannot after all have been determined by selection (even if this is theoretically depressing) or else demonstrate that the quality of sensations is not as private as it seems to be (even if this is intuitively unconvincing). No. I believe neither of these solutions to the puzzle is in fact the right one. I argue instead that the truth is that the quality of sensations has indeed been shaped by selection in the past, despite the fact that it is today effectively private. And this situation has come about as a result of a remarkable evolutionary progression, whereby the primitive activity of sensing slowly became "privatized" - that is to say, removed from the domain of overt public behavior and transformed into a mental activity that is now, in humans, largely if not exclusively internal to the subject's mind. (shrink)

Mankind as a species has little reason to boast about his sensory capacities. A dog's sense of smell, a bat's hearing, a hawk's visual acuity are all superior to our own. But in one respect we may justifiably be vain: our ability to see colours is a match for any other animal. In this respect we have in fact surprisingly few rivals. Among mammals only our nearest relatives, the monkeys and apes, share our ability – all others are nearly or (...) completely colour-blind. In the animal kingdom as a whole colour vision occurs only in some fishes, reptiles, insects and birds. (shrink)

I said that the cure itself is a certain leaf, but in addition to the drug there is a certain charm, which if someone chants when he makes use of it, the medicine altogether restores him to health, but without the charm there is no profit from the leaf.

Reflexive consciousness evolved in the context of early human social life, as a means by which 'natural psychologists' could develop working models of their own and others' minds.

The theory presented here is a near neighbour of Humphrey's theory of sensations as actions. O'Regan & Noë have opened up remarkable new possibilities. But they have missed a trick by not making more of the distinction between sensation and perception; and some of their particular proposals for how we use our eyes to represent visual properties are not only implausible but would, if true, isolate vision from other sensory modalities and do little to explain the phenomenology of conscious (...) experience in general. (shrink)

Easy to read, adorned with Mel Calman's brilliant illustrations, passionately argued, yet never less than scientifically profound, this book remains the...

Block's notion of P-consciousness catches too much in its net. He would do better to exclude all states that do not have a sensory component. I question what he says about my work with the “blind” monkey, Helen.

Dreaming can provide a marvelous opportunity for the “playful” exploration of dramatic events. But the chance to learn to deal with danger is only a small part of it. More important is the chance to discover what it is like to be the subject of strange but humanly significant mental states. [Revonsuo].

And Jesus said, How hardly shall they that have riches enter into the kingdom of God! For it is easier for a camel to go through a needle's eye, than for a rich man to enter into the kingdom of God. And they that heard it said, Who then can be saved? And he said, The things which are impossible with men are possible with God... There is no man that hath left house, or parents, or brethren, or wife, or (...) children, for the kingdom of God's sake, Who shall not receive manifold more in this present time, and in the world to come life everlasting. (shrink)

Human beings are not only the most sociable animals on Earth, but also the only animals that have to ponder the separateness that comes with having a conscious self. The philosophical problem of ‘other minds’ nags away at people’s sense of who—and why—they are. But the privacy of consciousness has an evolutionary history—and maybe even an evolutionary function. While recognizing the importance to humans of mind-reading and psychic transparency, we should consider the consequences and possible benefits of being—ultimately—psychically opaque.

In English we use the word “invention” in two ways. First, to mean a new device or process developed by experimentation, and designed to fulfill a practical goal. Second, to mean a mental fabrication, especially a falsehood, designed to please or persuade. In this paper I argue that human consciousness is an invention in both respects. First, it is a cognitive faculty, evolved by natural selection, designed to help us make sense of ourselves and our surroundings. But then, second, it (...) is a fantasy, conjured up by the brain, designed to change the value we place on our existence. (shrink)

Human beings begin life as quadrupeds, crawling on all fours, but none has ever been known to retain this gait and develop it into a proficient replacement for adult bipedality. We report the case of a family in which five siblings, who suffer from a rare form of cerebellar ataxia, are still quadrupeds as adults - walking and running on their feet and wrists. We describe the remarkable features of this gait, discuss how it has developed in the members of (...) this family, and consider whether a similar gait may have been used by human ancestors. (shrink)

One day someone will write a book that explains consciousness. The book will put forward a theory that closes the “explanatory gap” between conscious experience and brain activity, by showing how a brain state could in principle amount to a state of consciousness. But it will do more. It will demonstrate just why this particular brain state has to be this particular experience. As Dan Lloyd puts it in his philosophical novel, Radiant Cool: “What we need is a transparent theory. (...) One that, once you get it, you see that anything built like this will have this particular conscious experience.”1. (shrink)

I went to Trinity College, Cambridge, in 1961 with a scholarship in Physics and Mathematics. But, coming under the influence of William Rushton, I soon decided that I wanted to study how the mind works - and I took my final degree in Psychology and Physiology.

‘The shamanic context of cave art is attested by a number of features’, Michael Winkelman writes (p.6); and, scarcely pausing for breath, he proceeds to reel off as if they were matters of established fact a list of co njectures about the authorship and meaning of ice-age cave paintings. We are t o conclude, without question apparently, that ‘cave art images represent shamanic activities and altered states of consciousness, and the subterranean rock art sites were used for shamanic vision questing’ (...) (p. 7). Well, may be. The shaman hypothesis is certainly an intriguing one; and David Lewis-Williams, in particular, has made a plausible case for it. Yet my own first reaction is: not so fast. For one thing, I myself, in the pages of this Journal a few years ago, presented evidence which – to begin with, anyway – suggests that any such interpretation has to be complet ely mistaken. (shrink)

The dissident students from Oxford, who in the year 1209 settled in Cambridge, are said to have been on their way to the cathedral town of Ely. But they stayed the night in Cambridge, fell under its spell, and never left. A century earlier wool merchants from Yorkshire, travelling to the big fair in Norwich, got caught in a rain storm at the bridge across the Cam, unpacked their merchandise to let it dry, sold the lot, and thereafter made Cambridge's (...) market their journey's end. (shrink)

William Paley in his famous statement in 1800 of the Argument from Design, imagined that he found a watch lying on a heath and set to wondering how it came to be there. “The inference is inevitable, that the watch must have had a maker: that there must have existed, at some time, and at some place or other, an artificer or artificers who formed it for the purpose which.