Following the influential thought experiments by Hilary Putnam and others, philosophers of language have for the most part adopted semantic externalism concerning natural kind terms. In this article, we present results from three experiments on the reference of natural kind terms. Our results confirm some standard externalist assumptions, but are in conflict with others: Ordinary speakers take both appearance and underlying nature to be central in their categorization judgments. Moreover, our results indicate that speakers’ categorization judgments are gradual, and proportional (...) to the degree of similarity between new samples and familiar, “standard” samples. These findings pose problems for traditional theories, both externalist and internalist. (shrink)

Some experimental studies have recently claimed to undermine semantic externalism about natural kind terms. However, it is unclear how philosophical accounts of reference can be experimentally tested. We present two externalistic adaptations of psychological placeholder essentialism, a strict externalist and a hybrid externalist view, which are experimentally testable. We examine Braisby’s et al. (1996) study which claims to undermine externalism, and argue that the study fails in its aims. We conducted two experiments, the results of which undermine internalism and the (...) hybrid theory, and support strict externalism. Ourconclusion is that lay speakers’ natural kind concepts involve a belief in an external category essence, which determines reference. (shrink)

The typical empirical approach to studying consciousness holds that we can only observe the neural correlates of experiences, not the experiences themselves. In this paper we argue, in contrast, that experiences are concrete physical phenomena that can causally interact with other phenomena, including observers. Hence, experiences can be observed and scientifically modelled. We propose that the epistemic gap between an experience and a scientific model of its neural mechanisms stems from the fact that the model is merely a theoretical construct (...) based on observations, and distinct from the concrete phenomenon it models, namely the experience itself. In this sense, there is a gap between any natural phenomenon and its scientific model. On this approach, a neuroscientific theory of the constitutive mechanisms of an experience is literally a model of the subjective experience itself. We argue that this metatheoretical framework provides a solid basis for the empirical study of consciousness. (shrink)

In this paper, I argue that the causal and description theories of natural kind term reference involve certain psychological elements. My main goal is to refine these theories with the help of empirical psychology of concepts, and to argue that the refinement process ultimately leads to the dissolution of boundaries between the two kinds of theories. However, neither the refined theories nor any other existing theories provide an adequate answer to the question of what makes natural kind terms rigid. To (...) provide an answer to this question I conclude my paper by introducing a framework of a unified theory of natural kind term reference that is built on the empirical psychology of concepts. (shrink)

Recent experimental studies have claimed to find evidence for the view that natural kind terms such as “water” are ambiguous: that they have two extensions, one determined by superficial properties, the other by underlying essence. In an online experiment, we presented to 600 participants scenarios describing discoveries of novel samples that differ in deep structure from samples of a familiar kind but are superficially identical, such as a water-like substance that is not composed of H2O. We used three different types (...) of question sets to probe whether the participants considered the sample as a member of the kind or not. Our results did not confirm the predictions of the ambiguity view. They were, rather, consistent with views that take underlying essences to be the sole criterion for membership in a natural kind. (shrink)

Fodor’s theory of concepts holds that the psychological mechanisms which guide us in applying concepts to objects do not determine reference; instead, causal relations of a specific kind between properties and our dispositions to token a concept are claimed to do so. Fodor does admit that there needs to be some psychological mechanism mediating the property – concept tokening relations, but argues that it is purely accidental for reference. In contrast, I argue that the actual mechanisms that sustain the reference (...) determining concept tokening relations are necessary for reference. Thus, to possess a concept it is necessary to possess some specific sustaining mechanism. (shrink)

In this thesis I argue that the psychological study of concepts and categorisation, and the philosophical study of reference are deeply intertwined. I propose that semantic intuitions are a variety of categorisation judgements, determined by concepts, and that because of this, concepts determine reference. I defend a dual theory of natural kind concepts, according to which natural kind concepts have distinct semantic cores and non-semantic identification procedures. Drawing on psychological essentialism, I suggest that the cores consist of externalistic placeholder essence (...) beliefs. The identification procedures, in turn, consist of prototypes, sets of exemplars, or possibly also theory-structured beliefs. I argue that the dual theory is motivated both by experimental data and theoretical considerations. The thesis consists of three interrelated articles. Article I examines philosophical causal and description theories of natural kind term reference, and argues that they involve, or need to involve, certain psychological elements. I propose a unified theory of natural kind term reference, built on the psychology of concepts. Article II presents two semantic adaptations of psychological essentialism, one of which is a strict externalistic Kripkean-Putnamian theory, while the other is a hybrid account, according to which natural kind terms are ambiguous between internalistic and externalistic senses. We present two experiments, the results of which support the strict externalistic theory. Article III examines Fodor’s influential atomistic theory of concepts, according to which no psychological capacities associated with concepts constitute them, or are necessary for reference. I argue, contra Fodor, that the psychological mechanisms are necessary for reference. (shrink)

Fodor’s theory of concepts holds that the psychological capacities, beliefs or intentions which determine how we use concepts do not determine reference. Instead, causal relations of a specific kind between properties and our dispositions to token a concept are claimed to do so. Fodor does admit that there needs to be some psychological mechanisms mediating the property–concept tokening relations, but argues that they are purely accidental for reference. In contrast, I argue that the actual mechanisms that sustain the reference determining (...) concept tokening relations are necessary for reference. Fodor’s atomism is thus undermined, since in order to refer with a concept it is necessary to possess some specific psychological capacities. (shrink)

It has been argued that prototypes cannot compose, and that for this reason concepts cannot be prototypes (Osherson and Smith in Cognition 9:35–58, 1981; Fodor and Lepore in Cognition 58:253–270, 1996; Connolly et al. in Cognition 103:1–22, 2007). In this paper I examine the intensional and extensional approaches to prototype compositionality, arguing that neither succeeds in their present formulations. I then propose a hybrid extensional theory of prototype compositionality, according to which the extension of a complex concept is determined as (...) a function of what triggers its constituent prototypes. I argue that the theory escapes the problems traditionally raised against extensional theories of compositionality. (shrink)

This paper argues that the epistemic gap in philosophy of mind stems from the fact that our awareness of our subjective experiences is categorically different from our knowledge of external phenomena. Our knowledge of external objects is always mediated through empirical observation or theoretical descriptions, and does not afford us knowledge of the intrinsic nature of the thing referred to, whereas our awareness of our experiences is immediate and affords us knowledge of the intrinsic nature of our experiences. Finally, it (...) is argued that the thing itself referred to as “neural correlate of consciousness” is constituted by consciousness. (shrink)

The conceivability argument against materialism, originally raised by Saul Kripke and then reformulated, among others, by David Chalmers holds that we can conceive of the distinctness of a phenomenal state and its neural realiser, or, in Chalmers’ variation of the argument, a zombie world. Here I argue that both phenomenal and natural kind terms are ambiguous between two senses, phenomenal and natural, and that the conceivability argument goes through only on one reading of a term. Thus, the antimaterialist has to (...) provide some reasons independent of anti-materialism itself to favour that reading of a term that supports his or her argument. Given that there are no such independent reasons, I conclude that we should put more weight on empirical considerations than on a priori discussion in resolving the question concerning the identity between a phenomenal state and its neural realiser. (shrink)

Fodor’s theory of concepts holds that the psychological mechanisms which guide us in applying concepts to objects do not determine reference; instead, causal relations of a specific kind between properties and our dispositions to token a concept are claimed to do so. Fodor does admit that there needs to be some psychological mechanism mediating the property – concept tokening relations, but argues that it is purely accidental for reference. In contrast, I argue that the actual mechanisms that sustain the reference (...) determining concept tokening relations are necessary for reference. Thus, to possess a concept it is necessary to possess some specific sustaining mechanism. (shrink)

Increasing evidence indicates that the coronavirus disease 2019 pandemic is associated with adverse psychological effects, including heightened levels of anxiety. This study examined whether COVID-19-related anxiety levels during the early stage of the pandemic predicted demanding working memory updating performance. Altogether, 201 healthy adults mostly from North America and the British Isles were recruited to this study via the crowdsourcing site www.prolific.co. The results showed that higher levels of COVID-19-related anxiety during the first weeks of the pandemic outbreak were associated (...) with poorer WM performance as measured by the n-back paradigm. Critically, the unique role of COVID-19-related anxiety on WM could not be explained by demographic factors, or other psychological factors such as state and trait anxiety or fluid intelligence. Moreover, across three assessment points spanning 5–6 weeks, COVID-19-related anxiety levels tended to decrease over time. This pattern of results may reflect an initial psychological “shock wave” of the pandemic, the cognitive effects of which may linger for some time, albeit the initial anxiety associated with the pandemic would change with habituation and increasing information. Our results contribute to the understanding of cognitive–affective reactions to a major disaster. (shrink)

Among one of the main inspirations for the research behind this Special Issue is Jussi Parikka’s 2010 book Insect Media: An Archeology of Animals and Technology. In this interview, the guest editors, Nina Mangalanayagam and Louise Wolthers, ask Professor Parikka to revisit some of the book’s core issues in relation to digital photography and the current media landscape in general. The conversation also revolves around artificial intelligence (AI), bugs, mimicry, contemporary art as well as scale and operational images, which (...) reflect Parikka’s recent research. (shrink)

This paper is a defence of T.M. Scanlon's contractualism - the view that an action is wrong if it is forbidden by the principles which no one could reasonably reject. Such theories have been argued to be redundant in two ways. They are claimed to assume antecedent moral facts to explain which principles could not be reasonably rejected, and the reasons they provide to follow the non-rejectable principles are said to be unnecessary given that we already have sufficient reasons not (...) to do the acts that are forbidden by those principles. In this paper, I try to argue that neither one of these claims is true. (shrink)

Medieval discussions on rights. Bonaventure -- Godfrey of Fontaines -- Peter John Olivi -- Hervaeus Natalis -- William Ockham -- Richard Fitzralph -- Jean Gerson -- Antoninus of Florence -- The right of the individual. Right as power -- Right as dominion -- Right as a relation -- The species of dominion. The six-fold dominion -- Natural dominion -- Property rights. Justification of private property -- The rights of use (usus) and usufruct (usufructus) -- Ownership (proprietas) and possession (possessio).

The advances in biotechnology have given rise to a discussion concerning the strong emotional reaction expressed by the public towards biotechnological innovations. This reaction has been named the ‘Yuck-factor’ by several theorists of bioethics. Leon Kass, the former chairman of the President's council on bioethics, has appraised this public reaction as ‘an emotional expression of deep wisdom, beyond reason's power fully to articulate it’.1 Similar arguments have been forwarded by the Catholic Church, several Protestant denominations and the Pro-Life movement. Several (...) bioethicists have, however, opposed the idea of a disgust-based morality.2Recent findings in cognitive science support the view that the strong negative emotions people often experience when faced with biotechnological ideas are not expressions of inner wisdom. The negative emotions may rather be the result of a cognitive violation the biotechnological innovations easily cause.Due to their evolutionary background, people have certain automatic and quick cognitive tendencies routinely used for categorizing and reasoning about nature, usually termed ‘folk biology’. Biotechnological processes like hybridisation and cloning clearly violate several of the cognitive rules people naturally apply for the explanation and categorization of their natural environment.As the cognitive tendencies routinely applied to the explanation of biological world are violated, an emotional response of fear, disgust and of something unnatural being underway is easily provoked. It is suggested in this paper that the reason behind the Yuck-factor is not a deep inner wisdom, but a violation of natural human cognitive tendencies concerning the biological world. (shrink)

This is a chapter on contractualism for Ethical Theory in Global Perspective, edited by Michael Hemmingsen (SUNY Press). The chapter (i) outlines contractualism as an ethical theory, (ii) explains how it differs from classical utilitarianism, (iii) explores the differences between ex post and ex ante contractualism, and (iv) finally looks at two traditional objections to the view.

This chapter focuses on the connection between moral disagreement and moral relativism. Moral relativists, generally speaking, think both (i) that there is no unique objectively correct moral standard and (ii) that the rightness and wrongness of an action depends in some way on a moral standard accepted by some group or an individual. This chapter will first consider the metaphysical and epistemic arguments for moral relativism that begin from the premise that there is considerable amount of moral disagreement both within (...) individual societies and between them. The second half of the chapter, by contrast, focuses on the objection that moral relativism threatens to make us unable to have moral disagreements because it seems to make us speak past one another. This part of the chapter also evaluates relativist responses to this disagreement problem that rely on semantic opacity, disagreement in attitude, metalinguistic negotiations, and truth relativism. The chapter finally concludes by considering future directions of research in this area. (shrink)

The contemporary brain disorders debate echoes a century-long conflict between two different approaches to mental suffering: one that relies on natural sciences and another drawing from the arts and humanities. We review contemporary neuroimaging studies and find that neither side has won. The study of mental differences needsboththe sciences and the arts and humanities. To help develop an approach mindful of both, we turn to physician-writer Anton Chekhov’s story “A Nervous Breakdown.” We review the value of the arts and humanities (...) as a coequal partner with natural sciences in the creation of a robust mental health humanities. (shrink)

This is an introduction to an edited volume of critical reactions to Derek Parfit's book On What Matters. It outlines Parfit's key ideas on reasons and rationality, his revisionary interpretations of Kantian ethics, his versions of Kantian Contractualism and Rule Consequentialism, and his master argument that attempts to show how the best versions of these ethical theories converge. The introduction also intoruces the essays of the volume.

World–renowned British philosopher Derek Parfit′s On What Matters is certain to change the face of some of the most fundamental concerns of moral philosophy – including the nature of practical reasons and rationality, and the interpretation of Kantian Ethics and its relation to consequentialism. It will also initiate new debates about the freedom of the will, the nature of moral attitudes and properties, the relationship between prudentiality and ethics, and the significance of desiring. -/- In Essays on Derek Parfit s (...) On What Matters, seven leading moral philosophers offer critical evaluations of the central ideas presented in this greatly anticipated new work. Authored by a team including Princeton′s Michael Smith, one of the world′s leading meta–ethicists, the papers address a variety of topics relating to Parfit′s work, including his central thesis that the main ethical theories can agree on what matters, and his defense of moral realism. (shrink)

Why do painters paint? Obviously, there are numerous possible reasons. They paint to create images for others’ enjoyment, to solve visual problems, to convey ideas, and to contribute to a rich artistic tradition. This book argues that there is yet another, crucially important but often overlooked reason. -/- Painters paint to feel. -/- They paint because it enables them to experience special feelings, such as being absorbed in creative play and connected to something vitally significant. Painting may even transform the (...) painter’s whole sense of being. Thus, painting is not only about producing art, communicating content, and so on, but also about setting up and inhabiting an experiential space wherein highly valued feelings are interactively enabled and supported. This book investigates how and why this happens by combining psychoanalytical theorization on creativity with philosophical thinking on affectivity. It focuses on creative experience itself, and illuminates the psychological mechanisms and dynamics that underlie the affects at stake. Painters’ own descriptions of how they feel at work are used throughout to give an accurate, true-to-life portrayal of the experience of painting. -/- The strength of the book lies in its open-minded yet critical integration of contemporary psychoanalytic and philosophical thinking, and in its truthfulness to painters’ experiential descriptions of the painterly process. On the whole, it enriches our understanding of artistic creativity and sheds more light on how and why we come to feel the things we do. As such, the book will appeal to philosophers, psychoanalysts, and art researchers alike. (shrink)

We humans continuously reshape the environment to alter, enhance, and sustain our affective lives. This two-way modification has been discussed in recent philosophy of mind as affective scaffolding, wherein scaffolding quite literally means that our affective states are enabled and supported by environmental resources such as material objects, other people, and physical spaces. In this article, I will argue that under certain conditions paintings function as noteworthy affective scaffolds to their creators. To expound this idea, I will begin with a (...) theoretical overview of affective niche construction and affective scaffolding. Then, based on the criteria of robustness, concreteness, and dependability, I will specify a solid type of affective scaffolding and propound paintings as a cogent case of such. In support of my argument, I will highlight two feelings typical to painterly creativity: the feeling of aesthetic resonance and the feeling of fusion. To conclude, I will discuss the overall contributions and limitations of my account. (shrink)

People commonly think of the mind and the brain as distinct entities that interact, a view known as dualism. At the same time, the public widely acknowledges that science attributes all mental phenomena to the workings of a material brain, a view at odds with dualism. How do people reconcile these conflicting perspectives? We propose that people distort claims about the brain from the wider culture to fit their dualist belief that minds and brains are distinct, interacting entities: Exposure to (...) cultural discourse about the brain as the physical basis for the mind prompts people to posit that mind–brain interactions are asymmetric, such that the brain is able to affect the mind more than vice versa. We term this hybrid intuitive theory neurodualism. Five studies involving both thought experiments and naturalistic scenarios provided evidence of neurodualism among laypeople and, to some extent, even practicing psychotherapists. For example, lay participants reported that “a change in a person's brain” is accompanied by “a change in the person's mind” more often than vice versa. Similarly, when asked to imagine that “future scientists were able to alter exactly 25% of a person's brain,” participants reported larger corresponding changes in the person's mind than in the opposite direction. Participants also showed a similarly asymmetric pattern favoring the brain over the mind in naturalistic scenarios. By uncovering people's intuitive theories of the mind–brain relation, the results provide insights into societal phenomena such as the allure of neuroscience and common misperceptions of mental health treatments. (shrink)

A large body of experimental evidence in the empirical sciences shows that writing about life experiences can be beneficial for mental and physical health. While empirical data regarding the health benefits of writing interventions have been collected in numerous studies in psychology and biomedicine, this literature has remained almost entirely disconnected from scholarship in the humanities and cognitive neuropsychology. In this paper, I review the literature from psychological and biomedical writing interventions, connect these findings to views from philosophy, cognitive neuropsychology (...) and narratology and argue that examining established regularities in how narratives are structured can shed further light on the psychological processes engaged during writing interventions. In particular, I argue that the narratological concept of conflict can be applied to resolve patterns of seemingly conflicting empirical findings in psychological studies. More generally, I propose that an interdisciplinary perspective can provide a broader theoretical basis for understanding the psychological processes underlying the health benefits of autobiographical writing and provide directions for future research in psychology and biomedicine. (shrink)

Some experimental studies have recently claimed to undermine semantic externalism about natural kind terms. However, it is unclear how philosophical accounts of reference can be experimentally tested. We present two externalistic adaptations of psychological placeholder essentialism, a strict externalist and a hybrid externalist view, which are experimentally testable. We examine Braisby, Franks, and Hampton's (1996) study which claims to undermine externalism, and argue that the study fails in its aims. We conducted two experiments, the results of which undermine internalism and (...) the hybrid theory, and support strict externalism. Our conclusion is that lay speakers' natural kind concepts involve a belief in an external category essence, which determines reference. (shrink)

In this paper I draw on contemporary philosophy of emotion to illuminate the phenomenological structure of so-called oceanic feelings. I suggest that oceanic feelings come in two distinct forms: as transient episodes that consist in a feeling of dissolution of the psychological and sensory boundaries of the self, and as a relatively permanent feeling of unity, embracement, immanence, and openness that does not involve occurrent experiences of boundary dissolution. I argue that both forms of feeling are existential feelings, i.e. pre-intentional (...) bodily feelings that structure overall self-world experience. I re-conceptualize episodic oceanic feelings as shifts in existential feeling, and permanent oceanic feelings as stable existential orientations. On the whole, my analysis elucidates a class of feeling that is allegedly quite common, yet frequently misunderstood. It will also serve to enrich our understanding of the general phenomenological structure of our affective lives. (shrink)

Art museums are built to elicit a wide variety of feelings, emotions, and moods from their visitors. While these effects are primarily achieved through the artworks on display, museums commonly deploy numerous other affect-inducing resources as well, including architectural solutions, audio guides, lighting fixtures, and informational texts. Art museums can thus be regarded as spaces that are designed to influence affective experiencing through multiple structures and mechanisms. At face value, this may seem like a somewhat self-evident and trivial statement to (...) make. However, in this article, I argue that niche construction theory enables us to make several illuminating observations about the ways in which art museums are engineered to influence our feelings. To expound on this claim, I single out for discussion the Museum of Non-Objective Painting, which for its entire lifespan (1939–52)—and prior to its evolution into the Solomon R. Guggenheim Museum—was expressly organized to kindle in its visitors a special, spiritual form of aesthetic experience: a liberating feeling of cosmic rhythm and order, no less. -/- The argument will proceed as follows: In Part 1, I introduce the basics of niche construction theory and specify the sense in which I apply it to museums and aesthetic affective experiencing. In Part 2, I outline the origins and ethos of the Museum of Non-Objective Painting, after which I pin down the type of affective experience it fostered by drawing from visitors’ self-reported reactions to the artworks on display. Then, in Part 3, I use niche construction theory to explain how the Museum consciously fashioned itself, by means of various mutually supportive resources and technologies, into a fertile setting for the specified feelings. Finally, in Part 4, I extend beyond the discussed case to assess the implications of niche construction theory for a broader understanding of how art museums make us feel. In other words, by tracing the early steps of the Museum of Non-Objective Painting towards the present-day Guggenheim, I call attention to the general variation in affective niches as regards their structure, technologies, and affective aims. Overall, the article elucidates the functioning of art museums as affective niches and furthers the conceptual development of niche construction theory in aesthetics. (shrink)

Matthew Ratcliffe has argued that existential feelings form a distinct class of bodily and non-conceptual feelings that pre-intentionally structure our intentional experience of others, the world, and ourselves. In this article, I will identify and discuss three interrelated areas of concern for Ratcliffe’s theory of existential feelings. First, the distinct senses in which existential feelings are felt as background bodily feelings and as spaces of possibility calls for further clarification. Second, the nature of the suggested bi-directional relationship between existential feelings (...) and intentional experience remains ambiguous. Third, viewed in light of existential guilt, the categorically non-conceptual nature of existential feelings may not be as definite as presumed. The aim of the article is to draw critical attention to aspects of the theory that would benefit from further development, and therefore, to advance the ongoing discussion about existential feelings. (shrink)

Book review of Quentin Meillassoux, Äärellisyyden jälkeen: tutkielma kontingenssin välttämättömyydestä [Après la finitude: essai sur la nécessité de la contingence], translated into Finnish by Ari Korhonen (Helsinki: Gaudeamus, 2017).

In current philosophy of mind, there is lively debate over whether emotions, moods, and other affects can extend to comprise elements beyond one’s organismic boundaries. At the same time, there has been growing interest in the nature and significance of so-called existential feelings, which, as the term suggests, are feelings of one’s overall being in the world. In this article, I bring these two strands of investigation together to ask: Can the material underpinnings of existential feelings extend beyond one’s skull (...) and skin? To begin, I introduce and adopt a componential-systemic view of extended affectivity. In doing so, I specify the vehicle externalist criteria for extension employed in my analysis. I then define what existential feelings are and pinpoint several key issues in their potential extension. More specifically, I identify sensorimotor ‘know-how’ as a possibly extending component of existential feeling and posit it as the fulcrum of my argument. Finally, I move on to consider the extension of existential feeling via sensory substitution, especially through so-called Tactile Visual Sensory Substitution (TVSS) devices. Informed by both philosophical and empirical studies, I argue that, under certain conditions, (a) the agent’s implicit sensorimotor processing and a TVSS device can become coupled into a new systemic whole, which in turn (b) reconfigures the material underpinnings of the agent’s pre-intentional world-experience. This, I conclude, counts as a cogent case for extended existential feeling. (shrink)

The Journal of Economic Literature codes classification system (JEL) published by the American Economic Association (AEA) is the de facto standard classification system for research literature in economics. The JEL classification system is used to classify articles, dissertations, books, book reviews, and working papers in EconLit, a database maintained by the AEA. Over time, it has evolved and extended to a system with over 850 subclasses. This paper reviews the history and development of the JEL classification system, describes the current (...) version, and provides a selective overview of its uses and applications in research. The JEL codes classification system has been adopted by several publishers, and their instructions are reviewed. There are interesting avenues for future research as the JEL classification system has been surprisingly little used in existing bibliometric and scientometric research as well as in library classification systems. (shrink)

Media archaeological methods for extending the lifetime of new media into ‘old media’ have experienced a revival during the past years. In recent media theory, a new context for a debate surrounding media archaeology is emerging. So far media archaeology has been articulated together with such a heterogeneous bunch of theorists as Erkki Huhtamo, Siegfried Zielinski, Thomas Elsaesser and to a certain extent Friedrich Kittler. However, debates surrounding media archaeology as a method seem to be taking it forward not only (...) as a subdiscipline of (media) history, but increasingly into what will be introduced as materialist media diagrammatics. This article maps some recent media archaeological waves in German media theory. The text addresses Wolfgang Ernst’s mode of media archaeology and his provocative accounts on how to rethink media archaeology as a fresh way of looking into the use and remediation of media history as a material monument instead of a historical narrative and as a recent media theoretical wave from Germany that seems to not only replicate Kittler’s huge impact in the field of materialist media studies but develop that in novel directions. However, as will be argued towards the end, Ernst’s provocative take that hopes to distinguish itself as a Berlin brand of media theory in its hardware materiality and time-critical focus resonates strongly with some of the recent new directions coming from US media studies, namely in software and platform studies. (shrink)

This article examines the ways in which the Finnish liberals described themselves as national liberals and how they were labeled by their opponents as supporters of foreign doctrines and cosmopolitanism in the late nineteenth century. It will be shown that the rhetoric of liberalism was entangled in an inflamed issue between the advocates of Finnish and Swedish languages in Finland. Ultimately, this contest dealt with the concept of nation. Furthermore, the article discusses the uses of other countries' political life as (...) exemplary cases, thus bringing a transnational perspective into the analysis. The contested character of the concept of liberalism and its compound form, national liberalism ( nationell liberalism, kansallinen liberalismi ), will be highlighted by paying attention to the semantic differences between Swedish-language and Finnish-language uses of the concept. The article closes with an interpretation of the weak role that the concept of liberalism has played in nineteenth-century Finnish political culture. (shrink)

It is increasingly acknowledged that creativity cannot be fully understood without considering the setting where it takes place. Building on this premise, we use the concepts of niche construction, scaffolding, coupling, and functional integration to expound on the environmentally situated nature of painters’ studio work. Our analysis shows studios to be multi-resource niches that are customized by artists to support various capacities, states, and actions crucial to painting. When at work in these personalized spaces, painters do not need to rely (...) solely on their “inner” powers of imagination, memory, decision making, and technique to execute their paintings. Instead, with the help of carefully selected resources, they can offload elements of creative mentation and action onto the studio niche and enact different forms of a creative agency. To put more flesh on these ideas, we examine how painters use existing artworks, memory aids, and music to scaffold the creative process. Overall, our analysis illuminates underexamined aspects of environmentally situated creativity and demonstrates the broader utility of the applied concepts for future creativity research. (shrink)

This article investigates the concept of the ground truth as both an epistemic and technical figure of knowledge that is central to discussions of machine vision and media techniques of visuality. While ground truth refers to a set of remote sensing practices, it has a longer history in operational photography, such as aerial reconnaissance. Building on a discussion of this history, this article argues that ground truth has shifted from a reference to the physical, geographical ground to the surface of (...) the images echoing earlier points raised by philosopher Jean-Luc Nancy that there is a ground of the image that is central to the task of analysis beyond representational practices. Furthermore, building on the practices of pattern recognition, composite imaging, and different interpretational techniques, we discuss contemporary practices of machine learning that mobilizes geographical earth observation datasets for experimental purposes, including tests such as “fake geography” as well as artistic practices, to show how ground truth is operationalized in such contexts of AI and visual arts. (shrink)