In this paper, I consider Michael Fried’s recent contribution to the debate around the experience of video art, made in relation to the work of Douglas Gordon. Fried speculates that issues of antitheatricality may in fact be key to specifying the medium of video installation. While Fried’s position offers a useful way of framing the relation with the beholder in video art, in a way that pointedly moves beyond tautological notions of activating spectatorship, I question how theatricality is to be (...) thus defined. Referencing the beholding of painting, I distinguish the implicit beholder from the literal spectator, and claim that the distinction has relevance for video art. However, I welcome what seems to be an explicit acknowledgment from Fried that the position of the spectator is a contributory factor in what he terms empathic projection. I argue that video art as a spatial practice offers a distinct mode of reception by positioning the spectator in relation to two-dimensional figurative space to which she is excluded. (shrink)

I question the assumption that painting always presents a self-contained world. I use Masaccio’s Trinity to claim that in certain works, integrated into their architectural settings, the internal onlooker is fused with the external spectator. Here the imaginative engagement is situated. I highlight differences afforded internal and external spectators: with the former, the viewer identifies with a spectator who already occupies an unrepresented extension of the ‘virtual’ space; with the latter, the beholder enters that part of the fictive world depicted (...) as being in front of the picture surface, the work thus drawing the ‘real’ space of the spectator into its domain. I claim that this distinction mirrors two distinct types of visualization: where a scene is presented as elsewhere, and where it is juxtaposed with an existing reality. CiteULike Connotea Del.icio.us What's this? (shrink)

Might architecture be reconceived as a form of performance? I draw upon Nelson Goodman’s writing on architecture—including his account of architectural notation—and David Davies’s performance theory, which claims that artworks should be considered not as products made by generative performances, but rather as the performances themselves. I tie the exemplification that Goodman identifies as the primary way architectural works ‘mean’ to the role of the architectural ‘score’, recast not as a mere ‘constraint’ but as integral to the creative processes by (...) which architecture establishes an ‘artistic statement’ and a distinctive ‘virtual’ realm. In so doing, I reconcile such a position with an aesthetics of reception, whereby the situated encounter with the physical building is seen as essential to the critical retrieval of any given architectural performance. I test this position against a late work by Sigurd Lewerentz, completed when he was in his eighties, and examine the extraordinary lengths necessitated by his idiosyncratic imperative not to cut any bricks, thereby articulating an artwork every bit as radical as contemporaneous works by conceptual artists. (shrink)

Intermedial art, as it emerged in the 1960s and 70s, constituted a threat not only to the medium specificity of modernism, but to the artwork as self-contained autonomous object. Both supporters and critics of intermedia drew a contrast between, on the one hand, modernism’s aesthetic engagement with a medium-specific ‘object’, and on the other new non-aesthetic ‘practices’ engaging the ‘literal spectator’ within her own space, such that the space of the gallery is drawn into the situational encounter. In her 2003/12 (...) book Aesthetics of Installation Art Juliana Rebentisch challenges this binary characterization of autonomous/non-autonomous art. She argues that aesthetic autonomy is not something that can be guaranteed by production, but rather is explicable only with reference to the structure of the aesthetic experience. And for Rebentisch, while installation art has not led to fundamentally different conditions of reception, it has led to an ideological rejection of the notion of context-independent art. Aesthetic autonomy is here not abandoned, but rather reconfigured as a dynamic operational with respect to the ethical and political situation where we encounter the artwork. Sympathetic to the broad remit of Rebentisch’s argument, this article investigates the role of the beholder’s share within the context of such situated art. I draw specifically on Wolfgang Iser’s transformation of a negative aesthetics from binaries of negation/affirmation into an enabling structure where the organization of signifiers serve not the designation of a signified object, but rather designate instructions for the production of the signified. This requires work of the situated beholder, who must negotiate access to the work’s content by bringing her orientation into play. Installation art, thus conceived, constitutes a space that while virtualized – removed from functional imperatives – compels acts of imagination/ideation by problematizing our habitual dispositions. (shrink)

In this paper, I consider Michael Fried’s recent contribution to the debate around the experience of video art, made in relation to the work of Douglas Gordon. Fried speculates that issues of antitheatricality may in fact be key to specifying the medium of video installation. While Fried’s position offers a useful way of framing the relation with the beholder in video art, in a way that pointedly moves beyond tautological notions of activating spectatorship, I question how theatricality is to be (...) thus defined. Referencing the beholding of painting, I distinguish the implicit beholder from the literal spectator, and claim that the distinction has relevance for video art. However, I welcome what seems to be an explicit acknowledgment from Fried that the position of the spectator is a contributory factor in what he terms empathic projection. I argue that video art as a spatial practice offers a distinct mode of reception by positioning the spectator in relation to two-dimensional figurative space to which she is excluded. (shrink)

How might the supernatural be represented in religious paintings that imply continuity between the virtual space of painting and the real space of the beholder? Such an implied continuity might be thought to threaten a necessary distance demanded of religious works. This article examines how a number of Italian paintings employ strategies for representing the supernatural through displacement devices that create a ‘gap’ within perception – an inviolable space that is implied as being outside normal spatiotemporal relations. The contention is (...) that these distancing devices are dependent on an imagined spatial proximity that is established but then broken. They exploit inherent ambiguities as to where a painting is relative to its beholder, by means of withholding both perspectival distance and positional cues for a discrete section of the work. (shrink)

How might the supernatural be represented in those religious paintings that imply a continuity between the virtual space of painting and the real space of the beholder? Such an implied continuity, dependent upon an engagement where the beholder imaginatively realigns her frame of reference to that of the picture, might be thought to threaten a necessary distance demanded of religious works. This paper examines how a number of painters exploited innovative displacement devices, utilizing inherent ambiguities as to where a painting (...) is relative to its beholder through the withholding of perspectival distance and positional cues for a discrete section of the work. (shrink)

This 4000 word essay was selected for a special issue of 'Image & Narrative' (Issue 18, September 2007), on 'Thinking Pictures', guest edited by Hanneke Grootenboer, author of 'The Rhetoric of Perspective' (University of Chicago Press, 2005). 'Image & Narrative' is a peer-reviewed e-journal on visual narratology, with essays reviewed by at least two members of the editorial board. The essay addresses contemporary arguments on spectatorship within the philosophy of art. It examines different ways by which internal and external spectators (...) negotiate painting's two perspectives: the absent scene represented by the picture's marked surface and the external point of view of a beholder, standing in real space. The essay argues that if the imaginative engagement provided by an internal spectator (see Wollheim) renders the picture plane transparent, so that we might enter the virtual space of the painting, then in paintings integrated into their architectural contexts the surface plays a semantic role in both connecting and separating different realms. If the picture surface disappears for the internal spectator, then for works integrated into their architectural settings its status is heightened and negated as a threshold separating spatiotemporal realms. The essay challenges semiotic accounts of painting. While linguistic derived semiotic accounts negate a spatial engagement, in Hubert Damisch's proposal that painting is a form of thinking, structure emerges from within the loop of the perspective paradigm. The essay argues, however, that if certain paintings 'think', they do so only in the sense that thought permeates a phenomenological whole where perception and imagination merge. The essay is a development of 'A spatiality of situation', published by Art In-sight, Filmwaves magazine (no. 31, 2006), guest edited with Adam Kossoff. A related paper, 'Levels of Reality', was given at the 'Real Things: matter, materiality, representation' conference at the University of York, 5-8 July 2007. (shrink)

Michael Fried’s unexpected contribution to defining the ontological status of video art includes an intriguing claim that projective art is particularly suited to the ‘staging’ of empathic projection. Fried applies Stanley Cavell’s notion of empathic projection, developed in relation to skepticism of ‘other minds’, to moving image installations that not only exploit the beholder’s capacity for empathically projecting, but do so in such a way as to reveal the mechanism at play. In developing this claim, I compare Fried’s key example (...) of Douglas Gordon’s Play Dead; Real Time with Bill Viola and Kira Perov’s Martyrs, a work that likewise elicits an emotional response but without a compensatory foregrounding of the underlying structuring mechanism. However, the comparison suggests that the staging of empathic projection should not be interpreted as an anti-theatrical strategy, but rather as an exemplary manifestation of what I am calling the configurational encounter – a revealing of the artwork’s conditions of existence. I reference Paul Sharits’s Epileptic Seizure Comparison, an important precursor to Gordon’s staging of empathic projection. Finally, I consider Chris Welsby’s landscape films in the light of the capacity of technology to reveal psychological mechanisms of projection, tracing such processes of projection to early childhood experiences of differentiating the human from the non-human. (shrink)

This is a peer reviewed chapter in the book The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu, an interdisciplinary analysis of taste in the wake of Pierre Bourdieu’s sociology. The chapter, ‘The configurational encounter and the problematic of beholding’, is in Part I of the book, entitled ‘Taste and Art’. Engaging the aesthetics of reception as its field of inquiry, the chapter draws upon the literary theorist Wolfgang Iser’s notion of the ‘blank’ as a staged suspension of (...) connectivity, arguing for a reassignment of the aesthetic in terms of a ‘configurational encounter’ that problematizes the work/beholder relation. This constitutes a rare attempt to apply reception aesthetics to contemporary art, a ‘gap’ first highlighted by the art historian Michael Ann Holly in her 2002 article ‘Reciprocity and Reception Theory’, published in A Companion to Art Theory. Utilising concrete examples of practice, the chapter asks whether the shift towards inter- or transmedia art practices, characterising postconceptual art, renders Bourdieu’s characterisation of the ‘autonomous’ artwork superfluous to the contemporary situation, and whether the kinds of judgments of taste associated with the acquisition of cultural capital are no longer relevant. The chapter argues that in revealing material processes, rules, instructions or appropriations – and/or its situated reception and apparatus of display – the configurational encounter problematizes the beholder’s bodily and ideological orientation toward an artwork, revealing our embodied dispositions or ‘habitus’. This counters philosopher Peter Osborne’s suggestion that a change in art’s ‘ontology’ post 1960s renders questions of aesthetics obsolete and reconceives the aesthetic as emerging from the oscillation of spatial and ideational perspective switches resulting from a calculated problematizing of the beholder’s position-taking. (shrink)

This article proposes an essential interrelatedness of Vermeer’s strategies of inclusion and exclusion of an implied beholder. I will argue that such strategies mutually reinforce each other, to the extent that the plausibility of one is arguably dependent upon the possibility of the other. This is evidenced by Vermeer’s subtle manipulations of pictorial space, and the article traces a decisive shift in his familiar use of barriers from those aimed at an external presence to those oriented towards an internal beholder. (...) The feasibility of this interdependence rests upon a theory of imaginative engagement with paintings that can accommodate both an internal beholder and the felt lack of occupancy of the imagined situation’s point of view. I argue that the Dependency Thesis, as set out by M. G. F. Martin, can provide plausibility for both kinds of imaginative engagement with paintings, when sensory imagination is conceived as an instance of imagining seeing. These engagements exploit the notorious emptiness of imagination’s necessarily perspectival point of view. (shrink)

Treating mathematical science as a distinct cultural entity subject to environmental factors which influence its evolution, the author examines the creation and development of its major concepts since early times.

Safeguarding GenAI models against threats and aligning them with security requirements is imperative yet challenging. This chapter provides an overview of the security landscape for generative models. It begins by elucidating common vulnerabilities and attack vectors, including adversarial attacks, model inversion, backdoors, data extraction, and algorithmic bias. The practical implications of these threats are discussed, spanning domains like finance, healthcare, and content creation. The narrative then shifts to exploring mitigation strategies and innovative security paradigms. Differential privacy, blockchain-based provenance, quantum-resistant algorithms, (...) and human-guided reinforcement learning are analyzed as potential techniques to harden generative models. Broader ethical concerns surrounding transparency, accountability, deepfakes, and model interpretability are also addressed. The chapter aims to establish a conceptual foundation encompassing both the technical and ethical dimensions of security for generative AI. It highlights open challenges and lays the groundwork for developing robust, trustworthy, and human-centric solutions. The multifaceted perspective spanning vulnerabilities, implications, and solutions is intended to further discourse on securing society’s growing reliance on generative models. Frontier model security is discussed using Anthropic proposed approach. (shrink)

The principal aim of this volume is to elucidate what freedom, sovereignty, and autonomy mean for Nietzsche and what philosophical resources he gives us to re ...

I argue that Descartes' Second Causal Proof of God in the Third Meditation evidences, and commits him to, the belief that time is "strongly discontinuous" -- that is, that there is actually a gap between each consecutive moment of time. Much of my article attempts to reconcile this interpretation, the "received view," with Descartes' statements about time, space, and matter in his other writings, including his correspondence with various philosophers.

A provocative examination of how the great religious traditions can remain relevant in modern times by incorporating scientific truths learned about human nature over the last century A single purpose lies at the heart of all the great religious traditions: awakening to the astonishing reality of the true nature of ourselves and the universe. At the same time, through centuries of cultural accretion and focus on myth and ritual as ends in themselves, this core insight has become obscured. Here, Ken (...) Wilber provides a path for re-envisioning a religion of the future that acknowledges the evolution of humanity in every realm while remaining faithful to that original spiritual vision. For the traditions to attract modern men and women, Wilber asserts, they must incorporate the extraordinary number of scientific truths learned about human nature in just the past hundred years—for example, about the mind and brain, emotions, and the growth of consciousness—that the ancients were simply unaware of and thus were unable to include in their meditative systems. Taking Buddhism as an example, Wilber demonstrates how his comprehensive Integral Approach—which is already being applied to several world religions by some of their adherents—can avert a “cultural disaster of unparalleled proportions”: the utter neglect of the glorious upper reaches of human potential by the materialistic postmodern worldview. Moreover, he shows how we can apply this approach to our own spiritual practice. This, his most sweeping work since Sex, Ecology, Spirituality, is a thrilling call for wholeness, inclusiveness, and unity in the religions of tomorrow. (shrink)

Nietzsche never presented a worked-out normative ethical theory and appeared to regard any attempt to do so as woefully misguided. He poured scorn on the main contenders for such a theory in his day, and in ours – Kantian ethics and utilitarianism. Moreover, he repeatedly referred to himself as an 'immoralist' and gave one of his books the title Beyond Good and Evil, thus seeming only to confirm the impression that he was more interested in demolishing, and even abolishing morality (...) altogether than in making any constructive contribution to the subject. While the topic of morality appears as a central and almost obsessive interest in his works – especially in the sequence of books from Daybreak: Thoughts on the Prejudices of Morality (1881) to On the Genealogy of Morality (1887) – it generally does so as the target of relentless criticism. Many have concluded, not surprisingly, that Nietzsche, rather than being interested in replacing an existing conception of morality with a better one of his own, was in the business of advising us to abandon morality altogether – to live, in some sense, without morality. (shrink)

This important book features collected essays on the distinguished psychoanalyst Dr. Michael Eigen, who has emerged as an influential innovator within and beyond psychoanalysis. Drawing on the ideas of W. R. Bion, Winnicott, the Kabbalah, artists and scientists, Eigen's work is noted for its creativity which combines spirituality with psychoanalysis. The book begins with a series of articles on Eigen's perspective on time, before covering topics such as the evolution of the psyche, mystery and metaphor, and breakdown and recovery. These (...) papers feature a rich array of subjects and reflections, with many clinical examples and applications to domains beyond psychotherapy, including politics, societal contexts and creativity. Dr. Eigen is one of the most influential psychoanalysts of the current era and this collection of essays provides insightful discussion on his ideas. This celebration of Michael Eigen will fascinate any psychoanalyst interested in his work. (shrink)

「西欧」と「近代」を相対化し、今、エスニックの次元から『日本哲学』を創始すること=「われわれの問題に発して思索する」スタイルを提唱。.

This_classic undergraduate text_elegantly acquaints students with the_fundamental concepts and methods of mathematics. In addition to introducing_many noteworthy historical figures_from the 18th through the mid-20th centuries, it examines_the axiomatic method, set theory, infinite sets, the linear continuum and the real number system, groups, intuitionism,_formal systems, mathematical logic, and other topics.

The concept of meaning, since Frege initiated the linguistic turn in 1884, has been the subject of numerous theories, hypotheses, methodologies and distinctions. One distinction of considerable strategic value relates to the location of meaning: some aspects of meaning can be found in language and are modelled with semantic values of various kinds; some aspects of meaning can be found in communicative processes and are modelled with pragmatic inferences of one sort or another. One hypothesis of great heuristic utility concerns (...) the relationship that is assumed between the semantic and the pragmatic. This collection of especially commissioned papers examines current thinking on the plausible nature of the semantic, the possible character of the pragmatic and the mechanics of their intersection. (shrink)

In The Other Half of Church, pastor Michel Hendricks and neurotheologian Jim Hendricks couple brain science and the Bible to identify how to overcome spiritual stagnation by living a full-brained faith. They also identify the four ingredients necessary to develop and maintain a vibrant transformational community where spiritual formation occurs, relationships flourish, and the toxic spread of narcissism is eradicated.

Part I -- Scientific Composition and the New Mechanism. - 1. Laura Franklin-Hall: New Mechanistic Explanation and the Need for Explanatory Constraints. - 2. Kenneth Aizawa: Compositional Explanation: Dimensioned Realization, New Mechanism, and Ground. - 3. Jens Harbecke: Is Mechanistic Constitution a Version of Material Constitution?. - 4. Derk Pereboom: Anti-Reductionism, Anti-Rationalism, and the Material Constitution of the Mental. Part II -- Grounding, Science, and Verticality in Nature. - 5. Jonathan Schaffer: Ground Rules: Lessons from Wilson. - 6. Jessica Wilson: (...) The Unity and Priority Arguments for Grounding. - 7. Carl Gillett: The Metaphysics of Nature, Science, and the Rules of Engagement. - 8. Andrew Melnyk: Grounding and the Formulation of Physicalism. - 9. Alyssa Ney: Grounding in the Philosophy of Mind: A Defense. (shrink)

Drawing on social exchange theory, we argue that family-supportive supervisor behavior (FSSB) inhibits employees’ unethical pro-family behavior (UPFB) via the mediation of felt obligation. We further propose that employees’ positive reciprocity beliefs strengthen the hypothesized relationships. Using a sample consisting of 345 full-time employees from an Internet service company located in China, we found that felt obligation partially mediated the negative relationship between FSSB and UPFB and that the FSSB-felt obligation relationship and the mediation relationship were stronger for employees with (...) higher positive reciprocity beliefs. Theoretical and practical implications, limitations, and future directions are discussed. (shrink)

I explicate the conditions required for criminal responsibility, provide an overview of criminal defenses, distinguish criminal responsibility from both tort liability and moral responsibility, and explicate the current state of the insanity defense.

Molinism promises the strongest account of God's providence consistent with our freedom. But is it a coherent view, and does it provide a satisfying account of divine providence? The essays in this volume examine the status, defensibility, and application of this recently revived doctrine, and anticipate the future direction of the debate.

In this unique work, Ken Gale and Jonathan Wyatt bring together three areas of scholarship: collaborative writing as method of inquiry, the philosophical approaches of the French philosopher, Gilles Deleuze, and the performativity of both writing and the "self". The book is a reflexive exploration into the theory and practice of collaborative writing, with their between-the-twos sequences of exchanged writings using a variety of forms and genres at the book's heart. Their collaboration offers an experimental, transgressive and nomadic inquiry into (...) subjectivity. Based upon the authors' joint doctoral dissertation, the book draws for its theoretical base primarily from the work of Deleuze, from both his philosophical "figures" and the insights that he offers into his collaborations with others. It also tells a story, conveying a sense of a relationship developing over time. This book will interest both academics and postgraduate students in the field of qualitative inquiry, including those involved in narrative inquiry, cultural, communication and performance studies, and autoethnography. (shrink)

The ethical nature of transformational leadership has been hotly debated. This debate is demonstrated in the range of descriptors that have been used to label transformational leaders including narcissistic, manipulative, and self-centred, but also ethical, just and effective. Therefore, the purpose of the present research was to address this issue directly by assessing the statistical relationship between perceived leader integrity and transformational leadership using the Perceived Leader Integrity Scale (PLIS) and the Multi-Factor Leadership Questionnaire (MLQ). In a national sample of (...) 1354 managers a moderate to strong positive relationship was found between perceived integrity and the demonstration of transformational leadership behaviours. A similar relationship was found between perceived integrity and developmental exchange leadership. A systematic leniency bias was identified when respondents rated subordinates vis-à-vis peer ratings. In support of previous findings, perceived integrity was also found to correlate positively with leader and organisational effectiveness measures. (shrink)

This paper summarizes a theory of fairness that replaces the metaphysical foundations of the egalitarian theory of John Rawls and the utilitarian theory of John Harsanyi with evolutionary arguments. As such, it represents an attempt to realize John Mackie’s call for a theory based on the data provided by anthroplogists and the propositions proved by game theorists. The basic claim is that fairness norms evolved as a device for selecting one of the infinity of efficient equilibria of the repeated game (...) of life played by our prehuman ancestors. (shrink)

The growing availability and consumption of Fairtrade products is recognised as one of the most widespread ethically inspired market developments, and as an example of activist-driven change within the wider marketing system. The Fairtrade Towns movement, now operating in over 1700 towns and cities globally, represents a comparatively recent extension of Fairtrade marketing driven by local activists seeking to promote positive change in production and consumption systems. This paper briefly explores the conventional framing of the role that ethically related activism (...) plays in the operation of markets and in influencing market participants. It then presents key insights gathered from a grounded theory exploration of Fairtrade Towns as activist-driven marketing systems, revealing the atypical nature of the activism involved. The findings demonstrate how local activists leverage their social networks to exert pressure and generate support to promote ethical consumption. The study suggests that Fairtrade Towns offer a new role for activists as Fairtrade itself becomes more mainstream, and considers the role they are fulfilling as ‘informal’ local marketers. The marketing dynamics revealed represent a complex and distinctive form of relational activism that seeks to build Fairtrade markets and highlight their positive benefits, with potential lessons for other local ethical market-building efforts in future. (shrink)

McRae, Brown and Elman argue against the view that events are structured as frequently‐occurring sequences of world stimuli. They underline the importance of temporal structure defining event types and advance a more complex temporal structure, which allows for some variance in the component elements.

This paper suggests that rights are best seen as being part of the description of a social state rather than as constituents of the mechanism by means of which society selects a social state. A theory of this kind is outlined in which a social state is modeled as an equilibrium in the game of life played by the citizens of a society.

This book explores the revolutionary intersection of Generative AI (GenAI) and cybersecurity. It presents a comprehensive guide that intertwines theories and practices, aiming to equip cybersecurity professionals, CISOs, AI researchers, developers, architects and college students with an understanding of GenAI’s profound impacts on cybersecurity. The scope of the book ranges from the foundations of GenAI, including underlying principles, advanced architectures, and cutting-edge research, to specific aspects of GenAI security such as data security, model security, application-level security, and the emerging fields (...) of LLMOps and DevSecOps. It explores AI regulations around the globe, ethical considerations, the threat landscape, and privacy preservation. Further, it assesses the transformative potential of GenAI in reshaping the cybersecurity landscape, the ethical implications of using advanced models, and the innovative strategies required to secure GenAI applications. Lastly, the book presents an in-depth analysis of the security challenges and potential solutions specific to GenAI, and a forward-looking view of how it can redefine cybersecurity practices. By addressing these topics, it provides answers to questions on how to secure GenAI applications, as well as vital support with understanding and navigating the complex and ever-evolving regulatory environments, and how to build a resilient GenAI security program. The book offers actionable insights and hands-on resources for anyone engaged in the rapidly evolving world of GenAI and cybersecurity. (shrink)

Later Platonists and their Heirs among Christians, Jews and Muslims offers a thought-provoking exploration of the reception of Platonism among communities of faith from early Christianity to the sixteenth century, from the Byzantine East to the Latin West. Rare emphasis is placed on the importance of Platonic thought and its diffusion in late antique and medieval Syria, Armenia, and Georgia but also among Arab and Jewish intellectuals from the seventh century onwards. As such, the volume makes a statement against the (...) separation of Neoplatonic philosophy from Christianity and the other Abrahamic faiths, since all four traditions promoted a life of virtue and goodness despite operating under different divine auspices. The volume seeks to establish paths of transmission and modes of adaptation across times and places. (shrink)

法哲学の伝統的な課題である「法の効力根拠」を解明する、著者のライフワークの集大成。日本とヨーロッパの法哲学者の諸学説を綿密に検討することを通じて、法という実在の根源に迫る知の冒険。.

Molinism is named after Luis de Molina (1535–1600). Molina and his fellow Jesuits became entangled in a fierce debate over issues involving the doctrine of divine providence, which is a picture of how God runs the world. Molinism reemerged in the 1970s after Alvin Plantinga unwittingly assumed it in his Free Will Defense against the ‘Logical’ Argument from Evil. Molinism has been the subject of vigorous debate in analytic philosophy of religion ever since. The main aim of this essay is (...) to survey the main contours of this debate. We will visit some ‘old’ battlefields and current hot spots in the ongoing Molinism Wars. (shrink)

It is widely held that Bayesian decision theory is the final word on how a rational person should make decisions. However, Leonard Savage--the inventor of Bayesian decision theory--argued that it would be ridiculous to use his theory outside the kind of small world in which it is always possible to "look before you leap." If taken seriously, this view makes Bayesian decision theory inappropriate for the large worlds of scientific discovery and macroeconomic enterprise. When is it correct to use Bayesian (...) decision theory--and when does it need to be modified? Using a minimum of mathematics, Rational Decisions clearly explains the foundations of Bayesian decision theory and shows why Savage restricted the theory's application to small worlds. The book is a wide-ranging exploration of standard theories of choice and belief under risk and uncertainty. Ken Binmore discusses the various philosophical attitudes related to the nature of probability and offers resolutions to paradoxes believed to hinder further progress. In arguing that the Bayesian approach to knowledge is inadequate in a large world, Binmore proposes an extension to Bayesian decision theory--allowing the idea of a mixed strategy in game theory to be expanded to a larger set of what Binmore refers to as "muddled" strategies. Written by one of the world's leading game theorists, Rational Decisions is the touchstone for anyone needing a concise, accessible, and expert view on Bayesian decision making. (shrink)

This commentary on Philip Kitcher’s Ethical Project compares his theory of the evolution of morality with my less ambitious theory of the evolution of fairness norms that seeks to flesh out John Mackie’s insight that one should use game theory as a framework within which to assess anthropological data. It lays particular stress on the importance of the folk theorem of repeated game theory, which provides a template for the set of stable social contracts that were available to ancestral hunter-gatherer (...) communities. It continues by drawing attention to the relevance of Harsanyi’s theory of empathetic preferences in structuring the fairness criteria that evolved as one response to the equilibrium selection problem that the folk theorem demonstrates is endemic in our species. (shrink)

The following responses to the scholars who were kind enough to comment on my Natural Justice in this symposium have been kept to a minimum by addressing only issues where I think a misunderstanding may have arisen.