Awareness is a two-place determinable relation some determinates of which are seeing, hearing, etc. Abstract objects are items such as universals and functions, which contrast with concrete objects such as solids and liquids. It is uncontroversial that we are sometimes aware of concrete objects. In this paper I explore the more controversial topic of awareness of abstract objects. I distinguish two questions. First, the Existence Question: are there any experiences that make their subjects aware of abstract objects? Second, the Grounding (...) Question: if an experience makes its subject aware of an abstract object, in virtue of what does it do so? I defend the view that intuitions, specifically mathematical intuitions, sometimes make their subjects aware of abstract objects. In defending this view, I develop an account of the ground of intuitive awareness. (shrink)

Software is a ubiquitous artifact, yet not much has been done to understand its ontological nature. There are a few accounts offered so far about the nature of software. I argue that none of those accounts give a plausible picture of the nature of software. I draw attention to the striking similarities between software and musical works. These similarities motivate to look more closely on the discussions regarding the nature of the musical works. With the lessons drawn from the ontology (...) of musical works I offer a novel account of the nature of software. In this account, software is an abstract artifact. I elaborate the conditions under which software comes into existence; how it persists; how and on which entities its existence depends. (shrink)

TABLE OF CONTENTS Introduction: Art, Metaphysics, & The Paradox of Standards (Christy Mag Uidhir) GENERAL ONTOLOGICAL ISSUES 1. Must Ontological Pragmatism be Self-Defeating? (Guy Rohrbaugh) 2. Indication, Abstraction, & Individuation (Jerrold Levinson) 3. Destroying Artworks (Marcus Rossberg) INFORMATIVE COMPARISONS 4. Artworks & Indefinite Extensibility (Roy T. Cook) 5. Historical Individuals Like Anas platyrhynchos & ‘Classical Gas’ (P.D. Magnus) 6. Repeatable Artworks & Genericity (Shieva Kleinschmidt & Jacob Ross) ARGUMENTS AGAINST & ALTERNATIVES TO 7. Against Repeatable Artworks (Allan Hazlett) 8. How (...) to be a Nominalist & a Fictional Realist (Ross Cameron) 9. Platonism vs. Nominalism in Musical Ontology (Andrew Kania) ABSTRACTA ACROSS THE ARTS 10. Reflections on the Metaphysics of Sculpture (Hud Hudson) 11. Installation Art & Performance: A Shared Ontology (Sherri Irvin) 12. What Type of ‘Type’ is a Film? (David Davies) 13. Musical Works: A Metaphysical Mash-Up (Joseph Moore) . (shrink)

I consider the field of aesthetics to be at its most productive and engaging when adopting a broadly philosophically informative approach to its core issues (e.g., shaping and testing putative art theoretic commitments against the relevant standard models employed in philosophy of language, metaphysics, and philosophy of mind) and to be at its most impotent and bewildering when cultivating a philosophically insular character (e.g., selecting interpretative, ontological, or conceptual models solely for fit with pre-fixed art theoretic commitments). For example, when (...) philosophical aesthetics tends toward insularity, we shouldn’t be surprised to find standard art-ontological categories incongruous with those standardly employed in contemporary metaphysics. Of course, when contemporary metaphysics tends to ignore aesthetic and art theoretic concerns, perhaps we likewise shouldn’t be surprised to find the climate of contemporary metaphysics inhospitable for a theory of art. While this may seem to suggest at least a prima facie tension between our basic art theoretic commitments considered from within philosophical aesthetics and our standard ontological commitments considered from without, I think any perceived tension or antagonism largely due to metaphysicians and aestheticians (at least implicitly) assuming there to be but two available methodological positions with respect to the relationship between contemporary metaphysics and philosophical aesthetics (in the relevant overlap areas). I call these two opposing views the Deference View and the Independence View. I argue that either view looks to lead to what I call the Paradox of Standards. (shrink)

This paper argues that certain complements in philosophically significant constructions, especially predicative and clausal complements and intensional NPs, should not be analysed as providing an argument for a relation expressed by the verb, but rather as forming a complex predicate together with the verb. Apparent evidence for the traditional relational analyses, namely the possibility of replacing the complement by quantifiers such as 'something', will be shown to be misguided. Quantifiers like 'something' rather act as nominalizing expressions introducing ‘new’, derived objects (...) into the semantic structure of a sentence. The resulting analyses will have several philosophical ramifications. (shrink)

Quantified expressions in natural language generally are taken to act like quantifiers in logic, which either range over entities that need to satisfy or not satisfy the predicate in order for the sentence to be true or otherwise are substitutional quantifiers. I will argue that there is a philosophically rather important class of quantified expressions in English that act quite differently, a class that includes something, nothing, and several things. In addition to expressing quantification, such expressions act like nominalizations, introducing (...) a new domain of objects that would not have been present in the semantic structure of the sentence otherwise. The entities those expressions introduce are of just the same sort as those that certain ordinary nominalizations refer to (such as John's wisdom or John's belief that S), namely they are tropes or entities related to tropes. Analysing certain quantifiers as nominalizing quantifiers will shed a new light on philosophical issues such as the status of properties and the nature of propositional attitudes. (shrink)

A proper presentation of this theory [sc. of properties] would treat properties as a special kind of relation. And it would treat propositions as a special kind of relation: it would treat properties as monadic relations and propositions as 0-adic relations. But I will not attempt to discuss relations within the confines of this paper.[ii].

In this paper I argue against Divers and Miller's 'Lightness of Being' objection to Hale and Wright's neo-Fregean Platonism. According to the 'Lightness of Being' objection, the neo-Fregean Platonist makes existence too cheap: the same principles which allow her to argue that numbers exist also allow her to claim that fictional objects exist. I claim that this is no objection at all" the neo-Fregean Platonist should think that fictional characters exist. However, the pluralist approach to truth developed by WQright in (...) 'Truth and Objectivity' allows us to salvage our intuitions about the metaphysicial lightweightness of fictional characters: truth for discourse about fictional characters fails to exert 'Cognityive Command', whereas truth about arithmetic does. (shrink)