- Virgil C. Aldrich (1966). Back to Aesthetic Experience. Journal of Aesthetics and Art Criticism 24 (3):365-371.
- R. T. Allen (1970). The Aesthetic Experience Again. British Journal of Aesthetics 10 (4).
- Meter Amevans (1956). What is Form? Journal of Aesthetics and Art Criticism 15 (1):85-93.
- Jay E. Bachrach (1974). On Criteria for Aesthetic Experience. Philosophia 4 (2-3).
- Archie J. Bahm (1958). Aesthetic Experience and Moral Experience. Journal of Philosophy 55 (20):837-846.
- Monroe C. Beardsley (1969). Aesthetic Experience Regained. Journal of Aesthetics and Art Criticism 28 (1):3-11.
- E. F. Carrit (1963). The Aesthetic Experience of Architecture. British Journal of Aesthetics 3 (1).
- N. Carroll (2001). Enjoyment, Indifference, and Aesthetic Experience: Comments for Robert Stecker. British Journal of Aesthetics 41 (1).
- Noël Carroll (2006). Ethics and Aesthetics: Replies to Dickie, Stecker, and Livingston. British Journal of Aesthetics 46 (1).
- Noël Carroll (2004). Non-Perceptual Aesthetic Properties: Comments for James Shelley. British Journal of Aesthetics 44 (4).
- Noël Carroll (2002). Aesthetic Experience Revisited. British Journal of Aesthetics 42 (2).
- John Clammer (1970). On Defining the Aesthetic Experience. British Journal of Aesthetics 10 (2).
- A. L. Cothey (1990). The Nature of Art. Routledge.
- Benedetto Croce (1952). Dewey's Aesthetics and Theory of Knowledge. Journal of Aesthetics and Art Criticism 11 (1):1-6.
- Benedetto Croce (1948). On the Aesthetics of Dewey. Journal of Aesthetics and Art Criticism 6 (3):203-207.
- Paul Crowther (1993). Art and Embodiment: From Aesthetics to Self-Consciousness. Oxford University Press.
- David Davies (2008). Collingwood's ‘Performance’ Theory of Art. British Journal of Aesthetics 48 (2):162-174.
- Angelo A. de Gennaro (1964). Croce and De Sanctis. Journal of Aesthetics and Art Criticism 23 (2):227-231.
- Angelo A. de Gennaro (1963). Croce and Vico. Journal of Aesthetics and Art Criticism 22 (1):43-46.
- Douglas J. Dempster (1985). Aesthetic Experience and Psychological Definitions of Art. Journal of Aesthetics and Art Criticism 44 (2):153-165.
- John Dewey (1950). Aesthetic Experience as a Primary Phase and as an Artistic Development. Journal of Aesthetics and Art Criticism 9 (1):56-58.
- George Dickie (1965). Beardsley's Phantom Aesthetic Experience. Journal of Philosophy 62 (5):129-136.
- T. J. Diffey (1990). Schopenhauer's Account of Aesthetic Experience. British Journal of Aesthetics 30 (2).
- Jessica R. Feldman (2002). Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience. Cambridge University Press.
- J. N. Findlay (1967). The Perspicuous and the Poignant: Two Aesthetic Fundamentals. British Journal of Aesthetics 7 (1).
- Michael B. Gill, Lord Shaftesbury [Anthony Ashley Cooper, 3rd Earl of Shaftesbury]. Stanford Encyclopedia of Philosophy.
- Richard Glauser (2002). Aesthetic Experience in Shaftesbury: Richard Glauser. Aristotelian Society Supplementary Volume 76 (1):25–54.
- Peter Goldie (2008). Virtues of Art and Human Well-Being. Aristotelian Society Supplementary Volume 82 (1):179-195.
- Carol S. Gould (1994). Clive Bell on Aesthetic Experience and Aesthetic Truth. British Journal of Aesthetics 34 (2).
- Anthony Graybosch (2002). American Beauty. Acta Analytica 17 (1).
- Daniel Green (2003). Literature Itself: The New Criticism and Aesthetic Experience. Philosophy and Literature 27 (1).
- Hans Ulrich Gumbrecht (2004). Production of Presence: What Meaning Cannot Convey. Stanford University Press.
- Paul Guyer (2003). The Cognitive Element in Aesthetic Experience: Reply to Matravers. British Journal of Aesthetics 43 (4).
- Michel ter Hark (2010). Experience of Meaning, Secondary Use and Aesthetics. Philosophical Investigations 33 (2):142-158.
- Angela Hobart & Bruce Kapferer (eds.) (2004). Aesthetics in Performance: Formations of Symbolic Construction and Experience. Berghahn Books.
- Iii Holmes Rolston (1998). Aesthetic Experience in Forests. Journal of Aesthetics and Art Criticism 56 (2):157-166.
- Robert Hopkins (2005). Aesthetics, Experience, and Discrimination. Journal of Aesthetics and Art Criticism 63 (2):119–133.
- Robert Hopkins (1998). Picture, Image and Experience: A Philosophical Inquiry. Cambridge University Press.
- J. Hyman (2000). Pictorial Art and Visual Experience. British Journal of Aesthetics 40 (1).
- Lawrence W. Hyman (1986). A Defence of Aesthetic Experience: In Reply to George Dickie. British Journal of Aesthetics 26 (1).
- Roman Ingarden (1961). Aesthetic Experience and Aesthetic Object. Philosophy and Phenomenological Research 21 (3):289-313.
- Sherri Irvin (2008). The Pervasiveness of the Aesthetic in Ordinary Experience. British Journal of Aesthetics 48 (1).
- Bertram Jessup (1960). Taste and Judgment in Aesthetic Experience. Journal of Aesthetics and Art Criticism 19 (1):53-59.
- James R. Johnson (1961). Art History and the Immediate Visual Experience. Journal of Aesthetics and Art Criticism 19 (4):401-406.
- James Scott Johnston (2004). Reflections on Richard Shusterman's Dewey. Journal of Aesthetic Education 38 (4).
- Matthew Kieran (ed.) (2006). Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell Pub..
- Price Kingsley (1979). What Makes an Experience Aesthetic? British Journal of Aesthetics 19 (2).
- Jacobo Kogan (1975). Dialectics of the Aesthetic Experience. Philosophy and Phenomenological Research 35 (3):385-390.
- Aurel Kolnai (1971). Aesthetic and Moral Experience: The Five Contrasts. British Journal of Aesthetics 11 (2).
- Rebecca Kukla (ed.) (2006). Aesthetics and Cognition in Kant's Critical Philosophy. Cambridge University Press.
 | 1 — 50 / 123 |  |
|
Off-campus access
Using PhilPapers from home?
Click here to configure this browser for off-campus access.
Monitor this page
Be alerted of all new items appearing on this page. Choose how you want to monitor it:
Email
|
RSS feed
|
|