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Siblings:History/traditions: Aesthetic Judgment
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  1. María José Alcaraz León (2008). The Rational Justification of Aesthetic Judgments. Journal of Aesthetics and Art Criticism 66 (3):291-300.
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  2. María José Alcaraz León (2008). The Rational Justification of Aesthetic Judgments. Journal of Aesthetics and Art Criticism 66 (3):291-300.
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  3. Henry E. Allison (2003). Reply to the Comments of Longuenesse and Ginsborg. Inquiry 46 (2):182 – 194.
    In this discussion I respond to some of the criticisms raised by Béatrice Longuenesse and Hannah Ginsborg to my account of Kant's aesthetic theory presents in Kant's Theory of Taste.
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  4. Henry E. Allison (2001). Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge University Press.
    This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity of (...)
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  5. Karl Ameriks (1994). Review: Guyer, Kant and the Experience of Freedom: Essays on Aesthetics and Morality. [REVIEW] Ethics 105 (1):207-.
  6. Karl Ameriks (1983). Kant and the Objectivity of Taste. British Journal of Aesthetics 23 (1):3-17.
  7. Richard Atkins (2008). The Pleasures of Goodness: Peircean Aesthetics in Light of Kant's Critique of the Power of Judgment: Os Prazeres Do Bem: A Estética Peirciana À Luz da Crítica da Faculdade Do Juízo de Kant. Cognitio 9 (1).
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  8. R. J. B. (1961). Observations on the Feeling of the Beautiful and the Sublime. Review of Metaphysics 14 (3):569-569.
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  9. Gary Banham (2002). Mapplethorpe, Duchamp and the Ends of Photography. Angelaki 7 (1):119-128.
    This paper presents an argument for seeing Marcel Duchamp and Robert Mapplethorpe as opposite ends of a tradition of negotiation of art with its conditions of production. The piece takes seriously Kant's suggestions concerning the fine arts and contests views of art that see the Kantian tradition as formally fixed.
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  10. Dorit Barchana-Lorand (2002). The Kantian Beautiful, or, the Utterly Useless: Prolegomena to Any Future Aesthetics. Kant-Studien 93 (3):309–323.
  11. Ethel M. Bartlett (1937). Types of Aesthetic Judgment. Allen & Unwin.
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  12. Peter Baumanns (1981). Kant's Logic of Aesthetic Judgment. Philosophy and History 14 (1):23-25.
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  13. Anne Margaret Baxley (2005). The Practical Significance of Taste in Kant's "Critique of Judgment": Love of Natural Beauty as a Mark of Moral Character. Journal of Aesthetics and Art Criticism 63 (1):33–45.
  14. Avner Baz (2004). What's the Point of Calling Out Beauty? British Journal of Aesthetics 44 (1):57-72.
    The purpose of this paper is to use Kant's Critique of Judgement in order to raise and motivate the question of the point of judgements of beauty, to illustrate the philosophical tendency to neglect or even repress it, and to begin to look for an answer to that question. On the way, I will consider Kant's implied answer to the question and will argue that it is unsatisfactory in that it relies on a false picture of the everyday subject's relation (...)
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  15. Jeffrey Bell (2010). Beyond Beautiful and Ugly: Non-Dual Thinking and Aesthetic Theory. Analysis and Metaphysics 9:19-34.
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  16. Richard H. Bell (1989). Giacometti's Art as a Judgment on Culture. Journal of Aesthetics and Art Criticism 47 (1):15-20.
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  17. John Bender (2005). Aesthetic Realism 2. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oup Oxford.
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  18. John Bender (1987). Supervenience and the Justification of Aesthetic Judgments. Journal of Aesthetics and Art Criticism 46 (1):31-40.
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  19. Andrew E. Benjamin (ed.) (1992). Judging Lyotard. Routledge.
    Best known for his book The Postmodern Condition , Jean-Francois Lyotard is one of the leading figures in contemporary French philosophy. This is the first collection of articles to offer an estimation and critique of his work, with particular focus on the importance to Lyotard of the question of judgement. Lyotard's interest in judgement is evident in his continuing engagement with the work of Kant. Lyotard's own essay, Sensus Communis , which opens the volume, investigates through Kant the presuppositions of (...)
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  20. David Berger (2009). Kant's Aesthetic Theory: The Beautiful and Agreeable. Continuum.
    The twofold conception of taste -- The beautiful and the agreeable -- Sensations and interests -- Some varieties of normativity.
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  21. Susan Best (2005). Mild Intoxication and Other Aesthetic Feelings. Angelaki 10 (3):157 – 170.
    The enjoyment of beauty has a peculiar, mildly intoxicating quality of feeling The science of aesthetics investigates the conditions under which things are felt as beautiful, but it has been unable to give any explanation of the nature and origin of beauty Psychoanalysis, unfortunately, has scarcely anything to say about beauty either.1 Freud.
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  22. Harry Blocker (1965). Kant's Theory of the Relation of Imagination and Understanding in Aesthetic Judgements of Taste. British Journal of Aesthetics 5 (1):37-45.
  23. Carol Booth, Duty, Beauty, Delight & Happiness : Motivations for Nature Conservation.
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  24. Emily Brady (2003). [Book Review] the Reach of the Aesthetic. [REVIEW] Environmental Values 12 (1):129-131.
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  25. Angela Breitenbach (2013). Beauty in Proofs: Kant on Aesthetics in Mathematics. European Journal of Philosophy 23 (1):n/a-n/a.
    It is a common thought that mathematics can be not only true but also beautiful, and many of the greatest mathematicians have attached central importance to the aesthetic merit of their theorems, proofs and theories. But how, exactly, should we conceive of the character of beauty in mathematics? In this paper I suggest that Kant's philosophy provides the resources for a compelling answer to this question. Focusing on §62 of the ‘Critique of Aesthetic Judgment’, I argue against the common view (...)
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  26. Harold Chapman Brown (1915). Ee's The Beautiful. [REVIEW] Journal of Philosophy 12 (23):640.
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  27. Steven Ravett Brown (2004). On the Mechanism of the Generation of Aesthetic Ideas in Kant's Critique of Judgment. British Journal for the History of Philosophy 12 (3):487 – 499.
  28. Steven Ravett Brown (2000). A Comment on the Mechanism of the Generation of Aesthetic Ideas in Kant's Critique of Judgment. [Journal (Paginated)] (in Press).
    In Kant's Critique of Judgment (CJ), the actual mechanism of the construction of aesthetic ideas is only briefly sketched. I suggest that there may be a connection between certain aspects of Sections 49 and 59, such that the creation of aesthetic ideas can be related to the process of "symbolic hypotyposis" (¤59.2). I will argue that the process of symbolic hypotyposis relates to the formation of aesthetic attributes, as symbols, through an analogical process; that a symbol acts, in effect, as (...)
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  29. Brett Buchanan (2012). Most Beautiful Companion. Environmental Philosophy 9 (2):173-187.
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  30. Malcolm Budd (2008). Aesthetic Essays. Oxford University Press.
    Introduction -- Aesthetic judgements, aesthetic principles, and aesthetic properties -- Aesthetic essence -- The acquaintance principle -- The intersubjective validity of aesthetic judgements -- The pure judgement of taste as an aesthetic reflective judgement -- Understanding music -- The characterization of aesthetic qualities by essential metaphors and quasi-metaphors -- Musical movement and aesthetic metaphors -- Aesthetic realism and emotional qualities of music -- On looking at a picture -- The look of a picture -- Wollheim on correspondence, projective properties, and (...)
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  31. Malcolm Budd (2007). The Intersubjective Validity of Aesthetic Judgements. British Journal of Aesthetics 47 (4):333-371.
    All aesthetic judgements, whether descriptive, evaluative or some combination of the two, and whatever they might be about, whether works of art, artefacts of other kinds, or natural things, declare themselves to be, not mere announcements or expressions of personal responses to the objects of judgement, but claims meriting the agreement of others. Despite the frequent appeal in everyday life to the nihilistic interpretation of the saying ‘It's all a matter of taste’, the doctrine of aesthetic nihilism—the view that such (...)
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  32. Malcolm Budd (2001). The Pure Judgement of Taste as an Aesthetic Reflective Judgement. British Journal of Aesthetics 41 (3):247-260.
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  33. Malcolm Budd (1999). Aesthetic Judgements, Aesthetic Principles and Aesthetic Properties. European Journal of Philosophy 7 (3):295–311.
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  34. Malcolm Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty. British Journal of Aesthetics 38 (1):1-18.
  35. Malcolm Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature Part III: The Sublime in Nature. British Journal of Aesthetics 38 (3):233-250.
  36. Malcolm Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part II: Natural Beauty and Morality. British Journal of Aesthetics 38 (2):117-126.
  37. Edmund Burke, On the Sublime and Beautiful.
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  38. Edmund Burke (2008). A Philosophical Enquiry Into the Sublime and Beautiful. Routledge Classics.
    'One of the greatest essays ever written on art.' - The Guardian Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful is one of the most important works of aesthetics ever written. Whilst many writers have taken up their pen to write of ‘the beautiful’, Burke’s subject here was that quality he uniquely distinguished as ‘the sublime’ – an all-consuming force beyond beauty that compelled terror as much as rapture in all who beheld it. (...)
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  39. Edmund Burke (1998/2008). A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful: And Other Pre-Revolutionary Writings. Penguin Books.
    CONTENTS LIST OF ABBREVIATIONS Vtt A CHRONOLOGY OF EDMUND BURKE INTRODUCTION X FURTHER READING XXxix A NOTE ON THE TEXTS xliv A Vindication of Natural ...
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  40. Edmund Burke (1759/2008). A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful. Dover Publications.
    This eloquent 1757 treatise examines how interactions with the physical world affect formulation of ideals related to beauty and art. Tremendously influential on the development of aesthetic theory, this formative dissertation was among the first explorations of the concept of the sublime and remains a thought-provoking study for modern readers.
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  41. Edmund Burke (1759/1970). A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful, 1759. Menston,Scolar P..
    This eloquent 1757 treatise examines how interactions with the physical world affect formulation of ideals related to beauty and art. Tremendously influential on the development of aesthetic theory, this formative dissertation was among the first explorations of the concept of the sublime and remains a thought-provoking study for modern readers.
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  42. Edmund Burke & Henry Morley (1887). An Essay on the Sublime and Beautiful. Cassell.
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  43. Douglas Burnham, Immanuel Kant: Aesthetics. Internet Encyclopedia of Philosophy.
  44. Victor V. Bychkov (2012). Symbolization in Art as an Aesthetic Principle. Russian Studies in Philosophy 51 (1):64-79.
    The author analyzes artistic symbolization as the process by which the artist creatively embodies metaphysical reality in the work of art and evokes a spiritual and emotional response in the recipient.
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  45. Daniel Came (2012). Moral and Aesthetic Judgments Reconsidered. Journal of Value Inquiry 46 (2):159-171.
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  46. Joseph Cannon (2008). The Intentionality of Judgments of Taste in Kant's Critique of Judgment. Journal of Aesthetics and Art Criticism 66 (1):53–65.
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  47. Luigi Caranti (2005). Logical Purposiveness and the Principle of Taste. Kant-Studien 96 (3):364-374.
    In both Introductions to the Critique of Judgment Kant seems to identify the a priori principle at the basis of aesthetic judgments with the principle that guides reflective judgment in its cognitive inquiry of nature, i.e. the purposiveness of nature or systematicity. For instance Kant writes.
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  48. Allen Carlson (1981). Nature, Aesthetic Judgment, and Objectivity. Journal of Aesthetics and Art Criticism 40 (1):15-27.
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  49. Howard Caygill (1989). Art of Judgement. B. Blackwell.
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  50. Carlo Cellucci (forthcoming). Mathematical Beauty, Understanding, and Discovery. Foundations of Science:1-17.
    In a very influential paper Rota stresses the relevance of mathematical beauty to mathematical research, and claims that a piece of mathematics is beautiful when it is enlightening. He stops short, however, of explaining what he means by ‘enlightening’. This paper proposes an alternative approach, according to which a mathematical demonstration or theorem is beautiful when it provides understanding. Mathematical beauty thus considered can have a role in mathematical discovery because it can guide the mathematician in selecting which hypothesis to (...)
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