This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories
Subcategories:
344 found
Search inside:
(import / add options)   Sort by:
1 — 50 / 344
Material to categorize
  1. Henry David Aiken (1950). A Pluralistic Analysis of Aesthetic Value. Philosophical Review 59 (4):493-513.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  2. Hanne Appelqvist (2013). Ethics and Aesthetics Are One and the Same? In Peter Sullivan Michael Potter (ed.), Wittgenstein's Tractatus. History and Interpretation. Oup. 40.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  3. Antony Aumann (2014). The Relationship Between Aesthetic Value and Cognitive Value. Journal of Aesthetics and Art Criticism 72 (2):117-127.
    Recent attention to the relationship between aesthetic value and cognitive value has focused on whether the latter can affect the former. In this article, I approach the issue from the opposite direction. I investigate whether the aesthetic value of a work can influence its cognitive value. More narrowly, I consider whether a work's aesthetic value ever contributes to or detracts from its philosophical value, which I take to include the truth of its claims, the strength of its arguments, and its (...)
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  4. Carl Baker, The Limits of Faultless Disagreement.
    Some have argued that the possibility of faultless disagreement gives relativist semantic theories an important explanatory advantage over their absolutist and contextualist rivals. Here I combat this argument, focusing on the specific case of aesthetic discourse. My argument has two stages. First, I argue that while relativists may be able to account for the possibility of faultless aesthetic disagreement, they nevertheless face difficulty in accounting for the intuitive limits of faultless disagreement. Second, I develop a new non-relativist theory which can (...)
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  5. Edward G. Ballard (1969). On Good and Evil in Philosophy of Art and Aesthetic Theory. Southern Journal of Philosophy 7 (3):273-287.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  6. S. Bates (2003). EATON, MM-Merit, Aesthetic and Ethical. Philosophical Books 44 (2):187-188.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  7. Monroe C. Beardsley (1962). Beauty and Aesthetic Value. Journal of Philosophy 59 (21):617-628.
    This paper affirms the proposition, denied by albert hofstadter ("journal of philosophy", volume 59, 1962), that the study of the meaning and ground of value judgments is a proper branch of aesthetics. hofstadter objects that the use of 'aesthetic value' involves a "category mistake"; however, this objection is based on an apparent failure to understand a derivative or instrumental definition. hofstadter's own position is also criticized. it is argued (a) that his theory of aesthetic validity, while commendable in some respects, (...)
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  8. Grzegorz Białkowski & Helena Białkowska (1978). Cognitive and Aesthetic Values in Artistic Work and Scientific Work. Dialectics and Humanism 5 (2):39-52.
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  9. William Bossart (1961). Authenticity and Aesthetic Value in the Visual Arts. British Journal of Aesthetics 1 (3):144-159.
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  10. Lothar Bredella (1996). Aesthetics and Ethics: Incommensurable, Identical or Conflicting? In Gerhard Hoffmann & Alfred Hornung (eds.), Ethics and Aesthetics: The Moral Turn of Postmodernism. C. Winter. 29--51.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  11. Isis Brook & Emily Brady (2003). The Ethics and Aesthetics of Topiary. Ethics and the Environment 8 (1):127-42.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  12. John Bruce (1967). For Artistic Reasons. Journal of Aesthetics and Art Criticism 25 (3):255-258.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  13. Malcolm Budd (2006). Objectivity and the Aesthetic Value of Nature: Reply to Parsons. British Journal of Aesthetics 46 (3):267-273.
    The Aesthetic Appreciation of Nature I advance a view of the aesthetic value of nature that Glenn Parsons seeks to contest. Here I attempt to show three things. The first is that his critique of my view of the aesthetic value of a natural thing is malfounded. The second is that his proposed alternative, which is intended to vindicate the claim to objectivity of certain judgements of the aesthetic value of a natural thing, is unconvincing. And the third is that, (...)
    Remove from this list | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  14. Malcolm Budd (2004). Artistic Value. In Peter Lamarque & Stein Haugom Olsen (eds.), Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Blackwell Pub.. 262--273.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  15. Seán Burke (1999). The Aesthetic, the Cognitive, and the Ethical: Criticism and Discursive Responsibility. In David Fuller & Patricia Waugh (eds.), The Arts and Sciences of Criticism. Oup Oxford.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  16. Noël Carroll (1998). Morality and Aesthetics. In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. 3--279.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  17. Ma Chengkuan (2007). A Brief Description of Cultural and Artistic Growth in Flushing. Chinese Studies in History 41 (2):68-70.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  18. G. K. Chesterton (2001). The Artistic Side. The Chesterton Review 27 (1/2):21-23.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  19. Scott Clifton (2014). Non-Branching Moderate Moralism. Philosophia 42 (1):95-111.
    Noël Carroll’s (“Moderate Moralism”) conceptual framework includes four positions: radical autonomism, moderate autonomism, moderate moralism, and radical moralism. Alessandro Giovanelli (“The Ethical Criticism of Art: A New Mapping of the Territory”) argues that the radical positions, as Carroll defines them, have no modern day adherents. Therefore, the framework should be adapted such that we can see interestingly new distinctions. On Giovanelli’s new framework Carroll’s account is a moderate autonomist view. In this paper I adopt Giovanelli’s framework and raise a different (...)
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  20. Hugh Mercer Curtler (2004). The Artistic Failure Of. Journal of Aesthetic Education 38 (1).
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  21. Collinson Diane (1985). Ethics and Aesthetics Are One. British Journal of Aesthetics 25 (3).
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  22. George Dickie (1993). An Artistic Misunderstanding. Journal of Aesthetics and Art Criticism 51 (1):69-71.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  23. Andreas Dorschel (2005). Sentimentalität. Über eine Kategorie ästhetischer und moralischer Abwertung. Perspektiven der Philosophie 31 (1):11-22.
    Sentimentality: this term has had an odd career that converted it from an expression of praise into one of abuse. The obvious suspicion is that the word ‚sentimental‘ has had an entirely different meaning in the 20th and 21st centuries (when it has been deployed for abuse) as compared to the 18th century (when it had been used for praise). Scrutiny shows, however, that this is not the case. Rather the very same aspects of sentimentality that had appeared to, e.g., (...)
    Remove from this list |
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  24. Rolf Ekman (1963). Aesthetic Value and the Ethics of Life Affirmation. British Journal of Aesthetics 3 (1):54-66.
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  25. Richard Eldridge (2005). Aesthetics and Ethics. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oup Oxford.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  26. J. Fruchtl (1992). Ethics and Aesthetics, a Postmetaphysical Attraction. Philosophische Rundschau 39 (1-2):13-28.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  27. G. Gallino (1992). The Conciliation of Aesthetics and Ethics. Filosofia 43 (2):215-268.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  28. Imre Garaczi (2004). Korszellem És Műalkotás: Művészetelméleti És Morálbölcseleti Írások. Veszprémi Humán Tudományokért Alapítvány.
    Remove from this list |
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  29. Richard M. Gaskin (1989). Can Aesthetic Value Be Explained? British Journal of Aesthetics 29 (4):329-340.
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  30. Bruce M. Gatenby (1994). Beauty and the Beastly Cause: Aesthetic Value, Anarchy, and the Theater of Representation in James'sthe Princess Casamassima. [REVIEW] Journal of Value Inquiry 28 (2):313-325.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  31. Dorota Glowacka & Stephen Boos (eds.) (2002). Between Ethics and Aesthetics: Crossing the Boundaries. State University of New York Press.
    Rethinks the existing definitions of aesthetics and ethics and the relations between them.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  32. Alan Goldman (2005). Beardsley's Legacy: The Theory of Aesthetic Value. Journal of Aesthetics and Art Criticism 63 (2):185–189.
    Remove from this list | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  33. Alan H. Goldman (2011). The Appeal of the Mystery. Journal of Aesthetics and Art Criticism 69 (3):261-272.
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  34. Alan H. Goldman (2006). The Experiential Account of Aesthetic Value. Journal of Aesthetics and Art Criticism 64 (3):333–342.
    Remove from this list | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  35. Alan H. Goldman (1995). Aesthetic Value. Westview Press.
    At the heart of aesthetics lie fundamental questions about value in art and the objectivity of aesthetic valuation. A theory of aesthetic value must explain how the properties of artworks contribute to the values derived from contemplating and appreciating works of art. When someone passes judgment on a work of art, just what is it that is happening, and how can such judgments be criticized and defended?In this concise survey, intended for advanced undergraduate students of aesthetics, Alan Goldman focuses on (...)
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  36. Alan H. Goldman (1995). The Aesthetic Value of Representation in Painting. Philosophy and Phenomenological Research 55 (2):297-310.
    Remove from this list | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  37. Alan H. Goldman (1990). Aesthetic Qualities and Aesthetic Value. Journal of Philosophy 87 (1):23-37.
    To say that an object is beautiful or ugly is seemingly to refer to a property of the object. But it is also to express a positive or negative response to it, a set of aesthetic values, and to suggest that others ought to respond in the same way. Such judg- ments are descriptive, expressive, and normative or prescriptive at once. These multiple features are captured well by Humean accounts that analyze the judgments as ascribing relational properties. To say that (...)
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  38. Waldemar Hanasz (2009). Political Non-Domination and Artistic Freedom. Art Inquiry. Recherches Sur les Arts 11:33-56.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  39. Jean Gabbert Harrell (1950). A Note on Artistic Criticism. Journal of Philosophy 47 (18):530-532.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  40. Hilde Hein (1994). Value Inquiry — Aesthetic Value. Journal of Value Inquiry 28 (2):141-149.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  41. John Hoaglund (1976). Originality and Aesthetic Value. British Journal of Aesthetics 16 (1):46-55.
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  42. Harro Höpfl (2000). Aesthetics, Ethics and Identity. In Stephen Linstead & Heather Höpfl (eds.), The Aesthetics of Organization. Sage Publications. 197.
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  43. Lee Horvitz (1996). Aesthetic Value. Teaching Philosophy 19 (4):418-421.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  44. Christina Howells (2001). The Ethics of Aesthetics. The Philosophers' Magazine 16:48-50.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  45. Andrew Huddleston (2012). In Defense of Artistic Value. Philosophical Quarterly 62 (249):705-714.
    Is there a distinctively artistic value that works of art have over and above their aesthetic value? No, Dominic McIver Lopes claims in a recent paper. He canvases various non-aesthetic options for underwriting artistic value. Yet he dispenses too quickly with a promising account of artistic value that would look to the artwork's status as an achievement as the basis of its value: On this achievement-based view, the value of the work of art as art (that is, its distinctively artistic (...)
    Remove from this list | Direct download (9 more)  
     
    My bibliography  
     
    Export citation  
  46. Andrew Huddleston, Artistic Value.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  47. Peter Martin Jaworski (2013). In Defense of Fakes and Artistic Treason: Why Visually-Indistinguishable Duplicates of Paintings Are Just as Good as the Originals. [REVIEW] Journal of Value Inquiry 47 (4):391-405.
    I argue that all that is relevant to appreciating art as art is the "abstract entity that is the work of art." The object of aesthetic contemplation, the bearer of aesthetic value, just is this abstract entity picked out by the sortal concept 'work of art,' which requires some vehicle but does not require the particular vehicle that is the original painting. Since this is so, the work of art is present in a visually-indistinguishable duplicate to the same extent and (...)
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  48. Eileen John (2006). Artistic Value and Opportunistic Moralism. In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell Pub.. 332--41.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  49. Vytautas Kavolis (forthcoming). Political Determinants of Artistic Style. Social Research.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  50. Matthew Kieran (1997). Aesthetic Value: Beauty, Ugliness and Incoherence. Philosophy 72 (281):383 - 399.
    [FIRST PARAGRAPHS] From Plato through Aquinas to Kant and beyond beauty has traditionally been considered the paradigmatic aesthetic quality. Thus, quite naturally following Socrates' strategy in The Meno, we are tempted to generalize from our analysis of the nature and value of beauty, a particular aesthetic value, to an account of aesthetic value generally. When we look at that which is beautiful, the object gives rise to a certain kind of pleasure within us. Thus aesthetic value is characterized in terms (...)
    Remove from this list | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
1 — 50 / 344