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  1. Adil Mustafa Ahmad (1994). The Erotic and the Pornographic in Arab Culture. British Journal of Aesthetics 34 (3):278-284.
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  2. Nora M. Alter & Lutz P. Koepnick (eds.) (2004). Sound Matters: Essays on the Acoustics of Modern German Culture. Berghahn Books.
    ... composed by Herms Niel as a Durchhaltefanfare, a fanfare of perseverance, for the German troops that had been surrounded on the Crimea peninsula by ...
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  3. Meter Amevans (1965). Aesthetics in Recent Japanese Novels. Journal of Aesthetics and Art Criticism 24 (1):27-36.
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  4. Meter Amevans (1960). Aesthetic Values in the East and West. Journal of Aesthetics and Art Criticism 19 (1):3-16.
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  5. Douglas R. Anderson (1987). Creativity and the Philosophy of C.S. Peirce. Distributors for the U.S. And Canada, Kluwer Academic Publishers.
    Chapter INTRODUCTION Charles Sanders Peirce is quickly becoming the dominant figure in the history of American philosophy. The breadth and depth of his work ...
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  6. Archie J. Bahm (1957). Buddhist Aesthetics. Journal of Aesthetics and Art Criticism 16 (2):249-252.
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  7. Vahan D. Barooshian (1975). The Aesthetics of the Russian Revolutionary Theatre 1917–21. British Journal of Aesthetics 15 (2):99-117.
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  8. Lorenzo Bartalesi & Mariagrazia Portera (2015). Beyond the Nature-Culture Dichotomy: A Proposal for Evolutionary Aesthetics. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 8 (1):101-111.
    Human aesthetic preferences towards a certain landscape type, a certain bodily traits of the opposite sex, a figurative style rather than another, are embedded in what we call “aesthetic experience”, a complex network of instinctive reactions, emotions, feelings, thoughts, and judgements. Are these preferences universal and species-specific, that is to say are they the same for every member of a particular species? Evolutionary psychologists advocate the universality and species-specificity of the aesthetic preferences. Going back to Darwin's writings, in particular to (...)
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  9. Christopher Bartel (2004). Is Art Good for Us? Beliefs About High Culture in American Life. British Journal of Aesthetics 44 (1):93-96.
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  10. Paolo Bartoloni (2013). The Aesthetics of Renunciation, and the Irregularities of the 20th Century. Cultura 10 (2):71-92.
    In the essay “Das Wort” , Martin Heidegger wrote about “renunciation” in the context of the poetry of Stefan George. According toHeidegger the entrance into the possibility of Saying, with the capital “S” – as opposed to the chatter of every-day life – could be achieved in the instance of the poet’s deliberate acceptance of renunciation. Heidegger’s writings, including “Words,” have had an enormous influence in the second part of the 20th century on authors and thinkers alike. And yet this (...)
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  11. Steffen Borge (forthcoming). An Agon Aesthetics of Football. Sport, Ethics and Philosophy:1-27.
    In this article, I first address the ethical considerations about football and show that a meritocratic-fairness view of sports fails to capture the phenomenon of football. Fairness of result is not at centre stage in football. Football is about the drama, about the tension and the emotions it provokes. This moves us to the realm of aesthetics. I reject the idea of the aesthetics of football as the disinterested aesthetic appreciation, which traditionally has been deemed central to aesthetics. Instead, I (...)
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  12. Steffen Borge, Murray Smith & Margrethe Bruun Vaage (forthcoming). The Aesthetics of Football. Sport, Ethics and Philosophy:1-4.
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  13. Adrian Boutel & Tim Lewens (2014). The Descent of Culture. British Journal of Aesthetics 54 (4):489-492.
    Stephen Davies’ book shows admirable sensitivity to the complexities of aesthetic appreciation, the making of art, and evolutionary explanation. Our critical comments focus on his understanding of how the natural and the cultural are to be distinguished. We suggest that recent work on the evolution of cognition undermines any strict distinction between that which is learned, and therefore within the domain of culture or technology, and that which is part of human nature, and therefore within the domain of evolution. These (...)
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  14. Brian E. Butler (2003). Aesthetics and American Law. Legal Studies Forum (1):203-220.
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  15. Brian E. Butler (2003). Law as an Aesthetic Subject. ASA Newsletter 22 (3):1-3.
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  16. Stephen Davies (2014). Replies to My Critics. British Journal of Aesthetics 54 (4):493-498.
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  17. Stephen Davies (2014). Synopsis. British Journal of Aesthetics 54 (4):467-469.
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  18. Rolando Gripaldo (2009). Filipino Philosophy: A Western Tradition in an Eastern Setting. In Rolando M. Gripaldo (ed.), The Making of a Filipino Philosopher and Other Essays. National Book Store
    In tracing historically the development of Filipino philosophy as traditionally conceived, the author discovered that the early Filipino philosophers were Enlightenment thinkers. This was the direct consequence of the Filipino colonial experience and the explanation why the trajectory of Filipino philosophy is basically Western in orientation.
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  19. Andy Hamilton (forthcoming). The Artful Species: Aesthetics, Art and Evolution By Stephen Davies. Analysis:anv049.
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  20. Juan Ignacio Hernáiz Blazquez (1984). La Deshumanización Del Arte En Ortega / The Dehumanization of Art in Ortega. Naturaleza y Gracia: Revista Cuatrimestral de Ciencias Eclesiásticas 2:313-319.
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  21. Horace Meyer Kallen (1943). The Arts and Thomas Jefferson. Ethics 53 (4):269-283.
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  22. Richard Menary (2014). The Aesthetic Niche. British Journal of Aesthetics 54 (4):471-475.
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  23. Alva Noë (2014). Running Up Against Nature’s Limits? British Journal of Aesthetics 54 (4):483-487.
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  24. José Ortega Y. Gasset (1968). The Dehumanization of Art, and Other Essays on Art, Culture, and Literature (Second Expanded Edition). Princeton University Press.
    The first edition was published in 1948 under the title "The Dehumanization of Art, and Notes on the Novel", translated by Helene Weyl from the Spanish original, "La Deshumanizacion del arte e Ideas sobre la novela," published by Revista de Occidente, 1925. In addition to the two title essays, "The Dehumanization of Art" and "Notes on the Novel," this second expanded edition contains three other essays: "In Search of Goethe from Within" (Goethe desde dentro, 1932); "On Point of View in (...)
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  25. Gabriel Rockhill (2014). Radical History and the Politics of Art. Columbia University Press.
    The primary objective of this book is to open space for rethinking the relationship between art and politics. It seeks to combat one of the fundamental assumptions that has plagued many of the previous debates on this issue: that art and politics are distinct entities definable in terms of common properties, and that they have privileged points of intersection, which can be determined once and for all in terms of an established formula. This common sense assumption is rooted in a (...)
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  26. Jonathan Salem-Wiseman (2012). Heidegger, Art, and Postmodernity by Thomson, Iain D. Journal of Aesthetics and Art Criticism 70 (3):321-323.
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  27. Christopher Stevens (2009). Embracing Scruton's Cultural Conservatism. British Journal of Aesthetics 49 (4):371-388.
    Despite commitments to claims about the welfare-enhancing superiority of art-interested ways of life implicit in much of their work, aestheticians have shown little interest in explicitly bringing their discipline to bear on issues at the intersection of ethics, aesthetics, and politics. Roger Scruton’s work on culture bucks that trend, but few have contributed to the discussion he initiated. After an extended treatment of one of many possible examples showing that aesthetics-related matters can and do bear significantly on social and political (...)
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  28. Fred Wilson (1989). Is Hume a Sceptic with Regard to the Senses? Journal of the History of Philosophy 27 (1):49-73.
  29. Richard Wollheim (1955). Art and Marxism. Encounter 5 (5):68--71.
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Aesthetic Universals
  1. Denis Dutton (2001). Aesthetic Universals. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge 203--214.
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  2. Gene Fendt (1997). The Others In/Of Aristotle's Poetics. Journal of Philosophical Research 22:245-260.
    This paper aims at interpreting (primarily) the first six chapters of Aristotle’s Poetics in a way that dissolves many of the scholarly arguments conceming them. It shows that Aristotle frequently identifies the object of his inquiry by opposing it to what is other than it (in several different ways). As a result aporiai arise where there is only supposed to be illuminating exclusion of one sort or another. Two exemplary cases of this in chapters 1-6 are Aristotle’s account of mimesis (...)
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  3. Mohan Matthen (forthcoming). Play, Skill, and the Origins of Perceptual Art. British Journal of Aesthetics.
    Art is universal across cultures. Yet, it is biologically expensive because of the energy expended and reduced vigilance. Why do humans make and contemplate it? This paper advances a thesis about the psychological origins of perceptual art. First, it delineates the aspects of art that need explaining: not just why it is attractive, but why fine execution and form—which have to do with how the attraction is achieved—matter over and above attractiveness. Second, it states certain constraints: we need to explain (...)
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  4. Tadashi Ogawa & Barry Smith (1995). Editorial Preface. The Monist 78 (1):3-4.
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  5. Martina Sauer (2015). Visualität Und Geschichte. Bilder Als Historische Akteure Im Anschluss an Verköperungstheorien. In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation, Göttingen 2015. V&R Unipress 39-60.
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  6. Martina Sauer (2015). Visualität und Geschichte. Bilder als historische Akteure im Anschluss an Verkörperungstheorien. In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation, Göttingen 2015. V&R Unipress 39-60.
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  7. Martina Sauer (2014-08-11). Aesthetik und Pragmatismus. Zur funktionalen Relevanz einer nicht-diskursiven Formauffassung bei Cassirer, Langer und Krois. Image. Zeitschrift für Interdisziplinäre Bildwissenschaft 20 (2):49-69.
    Aesthetics and pragmatism: are they compatible? It is apparent that as followers of Ernst Cassirer both Susanne K. Langer and John M. Krois adopted this concept. Their approach is based on a non-discursive understanding of form and its functional relevance. How this affects the definition of aesthetics and opens it for action relevant aspects in accordance with formal aesthetics is subject of this research. -/- Lassen sich Aesthetik und Pragmatismus miteinander vereinbaren? Sowohl Susanne K. Langer als auch John M. Krois (...)
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Crosscultural Aesthetics
  1. Cristian Hainic (2012). The Societal Dimension of Art: On Mara Raţiu’s Art as Social Activity. [REVIEW] Journal for Communication and Culture 2 (1):105-109.
    REVIEW OF Raţiu, Mara. Arta ca activitate socială: avatarurile discursului filosofic asupra artei contemporane (Art as Social Activity: The Avatars of Philosophical Discourse on Contemporary Art). Cluj-Napoca: Casa Cărţii de Ştiinţă, 2011.
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  2. Christine James (2015). Aesthetics in the Age of Austerity: Building the Creative Class. In Anthology of Philosophical Studies 9. Athens Institute for Education and Research 37-48.
    Aesthetic theorists often interpret and understand works of art through the social and political context that creates and inspires the work. The recent economic recessions, and the accompanying austerity measures in many European countries, provide an interesting test case for this contextual understanding. Economists debate whether or not spending on entertainment and arts drops during times of recession and austerity. Some economists assume that spending will decline in times of austerity, but others point to evidence that spending on creative arts (...)
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  3. Christine James (2008). Philosophy of Disability. Essays in Philosophy 9 (1):1-10.
    Disability has been a topic of heightened philosophical interest in the last 30 years. Disability theory has enriched a broad range of sub-specializations in philosophy. The call for papers for this issue welcomed papers addressing questions on normalcy, medical ethics, public health, philosophy of education, aesthetics, philosophy of sport, philosophy of religion, and theories of knowledge. This issue of Essays in Philosophy includes nine essays that approach the philosophy of disability in three distinct ways: The first set of three essays (...)
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  4. Dominic McIver Lopes & Andrea Naomi Walsh (2009). Objects of Appropriation. In James O. Young & Conrad Brunk (eds.), The Ethics of Cultural Appropriation. Wiley
  5. John Marmysz (2002). War, Occupation, and Creativity. [REVIEW] Consciousness, Literature and the Arts 3 (2).
    A review of War, Occupation, and Creativity: Japan and East Asia 1920-1960, edited by Marlene Mayo and Thomas Rimer, with H. Eleanor Kerkham.
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  6. Mara Miller (2008). Japanese Gardens as Texts and Contexts. East-West Connections 7 (1):85-106.
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  7. Mara Miller & Koji Yamasaki (forthcoming). Ainu Aesthetics. In Minh Nguyen (ed.), New Studies in Japanese Aesthetics. Lexington Books
    Ainu artists were invited to make “replicas” of traditional Ainu arts held in an important museum collection and describe their choices, process and results. The resulting Ainu aesthetics challenges—and changes—our understanding of aesthetics and the philosophy of art, on four levels: descriptive aesthetics, categorical aesthetics (the categories through which the Ainu understand aesthetic value), implications of these aesthetics for a variety of human activities such as museum practice and daily life, and the implications of the first three for our broader (...)
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  8. Eric S. Nelson (2013). Generativities: Western Philosophy, Chinese Painting, and the Yijing. Orbis Idearum 1 (1):97–104.
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  9. Martina Sauer (2015). Visualität Und Geschichte. Bilder Als Historische Akteure Im Anschluss an Verköperungstheorien. In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation, Göttingen 2015. V&R Unipress 39-60.
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  10. Martina Sauer (2015). Visualität und Geschichte. Bilder als historische Akteure im Anschluss an Verkörperungstheorien. In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation, Göttingen 2015. V&R Unipress 39-60.
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  11. Martina Sauer (2014-08-11). Aesthetik und Pragmatismus. Zur funktionalen Relevanz einer nicht-diskursiven Formauffassung bei Cassirer, Langer und Krois. Image. Zeitschrift für Interdisziplinäre Bildwissenschaft 20 (2):49-69.
    Aesthetics and pragmatism: are they compatible? It is apparent that as followers of Ernst Cassirer both Susanne K. Langer and John M. Krois adopted this concept. Their approach is based on a non-discursive understanding of form and its functional relevance. How this affects the definition of aesthetics and opens it for action relevant aspects in accordance with formal aesthetics is subject of this research. -/- Lassen sich Aesthetik und Pragmatismus miteinander vereinbaren? Sowohl Susanne K. Langer als auch John M. Krois (...)
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  12. Martina Sauer (2013-4-15). John Michael Krois. Bildkörper und Körperschema. Schriften zur Verkörperungstheorie ikonischer Formen. [REVIEW] Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 13 (4).
  13. Martina Sauer (2013). Verantwortung - Vom Aufladen mit Bedeutung in Kunst und Sprache. Zu den Konsequenzen aus den kulturanthropologischen Ansätzen von Cassirer, Warburg und Böhme. In Oxen Kathrin & Sagert Dietrich (eds.), Mitteilungen - zur Erneuerung evangelischer Predigtkultur, Leipzig 2013 (Kirche im Aufbruch ; 5). Evangelische Verlagsanstalt 15-33.
    So many things have a meaning for us. How is it possible and how can we deal with it? In "gestures of attention" (rituals) we understand it, Hartmut Böhme says, and we produce it ourselves, Aby M. Warburg and Ernst Cassirer are suggesting. That means the producer and the recipient are responsible for their doing. -/- So vieles in unserem Leben hat für uns eine Bedeutung. Wie kommt das und wie können wir damit umgehen? In "Gesten der Zuwendung" (Rituale), so (...)
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  14. Raymond Aaron Younis (1997). Zhang Zeming's Foreign Moon. Asian Studies Review 21 (2-3):277-280.
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