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Aesthetics

Edited by Rafael De Clercq (Lingnan University)
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  1. added 2015-07-28
    Sondra Bacharach & Deborah Tollefsen (2015). Co‐Authorship, Multiple Authorship, and Posthumous Authorship: A Reply to Hick. Journal of Aesthetics and Art Criticism 73 (3):331-334.
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  2. added 2015-07-28
    Louise Hanson (2015). Conceptual Art and the Acquaintance Principle. Journal of Aesthetics and Art Criticism 73 (3):247-258.
    The Acquaintance Principle has been the subject of extensive debate in philosophical aesthetics. In one of the most recent developments, it has become popular to claim that some works of conceptual art are counterexamples to it. It is further claimed that this is a genuinely new problem in the sense that it is a problem even for versions of the Acquaintance Principle modified to deal with previous objections. I argue that this is essentially correct; however, the claim as it stands (...)
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  3. added 2015-07-28
    Anton Killin (2015). Works, Authors, Co‐Authorship, and Power: A Response to Hick. Journal of Aesthetics and Art Criticism 73 (3):334-337.
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  4. added 2015-07-28
    Robert B. Pippin (2015). Précis. Journal of Aesthetics and Art Criticism 73 (3):309-312.
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  5. added 2015-07-28
    James Shelley (2015). When True Judges Differ: Reply to Durà‐Vilà. Journal of Aesthetics and Art Criticism 73 (3):345-348.
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  6. added 2015-07-28
    Michele Paolini Paoletti (2015). Paradise on the Cheap. Ascriptivism About Ficta. Meinong Studies 6:1-41.
    In this article I shall present a Meinong-inspired theory of fictional objects. This theory is based on two ideas: fictional objects are mental objects, i.e., they depend for their identity conditions on minded subjects thinking of them; they bear properties in two different ways, i.e., by instantiating properties and by having properties “ascribed” to them. In my perspective, ascription relations hold (at least) between an object, a property and a minded subject. After having presented some data about fictional discourse, I (...)
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  7. added 2015-07-28
    Víctor Durà‐vilà (2015). Shelley on Hume's Standard of Taste and the Impossibility of Sound Disagreement Among the Ideal Critics. Journal of Aesthetics and Art Criticism 73 (3):341-345.
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  8. added 2015-07-28
    Jennifer Judkins (2015). Margulis, Elizabeth Helmuth. On Repeat: How Music Plays the Mind. Oxford University Press, 2014, Xi + 204 Pp., $35.00 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):369-370.
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  9. added 2015-07-28
    Dominic Mciver Lopes (2015). Aesthetic Experts, Guides to Value. Journal of Aesthetics and Art Criticism 73 (3):235-246.
    A theory of aesthetic value should explain the performance of aesthetic experts, for aesthetic experts are agents who track aesthetic value. Aesthetic empiricism, the theory that an item's aesthetic value is its power to yield aesthetic pleasure, suggests that aesthetic experts are best at locating aesthetic pleasure, especially given aesthetic internalism, the view that aesthetic reasons always have motivating force. Problems with empiricism and internalism open the door to an alternative. Aesthetic experts perform a range of actions not aimed at (...)
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  10. added 2015-07-28
    Daniel Wilson (2015). Mcmahon, Jennifer A. Art and Ethics in a Material World: Kant's Pragmatist Legacy. New York: Routledge, 2014, Xv + 234 Pp., 18 B&W Illus., $125.00 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):360-362.
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  11. added 2015-07-28
    Christopher Bartel (2015). The Metaphysics of Mash‐Ups. Journal of Aesthetics and Art Criticism 73 (3):297-308.
    Accounts of the ontology of musical works seek to uncover what metaphysically speaking a musical work is and how we should identify instances of musical works. In this article, I examine the curious case of the mash-up and seek to address two questions: are mash-ups musical works in their own right and what is the relationship between the mash-up and its source materials? As mash-ups are part of the broader tradition of rock, I situate this discussion within an ontology of (...)
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  12. added 2015-07-28
    Darren Hudson Hick (2015). The Co‐Author Is Dead; Long Live the Co‐Author: A Reply to Killin, Bacharach, and Tollefsen. Journal of Aesthetics and Art Criticism 73 (3):337-341.
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  13. added 2015-07-28
    Charles Klayman (2015). Paul, Elliot Samuel and Scott Barry Kaufman, Eds. The Philosophy of Creativity: New Essays. Oxford University Press, 2014, X + 326 Pp., $49.95 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):365-367.
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  14. added 2015-07-28
    Robert B. Pippin (2015). Response to Fred Rush and Adrian Daub. Journal of Aesthetics and Art Criticism 73 (3):323-329.
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  15. added 2015-07-28
    Matthew Strohl (2015). Bailey, Julius. Philosophy and Hip‐Hop: Ruminations on a Postmodern Cultural Form. New York: Palgrave Macmillan, 2014, Xxii +196 Pp., $85.00 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):362-365.
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  16. added 2015-07-28
    Michele Paolini Paoletti (2015). Paradise on the Cheap. Ascriptivism About Ficta. Meinong Studies 6:1-41.
    In this article I shall present a Meinong-inspired theory of fictional objects. This theory is based on two ideas: fictional objects are mental objects, i.e., they depend for their identity conditions on minded subjects thinking of them; they bear properties in two different ways, i.e., by instantiating properties and by having properties “ascribed” to them. In my perspective, ascription relations hold (at least) between an object, a property and a minded subject. After having presented some data about fictional discourse, I (...)
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  17. added 2015-07-28
    Jonathan Gilmore (2015). Lamarque, Peter. The Opacity of Narrative. Lanham, Maryland: Rowman & Littlefield, 2014, Xv + 213 Pp., £19.95 Paper. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):349-351.
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  18. added 2015-07-28
    László Kajtár (2015). Herman, David. Storytelling and the Sciences of Mind. The MIT Press, 2013, Xiv + 428 Pp., $45.00 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):367-369.
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  19. added 2015-07-28
    Jukka Mikkonen (2015). On Studying the Cognitive Value of Literature. Journal of Aesthetics and Art Criticism 73 (3):273-282.
    The debate on the cognitive value of literature is undergoing a change. On the one hand, several philosophers recommend an epistemological move from “knowledge” to “understanding” in describing the cognitive benefits of literature. On the other hand, skeptics call for methodological discussion and demand evidence for the claim that readers actually learn from literature. These two ideas, the notion of understanding and the demand for evidence, seem initially inconsistent, for the notion of understanding implies that the cognitive benefits of literature (...)
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  20. added 2015-07-28
    Fred Rush (2015). Hegel, Moderniste? Remarks on Robert Pippin's After the Beautiful. Journal of Aesthetics and Art Criticism 73 (3):312-318.
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  21. added 2015-07-28
    Sarah Worth (2015). Matravers, Derek. Fiction and Narrative. Oxford University Press, 2014, Vii + 157 Pp., $55.00 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):351-353.
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  22. added 2015-07-28
    Adrian Daub (2015). Comments on Robert Pippin's After the Beautiful. Journal of Aesthetics and Art Criticism 73 (3):318-323.
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  23. added 2015-07-28
    Erkki Huovinen (2015). Hindrichs, Gunnar. Die Autonomie des Klangs: Eine Philosophie der Musik. Suhrkamp Verlag, 2014, 272 Pp., €17,00 Paper.; Young, James O. Critique of Pure Music. Oxford University Press, 2014, Xi + 199 Pp., $55.00 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):353-358.
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  24. added 2015-07-28
    Jane Kneller (2015). SIMON, JULIA. Rousseau Among the Moderns: Music, Aesthetics, Politics. Pennsylvania State University Press, 2013, Xi + 227 Pp., $64.95 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):358-360.
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  25. added 2015-07-28
    Kenneth Walden (2015). Art and Moral Revolution. Journal of Aesthetics and Art Criticism 73 (3):283-295.
    Traditionally, questions about the role of the arts in moral thought have focused on the arts’ role in the acquisition of new moral knowledge, the refinement of moral concepts, and the capacity to apply our moral view to particular situations. Here I suggest that there is an importantly different and largely overlooked role for the arts in moral thought: an ability to reconfigure the structure of our moral thought and effect what we might call a revolution in that framework. In (...)
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  26. added 2015-07-26
    Richard McDonough (forthcoming). Wittgenstein's Augustinian Cosmogony in Zettel 608. Philosophy and Literature 39 (1).
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  27. added 2015-07-26
    Richard Woodward (forthcoming). Identity in Fiction. Philosophy and Phenomenological Research.
    Anthony Everett (2005) argues that those who embrace the reality of fictional entities run into trouble when it comes to specifying criteria of character identity. More specifically, he argues that realists must reject natural principles governing the identity and distinctness of fictional characters due to the existence of fictions which leave it indeterminate whether certain characters are identical and the existence of fictions which say inconsistent things about the identities of their characters. Everett's critique has deservedly drawn much attention and (...)
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  28. added 2015-07-23
    Burcu Baykan (2015). To Be-Between, To Pass Between: Becoming “Intermezzo” in Orlan’s Carnal Art. In Leslie Malland (ed.), Time, Space & the Body. UK: Inter-Disciplinary Press E-Books
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  29. added 2015-07-18
    Aimee Mollaghan (2015). Akira Mizuta Lippit Ex-Cinema: From a Theory of Experimental Film and Video. Film-Philosophy 19.
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  30. added 2015-07-18
    Katherine Blakeney (2015). Eve Golden John Gilbert: The Last of the Silent Film Stars. Film-Philosophy 19.
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  31. added 2015-07-18
    Greg Hainge (2015). Benjamin Thomas, Ed. Tourner le Dos: Sur L’Envers du Personnage au Cinéma. Film-Philosophy 19.
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  32. added 2015-07-18
    Cameron Ironside (2015). Sean Redmond The Cinema of Takeshi Kitano: Flowering Blood. Film-Philosophy 19.
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  33. added 2015-07-18
    Agust Magnusson (2015). Vincent M. Gaine Existentialism and Social Engagement in the Films of Michael Mann. Film-Philosophy 19.
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  34. added 2015-07-18
    Victoria Grace Walden (2015). Paul Cooke Contemporary German Cinema. Film-Philosophy 19.
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  35. added 2015-07-18
    Chloe Jane Benson (2015). Fabio Vighi Critical Theory and Film: Rethinking Ideology Through Film Noir. Film-Philosophy 19.
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  36. added 2015-07-18
    Thorsten Botz-Bornstein (2015). John Orr The Demons of Modernity: Ingmar Bergman and European Cinema. Film-Philosophy 19.
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  37. added 2015-07-18
    Nadine Hartmann (2015). Seán Sheehan Žižek: A Guide for the Perplexed. Film-Philosophy 19.
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  38. added 2015-07-18
    Hanna Karolina Kubicka (2015). Nora Gilbert Better Left Unsaid: Victorian Novels, Hays Code Films, and the Benefits of Censorship. Film-Philosophy 19.
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  39. added 2015-07-18
    Noah Greenstein (2015). Punny Logic. Analysis 75 (3):359-362.
    Logic and humour tend to be mutually exclusive topics. Humour plays off ambiguity, while classical logic falters over it. Formalizing puns is therefore impossible, since puns have ambiguous meanings for their components. However, I will use Independence-Friendly logic to formally encode the multiple meanings within a pun. This will show a general strategy of how to logically represent ambiguity and reveals humour as an untapped source of novel logical structure.
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  40. added 2015-07-18
    Tom Stern (2015). Nietzsche and The Birth of Tragedy, by Paul Raimond Daniels. Durham, UK: Acumen, 2013, Xvi + 240 Pp. ISBN 978-1-84465-243-3 Pb £16.99; ISBN 978-1-84465-242-6 Hb £50. [REVIEW] European Journal of Philosophy 23:e17-e21.
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  41. added 2015-07-18
    Edward John Willatt (2015). Spencer Shaw Film Consciousness: From Phenomenology to Deleuze. Film-Philosophy 19.
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  42. added 2015-07-18
    Giacomo Boitani (2015). Schuy R. Weishaar Masters of the Grotesque: The Cinema of Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. Film-Philosophy 19.
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  43. added 2015-07-18
    Maud Ceuterick (2015). Neil Archer The French Road Movie: Space, Mobility, Identity Michael Gott and Thibaut Schist, Eds. Open Road, Closed Borders: The Contemporary French-Language Road Movie. Film-Philosophy 19.
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  44. added 2015-07-18
    Ted Kafala (2015). Domietta Torlasco The Heretical Archive: Digital Memory at the End of Film. Film-Philosophy 19.
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  45. added 2015-07-18
    Maria Walsh (2015). Patricia Pisters The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture. Film-Philosophy 19.
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  46. added 2015-07-18
    Brian K. Bergen-Aurand (2015). Christopher Pavsek The Utopia of Film: Cinema and its Futures in Godard, Kluge, and Tahimik. Film-Philosophy 19.
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  47. added 2015-07-18
    Keith Hennessey Brown (2015). Barry Keith Grant, Ed. The Film Genre Reader IV. Film-Philosophy 19.
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  48. added 2015-07-18
    Felicity Ford (2015). Wanda Teays Seeing the Light: Exploring Ethics Through Movies. Film-Philosophy 19.
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  49. added 2015-07-18
    Helen Hughes (2015). Adrian J. Ivakhiv Ecologies of the Moving Image: Cinema, Affect, Nature. Film-Philosophy 19.
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  50. added 2015-07-18
    Stephen Lowry (2015). Philipp Brunner, Jörg Schweinitz, & Margret Trödler, Eds. Filmische Atmosphären. Film-Philosophy 19.
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1 — 50 / 160