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  1. Rowland Abiodun (2001). African Aesthetics. Journal of Aesthetic Education 35 (4):15-24.
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  2. Rowland Abiodun, Henry John Drewal, John Pemberton, Lorenz Homberger & N. Y.) Museum Rietberg (1991). Yoruba Art and Aesthetics.
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  3. Egbeke Aja (2011). Igba Ekpe Festival Chants in Ohafia: Philosophy and an African Culture. Great Ap Express Publishers.
  4. E. O. Ako (1986). The African Inspiration of the Black Arts Movement. Diogenes 34 (135):93-104.
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  5. Kwame Anthony Appiah (1998). The Arts of Africa. In Richard English & Joseph Morrison Skelly (eds.), Ideas Matter: Essays in Honour of Connor Cruise o’Brien. Poolberg 251-264.
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  6. Kwame Anthony Appiah (1995). Why Africa? Why Art? In Tom Phillips (ed.), Africa: The Art of a Continent. Royal Academy 21-26.
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  7. Kwame Anthony Appiah (1984). An Aesthetics for Adornment in Some African Cultures. In Beauty by Design: The Aesthetics of African Adornment. African-American Institute 15-19.
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  8. Marina Paola Banchetti-Robino (2011). Black Orpheus and Aesthetic Historicism: On Vico and Negritude. Journal of French and Francophone Philosophy 19 (2):121-135.
    This essay offers a novel approach for understanding the poetry of negritude and its role in the struggle for black liberation by appealing to Giambattista Vico’s insights on the historical, cultural, and myth-making function of poetry and of the mythopoetic imagination. The essay begins with a discussion of Vico’s aesthetic historicism and of his ideas regarding the role of imagination, poetry, and myth-making and then brings these ideas to bear on the discussion of the function of negritude poetry, focusing primarily (...)
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  9. J. Binet (1980). The Contribution and the Influence of Black African Cinema. Diogenes 28 (110):66-82.
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  10. Jane Bryce (2008). "Self-Writing" As History: Reconsidering Soyinka's Representation of the Past. Philosophia Africana 11 (1):37-60.
  11. P. H. Coetzee & A. J. P. Roux (eds.) (1991). Philosophy From Africa. Oxford.
    From early sage philosophers to Senghor of Senegal and Biko of South Africa, African thinking has challenged the way we think. As we enter a new millenium, the perspectives provided in this volume offer wise and refreshing alternatives to problems of self and society, culture, aesthetics, metaphysics and religion. Out of Africa always something new, and in these pages contemporary problems of cross-cultural cognition and post-coloniality are not only addressed, but also enacted. The reader witnesses the collision and the coalescence (...)
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  12. P. H. Coetzee & A. P. J. Roux (eds.) (2002). Philosophy From Africa: A Text with Readings. Oxford University Press.
    This considerably revised second edition of Philosopy from Africa presents the current philosophical debate in Africa to a diverse, multicultural world. Its major themes include decolonization, Afro-centrism vs. Euro-centrism, the struggle for cultural freedoms on the continent, and the historic role of Black Consciousness in the liberation struggle. Writers and thinkers, Steve Biko, Kwasi Wiredu, Abiola Irele, Mogobe Ramose, Ngugi Wa Thiong'o and Wole Soyinka, among others, explore the debate surrounding: restitution and reconciliation in the post-colonial milieu, pressures on the (...)
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  13. Daniel J. Crowley (1966). An African Aesthetic. Journal of Aesthetics and Art Criticism 24 (4):519-524.
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  14. Souleymane Bachir Diagne (2011). African Art as Philosophy: Senghor, Bergson, and the Idea of Negritude. Seagull Books.
    Le;opold Se;dar Senghor (1906–2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy , Souleymane Bachir Diagne takes a unique approach to reading Senghor’s influential works, taking as the starting point for his analysis Henri Bergson’s idea that in order to understand philosophers one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his (...)
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  15. Jane Duran (2006). Yoruba Work and Art Categorization. Philosophia Africana 9 (1):35-40.
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  16. Parker English & Nancy Steele Hamme (1996). Using Art History and Philosophy to Compare a Traditional and a Contemporary Form of African Moral Thought. Journal of Social Philosophy 27 (2):204-233.
  17. Nissio Fiagbedzi (2005). An Essay on the Nature of the Aesthetic in the African Musical Arts. S.N.].
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  18. Douglas Fraser (1974). African Art as Philosophy. Interbook.
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  19. Barry Hallen (2000). The Good, the Bad, and the Beautiful: Discourse About Values in Yoruba Culture. Indiana University Press.
    A variety of ordinary language philosophy, focusing on epistemology, ethical values, and aesthetic values in an African context.
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  20. Barry Hallen (2000). The Good, the Bad, and the Beautiful: Discourse About Values in Yoruba Culture. Indiana University Press.
    The Good, the Bad, and the Beautiful Discourse about Values in Yoruba Culture Barry Hallen Reveals everyday language as the key to understanding morals and ethics in Yoruba culture. "This contrasts with any suggestion that in Yoruba or, more generally, African society, moral thinking manifests nothing much more than a supine acquiescence in long established communal values.... Hallen renders a great service to African philosophy." —Kwasi Wiredu In Yoruba culture, morality and moral values are intimately linked to aesthetics. The purest (...)
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  21. Barry Hallen (2000). The Good, the Bad, and the Beautiful: Discourse About Values in Yoruba Culture. Indiana University Press.
    The Good, the Bad, and the Beautiful Discourse about Values in Yoruba Culture Barry Hallen Reveals everyday language as the key to understanding morals and ethics in Yoruba culture. "This contrasts with any suggestion that in Yoruba or, more generally, African society, moral thinking manifests nothing much more than a supine acquiescence in long established communal values.... Hallen renders a great service to African philosophy." —Kwasi Wiredu In Yoruba culture, morality and moral values are intimately linked to aesthetics. The purest (...)
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  22. Barry Hallen (1979). The Art Historian as Conceptual Analyst. Journal of Aesthetics and Art Criticism 37 (3):303-313.
  23. F. Abiola Irele (2008). The Achievement of Wole Soyinka. Philosophia Africana 11 (1):5-19.
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  24. Esiaba Irobi (2008). Special Issue on Wole Soyinka. Philosophia Africana 11 (1):1-4.
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  25. Robin James (2005). On Popular Music in Postcolonial Theory. Philosophia Africana 8 (2):171-187.
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  26. Biodun Jeyifo (2008). Oguntoyinbo: Wole Soyinka and Igilango Geesi. Philosophia Africana 11 (1):21-36.
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  27. Susan Joubert (forthcoming). The Unresolved Shibboleth: Sydney Clouts and the Problems of an African Poetry. Theoria.
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  28. Dane Kennedy (1987). Isak Dinesen's African Recovery of a European Past. Clio 17 (1):37-50.
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  29. Babatunde Lawal (1987). Art for Life's Sake Life for Art's Sake. Obafemi Awolowo University Press.
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  30. Kahiudi Claver Mabana (2008). African Philosophy and Negritude Literature. In F. Ochieng'-Odhiambo, Roxanne Burton & Ed Brandon (eds.), Conversations in Philosophy: Crossing the Boundaries. Cambridge Scholars Pub.
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  31. Albert Mosley (2003). Music in the Black Atlantic. Philosophia Africana 6 (1):23-30.
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  32. J. Murungi (1982). Towards an Understanding of African Art. Diogenes 30 (119):114-131.
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  33. Sarah Nuttall (ed.) (2006). African and Diaspora Aesthetics. Prince Claus Fund Library.
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  34. Isidore Okpewho (1977). Principles of Traditional African Art. Journal of Aesthetics and Art Criticism 35 (3):301-313.
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  35. Joseph Osel (forthcoming). Makaveli's Offspring: A Kendrick Lamar Primer. de Musica 44 (13).
  36. Sheila J. Petty (2012). African Frameworks of Analysis for African Film Studies. In Saër Maty Bâ & Will Higbee (eds.), De-Westernizing Film Studies. Routledge
  37. Tom Phillips (ed.) (1995). Africa: The Art of a Continent. Royal Academy.
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  38. Julio Quaresma (2006). Arte Africano En El Mundo= African Art in the World. Contrastes: Revista Cultural 46:77-83.
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  39. L. S. Senghor & E. P. Halperin (1956). African-Negro Aesthetics. Diogenes 4 (16):23-38.
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  40. A. Sylla & M. Bertelsen (1998). Contemporary African Art: A Multilayered History. Diogenes 46 (184):51-70.
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  41. Dan Vaillancourt (2009). Beautiful/Ugly: African and Diaspora Aesthetics Edited by Nuttall, Sarah. Journal of Aesthetics and Art Criticism 67 (2):256-258.
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  42. Kariamu Welsh-Asante (ed.) (1993). The African Aesthetic: Keeper of the Traditions. Greenwood Press.
  43. Ajume H. Wingo (1998). African Art and the Aesthetics of Hiding and Revealing. British Journal of Aesthetics 38 (3):251-264.
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