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  1. E. O. Ako (1986). The African Inspiration of the Black Arts Movement. Diogenes 34 (135):93-104.
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  2. Kwame Anthony Appiah (1998). The Arts of Africa. In Richard English & Joseph Morrison Skelly (eds.), Ideas Matter: Essays in Honour of Connor Cruise o’Brien. Poolberg. 251-264.
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  3. Kwame Anthony Appiah (1995). Why Africa? Why Art? In Tom Phillips (ed.), Africa: The Art of a Continent. Royal Academy. 21-26.
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  4. Kwame Anthony Appiah (1984). An Aesthetics for Adornment in Some African Cultures. In Beauty by Design: The Aesthetics of African Adornment. African-American Institute. 15-19.
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  5. J. Binet (1980). The Contribution and the Influence of Black African Cinema. Diogenes 28 (110):66-82.
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  6. Daniel J. Crowley (1966). An African Aesthetic. Journal of Aesthetics and Art Criticism 24 (4):519-524.
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  7. Souleymane Bachir Diagne (2011). African Art as Philosophy: Senghor, Bergson, and the Idea of Negritude. Seagull Books.
    Le;opold Se;dar Senghor (1906–2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy , Souleymane Bachir Diagne takes a unique approach to reading Senghor’s influential works, taking as the starting point for his analysis Henri Bergson’s idea that in order to understand philosophers one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his (...)
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  8. Jane Duran (2006). Yoruba Work and Art Categorization. Philosophia Africana 9 (1):35-40.
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  9. Parker English & Nancy Steele Hamme (1996). Using Art History and Philosophy to Compare a Traditional and a Contemporary Form of African Moral Thought. Journal of Social Philosophy 27 (2):204-233.
  10. Nissio Fiagbedzi (2005). An Essay on the Nature of the Aesthetic in the African Musical Arts. S.N.].
  11. Douglas Fraser (1974). African Art as Philosophy. Interbook.
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  12. Robin James (2005). On Popular Music in Postcolonial Theory. Philosophia Africana 8 (2):171-187.
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  13. Albert Mosley (2003). Music in the Black Atlantic. Philosophia Africana 6 (1):23-30.
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  14. J. Murungi (1982). Towards an Understanding of African Art. Diogenes 30 (119):114-131.
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  15. Sarah Nuttall (ed.) (2006). African and Diaspora Aesthetics. Prince Claus Fund Library.
  16. Isidore Okpewho (1977). Principles of Traditional African Art. Journal of Aesthetics and Art Criticism 35 (3):301-313.
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  17. Sheila J. Petty (2012). African Frameworks of Analysis for African Film Studies. In Saër Maty Bâ & Will Higbee (eds.), De-Westernizing Film Studies. Routledge.
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  18. L. S. Senghor & E. P. Halperin (1956). African-Negro Aesthetics. Diogenes 4 (16):23-38.
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  19. A. Sylla & M. Bertelsen (1998). Contemporary African Art: A Multilayered History. Diogenes 46 (184):51-70.
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  20. Dan Vaillancourt (2009). Beautiful/Ugly: African and Diaspora Aesthetics Edited by Nuttall, Sarah. Journal of Aesthetics and Art Criticism 67 (2):256-258.
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  21. Kariamu Welsh-Asante (ed.) (1993). The African Aesthetic: Keeper of the Traditions. Greenwood Press.
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  22. Ajume H. Wingo (1998). African Art and the Aesthetics of Hiding and Revealing. British Journal of Aesthetics 38 (3):251-264.
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