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  1. Corey Abel (forthcoming). Whatever It Turns Out To Be: Oakeshott on Aesthetic Experience. In Leslie MArsh Paul Franco (ed.), Whatever It Turns Out To Be: Oakeshott on Aesthetic Experience. Penn State UP.
    This essay presents a multifold argument on Oakeshott's aesthetics. First, his famous essay "The Voice of Poetry" deals more explicitly and thoroughly with art than is often acknowledged. Second, aesthetic experience is a competitor to philosophic insight in so far as it discloses the coherence of a world of ideas through its uniting form and content; yet "art" remains a mode. Third, the essay points out that the absence of history from any major role in Oakeshott's most important treatment of (...)
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  2. Noga Arikha (2010). La Quete de L'Équilibre: Ame, Vertus, Humeurs. Corps 8:57-63.
    Les humeurs sont à la mode: le corps passionnel est au centre de notre culture, avec ses besoins, ses plaisirs, son équilibre et son mal-être. L’émotion est à raconter, l’exercice doit faire suer, la vie sexuelle se publicise. Le corps médical est humeur à part entière : les tests sanguins précèdent le diagnostic holistique dans l’analyse de la maladie et donc dans la recherche de l’équilibre optimal et du bien-être. Nos humeurs sont devenues des impératifs moraux : les décharges émotionnelles (...)
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  3. Babette Babich (2007). Greek Bronze: Holding a Mirror to Life. Yearbook of the Irish Philosophical Society. 7:1-30.
    Explores the role of the thousands of life-size bronze statues "populating" Athens, Rhode, Olympia and other Greek cities. Applied phenomenological hermeneutics.
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  4. Khosrow Bagheri (2005). A Hermeneutical Model for Research on the Evaluation of Academic Achievement. New Thoughts on Education 1 (2&3):5-12.
    The hermeneutic view, as a constructive approach in social sciences, is revived in last decades; Principles of this view are applied to educational studies as well. In this essay, the application of these principles to the area of research on evaluation of academic achievement is discussed, In this discussion the main point of the hermeneutic view, namely the Hermeneutic circle, is highlighted within the framework of Heidegger's and Gadamer’s views, Accordingly, four steps are suggested for doing research on the evaluation (...)
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  5. David E. Beard (2009). From Work to Text to Document. Archival Science 8 (3):217-226.
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  6. David E. Beard (2008). “Out of the Aerie Realm of the Intellectual Firmament.”. Quarterly Journal of Speech 93 (3):349-351.
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  7. David E. Beard & Richard Enos (eds.) (2007). Advances in the History of Rhetoric: The First Six Years. Parlor Press.
    Anthology of articles from the journal Advances in the History of Rhetoric, as published by the American Society for the History of Rhetoric.
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  8. Miro Brada, Chess Composition as an Art.
    The article presents the chess composition as a logical art, with concrete examples. It began with Arabic mansuba, and later evolved to new-strategy designed by Italian Alberto Mari. The redefinition of mate (e.g. mate with a free field) or a theme to quasi-pseudo theme, opens the new space for combinations, and enables to connect it with other fields like computer science. The article was exhibited in Holland Park, W8 6LU, The Ice House between 18. Oct - 3. Nov. 2013.
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  9. Francesca Brencio (ed.) (2014). Corpo e spazio. A partire da Francesca Woodman.
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  10. Francesca Brencio (ed.) (2013). Rahamim. Lingua, terra, misericordia.
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  11. Francesca Brencio (2011). Sensi senza genitivo. In M. Marchi & G. Di Renzo (eds.), Olfatto e profumo tra storia, scienza e arte.
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  12. Francesca Brencio (2003). Il peso insopportabile. Arthur Rimbaud. Davar 1.
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  13. Thom Brooks, Publishing Advice for Graduate Students.
    Graduate students often lack concrete advice on publishing. This essay is an attempt to fill this important gap. Advice is given on how to publish everything from book reviews to articles, replies to book chapters, and how to secure both edited book contracts and authored monograph contracts, along with plenty of helpful tips and advice on the publishing world (and how it works) along the way in what is meant to be a comprehensive, concrete guide to publishing that should be (...)
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  14. Thom Brooks (2012). The Academic Journal Editor: Secrets Revealed. Journal of Moral Philosophy 9 (3):313-325.
    Academic publishing is a world filled with more mystery than revelation. Often the best advice is made available only to those lucky enough to hear it by word of mouth. This is no less true with editing academic journals. I have enjoyed the honour of launching the Journal of Moral Philosophy and serving as its editor for the last ten years. I actively sought out the best advice on a number of issues from editors serving on leading journals as well (...)
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  15. Krzysztof Brzechczyn & Katarzyna Paprzycka (eds.) (2012). Thinking About Provincialism in Thinking. Rodopi.
    The volume addresses a problem rarely discussed by philosophers - the question of provincialism in science (in the broadest sense of the term). There are only a few great centers of science, which attract funding and provide almost ideal opportunities for research and development. They also attract some of the best researchers. Some - but not all. For a variety of reasons, some of the best researchers, or ones who have that potential, may do science outside these centers, in the (...)
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  16. Annamaria Carusi (2011). Trust in the Virtual/Physical Interworld. In Charles Ess & May Thorseth (eds.), Trust and Virtual Worlds. Peter Lang.
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  17. Annamaria Carusi (2009). Philosophy Engines: Technology and Reading/Writing/Thinking Philosophy. Discourse 8 (3).
    Knowledge does not float free of the technologies available for its production and presentation. The intimate connection between ideas and praxis - embodied, technological, social - exemplified in any knowledge practice is, in the terms of Ihde & Selinger (2004), an 'epistemology engine'. This refers to the material-semiotic connections that obtain for any specific rendering of an idea. Often this material-semiotic connection is easier to recognise in the case of art than in that of knowledge, where it appears more-or-less obvious (...)
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  18. Tomás N. Castro (2013). Um Corpo em Presença. Uma Aproximação a Marina Abramović. Philosophica 42:189-198.
    Describing some of Marina Abramović’s performances, this essay aims to provide one possible philosophical framework in what concerns this form of art. The scope of presence in Abramović is enlighten by employing some vocabulary from a certain body poetics into the embodiment reflection, and ontological issues in performance come out when thinking about re-performance possibilities.
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  19. Jonathan Owen Clark & Taku Ando (2014). Geometry, Embodied Cognition and Choreographic Praxis. International Journal of Performance Arts and Digital Media 10 (2):179-192.
    A common approach to movement creation amongst contemporary choreographers involves dancers being asked to create movement in response to instructions that require them to form mental images, and then to make decisions in response to the internal feedback loops these images generate. The formation of these images is also facilitated in many cases by the use of digital technologies, via data representation and visualization. This article explores connections between technology, choreographic praxis, cognitive science and related topics in the philosophy of (...)
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  20. Gianluca Consoli (2013). Art and Religion: Inverting the Primacy. Dialogues in Philosophy, Mental and Neuro Sciences 6 (2):74-77.
    On the basis of the conception of aesthetic imagination derived from evolutionary psychology, cognitive psychology, and social cognitive neuroscience, today it is possible - and more appropriate - to invert the traditional view of anthropologists and archeologists that conceives the arts (from the early pre-historic arts) as mere instruments supporting religious beliefs, practices, and rituals.
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  21. John Corcoran (2014). Meanings of Hypothesis. Bulletin of Symbolic Logic 20 (2):348-9.
    The primary sense of the word ‘hypothesis’ in modern colloquial English includes “proposition not yet settled” or “open question”. Its opposite is ‘fact’ in the sense of “proposition widely known to be true”. People are amazed that Plato [1, p. 1684] and Aristotle [Post. An. I.2 72a14–24, quoted below] used the Greek form of the word for indemonstrable first principles [sc. axioms] in general or for certain kinds of axioms. These two facts create the paradoxical situation that in many cases (...)
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  22. John Corcoran (1989). The Inseparability of Logic and Ethics. Free Inquiry 9 (2):37-40.
    This essay takes logic and ethics in broad senses: logic as the science of evidence; ethics as the science justice. One of its main conclusions is that neither science can be fruitfully pursued without the virtues fostered by the other: logic is pointless without fairness and compassion; ethics is pointless without rigor and objectivity. The logician urging us to be dispassionate is in resonance and harmony with the ethicist urging us to be compassionate.
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  23. Balaganapathi Devarakonda (2012). Role of Learner in Globalised Education. In Sebastian Velassery (ed.), Globalisation and Cultural Identities: Philosophical Challenges and Opportunities. Overseas Press, New Delhi.
    The implications of Globalization on education are multifaceted. However, roots of all these implications can be traced to the predominance of economic activity at the global level. The education and learning paradigm, around the world is under increasing pressure to meet the demands of the new knowledge and information-intensive global economy in a better way. This kind of pressure is challenging the traditional relationships between teachers and students and causing paradigm shifts in the process of learning. Especially, as noted by (...)
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  24. Balaganapathi Devarakonda (2011). Hobbesian Philosophy Still Sways Scholars. VDM Verlag Dr. Muller.
    The sustained and critical attention that Hobbes commands from twentieth century scholars proves the relevance of his philosophy to our concerns, but it cannot explain the occasion for such an attention. The chief aim of the present work is to provide an account of the reason for the sudden emergence of diverse interpretations of Hobbes that had cropped up in the twentieth century. This work argues that the arrival of the diverse interpretations cannot be answered only by looking at the (...)
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  25. Andreas Dorschel (ed.) (2009). Kunst und Wissen in der Moderne. Böhlau.
    The relationship between art and knowledge is subject to historical change. In the early 19th century, the view was still prevalent that art was about eternal values, especially beauty, whereas science was entirely involved in historical time: The former was seen as contemplative, the latter as searching. But ever since, most artists have given up that stance and hence the once imagined detachment from historical time. They search, and sometimes research, too. Does that mean that art and science have come (...)
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  26. Jacques Dubucs, Dubucs (forthcoming). Digital Humanities: Foundations. In P. Davidhazi (ed.), Exploring a Paradigm Shift. New Publication Cultures in the Humanities. 21-35.
    The paper argues that the digitalization enterprise revives, beyond the post-modern period of interpretive anarchism, the XIXth century ideal of philological probity.
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  27. Tania Fraga (2013). Caracolomobile: Affect in Computer Systems. [REVIEW] AI and Society 28 (2):167-176.
    This essay presents and reflects upon the construction of a few experimental artworks, among them Caracolomobile , that looks for poetic, aesthetic and functional possibilities to bring computer systems to the sensitive universe of human emotions, feelings and expressions. Modern and Contemporary Art have explored such qualities in unfathomable ways and nowadays is turning towards computer systems and their co-related technologies. This universe characterizes and is the focus of these experimental artworks; artworks dealing with entwined subjective and objective qualities, weaving (...)
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  28. Roberto Franzini Tibaldeo (2013). An Indivisible Existence. Complexity, Governance and Responsibility in the Global Age. Governare la Paura. Journal of Interdisciplinary Studies:192-218.
    The article begins with the redefinition of complexity and risk. Indeed, phenomena such as earthquakes, pandemics, ecological emergencies, and issues related to the development of technology highlight the unique and reciprocal relationship between complexity and risk. However, modernity endeavoured to simplify complexity and to erase the connection of the latter with any issue concerning risk. Despite its negative results, whose ineffectiveness and dangerousness have at the present become unmistakably clear, the attitude in favour of simplification succeeded in becoming the forma (...)
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  29. David Freedberg (1971). Johannes Molanus on Provocative Paintings. De Historia Sanctarum Imaginum Et Picturarum, Book II, Chapter 42. Journal of the Warburg and Courtauld Institutes 34:229-245.
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  30. Furmuzachi Gabriel, Stalling for Time.
    Carel Fabritius left behind few but important works of art. We are concerned here with the View in Delft, and attempt to make two points about it. The first is that this small painting manages to break away from the classical perception of perspective, an endeavor informed mostly by new findings in the field of optics of the time. The second point, theoretically related to the first, stresses compositional elements that would bring View in Delft closer to a meditation on (...)
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  31. Bennett Gilbert (2012). Freshest Advices on What To Do With the Historical Method in Philosophy When Using It to Study a Little Bit of Philosophy That Has Been Lost to History. Essays in Philosophy 13 (1):pdf.
    The paper explores the question of the relationship between the practice of original philosophical inquiry and the study of the history of philosophy. It is written from my point of view as someone starting a research project in the history of philosophy that calls this issue into question, in order to review my starting positions. I argue: first, that any philosopher is sufficiently embedded in culture that her practice is necessarily historical; second, that original work is in fact in part (...)
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  32. Karamjit S. Gill (1996). The Human-Centred Movement: The British Context. [REVIEW] AI and Society 10 (2):109-126.
    The cornerstone of the British human-centred tradition lies in the two notions, human machine symbiosis and socially useful technology. The contemporary tradition has its roots in the LUCAS PLAN of the 1970s and has recently been shaped by a number of European social and technological movements in Scandianvia, Germany, France, Ireland and Italy. The emergence of the information society places the human-centred debate in wider socio-economic and cultural contexts. The paper explores the shaping of the European dimension of the human-centred (...)
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  33. Yoji K. Gondor (ed.) (2014). Fine Aphorisms, Proverbs & Philosophical Quotes. Sintesi Point Publishing.
    This is a small collection of proverbs with some philoshopical content. I also included here are some of my favorite philosophical quotes. The quotes were collected during many years from my personal reading. I am sure that the reader will identify and enjoy proverbs and some quotes that are new and unique to this publication. A printed copy available at amazon.com .
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  34. Julius Guttmann (1928). Geisteswissenschaften und naturwissenschaften. Kant-Studien 33 (1-2):224-229.
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  35. Melinda C. Hall (2014). Picturing Disability: Beggar, Freak, Citizen, and Other Photographic Rhetoric. [REVIEW] Journal of Literary and Cultural Disability Studies 8 (1):121-124.
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  36. Gizela Horvath (2013). A művészeti világ peremén. Az 55. Biennále esete. Korunk (12):09-19.
    On the Periphery of the Artworld. The Case of the 55th Venice Biennale -/- The Venice Biennale is sort of a patent agency for art: if a work is exhibited at the Biennale, it is already regarded as being in the center of the contemporary artworld. This year the peculiarity of the Biennale was the emphasis on peripheral works: outsider art is brought to the center of the artworld. The notion of outsider art is paved with contradictions – it’s difficult (...)
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  37. Napoleon Ono Imaah (2013). The Architecture of History. Dialogue and Universalism 19 (3/5):307-323.
    The paper examines the bond between architecture and history on the premise that everybody is familiar with both architecture and history. The paper views architecture as a profession that is satiated with imaginative and creative thinking; and contends that architecture extends, historically, into wherever human beings live their life. The author opines that architecture easily extends its influence, as a vivid universal metaphor into every sphere of human activity as a synonym, in building either concrete or abstract forms. Thus, the (...)
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  38. Jack Isherwood (2014). Sharing Democracy Review. [REVIEW] Studies in Social and Political Thought 23:202-210.
  39. Marzenna Jakubczak (2011). Przyroda w filozofii i kulturze Indii. Kultura Współczesna (1):171-182.
    W artykule rozważane są rozmaite semantyczne i symboliczne relacje, w jakich ujmuje się przyrodę na gruncie filozofii, kosmologii i estetyki indyjskiej. Punktem wyjścia jest charakterystyka wewnętrznej dynamiki przyrody, w którą wpisane jest nieustanne zderzanie się biegunowych jakości. Przedstawione są m.in. wedyjskie kosmogoniczne rozważania, konstatujące samorodność i substancjalną jednorodność cyklicznej natury, oraz pięć reprezentatywnych filozoficznych koncepcji przyrody. Autorka podkreśla także swoistą współzależność pomiędzy afirmowaną wizją przyrody a kulturowymi reprezentacjami natury ludzkiej.
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  40. Marianne Janack & John Charles Adams (1999). Feminist Epistemologies, Rhetorical Traditions, and the Ad Hominem. In Christine Mason Sutherland & Rebecca Sutcliffe (eds.), The Changing Tradition: Women in the History of Rhetoric. University of Calgary Press.
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  41. J. Jehle, Shifting Perspectives. A Comparison of Two Academic Guides to Pompeii.
    In this Bachelorthesis I attempt to analyse differences in approach and epistemology of two academic guides to Pompeii, namely 'Pompeji in Leben und Kunst' by August Mau (1908) and 'Pompeii: Life in a Roman Town' by Mary Beard (2008) and place them in their respective historical context. The results showed that the two studies to a large extent reflect the dominant epistemology of the time in which they were written.
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  42. Albert A. Johnstone (1984). Languages and Non-Languages of Dance. In Maxine Sheets-Johnstone (ed.), Illuminating Dance: Philosophical Explorations.
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  43. Mehmet Karabela (2013). Revolution and Constitutionalism in the Ottoman Empire and Iran. [REVIEW] Political Studies Review 11 (3):474-475.
  44. Mehmet Karabela (2013). The Dialectical Discourse in Classical Ottoman Literature: The Beloved Between Lover and Rival in the Game of Love. Journal of Turkish Literature 10 (1):7-19.
  45. Mehmet Karabela (2013). The Dream in Islam: From Qur'anic Tradition to Jihadist Inspiration. [REVIEW] Political Studies Review 11 (2):232-233.
  46. Mehmet Karabela (2013). Between Jadal and Burhān: Reading Post-Classical Islamic Intellectual History Through Ibn Ṭufeyl’s Novel Ḥayy B. Yaḳẓān. JOURNAL OF THE FACULTY OF DIVINITY OF ANKARA UNIVERSITY 54 (2):77-93.
    This article opens a new discussion in the field of post-classical Islamic intellectual history by showing how literature and intellectual history are two inseparable and interdependent fields through an analysis of Ibn Ṭufayl’s novel, Ḥayy b. Yaqẓān. To this end, the article first examines the tension between the two concepts of jadal and burhān, which have affected much of the currents in classical Islamic intellectual history, and does so by assessing the three main figures in Ibn Ṭufayl’s novel: Ḥayy, Absāl (...)
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  47. Gerald Keaney (2012). Free Play and the Foreclosure of New Babylon. Environment and Planning D 30:418-433.
    Automation may be able to completely eliminate the need for labour. But how should we use the freed-up time? In his proposal for a future urbanism, New Babylon, Constant Nieuwenhuys thought people would engage in nonstop free play, remaking surroundings. I argue that at the core of New Babylon is an intuition about a satisfying life, that of Homo ludens. This intuition had a broad appeal in the 1960s. New Babylon is an intuition pump, not a utopia, and Constant wants (...)
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  48. Gerald Keaney (2011). DVD Review of "Memory:Video Poetry" by Synaptic Graffiti Collective. [REVIEW] Overland 202:Free online.
    In this review I compare the short video poetry on the DVD to music video clips such as are used to promote rock music.
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  49. Magda Keaney & Gerald Keaney (2007). The DNA of DIY. Photofile (81):60-63.
    We argue DIY art provides a relatively pressure-free learning environment, using self-portraits as our main examples.
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  50. KeaneyGerald, The Life and Times of Johnny Zerox. Philosofict Issue (2).
    A philophical fiction about the existential angst of a superhero.
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