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  1. added 2015-02-25
    Raymond Aaron Younis, Michael Griffith, James Tulip, Ross Keating & Elaine Lindsay (eds.) (1995). Religion Literature and the Arts. RLA.
  2. added 2015-02-25
    Raymond Aaron Younis (1994). Wittgenstein. Cinema Papers 99.
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  3. added 2015-02-24
    Raymond Aaron Younis (1997). Orientalism: History Theory and the Arts. [REVIEW] Asian Studies Review 21 (1):166-168.
  4. added 2015-02-24
    Raymond Aaron Younis & Michael Griffith James Tulip (eds.) (1996). Religion Literature and the Arts. RLA.
  5. added 2015-01-29
    Jenifer Booth (2007). The Contemporary Aristotelian Museum: Exploring the Museum as a Site of MacIntyre's Tradition‐Constituted Enquiry. Journal for Cultural Research 11 (2):141-159.
    The connection is made between the Royal Museum of Scotland and encyclopaedia, one of MacIntyre's three rival versions of moral enquiry. It is then asked how MacIntyre's other two methods, genealogy and tradition‐constituted enquiry, would function within a museum. It is proposed that the museum fulfils Haldane's criterion for tradition‐constituted enquiry in that it combines the immanence and open‐endedness of the methods of enquiry with transcendence in the objects of enquiry. The ethical judgments of the visitors constitute transcendent truth in (...)
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  6. added 2015-01-06
    Andreas Dorschel (2013). Ein verschollen geglaubter Brief der Korinther an Paulus. Merkur 67 (12):1125-1134.
    In the December 2013 issue of the periodical ‚Merkur‘, philosopher Andreas Dorschel presents a literary experiment. In the spirit of 18th century Enlightenment, he feigns an apocryphal letter including philological apparatus; it is – mind the boldness – a response letter by the Corinthians to St Paul’s first epistle. The ancient port city, multicultural, of syncretist religiousness and libertine in erotics, rejects the disciplining by the apostle. (Summary by Gustav Seibt, ‚Die Häresie der Abgrenzungen. Andreas Dorschel entwirft ein korinthisches Christentum‘, (...)
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  7. added 2015-01-02
    Andreas Dorschel (2006). Über Kanonisierung. Musiktheorie 21 (1):6-12.
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  8. added 2014-12-22
    Andreas Dorschel (ed.) (2009). Kunst und Wissen in der Moderne. Böhlau.
    The relationship between art and knowledge is subject to historical change. In the early 19th century, the view was still prevalent that art was about eternal values, especially beauty, whereas science was entirely involved in historical time: The former was seen as contemplative, the latter as searching. But ever since, most artists have given up that stance and hence the once imagined detachment from historical time. They search, and sometimes research, too. Does that mean that art and science have come (...)
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  9. added 2014-12-22
    Andreas Dorschel (2007). Arbeit am Kanon: Zu Hugo Wolfs Musikkritiken. Musicologica Austriaca 26:43-52.
    Cultivation of the musical canon and canonisation of truly original work can be identified as guiding principles of both Hugo Wolf’s artistic and his critical practice. The latter is shaped by classicist tropes; they may serve strategic functions as well, yet cannot be reduced to them. While he rejects the merely old-fashioned, Wolf also leads a striking attack on what he terms “modern music”. His endorsed aesthetics intertwine the old and the new.
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  10. added 2014-12-22
    Andreas Dorschel (2006). ‘Best to Have the Opera House Bombarded’. An Unpublished Letter by Hugo Wolf. Studia Musicologica 47 (2):233-240.
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  11. added 2014-12-22
    Andreas Dorschel (2003). Das ‘Urteil der Geschichte’. Über ‘historische Gerechtigkeit’ in der Wertung musikalischer Werke. Österreichische Musikzeitschrift 58 (2):6-17.
  12. added 2014-12-21
    Veikko Rantala (2011). Aesthetic Tension. Cognitive Aspects of Interpretation. Peter Lang.
    This is an interdisciplinary study of what is cognitively going on when we interpret, respresent, or evaluate cultural entities, works of art included. In addition, the role of interpretation in experience and in cultural objects is elucidated from a cognitive point of view. The book relies on theories of action, perception, possible worlds, modalities, intentionality. cognition, and brain research, and it contains anumber of case studies. The book ptovides some new insights into some much-discussed problems related to interpretation.
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  13. added 2014-12-10
    Pedro Proscurcin Junior (2014). Der Begriff ēthos bei Homer: Beitrag zu einer philosophischen Interpretation. Winter.
    Der vorliegende Band leistet eine philosophische Untersuchung des Begriffs Ethos bei Homer. Traditionell schenken die Homer-Interpreten der konkreten Bedeutung des Begriffs allein in Bezug auf die Tiere Aufmerksamkeit und sprechen nicht uber den Zusammenhang des Wortes mit den menschlichen Figuren im Text. Auch wird deren psychologische Dimension in der Regel nicht beachtet. Die Analyse ist ein Beitrag zu einer anderen Art von Interpretation des Begriffs Ethos, in der wichtige Perspektivierungen, wie sie z. B. in der Philosophie, der Handlungspsychologie oder der (...)
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  14. added 2014-12-09
    Francesca Brencio (ed.) (2014). Corpo e spazio. A partire da Francesca Woodman.
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  15. added 2014-12-09
    Francesca Brencio (ed.) (2013). Rahamim. Lingua, terra, misericordia.
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  16. added 2014-12-09
    Francesca Brencio (2011). Sensi senza genitivo. In M. Marchi & G. Di Renzo (eds.), Olfatto e profumo tra storia, scienza e arte.
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  17. added 2014-12-09
    Francesca Brencio (2003). Il peso insopportabile. Arthur Rimbaud. Davar 1.
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