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  1. added 2015-03-24
    John B. Williams (1991). White Fire the Influence of Emerson on Melville. University Pub. Associates.
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  2. added 2015-03-09
    John Krummel, Suzi Adams, Jeremy Smith, Natalie Doyle & Paul Blokker (forthcoming). Social Imaginaries in Debate. Social Imaginaries 1 (1).
    A collaborative article by the Editorial Collective of Social Imaginaries (Suzi Adams, Paul Blokker, Natalie Doyle, John Krummel, and Jeremy Smith). Investigations into social imaginaries have burgeoned in recent years. From ‘the capitalist imaginary’ to the ‘democratic imaginary’, from the ‘ecological imaginary’ to ‘the global imaginary’ – and beyond – the social imaginaries field has expanded across disciplines and beyond the academy. The recent debates on social imaginaries and potential new imaginaries reveal a recognisable field and paradigm-in-the-making. We argue that (...)
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  3. added 2015-03-04
    John W. M. Krummel (forthcoming). Nishida Kitarō's Chiasmatic Chorology: Place of Dialectic, Dialectic of Place. Indiana University Press.
    Nishida Kitarō (1870–1945) is considered Japan's first and greatest modern philosopher. As founder of the Kyoto School, he began a rigorous philosophical engagement and dialogue with Western philosophical traditions, especially the work of G. W. F. Hegel. John W. M. Krummel explores the Buddhist roots of Nishida’s thought and places him in connection with Hegel and other philosophers of the Continental tradition. Krummel develops notions of self-awareness, will, being, place, the environment, religion, and politics in Nishida’s thought and shows how (...)
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  4. added 2015-03-02
    Jason Aleksander (forthcoming). The Divine Comedy’s Construction of its Audience in Paradiso 2.1-18. Essays in Medieval Studies 30.
  5. added 2015-02-25
    Raymond Aaron Younis, Michael Griffith, James Tulip, Ross Keating & Elaine Lindsay (eds.) (1995). Religion Literature and the Arts. RLA.
  6. added 2015-02-25
    Raymond Aaron Younis (1994). Wittgenstein. Cinema Papers 99.
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  7. added 2015-02-24
    Raymond Aaron Younis (1997). Orientalism: History Theory and the Arts. [REVIEW] Asian Studies Review 21 (1):166-168.
  8. added 2015-02-24
    Raymond Aaron Younis & Michael Griffith James Tulip (eds.) (1996). Religion Literature and the Arts. RLA.
  9. added 2015-01-29
    Jenifer Booth (2007). The Contemporary Aristotelian Museum: Exploring the Museum as a Site of MacIntyre's Tradition‐Constituted Enquiry. Journal for Cultural Research 11 (2):141-159.
    The connection is made between the Royal Museum of Scotland and encyclopaedia, one of MacIntyre's three rival versions of moral enquiry. It is then asked how MacIntyre's other two methods, genealogy and tradition‐constituted enquiry, would function within a museum. It is proposed that the museum fulfils Haldane's criterion for tradition‐constituted enquiry in that it combines the immanence and open‐endedness of the methods of enquiry with transcendence in the objects of enquiry. The ethical judgments of the visitors constitute transcendent truth in (...)
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  10. added 2015-01-19
    José Ortega Y. Gasset (1930). The Dehumanization of Art. The Symposium: A Critical Review 1 (2):194-205.
    Translation of: La deshumanización del arte (1924).
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  11. added 2015-01-06
    Andreas Dorschel (2013). Ein verschollen geglaubter Brief der Korinther an Paulus. Merkur 67 (12):1125-1134.
    In the December 2013 issue of the periodical ‚Merkur‘, philosopher Andreas Dorschel presents a literary experiment. In the spirit of 18th century Enlightenment, he feigns an apocryphal letter including philological apparatus; it is – mind the boldness – a response letter by the Corinthians to St Paul’s first epistle. The ancient port city, multicultural, of syncretist religiousness and libertine in erotics, rejects the disciplining by the apostle. (Summary by Gustav Seibt, ‚Die Häresie der Abgrenzungen. Andreas Dorschel entwirft ein korinthisches Christentum‘, (...)
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  12. added 2015-01-02
    Andreas Dorschel (2006). Über Kanonisierung. Musiktheorie 21 (1):6-12.
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