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  1. T. ?ana, D. Gálik, I. Hanzel & J. Rybár (2009). On Methodological Cognition. Filozofia 64:70-82.
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  2. Throwing Like A. Girl (1998). Situated Bodies. In Donn Welton (ed.), Body and Flesh: A Philosophical Reader. Blackwell Publishers
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  3. M. Bishop A. Martin (ed.) (forthcoming). Contemporary Sensorimotor Theory. Springer.
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  4. B. A. (1962). Thinking and Perceiving. [REVIEW] Review of Metaphysics 16 (1):170-170.
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  5. C. P. A. (1958). Perceiving: A Philosophical Study. [REVIEW] Review of Metaphysics 11 (3):512-513.
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  6. C. P. A. (1956). The Vision of the Nazarene. [REVIEW] Review of Metaphysics 9 (4):700-700.
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  7. E. J. A. (1965). The Perceptual Process. [REVIEW] Review of Metaphysics 19 (2):372-373.
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  8. M. A. (1967). The Perceptual Process. [REVIEW] Review of Metaphysics 21 (2):371-371.
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  9. R. A. (1955). The Phenomenology of Moral Experience. [REVIEW] Review of Metaphysics 9 (1):162-162.
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  10. R. I. Aaron (1938). VERNON, M. D. - Visual Perception. [REVIEW] Mind 47:86.
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  11. D. Aaronson & B. Watts (1986). Metalinguistics in Children and Adults-a Signal-Detection Approach. Bulletin of the Psychonomic Society 24 (5):333-333.
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  12. André J. Abath (2008). Possessing Demonstrative Concepts. Facta Philosophica 10 (1):231-245.
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  13. E. M. Adams (1986). Streams of Experience. Review of Metaphysics 40 (1):134-135.
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  14. Jack A. Adams (1956). Vigilance in the Detection of Low-Intensity Visual Stimuli. Journal of Experimental Psychology 52 (3):204.
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  15. Jack A. Adams & Lawrence R. Boulter (1964). Spatial and Temporal Uncertainty as Determinants of Vigilance Behavior. Journal of Experimental Psychology 67 (2):127.
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  16. Jack A. Adams & Ridgely W. Chambers (1962). Response to Simultaneous Stimulation of Two Sense Modalities. Journal of Experimental Psychology 63 (2):198.
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  17. Jack A. Adams & Carl E. Webber (1961). The Organization of Component Response Error Events in Two-Dimensional Visual Tracking. Journal of Experimental Psychology 61 (3):200.
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  18. Walter Randolph Adams (1993). The Parietal and Occipital Lobes and the Development of Consciousness: Some Preliminary Thoughts. Anthropology of Consciousness 4 (3):19-22.
  19. William Adams (1991). Aesthetics: Liberating the Senses. In Terrell Carver (ed.), The Cambridge Companion to Marx. Cambridge University Press 246--74.
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  20. Zed Adams (2007). The Objective Eye: Color, Form, and Reality in the Theory of Art by Hyman, John. Journal of Aesthetics and Art Criticism 65 (4):417–419.
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  21. Mark Addis (2013). Response to Collins. Phenomenology and the Cognitive Sciences 12 (2):427-429.
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  22. Ades Ades (1943). Boring's Sensation and Perception in the History of Experimental Psychology. [REVIEW] Philosophy and Phenomenological Research 4:104.
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  23. Mortimer J. Adler (1968). Sense Cognition. New Scholasticism 42 (4):578-591.
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  24. E. D. Adrian (1954). The Physiological Basis of Perception. In J. F. Delafresnaye (ed.), Brain Mechanisms and Consciousness. Blackwell 237--248.
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  25. William W. Agresti & Mark S. Mayzner (1978). Thresholds for Dynamic Visual Movement. Bulletin of the Psychonomic Society 12 (3):221-223.
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  26. Elisabeth Ahlsén (2008). Neurological Disorders of Embodied Feedback. In Ipke Wachsmuth, Manuela Lenzen & Günther Knoblich (eds.), Embodied Communication in Humans and Machines. OUP Oxford
  27. M. U. Ahmad (1960). Study of Perceptual Thresholds. Pakistan Philosophical Journal 3 (4):22.
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  28. Tofig Ahmadov (2008). Svasamvittih/Svasamvedana In the Light of Sartre's Philosophy. Proceedings of the Xxii World Congress of Philosophy 8:55-61.
    Sartre posited a (nondual), nonreflexive, nonthetic, nonpositional awareness which makes all consciousness possible, and which underlies dualistic, thetic, positional consciousness of object. Though his description assumes dualistic, thetic, positional consciousness of object to be inherent in nondual, nonreflexive,nonthetic, nonpositional awareness and hence to be ineradicable, with some modifications it can explain the view of rdzogs-chen that the sems-sde series of teachings illustrate in nonphilosophical terms with the example of the primordial mirror in which both dualistic consciousness and its objects manifest (...)
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  29. Christine Aicardi (2014). Of the Helmholtz Club, South-Californian Seedbed for Visual and Cognitive Neuroscience, and its Patron Francis Crick. Studies in History and Philosophy of Science Part C 45 (1):1-11.
    Taking up the view that semi-institutional gatherings such as clubs, societies, research schools, have been instrumental in creating sheltered spaces from which many a 20th-century project-driven interdisciplinary research programme could develop and become established within the institutions of science, the paper explores the history of one such gathering from its inception in the early 1980s into the 2000s, the Helmholtz Club, which brought together scientists from such various research fields as neuroanatomy, neurophysiology, psychophysics, computer science and engineering, who all had (...)
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  30. Nancy Ellen Bryan Aiken (1992). A Biological Basis for the Emotional Impact of Art. Dissertation, Ohio University
    This paper presents an interdisciplinary approach to the question, How does art evoke emotion? Literature searches in philosophy, psychology, neurobiology, ethology, visual and musical arts, and anthropology are used to support the notion that one way emotion is evoked by art is via reflexive responses to particular visual and auditory stimuli. Although explanations of how art evokes emotion from mainstream aesthetics proved to be inadequate to account for the visceral thrills experienced when appreciating art, ethological theory was found to provide (...)
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  31. Edgar I. Ailor & William Least Heat-Moon (2012). Blue Highways Revisited. University of Missouri.
    This book reminds readers of the insatiable attraction of the “blue highway”—“But in those brevities just before dawn and a little after dusk—times neither day or night—the old roads return to the sky some of its color.
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  32. Edward Hamilton Aitken (1898). The Five Windows of the Soul; or, Thoughts on Perceiving.
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  33. Wojty Ak (1976). Special Contribution to the Debate: The Intentional Act and the Human Act That Is, Act and Experience. Analecta Husserliana 5:269-280.
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  34. Kathleen Akins (1993). What is It Like to Be Boring and Myopic? In B. Dahlbom (ed.), Dennett and His Critics. Blackwell
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  35. Emmanuel Ola Akintona (2015). The Place of Concept in Human Cognitive Process of Perception: Why the Conceptualists Cannot Be Right? Open Journal of Philosophy 5 (1):96-103.
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  36. Deborah J. Aks (2009). Studying Temporal and Spatial Patterns in Perceptual Behavior: Implications for Dynamical Structure. In Stephen J. Guastello, Matthijs Koopmans & David Pincus (eds.), Chaos and Complexity in Psychology: The Theory of Nonlinear Dynamical Systems. Cambridge University Press 132--176.
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  37. David Alais (2005). Attentional Modulation of Motion Adaptation. In Colin W. G. Clifford & Gillian Rhodes (eds.), Fitting the Mind to the World: Adaptation and After-Effects in High-Level Vision. OUP Oxford
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  38. Miri Albahari (2009). Witness-Consciousness: Its Definition, Appearance and Reality. Journal of Consciousness Studies 16 (1):62-84.
    G.E. Moore alludes to a notion of consciousness that is diaphanous, elusive to attention, yet detectable. Such a notion, I suggest, approximates what Bina Gupta has called `witness-consciousness'--in particular, the aspect of mode-neutral awareness with intrinsic phenomenal character. This paper offers a detailed definition and defence of the appearance and reality of witness-consciousness. While I claim that witness- consciousness captures the essence of subjectivity, and so must be accounted for in the `hard problem' of consciousness, it is not to be (...)
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  39. Liliana Albertazzi (ed.) (2013). Handbook of Experimental Phenomenology. Visual Peception of Shape, Space and Appearance. Wiley.
    Visual Perception of Shape, Space and Appearance Liliana Albertazzi. the sort I have in mind. What I am speaking of is the mandatory correlations between attributes of visual space (those of, e.g., surfaces, shape, distance, direction) and  ...
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  40. Liliana Albertazzi (ed.) (2013). The Wiley-Blackwell Handbook of Experimental Phenomenology; Visual Perception of Shape, Space and Appearance. Wiley-Blackwell.
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  41. Liliana Albertazzi (2010). The Ontology of Perception. In Roberto Poli & Johanna Seibt (eds.), Theory and Applications of Ontology: Philosophical Perspectives. Springer Verlag 177--206.
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  42. Liliana Albertazzi (2002). Unfolding Perceptual Continua Unfolding Perceptual Continua.
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  43. Lewis E. Albright, C. Robert Borresen & Melvin H. Marx (1956). Reactive Inhibition as a Function of Same-Hand and Opposite-Hand Intertrial Activity. Journal of Experimental Psychology 51 (5):353.
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  44. Ulysses P. Albuquerque, Marcelo A. Ramos & Maria Ft Medeiros (2011). Experiences of Ethnobotanists with Publication: A First Approach. BioScience 61 (9):706-712.
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  45. María José Alcaraz León (2011). Contrary Feelings and the Cognitive Significance of Art. Estetika:63-80.
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  46. Jesús Alcolea & Adelino Cattani (2011). Visual, Argumento. In Luis Vega and Paula Olmos (ed.), Compendio de Lógica, Argumentación y Retórica. Editorial Trotta 640--644.
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  47. Zoe Alderton (2011). Colour, Shape, and Music: The Presence of Thought Forms in Abstract Art. Literature & Aesthetics 21 (1):236-258.
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  48. Virgil C. Aldrich (1974). Visual Noticing Without Believing. Mind 83 (332):512-533.
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  49. Virgil C. Aldrich (1954). The Simply and the Literally Given in Experience. Journal of Aesthetics and Art Criticism 13 (2):262-264.
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  50. Virgil G. Aldrich (1967). A. C. Garnett's "The Perceptual Process". [REVIEW] Philosophy and Phenomenological Research 27 (3):455.
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