The question of the constituting nature of colour is largely open. The old dispute between colour objectivism and colour subjectivism is still relevant. The former has defended itself against accusations of not being able to explain colour structures, while the latter view has received criticism for not being able to provide a plausible theory of the location of colours. By weakening the notion of physical categories, making some of them perceiver-depended, colour objectivists have managed to overcome at least some of (...) the previous accusations. However, the arguments based on Crane's and Piantanida's findings of the existence of binary colours like greenish-red and yellowish-blue, indicate the inadequacy of colour objectivism. Consequently, we have colours but our theories of them are false. (shrink)

Perspectivalism is a semantic theory according to which the contents of utterances and mental states (perhaps of a particular kind) have a truth-value only relative to a particular perspective (or standard) determined by the context of the speaker or bearer of the mental state. I have defended this view for epistemic terms, moral terms and predicates of personal taste elsewhere (Brogaard 2008a, 2008b, forthcoming). The main aim of this paper is to defend perspectivalism about color perception and color discourse. The (...) content of color perception and color discourse, I will argue, has a truth-value only relative to a centered world containing an appropriate viewing condition and the perceiver, or a perceiver that is deferred to. Some may object to the underlying assumption that perceptual experiences have truth-evaluable contents. Representationalists typically treat perceptual experiences as propositional attitudes with full-blown or non-deflationary propositional contents (Russellian, Fregean or possible-worlds contents). But the assumption that perceptual experiences are propositional attitudes has been explicitly denied by numerous others. For example, direct realists hold that good perceptual experiences are relations to objects. Accordingly, good perceptual experiences do not have full-blown truth-evaluable contents. Sense-data theorists hold that perceptual experiences are relations to sense-data. Consequently, no perceptual experience has full-blown truth-evaluable content. Adverbialists deny that experiences are relations to objects or properties. Perceiving R is engaging in the activity of perceiving R- wise. For example, one has an experience as of R being red just in case one is engaged in the activity of perceiving red-ly and R-wise. So, adverbialists too deny that perceptual experiences have full-blown truth-evaluable contents. Raw feel theorists equate perceptual.. (shrink)

It seems a compelling idea that experience of colour plays some role in our having concepts of the various colours, but in trying to explain the role experience plays the first thing we have to describe is what sort of colour experience matters here. I will argue that the kind of experience that matters is conscious attention to the colours of objects as an aspect of them on which direct intervention is selectively possible. As I will explain this idea, it (...) is a matter of being able to use experience to inform linguistic or conceptual thought about what would happen were there to be various interventions on an object. Against this background, I will review Locke’s fundamental argument that since we can change the colour of an almond by pounding it, there must be an error embodied in our ordinary concepts of colour: there is no such thing as intervening directly on the colour of an object. The analysis I present brings out the force of Locke’s argument. But I will propose a vindication of our commonsense conception of colour as an aspect of objects on which direct intervention is selectively possible. (shrink)

University of Connecticut Storrs, CT 06279-2054 Abstract. Recent versions of objectivism can reply to the argument from metamers. The deeper rift between subjectivists and objectivists lies in the question of how to explain the structure of qualitative similarities among the colors. Subjectivism grounded in this fashion can answer the circularity objection raised by Dedrick. It endorses skepticism about the claim that there is some one property of objects that it is the function of color vision to detect. Color vision may (...) enable us to detect differences in spectral composition without granting us the capacity to detect identities. (shrink)

Questions about the ontology of color matter because colors matter. Colors are (or, at least, appear to be) extremely pervasive and salient features of the world. Moreover, people care about the distribution of these features: they expend money and effort to paint their houses, cars, and other possessions, and their clear preference for polychromatic over monochromatic televisions and computer monitors have consigned monochromatic models to the status of rare antiques. The apparent ubiquity of colors and their importance to our lives (...) makes them a ripe target for ontological questions such as the following:

• What is the nature of colors?

• Are they, as they seem to be, properties of objects? (shrink)

But Hardin hasn’t contented himself with reframing traditional philosoph- ical issues about color in a way that is sensitive to relevant empirical con- straints. In addition, he has been a staunch defender of color eliminativism — the view that there are no colors, qua properties of tables, chairs, and other mind-external objects, and a vociferous critic of several varieties of re- alism about color that have been defended by others (e.g., [Hardin, 2003], [Hardin, 2005]). These other views include the so-called (...) color physical- ism of [Hilbert, 1987], [Byrne and Hilbert, 1997a], [Byrne and Hilbert, 2003], and [Tye, 2000],¹ and, inconveniently, even the relationalist view defended in [Cohen, 2003a], [Cohen, 2004a], [Cohen, 2003b], [McLaughlin, 2003], and [Jakab and McLaughlin, 2003]. (shrink)

Color relationalism is the view that colors are constituted in terms of relations between subjects and objects. The most historically important form of color relationalism is the classic dispositionalist view according to which, for example red is the disposition to look red to standard observers in standard conditions (mutatis mutandis for other colors).1 However, it has become increasingly apparent in recent years that a commitment to the relationality of colors bears interest that goes beyond dispositionalism (Cohen, 2004; Matthen, 1999, 2001, (...) 2005; Thompson, 1995). Accordingly, it is an important project for those interested in the metaphysics of color to sort through and assess different forms of color relationalism. There is, however, a powerful and general cluster of objections that has been thought by many to amount to a decisive refutation of any and all forms of color relationalism. Although this idea has been developed in a number of ways, the basic thought is that relationalism — qua theory of color — is at odds with the manifest evidence of color phenomenology, and that this clash between theory and data should be resolved by giving up the theory. (shrink)

An adequate ontology of color must face the empirical facts about per- ceptual variation. In this paper I begin by reviewing a range of data about perceptual variation, and showing how they tell against color physicalism and motivate color relationalism. Next I consider a series of objections to the argument from perceptual variation, and argue that they are un- persuasive. My conclusion will be that the argument remains a powerful obstacle for color physicalism, and a powerful reason to believe in (...) color relationalism instead. (shrink)

Many philosophers have been attracted by the view that colors are mind- independent properties of object surfaces. A leading, and increasingly popular, version of this view that has been defended in recent years is the so-called physicalist position that identi?es colors with (classes of) spectral re?ectance distributions.¹ This view, has, however, come in for a fair bit of criticism for failing to do justice to the facts about perceptual variation.².

Primary quality theories of color claim that colors are intrinsic, objective, mind-independent properties of external objects — that colors, like size and shape, are examples of the sort of properties moderns such as Boyle and Locke called primary qualities of body.¹ Primary quality theories have long been seen as one of the main philosophical options for understanding the nature of color.

In many cases of variation in color vision, there is no non-arbitrary way of choosing between variants. Byrne and Hilbert insist that there is an unknown standard for choosing, while eliminativists claim that all the variants are erroneous. A better response relativizes colors to perceivers, thereby providing a color realism that avoids the need to choose between variants.

(Tye 2006) presents us with the following scenario: John and Jane are both stan- dard human visual perceivers (according to the Ishihara test or the Farnsworth test, for example) viewing the same surface of Munsell chip 527 in standard conditions of visual observation. The surface of the chip looks “true blue” to John (i.e., it looks blue not tinged with any other colour to John), and blue tinged with green to Jane.¹ Tye then in effect poses a multiple choice question.

C. L. Hardin has argued that the colour opponency of the vision system leads to chromatic subjectivism: chromatic sensory states reduce to neurophysiological states. Much of the force of Hardin's argument derives from a critique of chromatic objectivism. On this view chromatic sensory states are held to reduce to an external property. While I agree with Hardin's critique of objectivism it is far from clear that the problems which beset objectivism do not apply to the subjectivist position as well. I (...) develop a critique of subjectivism that parallels Hardin's anti-objectivist argument. (shrink)

In Color for Philosophers C. L. Hardin argues that chromatic objectivism?a view which identifies colour with some or other property of objects?must be false. The upshot of Hardin's argument is this: there is, in fact, no principled correlation between physical properties and perceived colours. Since that correlation is a minimal condition for objectivism, objectivism is false. Mohan Matthen, who accepts Hardin's conclusion for what can be called "simple objectivism," takes it that an adaptationist theory of biological function applied to colour (...) is able to surmount the problems Hardin describes. It is Matthen's view that I am primarily concerned with in this paper. I will argue that it entails an overly simple view of adaptive value?as, perhaps, do all objectivist views. (shrink)

Byrne and Hilbert provide valuable clarification of the complexities–undreamt of by the layman–that make it hard to answer the question of what color is, and that often lead color scientists to say such remarkable and extravagant things. They emphasize at the outset that their issue is not just how to define the ordinary language term “color”: “The problem of color realism is like the investigation of what humans can digest, not the investigation of the folk category of food.” [ms p4], (...) but then I am puzzled by a tension in the target article regarding the weight they put on our ordinary intuitions about color. The very setting of the issue as a disagreement between “color realists” and “color eliminativists” endows the everyday concept with somewhat more authority than it deserves–comparable to an imaginary debate between biologists who were “food realists” and “food eliminativists”! (shrink)

John Campbell proposed a so-called simple view of colours according to which colours are categorical properties of the surfaces of objects just as they normally appear to be. I raised an invertion problem for Campbell's view according to which the senses of colour terms fail to match their references, thus rendering those terms meaningless—or so I claimed. Gabriele de Anna defended Campbell's view against my example by contesting two points in particular. Firstly, de Anna claimed that there is no special (...) problem here for the simple view of colours, a similar invertion story could apply to primary qualities terms for shapes. Secondly, de Anna purported to give an account of the senses and references of colour terms in my invertion story which renders the senses and references of those terms mutually consistent. In this paper I contested both of de Anna's claims. Regarding the first, I argue that his imagined invertion of apparent shapes is not epistemically stable, in contrast to the invertion of apparent shapes is not epistemically stable, in contrast to the invertion of apparent colours. Hence the victims of apparently inverted shapes would be able to discover the mismatch of senses and refences of their shape terms, in contrast to the victims of apparent invertions of colours. Regarding the second, I argue that de Anna's account of the victim's colour terms itself uses and not merely mentions so-called colours terms. Hence de Anna' account of them is itself meaningless due to a mismatch of sense and reference. So I conclude that my objection to Campbell's simple view of colours stands. (shrink)

The Quest for Reality, contains, amongst much else, a sustained and deeply illuminating investigation of the thesis Barry Stroud labels ’subjectivism’ about colours. The grounds he relentlessly amasses for rejecting the thesis are, in my view, compelling. There is a sense, indeed, in which I think they are more compelling than he says he himself finds them. For as I understand his arguments, they contain the materials for delivering a positive answer to the question: are objects really coloured? As Stroud (...) himself presents the outcome of his investigation, they do not. Actually, to put it in this ’headline-grabbing’ way is misleading. The real issue turns on the main concern of his book-- his immensely thought-provoking investigation of the questions: what counts as a metaphysical account of reality? And, in the test case of colours, can the task of addressing the question of whether they are or are not part of reality be successfully undertaken? The suggestion I will be making is that his rejection of subjectivism contains the materials for asking about the metaphysical reality of colour in a way that is distinct from the way he shows cannot work; and that on this distinct way, the answer to the question of whether objects are really coloured is: yes. So, he might either reject the very idea that this alternative way of framing the question about colours does count as an example of a metaphysical quest for their reality; or he might agree that it is one, but disagree with the positive answer I sketch on his behalf, so to speak. (shrink)

At least since Democritus, philosophers have been fond of the idea that material objects do not “really” have color. One such view is the error theory, according to which our ordinary judgments ascribing colors to objects are all erroneous, false; no object has any color at all. The error theorist proposes that everything that is so, including the fact that material objects appear to us to have color, can be explained without ever attributing color to objects—by appealing merely to, e.g., (...) surface reflectance properties, the nature of light, the neurophysiology of perceivers, and so on. The appeal of the error theory stems in significant part from the prevalent thought that such explanations are strongly suggested by our present scientific conception of the world.¹. (shrink)

According to colour irrealism, material objects do not have colour; they only appear to have colour. The appeal of this view, prominent among philosophers and scientists alike, stems in large part from the conviction that scientific explanations of colour facts do not ascribe colour to material objects. To explain why objects appear to have colour, for instance, we need only appeal to surface reflectance properties, properties of light, the neurophysiology of observers, etc. Typically attending colour irrealism is the error theory (...) of ordinary colour judgement: ordinary judgements in which colour is ascribed to a material object are, strictly speaking, false. In this paper, I claim that colour irrealists who endorse the error theory cannot explain how we acquire colour concepts (yellow, green, etc.), concepts they must acknowledge we do possess. Our basic colour concepts, I argue, could not be phenomenal concepts that we acquire by attending to the colour properties of our experience. And, I explain, all other plausible explanations render colour concepts such that our ordinary colour judgements involving them are often true. Given the explanatory considerations upon which the irrealist's position is based, this is a severe problem for colour irrealism. (shrink)

Ross argues that the location problem for color-the problem of how it is represented as occupying a particular location in space-constitutes an objection to color subjectivism. There are two ways in which the location problem can be interpreted. First, it can be read as a why-question about the relation of visual experience to the environment represented: Why does visual experience represent a patch of color as located in this part of space rather than that? On this interpretation, the subjectivist can (...) answer Ross's objection by appealing to the physical location of reflectance rather than color. Second, it can be read as a how-question about visual representation itself: How does visual experience put together the experience of a color with the experience of its being located in space? This version makes the location problem a problem about visual experience itself and renders the ontology of color irrelevant to its solution. The location problem is thus no more a problem for the color subjectivist than for the color realist. (shrink)

According to a common view, colors are not properties of physical objects, but are merely powers to produce color experiences in observers. Locke and Descartes both seem to have defended this: [C]onsider the red and white colors in Porphyre: Hinder light but from striking on it, and its Colours Vanish; it not longer produces any such Ideas in us: Upon the return of Light, it produces these appearances on us again. […] It has, indeed such a Configuration of Particles, both (...) Night and Day, as are apt by the Rays of Light rebounding from some parts of that hard Stone, to produce in us the Idea of redness, and from others the Idea of whiteness: But whiteness or redness are not in it at any time, but such a texture, that hath the power to produce such a sensation in us. (shrink)

We argue that relationalism entails an unacceptable claim about the content of visual experience: that ordinary ‘red’ objects look like they look like the look like they’re red, etc.

Philip Pettit (2003) argues that color looks should be explained in terms of manifest powers. He indicates that his view is broadly allied with our own dynamic sensorimotor approach to conscious experience (O’Regan and Noë 2001a, b, c; Hurley 1998, Hurley and Noë 2003a.

Redness is the property that makes things look red in normal circumstances. That seems obvious enough. But then colour is whatever property does that job: a certain reflectance profile as it might be. Redness is the property something is represented to have when it looks red. That seems obvious enough. But looking red does not represent that which looks red as having a certain reflectance profile. What should we say about this antinomy and how does our answer impact on the (...) contest between realism and subjectivism about colour? I address the issues through the lens of a representationalist position on colour experience. (shrink)

Locke’s porphyry argument at 2.8.19 of the Essay has not been properly appreciated. On my reconstruction, Locke argues from the premise that porphyry undergoes a mere Cambridge change of color in different lighting conditions to the conclusion that porphyry’s colors do not belong to it as it is in itself. I argue that his argument is not quite sound, but it would be if Locke chose a different stone, alexandrite. Examining his argument teaches us something about the relation between explanatory (...) qualities and real alterations and something about the ways that colors inhere in bodies. (shrink)

We briefly examine the pros and cons of color realism, exposing some desiderata on a theory of color: the theory should render colors as scientifically legitimate and correctly individuated, and it should explain how we have veridical color experiences. We then show that these desiderata can by met by treating colors as properties of the special sciences. According to our view, some of the major disputes in the literature about color—anti-realism vs. dispositionalism vs. reductionism—are not well-founded at this stage of (...) scientific inquiry. (shrink)