This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories
Subcategories:
177 found
Search inside:
(import / add options)   Sort by:
1 — 50 / 177
Material to categorize
  1. Elizabeth Abel (2008). Double Take: Photography, Cinema, and the Segregated Theater. Critical Inquiry 34 (S2):S2 - S20.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  2. Elizabeth Abel (2004). Mania, Depression, and the Future of Theory. Critical Inquiry 30 (2):336-339.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  3. Elizabeth Abel (1980). Redefining the Sister Arts: Baudelaire's Response to the Art of Delacroix. Critical Inquiry 6 (3):363.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  4. M. H. Abrams (2009). An Exchange on The Norton Anthology of English Literature and Sean Shesgreen V. Critical Inquiry 35 (4):1079-1080.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  5. M. H. Abrams (1976). Rationality and Imagination in Cultural History: A Reply to Wayne Booth. Critical Inquiry 2 (3):447.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  6. James S. Ackerman (1979). On Judging Art Without Absolutes. Critical Inquiry 5 (3):441.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  7. James S. Ackerman (1974). Transactions in Architectural Design. Critical Inquiry 1 (2):229.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  8. Jill Petersen Adams (2013). Gerhard Richter: Afterness: Figures of Following in Modern Thought and Aesthetics: Columbia University Press, 2011, ISBN: 0231157703, 272 Pp., $50.00 (Hardcover)(). [REVIEW] Man and World 45 (4):587-592.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  9. Jill Petersen Adams (2012). Gerhard Richter: Afterness: Figures of Following in Modern Thought and Aesthetics. [REVIEW] Continental Philosophy Review 45 (4):587-592.
    Remove from this list | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  10. Leslie A. Adelson (1986). The Rise of the Modern German Novel: Crisis and Charisma. Telos 1986 (69):190-196.
    The current popularity of the mapping trope, particularly in discussions of postmodernism, might give rise to the impression that the AAA has expanded its sphere of marketability: all those readers lost in the wilderness of Western civilization need a good map to find their way to meaning and, with any luck, to history. Berman dons the cap of cartographer-chauffeur and steers us with great skill on a breathtaking tour through the landscape of the German novel from 1848 to 1947. We (...)
    Remove from this list | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  11. T. W. Adorno (1991). Marginalia on Mahler (On the 25th Anniversary of His Death, May 18, 1936). Telos 1991 (87):79-84.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  12. T. W. Adorno (1988). The Aging of the New Music. Telos 1988 (77):95-116.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  13. T. W. Adorno (1980). Music and the New Music: In Memory of Peter Suhrkamp. Telos 1980 (43):124-138.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  14. T. W. Adorno (1978). On the Social Situation of Music. Telos 1978 (35):128-164.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  15. T. W. Adorno (1977). Music and Technique. Telos 1977 (32):79-94.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  16. T. W. Adorno (1976). Alienated Masterpiece: The Missa Solemnis (1959). Telos 1976 (28):113-124.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  17. T. W. Adorno (1974). Lyric Poetry and Society. Telos 1974 (20):56-71.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  18. Theodor Adorno (2011). Tradução: Fragmento sobre música e linguagem. Trans/Form/Ação 31 (2).
    A música assemelha-se à linguagem. Expressões como idioma musical e entonação musical não são nenhuma metáfora. Contudo, música não é linguagem. Sua similitude com a linguagem indica o caminho para o intrínseco, bem como para o vago. Quem toma a música ao pé da letra como linguagem é induzido ao erro.
    Remove from this list |
    Translate to English
    | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  19. Theodor Adorno (2008). Fragmento Sobre Música E Linguagem. Trans/Form/Ação 31 (2).
    Remove from this list |
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  20. Filipa Afonso (2011). A beleza no ritmo pseudo-dionisiano da processão/conversão. Trans/Form/Ação 33 (2).
    No contexto da Metafísica Medieval, a «beleza» foi pensada como um conceito ambíguo: ora atribuído a Deus, ora atribuído ao Mundo. O propósito deste artigo é clarificar o sentido desta ambiguidade no âmbito da filosofia do Pseudo-Dionísio Areopagita. Se, portanto, o conceito de «beleza» é, em primeiro lugar, despojado do seu carácter sensível e mundano, para ser apropriado à natureza divina, ele é, num segundo momento, aposto à própria criação, de forma a designar a manifestação visível da beleza transcendente e (...)
    Remove from this list |
    Translate to English
    | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  21. Giorgio Agamben (2011). Nymphs. In Jacques Khalip & Robert Mitchell (eds.), Releasing the Image: From Literature to New Media. Stanford University Press.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  22. Giorgio Agamben (2010). Privation is Like a Face. In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  23. Giorgio Agamben (1999). The Man Without Content. Stanford University Press.
    In this book, one of Italy's most important and original contemporary philosophers considers the status of art in the modern era. He takes seriously Hegel's claim that art has exhausted its spiritual vocation. He argues, however, that Hegel by no means proclaimed the 'death of art' (as many still imagine) but proclaimed rather the indefinite continuation of art in a 'self-annulling' mode. With astonishing breadth and originality, he probes the meaning, aesthetics, and historical consequences of that self-annulment. He argues that (...)
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  24. Kofi Agawn (1992). Representing African Music. Critical Inquiry 18 (2):245.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  25. Siraj Ahmed (2013). Notes From Babel: Toward a Colonial History of Comparative Literature. Critical Inquiry 39 (2):296-326.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  26. Maimaitiming Aila (2009). "Nothing but Dust": A Philosophical Approach to the Problem of Identity and Anonymity in Samuel Beckett's Trilogy. Philosophical Forum 40 (1):127-147.
    Remove from this list | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  27. Me Monica Aiub (2011). A arte de escutar. Revista de Teologia (Reveleteo). Issn 2177-952x 5 (8):41-47.
    O presente artigo trata da arte de escutar, apontando sua carência em nosso cotidiano, assim como alguns dos obstáculos a seu cultivo. Demonstra o quanto a filosofia clínica se faz necessária devido a tal carência, e levanta a hipótese de um papel relevante para a escuta atenta ao trabalho do sacerdote, assim como a possibilidade dele, através de seu trabalho, suscitá-la na comunidade.
    Remove from this list |
    Translate to English
    | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  28. Roxana Albu (2002). Force of Imagination. The Sense of the Elemental. Studia Phaenomenologica 2 (3-4):221-226.
    Remove from this list |
    Translate to English
    | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  29. Jesús Alcalde & Javier Reyes (2005). La plurinformación televisiva. Telos 62:64-70.
    Remove from this list |
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  30. Harold Alderman (1977). The Place of Comedy. Man and World 10 (2):152-172.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  31. Hubert G. Alexander (1974). The Paradox of the Universal in Art. Southwestern Journal of Philosophy 5 (1):49-58.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  32. D. Rita Alfonso (2009). Permeability and Impermeability in John Cameron Mitchell's Shortbus. Radical Philosophy Review 12 (1/2):121-136.
    This essay is about experience, and not only about ideas. I have been drawn to write about John Cameron Mitchell’s Shortbus for a number of reasons: First, I find his work to be part of a new turn in LGBT art and media that take queer lives as a point of departure, and not only as narrative focus, for their work. These areworks that are not just about being queer, but cross the line into being queer works. Of those who (...)
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  33. C. F. Alford (1981). The Aesthetic Dimension. Toward a Critique of Marxist Aesthetics. Telos 1981 (48):179-188.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  34. Paul K. Alkon (1975). Visual Rhetoric in "The Autobiography of Alice B. Toklas". Critical Inquiry 1 (4):849.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  35. Eric Alliez (2012). Diagrammatic Agency Versus Aesthetic Regime of Contemporary Art: Ernesto Neto's Anti-Leviathan. Deleuze Studies 6 (1):6-26.
    Ernesto Neto's installation at the Panthéon in Paris, Leviathan Toth (2006), brings us into a semiotics of intensities that does not belong to the ‘aesthetic regime’ as described by Jacques Rancière but rather to a Diagrammatic Agency of Contemporary Art. In this case study, the latter is constructed after Deleuze and Guattari – from a politics of the Body without Organs critically and clinically identified to a Body without Image.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  36. David B. Allison (2005). Nietzsche's Aesthetic Taste for Moral Metacritique. Symposium: The Canadian Journal of Continental Philosophy 9 (2):153-167.
  37. Emmanuel Alloa (2011). Das durchscheinende Bild. Konturen einer medialen Phänomenologie. diaphanes.
  38. Charles Altieri (2007). Tractatus Logico‐Poeticus. Critical Inquiry 33 (3):527-542.
    Remove from this list |
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  39. Charles Altieri (1988). John Ashbery and the Challenge of Postmodernism in the Visual Arts. Critical Inquiry 14 (4):805.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  40. Paul Allen Anderson (2006). The World Heard: Casablanca and the Music of War. Critical Inquiry 32 (3):482-515.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  41. Dudley Andrew (2009). {The Core and the Flow of Film Studies}. Critical Inquiry 35 (4):879-915.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  42. Emily Apter (2003). GlobalTranslatio:The “Invention” of Comparative Literature, Istanbul, 1933. Critical Inquiry 29 (2):253-281.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  43. D. W. Arentz (1977). Philosophy and the Novel. Southwestern Journal of Philosophy 8 (1):174-175.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  44. Rudolf Arnheim (1987). Art Among the Objects. Critical Inquiry 13 (4):677.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  45. Rudolf Arnheim (1980). A Plea for Visual Thinking. Critical Inquiry 6 (3):489.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  46. Rudolf Arnheim (1974). On the Nature of Photography. Critical Inquiry 1 (1):149.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  47. Jonathan Auerbach (2000). Chasing Film Narrative: Repetition, Recursion, and the Body in Early Cinema. Critical Inquiry 26 (4):798.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  48. Robert B. Pippin (2009). What Is a Western? Politics and Self-Knowledge in John Ford'sThe Searchers. Critical Inquiry 35 (2):223-253.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  49. Babette E. Babich (1993). A Musical Retrieve of Heidegger, Nietzsche, and Technology: Cadence, Concinnity, and Playing Brass. [REVIEW] Man and World 26 (3):239-260.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  50. Alain Badiou (2012). Francuski filozof w odpowiedzi polskiemu poecie. Kronos 1 (1).
    Remove from this list |
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
1 — 50 / 177