This article reconsiders the issue of Luce Irigaray's proximity to Jacques Derrida on the question of woman. I use Derrida's reading of Nietzsche in Spurs: Nietzsche's Styles (1979) and Irigaray's reading of Heidegger in L'Oubli de l'air (1983) to argue that reading them as supplements to one another is more accurate and more productive for feminism than separating one from the other. I conclude by laying out the benefits for feminism that such a reading would offer.

: This essay offers a reflection on Arendt's notion of radical evil, arguing that her later understanding of the banality of evil is already at work in her earlier reflections on the nature of radical evil as banal, and furthermore, that Arendt's understanding of the "banality of radical evil" has its source in the very event that offers a possible remedy to it, namely, the event of natality. Kristeva's recent work (2001) on Arendt is important to this proposal insofar as (...) her notion of "abjection" illuminates Arendt's claim that understanding the superfluousness of the modern human being is inseparable from grasping the emergence of radical evil. In the final part of the essay, I argue that Arendt's "politics of natality" emerges from out of these two inseparable moments of the event of natality, offering the only possible remedy to the threat of radical evil by modifying our relationship to temporality. (shrink)

In this brief and powerful book, Diana Fuss takes on the debate of pure essence versus social construct, engaging with the work of Luce Irigaray and Monique ...

While feminist aestheticians have long interrogated gendered, raced, and classed hierarchies in the arts, feminist philosophers still don’t talk much about popular music. Even though Angela Davis and bell hooks have seriously engaged popular music, they are often situated on the margins of philosophy. It is my contention that feminist aesthetics has a lot to offer to the study of popular music, and the case of popular music points feminist aesthetics to some of its own limitations and unasked questions. This (...) essay addresses the paucity of work in feminist philosophy and popular music by (1) applying insights from other areas of feminist aesthetics (the role of gender in the art/craft distinction, concepts of genius and creativity, notions of active spectatorship, etc.) to questions of popular music, and (2) thereby using feminist aesthetics – specifically, Julia Kristea’s notion of female genius and the genius spectator – to critique itself. (shrink)

By the turn of the twenty-first century, women writing about electing to share their lives with female canines directly confront a strange sort of backlash. Even as their extensions of the feminist forms of personal criticism contribute to significant developments in theories of sex, gender, and species, they become targets of criticism as “indulgent” for focusing on their dogs. Comparing these elements in and around popular memoirs like Caroline Knapp's Pack of Two: The Intricate Bond between People and Dogs (1998) (...) and Deirdre McCloskey's Crossing: A Memoir (1999), as well as academic studies like Alice Kuzniar's Melancholia's Dog: Reflections on Our Animal Kinship (2006) and Donna Haraway's When Species Meet (2007), this essay elaborates the ways in which living with and writing about female canine companions informs poststructuralist and feminist questions about the embodiment and performance of structures of authority, including those of academic writers, “dog-mom” stereotypes, and reproductively silenced bodies. Situating these texts amid discussions of form in and around feminist/dog-writing, I argue that together they move narrative beyond the abstract model of the lone “authoritative” human individual, reframing feminist politics as intra-active, even trans-species, from the ground up. (shrink)

I argue that in Julia Kristeva’s concept of negativity, conceived of as the recuperation, through transformation, of a traumatic remnant of the past, we can find a parallel to what Theodor Adorno, following Walter Benjamin, calls a mimesis that in its emphasis on non-identity is able to remain faithful to the ban on graven images interpreted materialistically rather than theologically. A connection between negativity and the theological ban on images is suggested in Adorno’s claim that a ban on positive representations (...) of utopia leads to a practice of negating the negative, that is, of exposing the injustices of modern life. Both Adorno andKristeva discern in contemporary art a capacity to critique modernity and envision a better world, but insist that this art must not represent what it indicates. I alsoexamine Benjamin’s writings on photography in order to argue that a mimesis that respects the ban on graven images moves us beyond the systematic optimismof the Hegelian dialectic, and extends the philosophy of history into the unknown of the unconscious. (shrink)

Issues in reproductive ethics, such as the capacity of parents to ‘choose children’, present challenges to philosophical ideas of freedom, responsibility and harm. This book responds to these challenges by proposing a new framework for thinking about the ethics of reproduction that emphasizes the ways that social norms affect decisions about who is born. The book provides clear and thorough discussions of some of the dominant problems in reproductive ethics - human enhancement and the notion of the normal, reproductive liberty (...) and procreative beneficence, the principle of harm and discrimination against disability - while also proposing new ways of addressing these. The author draws upon the work of Michel Foucault, especially his discussions of biopolitics and norms, and later work on ethics, alongside feminist theorists of embodiment to argue for a new bioethics that is responsive to social norms, human vulnerability and the relational context of freedom and responsibility. This is done through compelling discussions of new technologies and practices, including the debate on liberal eugenics and human enhancement, the deliberate selection of disabilities, PGD and obstetric ultrasound. (shrink)

"Portions of this work were originally published as La racaille de la Republique by Fadela Amara and Mohammed Abdi, Editions du Seuil, 2006"--T.p. verso.

Breast milk and the placenta are phenomena of female human embodiment that challenge the philosophical notion of separate, sovereign subjects independent of other human be­ings and an objective world “out there.” A feminist phenomenological analysis, indebted to Merleau-Ponty and Irigaray, reveals placenta and milk to be intercorporeal, “chiasmic” forms of shared organic existence. This analysis is a philosophical and psychological exploration of “matrotopy,” i.e., the fact that humans eat their mothers through breast milk and placenta. This exploration, however, requires an (...) understanding of the larger environmental field which sustains the female body and its offspring. Environmental degradation, particularly through estrogen mimicking substances in plastics and pesticides, targets the endocrine system of developing fetuses and endangers the future of the human species from the inside. Invisible organo-chemical technologies pose a new and immediate danger and ethical challenge to women and men in the twenty-first century. A “placental ethics” respects the insertion of the human being into the dynamic field of nature; it calls for an awareness that, unless we develop a changed attitude toward technology, the gradual extinction of our species continues to happen in female bodies today. (shrink)

The feminist charge that Michel Foucault's work in general and his history of sexuality in particular are masculinist, sexist, and reflect male biases vexes feminist philosophers of disability who believe his claims about (for instance) the constitution of subjects, genealogy, governmentality, discipline, and regimes of truths imbue their feminist analyses of disability and ableism with complexity and richness, as well as inspire theoretical sophistication and intellectual rigor in the fields of philosophy of disability and disability studies more generally. No aspect (...) of Foucault's corpus has been more consistently subjected to the charges of masculinism and male bias than his example of the nineteenth-century farmhand Charles Jouy who, at about forty years of age, engaged in sexual activity with a girl, Sophie Adam, was reported to authorities, and subsequently was incarcerated in Maréville for the rest of his days. My central aim in this paper is to interrupt the momentum of the accepted feminist interpretation of the Jouy case by advancing a feminist perspective on Jouy's identity and the incidents involving Jouy and Adam that takes seriously insights derived from philosophy of disability and critical disability theory and history. (shrink)

: This review offers a critical analysis of Shannon Sullivan's "feminist pragmatist standpoint theory" as a framework for thinking about issues of identity and truth. Sullivan claims that Maurice Merleau-Ponty's emphasis on an anonymous or pre-personal quality to bodily experience commits him to a false universality and that his understanding of bodily intentionality traps him in a subjectivist philosophy that is incapable of doing justice to difference. She suggests that phenomenology in general is theoretically limited because of its alleged subjectivism (...) and universalism, and she turns to Dewey's pragmatism to develop a "transactional model" of identity and truth. In response, I argue that Merleau-Ponty's descriptions of anonymity and intentionality do not entail either subjectivism or a false universality. I also challenge Sullivan's conception of truth as transactional flourishing by appealing to the "terrible truths" of violence and oppression. (shrink)

Of course we have bodies, but there §5 are multiple modes of embodiment and styles of bodily obj edification that -g are critical for the understanding of culture. £ It is this methodological distinction between body and embodiment = that I think ...

What kind of challenge does sexual and racial difference pose for postmodern ethics? What is the relation between ethical obligation and feminist interpretations of embodiment, passion, and eros? How can we negotiate between ethical responsibility for the Other and democratic struggles against domination, injustice, and equality, on the one hand, and internal conflicts within the subject, on the other? We cannot address such questions, Ziarek argues, without putting into dialogue discourses that have hitherto been segregated: postmodern ethics, feminism, race theory, (...) and the idea of radical democracy. Addressing a constellation of diverse thinkers - including Emmanuel Levinas, Patricia Williams, Jean-François Lyotard, Michel Foucault, Frantz Fanon, Julia Kristeva, and Luce Irigaray - the author proposes a new conception of ethics, an ethics of dissensus that rethinks the relation between freedom and obligation in a double context of embodiment and antagonism. (shrink)