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- Catharine Abell (2009). Canny Resemblance. Philosophical Review 118 (2).
- Catharine Abell (2007). Pictorial Realism. Australasian Journal of Philosophy 85 (1):1 – 17.
- Catharine Abell (2005). Pictorial Implicature. Journal of Aesthetics and Art Criticism 63 (1):55–66.
- Catharine Abell (2005). On Outlining the Shape of Depiction. Ratio 18 (1):27–38.
- Zed Adams (2007). The Objective Eye: Color, Form, and Reality in the Theory of Art by Hyman, John. Journal of Aesthetics and Art Criticism 65 (4):417–419.
- Virgil C. Aldrich (1958). Picture Space. Philosophical Review 67 (3):342-352.
- Virgil C. Aldrich (1948). Language, Experience, and Pictorial Meaning. Journal of Philosophy 45 (4):85-95.
- John Armstrong (1997). Non-Depicted Content and Pictorial Ambition. British Journal of Aesthetics 37 (4).
- Kent Bach (1970). Part of What a Picture Is. British Journal of Aesthetics 10 (2).
- Katerina Bantinaki (2008). The Opticality of Pictorial Representation. Journal of Aesthetics and Art Criticism 66 (2):183–192.
- Katerina Bantinaki (2007). Pictorial Perception as Illusion. British Journal of Aesthetics 47 (3).
- Katerina Bantinaki (2006). Review of Dominic Mciver Lopes, Sight and Sensibility: Evaluating Pictures. Notre Dame Philosophical Reviews 2006 (4).
- David Blinder (1986). In Defense of Pictorial Mimesis. Journal of Aesthetics and Art Criticism 45 (1):19-27.
- H. Gene Blocker (1977). Pictures and Photographs. Journal of Aesthetics and Art Criticism 36 (2):155-162.
- Ben Blumson, Depictive Structure?
- Ben Blumson, Depiction with Resemblance.
- Ben Blumson, Depiction and Composition.
- Ben Blumson (2010). Pictures, Perspective and Possibility. Philosophical Studies 149 (2).
- Ben Blumson (2009). Images, Intentionality and Inexistence. Philosophy and Phenomenological Research 79 (3):522-538.
- Ben Blumson (2009). Defining Depiction. British Journal of Aesthetics 49 (2).
- Ben Blumson (2008). Depiction and Convention. Dialectica 62 (3):335-348.
- Donald Brook (1983). Painting, Photography and Representation. Journal of Aesthetics and Art Criticism 42 (2):171-180.
- James D. Carney (1981). Wittgenstein's Theory of Picture Representation. Journal of Aesthetics and Art Criticism 40 (2):179-185.
- Roberto Casati (forthcoming). Hallucinatory Pictures. Acta Analytica.
- Roberto Casati (2004). Methodological Issues in the Study of the Depiction of Cast Shadows: A Case Study in the Relationships Between Art and Cognition. Journal of Aesthetics and Art Criticism 62 (2):163–174.
- W. Charlton (2000). Pictorial Likeness. British Journal of Aesthetics 40 (4).
- Alon Chasid (2007). Content-Free Pictorial Realism. Philosophical Studies 135 (3).
- Alon Chasid (2004). Why the Pictorial Relation is Not Reference. British Journal of Aesthetics 44 (3).
- Paul Crowther (2008). Pictorial Space and the Possibility of Art. British Journal of Aesthetics 48 (2).
- Paul Crowther (2002). The Transhistorical Image: Philosophizing Art and its History. Cambridge University Press.
- Arthur C. Danto (1982). Depiction and Description. Philosophy and Phenomenological Research 43 (1):1-19.
- Whitney Davis (2001). When Pictures Are Present: Arthur Danto and the Historicity of the Eye. Journal of Aesthetics and Art Criticism 59 (1):29-38.
- Anthony A. Derksen (2004). Occlusion Shapes and Sizes in a Theory of Depiction. British Journal of Aesthetics 44 (4).
- John Dilworth (forthcoming). Depictive Seeing and Double Content. In Catharine Abell & Katerina Bantinaki (ed.), Philosophical Perspectives on Picturing. Oxford University Press.
- John Dilworth (2008). The Propositional Challenge to Aesthetics. British Journal of Aesthetics 48 (2):115-144.
- John Dilworth (2005). The Perception of Representational Content. British Journal Of Aesthetics 45 (4):388-411.
- John Dilworth (2004). Internal Versus External Representation. Journal of Aesthetics and Art Criticism 62 (1):23-36.
- John Dilworth (2003). Pictorial Orientation Matters. British Journal of Aesthetics 43 (1).
- John Dilworth (2002). Varieties of Visual Representation. Canadian Journal of Philosophy 32 (2):183-206.
- John Dilworth (2002). Three Depictive Views Defended. British Journal of Aesthetics 42 (3).
- Randall R. Dipert (1996). Reflections on Iconicity, Representation, and Resemblance: Peirce's Theory of Signs, Goodman on Resemblance, and Modern Philosophies of Language and Mind. Synthese 106 (3).
- Merlin Donald (2004). Is a Picture Really Worth a 1,000 Words? History and Theory 43 (3):379–385.
- Marcia Eaton (1980). Truth in Pictures. Journal of Aesthetics and Art Criticism 39 (1):15-26.
- Craig Files (1996). Goodman's Rejection of Resemblance. British Journal of Aesthetics 36 (4).
- Cynthia Freeland (2007). Portraits in Painting and Photography. Philosophical Studies 135 (1).
- Jason Gaiger (2009). Sense and Sensibility: Evaluating Pictures by Dominic Lopes. European Journal of Philosophy 17 (3):447-451.
- Jason Gaiger (2002). The Analysis of Pictorial Style. British Journal of Aesthetics 42 (1).
- Daniel Gilman (1992). A New Perspective on Pictorial Representation. Australasian Journal of Philosophy 70 (2):174 – 186.
- Alan H. Goldman (1995). The Aesthetic Value of Representation in Painting. Philosophy and Phenomenological Research 55 (2):297-310.
- Nelson Goodman (1985). Statements and Pictures. Erkenntnis 22 (1-3).
- Nelson Goodman (1970). Some Notes on Languages of Art. Journal of Philosophy 67 (16):563-573.
- Nelson Goodman (1968). Languages of Art. Bobbs-Merrill.
- Nelson Goodman (1960). Positionality and Pictures. Philosophical Review 69 (4):523-525.
- R. A. Goodrich (1988). Goodman on Representation and Resemblance. British Journal of Aesthetics 28 (1).
- David B. Greene (1983). Consciousness, Spatiality and Pictorial Space. Journal of Aesthetics and Art Criticism 41 (4):375-385.
- Dominic Gregory (2010). Pictures, Pictorial Contents and Vision. British Journal of Aesthetics 50 (1):15-32.
- Robert Grigg (1984). Relativism and Pictorial Realism. Journal of Aesthetics and Art Criticism 42 (4):397-408.
- Mary R. Haight (1976). Who's Who in Pictures. British Journal of Aesthetics 16 (1).
- Alastair Hannay (1970). Wollheim and Seeing Black on White as a Picture. British Journal of Aesthetics 10 (2).
- Heiko Hecht, Robert Schwartz & Margaret Atherton (2003). Looking Into Pictures. The Mit Press.
- Göran Hermerén (1978). Depiction: Some Formal and Conceptual Problems. Journal of Aesthetics and Art Criticism 37 (1):65-71.
- David Hills (2002). Review of Van Gerwen, Rob (Ed.), Richard Wollheim on the Art of Painting: Art As Representation and Expression. Notre Dame Philosophical Reviews 2002 (8).
- R. Hopkins (2000). Touching Pictures. British Journal of Aesthetics 40 (1).
- Robert Hopkins (forthcoming). Factive Pictorial Experience: What's Really Special About Photographs? Nous.
- Robert Hopkins (2008). Reasons for Looking: Lopes on the Value of Pictures. Philosophy and Phenomenological Research 77 (2):556-569.
- Robert Hopkins (2003). What Makes Representational Painting Truly Visual? Aristotelian Society Supplementary Volume 77 (1):149–167.
- Robert Hopkins (1998). Picture, Image and Experience: A Philosophical Inquiry. Cambridge University Press.
- Robert Hopkins (1997). Pictures and Beauty. Proceedings of the Aristotelian Society 97 (2):177–194.
- Robert Hopkins (1997). El Greco's Eyesight: Interpreting Pictures and the Psychology of Vision. Philosophical Quarterly 47 (189):441-458.
- Robert Hopkins (1995). Explaining Depiction. Philosophical Review 104 (3):425-455.
- Robert Hopkins (1994). Resemblance and Misrepresentation. Mind 103 (412).
- Robert Howell (1976). Ordinary Pictures, Mental Representations, and Logical Forms. Synthese 33 (2-4).
- J. Hyman (2000). Pictorial Art and Visual Experience. British Journal of Aesthetics 40 (1).
- John Hyman (2006). The Objective Eye. University of Chicago Press.
- Amy Ione (2008). Las Meninas: Examining Velasquez's Enigmatic Painting. Journal of Consciousness Studies 15 (9):51-57.
- Rebecca K. Jones, Edward S. Reed & Margaret A. Hagen (1980). A Three Point Perspective on Pictorial Representation: Wartofsky, Goodman and Gibson on Seeing Pictures. Erkenntnis 15 (1).
- G. N. Kemp (1990). Pictures and Depictions: A Consideration of Peacocke's Views. British Journal of Aesthetics 30 (4).
- Nanyoung Kim (2004). Ernst H. Gombrich, Pictorial Representation, and Some Issues in Art Education. Journal of Aesthetic Education 38 (4).
- Philip Kitcher & Achille Varzi (2000). Some Pictures Are Worth 2[Aleph]0 Sentences. Philosophy 75 (3):377-381.
- Søren Kjørup (1978). Pictorial Speech Acts. Erkenntnis 12 (1).
- Carolyn Korsmeyer (1985). Pictorial Assertion. Journal of Aesthetics and Art Criticism 43 (3):257-265.
- John Kulvicki (2006). Pictorial Realism as Verity. Journal of Aesthetics and Art Criticism 64 (3):343–354.
- John Kulvicki (2006). Pictorial Representation. Philosophy Compass 1 (6):535–546.
- John Kulvicki (2003). Image Structure. Journal of Aesthetics and Art Criticism 61 (4):323–340.
- John V. Kulvicki (2006). On Images: Their Structure and Content. Clarendon.
- Keith Lehrer (2004). Representation in Painting and in Consciousness. Philosophical Studies 117 (1-2):1-14.
- Michael Levey (1968). Looking for Quality in Pictures. British Journal of Aesthetics 8 (1).
- Jerrold Levinson (2005). Erotic Art and Pornographic Pictures. Philosophy and Literature 29 (1).
- Jerrold Levinson (1998). Wollheim on Pictorial Representation. Journal of Aesthetics and Art Criticism 56 (3):227-233.
- Dominic Lopes (2005). Sight and Sensibility. Oxford University Press.
- Dominic Lopes (1996). Understanding Pictures. Oxford University Press.
- Dominic Lopes (1995). Pictorial Realism. Journal of Aesthetics and Art Criticism 53 (3):277-285.
- Dominic Lopes (1992). Pictures, Styles and Purposes. British Journal of Aesthetics 32 (4).
- Dominic M. M. Lopes (1997). Art Media and the Sense Modalities: Tactile Pictures. Philosophical Quarterly 47 (189):425-440.
- Dominic M. McIver Lopes (2002). Vision, Touch, and the Value of Pictures. British Journal of Aesthetics 42 (2).
- Dominic M. McIver Lopes (2000). From Languages of Art to Art in Mind. Journal of Aesthetics and Art Criticism 58 (3):227-231.
- Dominic M. McIver Lopes (1999). Pictorial Color: Aesthetics and Cognitive Science. Philosophical Psychology 12 (4):415 – 428.
- Dominic Mciver Lopes (2004). Directive Pictures. Journal of Aesthetics and Art Criticism 62 (2):189–196.
- Christian Lotz (2007). Depiction and Plastic Perception. A Critique of Husserl's Theory of Picture Consciousness. Continental Philosophy Review 40 (2).
- Karlheinz Lüdeking (1990). Pictures and Gestures. British Journal of Aesthetics 30 (3).
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