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  1. Ole Bouman, Anneke Abhelakh, Mieke Dings & Martine Zoeteman (eds.) (2009). Architecture of Consequence: Dutch Designs on the Future. NAI Publishers.
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  2. R. De Clercq (2015). The Aesthetics of Design, by Jane Forsey. Mind 124 (494):627-630.
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  3. Rafael De Clercq (2013). Reflections on a Sofa Bed: Functional Beauty and Looking Fit. Journal of Aesthetic Education 47 (2):35-48.
    This essay argues for two conclusions about functional beauty, as this notion has been understood by Parsons and Carlson in a recent book by the same name. First of all, it is argued that functional beauty either is not a distinct kind of beauty or that the members of this kind are not all and only instances of the property of looking fit. Second, it is argued that functional beauty is relative only to categories corresponding to essential functions. The second (...)
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  4. Andreas Dorschel (2014). Icons without turn: Über Bilder und Worte. In Wilhelm Vossenkuhl (ed.), Quo vadis Design? 4 Thesen. 17-37.
    Images, or icons, have been made the subject of a ‘turn’. But no new epoch under its sign is looming. The image is just one medium among others. The best we can do is to face what it may and what it may not achieve. Its main competitor is the word – though there is a field of transition between both. Words and numbers surpass the image when one needs to refer to something that cannot be seen – this holds (...)
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  5. Andreas Dorschel (2003). Gestaltung – Zur Ästhetik des Brauchbaren, 2nd ed. Universitätsverlag Winter.
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  6. Andreas Dorschel (2002). Gestaltung – Zur Ästhetik des Brauchbaren. Universitätsverlag C. Winter.
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  7. Andreas Dorschel (1997). Bilder und Worte. Weimarer Beiträge: Zeitschrift Für Literaturwissenschaft, Ästhetik Und Kulturwissenschaften 43 (1):110-122.
    ‘Logos’ is the Greek term for word, and language is indeed the realm of logic in a way that imagery never will be. While clearly not all use of words is argumentative – in fact, most is not –, their sequentiality brings them closer to argument than images, given the simultaneity of contents within the latter. In images, there is no discrete number of definite signs – the sort of thing language has in its vocabulary. The relations between colour and (...)
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  8. Andreas Dorschel (1995). Gestaltung und Ethik. Conceptus: Zeitschrift Fur Philosophie 28 (72):63-81.
    In design theory, moral categories have traditionally been used in favour of objectivity and soberness to oppose designers' aesthetic narcissism. This use of moral concepts is directed at the individual design object. The situation gets more complicated, however, as soon as the totality (or a large number) of objects of a certain type raises problems which could not have been predicted from features of the individual object as such. The essay attempts to clarify how ethical concepts could be relevant to (...)
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  9. Peter Gardenfors, Petter Johansson & N. J. Mahwah (eds.) (2005). Cognition, Education, and Communication Technology. Erlbaum Associates.
  10. David Kirsh (2005). Metacognition, Distributed Cognition and Visual Design. In Peter Gardenfors, Petter Johansson & N. J. Mahwah (eds.), Cognition, education, and communication technology. Erlbaum Associates 147--180.
    Metacognition is associated with planning, monitoring, evaluating and repairing performance Designers of elearning systems can improve the quality of their environments by explicitly structuring the visual and interactive display of learning contexts to facilitate metacognition. Typically page layout, navigational appearance, visual and interactivity design are not viewed as major factors in metacognition. This is because metacognition tends to be interpreted as a process in the head, rather than an interactive one. It is argued here, that cognition and metacognition are part (...)
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  11. Patrick Maynard (forthcoming). Wayfinding: ‘Public’ as Interactive/ Information Display and the New Sciences of Mind. Review of Philosophy and Psychology.
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  12. Ronald Rietveld & Erik Rietveld (2009). A Call for Strategic Interventions. In Ole Bouman, Anneke Abhelakh, Mieke Dings & Martine Zoeteman (eds.), Architecture of Consequence: Dutch Designs on the Future. NAI Publishers
    Given the contemporary complexity of cities, landscape and society, urgent social tasks call for an integral, multidisciplinary approach. Rietveld Landscape’s strategic interventions focus and use the forces of existing developments and processes. This design method creates new opportunities for landscape, architecture, the public domain, ecology, recreation and economic activity.
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  13. Lars Spuybroek (2011/2016). The Sympathy of Things: Ruskin and the Ecology of Design. V2_NAI Publishers/Bloomsbury.
    The revised and expanded edition of The Sympathy of Things with Bloomsbury Academic, which appeared in 2016. The pdf sample contains the new preface to the second edition and the foreword by Brian Massumi.
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  14. Lars Spuybroek (2011). The Digital Nature of Gothic. In L. Spuybroek (ed.), Research & Design: Textile Tectonics. 8-41.
    The first chapter of The Sympathy of Things published in Research & Design: Textile Tectonics (2011). It develops the notion of a “gothic ontology” which inverts Deleuze’s baroque ontology of the fold. Where in the universe of the fold continuity precedes singularity, in the gothic singularity precedes continuity. The reversal is based on the Ruskinian notion of the rib, which is the source of “changefulness”, expressed through “millions of variations” of figures. Figures move and change only to interact with or (...)
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  15. Lars Spuybroek (2010). The Matter of Ornament. In J. Brouwer A. Mulder (ed.), The Politics of the Impure. 232-267.
    A shortened version of the second chapter of The Sympathy of Things as it was published in The Politics of the Impure (V2_NAI Publishers, 2010). It relates John Ruskin’s “Wall-Veil” to the better-known “Wall-Dress” (Gewand) of Gottfried Semper by understanding both as occurring at the intersection of matter and force. Matter tends to generate patterns in two ways, either downward or upward in dimensions. The first relates to tessellated ornament (cf. Owen Jones); the second to the ribboned ornamentation as we (...)
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  16. Lars Spuybroek (2009). The Architecture of Continuity. V2_NAI Publishers.
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  17. Mahendra Wibawa (2014). ANALISIS KUALITAS DESAIN SAMPUL BUKU SEKOLAH ELEKTRONIK (BSE) MATA PELAJARAN SENI BUDAYA. Dissertation, Universitas Negeri Surabaya (UNESA)
    Twenty-one units of school E-books subjecting in Arts and Culture in total has been released nationwide, which must be consented by Indonesia’s Body of National Standard of Education (Badan Standar Nasional Pendidikan) – the appointed organization to certify Indonesia’s educational features. The graphic instruments applied on cover designs, of which emphasis is merely on technical aspects, requires further examination. Such condition becomes the basis of this study in order to identify, describe and illustrate the implementation of cover designing school E-books (...)
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  18. Ioannis Xenakis & Argyris Arnellos (2013). The Relation Between Interaction Aesthetics and Affordances. Design Studies 34 (1).
    Even though aesthetics and affordances are two important factors based on which designers provide effective ways of interaction through their artifacts, there is no study or theoretical model that relates these two aspects of design. We suggest a theoretical explanation that relates the underlying functionality of aesthetics, in particular, of interaction aesthetics and of affordances in the design process. Our claim is that interaction aesthetics are one among other factors that allow users to enhance the detection of action possibilities and (...)
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