Following this work, Cassirer extended his insights to encompass a broad spectrum of philosophical themes: from investigations into Western epistemological and ...

This volume is part of the multi-volume edition of Cassirer's Nachlass, the first volume of which, Zur Metaphysik der Symbolichen Formen, appeared in 1995 (English tr.: The Philosophy of Symbolic Forms, vol. 4, The Metaphysics of Symbolic Forms, ed. J. M. Krois and D. P. Verene [Yale University Press, 1996]). This volume of Cassirer's correspondence contains 186 letters to and from Cassirer spanning the length of his career, beginning with a letter of 1893 prior to his arrival in Marburg in (...) 1896 to study with the founders of the Marburg Neo-Kantian School, Hermann Cohen and Paul Natorp, and ending with an exchange of letters with Hans Reichenbach regarding an offer of an appointment at UCLA a few days before his .. (shrink)

This book -- the first commentary on Ernst Cassirer's Metaphysics of Symbolic Forms -- provides an introduction to the metaphysical views that underlie the philosopher's conceptions of symbolic form and human culture.

In the paper I try, resolutely, to associate the open ended encyclopedic character of Cassirer’s philosophy with the core part of this philosophy concerning symbolic formation. In this way I try to supplement and strengthen the anthropology that Cassirer formulated in AN ESSAY ON MAN. Finally I discuss the historical character and value of this anthropology.

This paper provides a précis of Ernst Cassirer’s concept of art as a symbolic form. It does so, though, in a specific respect. It points to the fact that Cassirer’s concept of “symbolic form” is two-sided. On the one hand, the concept captures general cultural phenomena that are not only meaningful but also manifest the way man makes sense of the world; thus myth, religion, and art are considered general symbolic forms. On the other hand, it captures the formal structures (...) and semiotic tools thanks to which meaning is constructed within each general symbolic form (Cassirer called these structures “modes of objectivation”); thus, in art, perspective or the golden section are well-known examples of symbolic forms, now in a narrow sense, i.e. they are means to configure parts into an organized, meaningful whole. The paper will comment on art along both these two dimensions, but its main goal is to provide with concrete examples of aesthetic symbolic forms in the narrow sense in order to show how conceptual meaning can be inscribed in the space of aesthetic intuition. (shrink)

The concept of philosophy as a philosophical problem.--Critical idealism as a philosophy of culture.--Descartes, Leibniz, and Vico.--Hegel's theory of the State.--The philosophy of history.--Language and art I.--Language and art II.--The educational value of art.--Philosophy and politics.--Judaism and the modern political myths.--The technique of our modern political myths.--Reflections on the concept of group and the theory of perception.

This thought-provoking classic investigates how the Renaissance spirit fundamentally questioned and undermined medieval thought. Of value to students of literature, political theory, history of religious and Reformation thought, and the history of science.

v. 1. Language.--v. 2. Mythical thought.--v. 3. The phenomenology of knowledge.--v. 4. The metaphysics of symbolic forms.

In this book the author analyzes the work of physicists, mathematicians, biologists, historians, and philosophers in order to discover the principles that underlie their various ways of knowing and in terms of which they describe the ...

Francesco Petrarca, translated by H. Nachod: Introduction. A self-portrait. The ascent of Mont Ventoux. On his own ignorance and that of many others. A disapproval of an unreasonable use of the discipline of dialectic. An Averroist visits Petrarca. Petraca's aversion to Arab science. A request to take up the fight against Averroes.--Lorenzo Valla, translated by C.E. Trinkaus, Jr.: Introduction by C.E. Trinkaus, Jr. Dialogue on free will.--Marsilio Ficino, translated by J.L. Burroughs: Introduction, by J.L. Burroughs. Five questions concerning the mind.-- (...) Giovanni Pico della Mirandola, translated by E.L. Forbes Introduction, by P.O. Kristeller. Oration on the dignity of man.--Pietro Pomponazzi, translated by W.H. Hay. Introduction, by J.H. Randall. On the immortality of the soul.--Juan Luis Vives, translated by N. Lenkeith: Introduction, by N. Lenkeith. A fable about man.--Selective bibliography (p. 397-400). (shrink)

An 'Essay on man' is an original synthesis of contemporary knowledge, a unique interpretation of the intellectual crisis of our time, and a brilliant vindication of manís ability to resolve human problems by the courageous use of his mind.

In this double-volume work, a great modern philosopher propounds a system of thought in which Einstein's theory of relativity represents only the latest (albeit the most radical) fulfillment of the motives inherent to mathematics and the physical sciences. In the course of its exposition, it touches upon such topics as the concept of number, space and time, geometry, and energy; Euclidean and non-Euclidean geometry; traditional logic and scientific method; mechanism and motion; Mayer's methodology of natural science; Richter's definite proportions; relational (...) concepts and the activity of the ego; Einstein's relativity and "reality"; and the philosophical concept of truth and its role in relativity theory. 1923 edition. (shrink)

Reissue from the classic Muirhead Library of Philosophy series (originally published between 1890s - 1970s).

A broad overview of the NeoKantian movement in Germany, written as an introduction to a series of essays about that movement. -/- .

A description and critique of aspects of Michael Friedman's latter day NeoKantian program in the philosophy of science. -/- .

A review of a volume on Neo-Kantianism edited by Rudolf Makkreel and Sebastian Luft. -/- .

In this paper, I will argue with Ernst Cassirer that anticipation plays an essential part in the constitution of time, as seen from a transcendental perspective. Time is, as any transcendental concept, regarded as basically relational and subjective and only in a derivative way objective and indifferent to us. This entails that memory is prior to history, and that anticipation is prior to prediction. In this paper, I will give some examples in order to argue for this point. Furthermore, I (...) will also argue, again with Cassirer and contra Henri Bergson, that time should be seen as a functional unity, and not as a collection of three different things-in-themselves (past, present and future). (shrink)

This clear, riveting book will be of great interest not only to philosophers and to historians of philosophy but also to anyone interested in the great ...

According to Michael Friedman, Ernst Cassirer’s “outstanding contribution [to Neo-Kantianism] was to articulate, for the first time, a clear and coherent conception of formal logic within the context of the Marburg School” (Friedman 2000, p. 30). In his paper “Kant und die moderne Mathematik” (1907), Cassirer argued not only that the new relational logic of Frege1 and Russell was a major breakthrough with profound philosophical implications, but also that the logicist thesis itself was a “fact” of modern mathematics. Cassirer summarizes (...) his evaluation of Russell’s work: Here logic and mathematics have been fused into a true, henceforth indissoluble unity; and from this inner connection there arises for each .. (shrink)

Cassirer’s approach to symbolic mediation differs in some important ways from currently prevailing approaches to meaning and signification such as semiology and its more recent poststructuralist varieties. Cassirer’s philosophy of symbolic forms offers a theory of symbols that does not amount to a sign theory or semiology. It sketches out, rather, a dynamic and nonrepresentational framework in which an alternative notion of difference takes centre stage. In order to make the original features of Cassirer’s approach stand out, I will compare (...) it with the approach of the perhaps most influential differential thinker of our day, Jacques Derrida. The philosophy of symbolic forms explicitly prefigures a great many of the insights and concerns of poststructuralism. Yet, there are some critical differences. Rather than rejecting the concepts of objectivity, identity, and truth on the premises established by traditional metaphysics, Cassirer chooses to redefine these concepts through a radical conceptual reframing. The result is a doctrine that—in Derridean parlance—neither jumps beyond the oppositions of metaphysics, nor tries to resolve them in a Hegelian synthesis—a doctrine, that is, that even though it appeals to origins, cannot so easily be dismissed as yet another instantiation of the metaphysics of presence. (shrink)

Perspective, Symbol, and Symbolic Form: Concerning the Relationship between Cassirer and Panofsky During the last two decades of the twentieth century, there was a sudden surge of interest in Ernst Cassirer’s major work, The Philosophy of Symbolic Forms (1923–29), and Erwin Panofsky’s essay, ‘Perspective as Symbolic Form’ (1927), an interest that has continued uninterrupted to the present day. Particularly amongst art historians, however, a serious misunderstanding remains evident here – the confusing of ‘symbolic form’ with ‘symbol’. Cultural and perceptual mediations, (...) in which objects (and subjects) are only just in the process of forming, are carelessly turned into arbitrary, isolated objects of art history or pictorial history. Every work, in this view, is regarded as a ‘symbolic form’ to the extent that a representation of the world is ‘expressed’ in it. This article initially reviews Panofsky’s essay in order to establish the context in which the art historian uses the term ‘symbolic form’. His use of it is then compared with Cassirer’s original understanding of the term. A careful distinction is made between ‘symbol’, ‘symbolic pregnance’, and ‘symbolic form’, and this is followed by an analysis of scattered remarks in Cassirer’s writings, and particularly in his posthumous manuscripts and notes, on ‘art’ as symbolic form and on the spatial form that is prior to all perception and art production, as well as his call for a kind of art history that conceives of itself as a scholarly discipline. The article concludes with the recognition that Panofsky not only deliberately, but justifiably – that is, in the spirit of Cassirer, at least – transferred the expression ‘symbolic form’ to ‘perspective’. (shrink)

My purpose in this paper is to look at Cassirer’s relation to critical philosophy from a new perspective. Most discussions concerning Cassirer’s Kantianism have so far centered on his relation to neo-Kantianism and the Marburg school. My focus will not be on neo-Kantianism but on Cassirer’s notion of a “critique of culture.” In an often cited paragraph from the introduction to The Philosophy of Symbolic Forms , Cassirer says that his aim is to broaden Kant’s critical approach to all various (...) forms of culture, to language as well as myth and art, and thus to transform the “critique of reason” into the “critique of culture.” I will explore Cassirer’s concept of the “critique of culture” and suggest that it can best be understood by placing it in the context of early twentieth century German philosophy. More precisely, I will aim to show that Cassirer’s critique can be seen as an effort to find a middle path between Lebensphilosophie and the positivism of the Vienna Circle. (shrink)

An autobiographical account of a formative experience -- Cassirer's philosophy of symbolic forms -- Art and science as supplementing forms -- The parting of the ways and the divide in organizational theory -- Cassirer in the light of neuroscience -- Bringing Cassirer into organizations -- The institution as a symbolic form.

Can a phenomenology of culture be at the same time a philosophy of culture? In other words, can a descriptive exploration of acts and objects of culture serve at the same time as a critical reflection on those acts and objects? Or does cultural critique imply a separate and additional task, that of a normative examination of the explored cultural phenomena? What would be the founding values of such an examination? How would it be established? Furthermore, what would be the (...) importance of recognizing the distinct nature of this task compared to the exploratory-descriptive one? How would the two tasks relate to one another? Finally, is a full-fledged philosophy of culture, i.e. a critical exploration of cultural phenomena, needed? And if yes, why? These are the questions addressed by this paper. Answers are sought in a close examination of the work of Ernst Cassirer which involved both a phenomenology of cultural forms as well as an attempt at their normative-critical evaluation. And yet his work was criticized by many for its lack of an ethical dimension, a critique endorsed by another phenomenologist of culture, Alfred Schutz, whose work itself was accused for being non-critical. Beginning with a presentation of these two phenomenologies of culture this paper examines closely the charges directed against Cassirer's comprehensive philosophy of culture, namely, its idealism and its a-moralism. Through this examination the paper aims to shed light on a number of issues pertaining to the questions formulated above. (shrink)

This essay reconstructs the steps by which Cassirer moved from the philosophy of language in the early 1920s to his more general theory of symbolism. The linguistic turn in philosophy overcame idealism without falling into naturalism or psychologism, but according to Cassirer proclaiming the primacy of language was one-sided. He claimed that language is but one symbolic form among many and, what is more, it is not the most fundamental kind of symbolism. The basic function of symbolism is neither “reference” (...) nor “pure signification,” but the unification of sensory phenomena in perception, a function he termed symbolic “Prägnanz.” The essay explains how Cassirer argued for a continuity of symbolic processes linking expressive perceptual qualities with scientific theory. (shrink)

In the introduction to the third and last volume of his Philosophy of Symbolic Forms of 1929,entitled “Phenomenology of Knowledge,” Ernst Cassirer remarks that the meaning in which he employs the term ‘phenomenology’ is Hegelian rather than according to “the modern usage of the term.”1 What sense can it make, then, to invoke Edmund Husserl’s phenomenology in this context? Yet if, roughly speaking, phenomenology can be characterized as the logosof phenomena,that is, of being insofar as it appears (phainesthai)to a conscious (...) subject, then the sense of phenomenology need not be so different from what Cassirer terms “the modern usage.”2 Phenomenology in this more liberal sense would be an account of how consciousness experiences the world through different forms of experience and in different spaces of meaning. The addition ‘hermeneutic’, moreover, points to a broader methodological scope.. (shrink)

The aim of this paper is make a contribution to the ongoing search for an adequate concept of the a priori element in scientific knowledge. The point of departure is C.I. Lewis’s account of a pragmatic a priori put forward in his "Mind and the World Order" (1929). Recently, Hasok Chang in "Contingent Transcendental Arguments for Metaphysical Principles" (2008) reconsidered Lewis’s pragmatic a priori and proposed to conceive it as the basic ingredient of the dynamics of an embodied scientific reason. (...) The present paper intends to further elaborate Chang’s account by relating it with some conceptual tools from cognitive semantics and certain ideas that first emerged in the context of the category-theoretical foundations of mathematics. (shrink)

Abstract. The aim of this paper is to reconstruct the debate on Begriffstheorie between Ernst Cassirer, the Swe¬dish philosopher Konrad Marc-Wogau, and, virtually, Moritz Schlick. It took place during in the late thirties when Cassirer had immigrated to Sweden. While Cassirer argued for a rich “constitutive” theory of concepts, Marc-Wogau, and, in a different way, Schlick favored “austere” non-con¬sti¬¬tutive theories of concepts. Ironically, however, Cassirer used Schlick’s account as a weapon to counter Marc-Wogau’s criticism of his rich con¬¬sti¬tu¬¬tive theory of (...) concepts. With the help of modern Formal Concept Theory (FCT) it can be shown, however, that Marc-Wogau’s argument is flawed. (shrink)

Idealist Heresies in Philosophy of Science: Cassirer, Carnap, and Kuhn. As common wisdom has it, philosophy of science in the analytic tradition and idealist philosophy are incompatible. Usually, not much effort is spent for explaining what is to be understood by idealism. Rather, it is taken for granted that idealism is an obsolete and unscientific philosophical account. In this paper it is argued that this thesis needs some qualification. Taking Carnap and Kuhn as paradigmatic examples of positivist and postpositivist philosophies (...) of science it is shown that these accounts share important features with Cassirer's idealist philosophy of science developed in the first half of this century. As it turns out, often Cassirer is more modern than those classical philosophers of (post)posivitist philosophy of science. For instance, Quine's criticism against Carnap's empiricist philosophy of science launched in Two Dogmas of Empiricism is anticipated by Cassirer for several decades. (shrink)