This thought-provoking classic investigates how the Renaissance spirit fundamentally questioned and undermined medieval thought. Of value to students of literature, political theory, history of religious and Reformation thought, and the history of science.

Reissue from the classic Muirhead Library of Philosophy series (originally published between 1890s - 1970s).

Cassirer’s approach to symbolic mediation differs in some important ways from currently prevailing approaches to meaning and signification such as semiology and its more recent poststructuralist varieties. Cassirer’s philosophy of symbolic forms offers a theory of symbols that does not amount to a sign theory or semiology. It sketches out, rather, a dynamic and nonrepresentational framework in which an alternative notion of difference takes centre stage. In order to make the original features of Cassirer’s approach stand out, I will compare (...) it with the approach of the perhaps most influential differential thinker of our day, Jacques Derrida. The philosophy of symbolic forms explicitly prefigures a great many of the insights and concerns of poststructuralism. Yet, there are some critical differences. Rather than rejecting the concepts of objectivity, identity, and truth on the premises established by traditional metaphysics, Cassirer chooses to redefine these concepts through a radical conceptual reframing. The result is a doctrine that—in Derridean parlance—neither jumps beyond the oppositions of metaphysics, nor tries to resolve them in a Hegelian synthesis—a doctrine, that is, that even though it appeals to origins, cannot so easily be dismissed as yet another instantiation of the metaphysics of presence. (shrink)

My purpose in this paper is to look at Cassirer’s relation to critical philosophy from a new perspective. Most discussions concerning Cassirer’s Kantianism have so far centered on his relation to neo-Kantianism and the Marburg school. My focus will not be on neo-Kantianism but on Cassirer’s notion of a “critique of culture.” In an often cited paragraph from the introduction to The Philosophy of Symbolic Forms , Cassirer says that his aim is to broaden Kant’s critical approach to all various (...) forms of culture, to language as well as myth and art, and thus to transform the “critique of reason” into the “critique of culture.” I will explore Cassirer’s concept of the “critique of culture” and suggest that it can best be understood by placing it in the context of early twentieth century German philosophy. More precisely, I will aim to show that Cassirer’s critique can be seen as an effort to find a middle path between Lebensphilosophie and the positivism of the Vienna Circle. (shrink)

Can a phenomenology of culture be at the same time a philosophy of culture? In other words, can a descriptive exploration of acts and objects of culture serve at the same time as a critical reflection on those acts and objects? Or does cultural critique imply a separate and additional task, that of a normative examination of the explored cultural phenomena? What would be the founding values of such an examination? How would it be established? Furthermore, what would be the (...) importance of recognizing the distinct nature of this task compared to the exploratory-descriptive one? How would the two tasks relate to one another? Finally, is a full-fledged philosophy of culture, i.e. a critical exploration of cultural phenomena, needed? And if yes, why? These are the questions addressed by this paper. Answers are sought in a close examination of the work of Ernst Cassirer which involved both a phenomenology of cultural forms as well as an attempt at their normative-critical evaluation. And yet his work was criticized by many for its lack of an ethical dimension, a critique endorsed by another phenomenologist of culture, Alfred Schutz, whose work itself was accused for being non-critical. Beginning with a presentation of these two phenomenologies of culture this paper examines closely the charges directed against Cassirer's comprehensive philosophy of culture, namely, its idealism and its a-moralism. Through this examination the paper aims to shed light on a number of issues pertaining to the questions formulated above. (shrink)

In the introduction to the third and last volume of his Philosophy of Symbolic Forms of 1929,entitled “Phenomenology of Knowledge,” Ernst Cassirer remarks that the meaning in which he employs the term ‘phenomenology’ is Hegelian rather than according to “the modern usage of the term.”1 What sense can it make, then, to invoke Edmund Husserl’s phenomenology in this context? Yet if, roughly speaking, phenomenology can be characterized as the logosof phenomena,that is, of being insofar as it appears (phainesthai)to a conscious (...) subject, then the sense of phenomenology need not be so different from what Cassirer terms “the modern usage.”2 Phenomenology in this more liberal sense would be an account of how consciousness experiences the world through different forms of experience and in different spaces of meaning. The addition ‘hermeneutic’, moreover, points to a broader methodological scope.. (shrink)

Idealist Heresies in Philosophy of Science: Cassirer, Carnap, and Kuhn. As common wisdom has it, philosophy of science in the analytic tradition and idealist philosophy are incompatible. Usually, not much effort is spent for explaining what is to be understood by idealism. Rather, it is taken for granted that idealism is an obsolete and unscientific philosophical account. In this paper it is argued that this thesis needs some qualification. Taking Carnap and Kuhn as paradigmatic examples of positivist and postpositivist philosophies (...) of science it is shown that these accounts share important features with Cassirer's idealist philosophy of science developed in the first half of this century. As it turns out, often Cassirer is more modern than those classical philosophers of (post)posivitist philosophy of science. For instance, Quine's criticism against Carnap's empiricist philosophy of science launched in Two Dogmas of Empiricism is anticipated by Cassirer for several decades. (shrink)

The article investigates Cassirer’s developing interest in the cultural sciences to display how his Philosophy of Symbolic Forms constitutes a philosophy of culture. The core concept in such a philosophy of culture is the symbolic formation that both possesses a structured-structuring dimension and appears as an historical process in which culture shows itself as a temporal creation. The philosophy of culture displays ‘life in meaning’, that is reality as it exhibits human reality manifested in and through the medium of linguistic, (...) artistic, religious, scientific “and so on” action and behaviour. This reality, therefore, is mediation between culture and nature through human spirit. Cassirer’s philosophy of culture connects back to Kant’s transcendental idealism by emphasizing that any concept of reality establishes itself through a modalization of reality, e.g. that reality constitutes itself in the mode of interpretation. This makes the basis for Cassirer’s characteristic understanding of hermeneutics where cultural development is regarded as drama. (shrink)

In this paper, I situate Hans Blumenberg historically and conceptually in relation to a subtheme in the famous debate between Martin Heidegger and Ernst Cassirer at Davos, Switzerland in 1929. The subtheme concerns Heidegger’s and Cassirer’s divergent attitudes toward philosophical anthropology as it relates to the starting points and goals of philosophy. I then reconstruct Blumenberg’s anthropology, which involves reconceptualizing Cassirer’s philosophy of symbolic forms in relation to Heidegger’s objections to the philosophical anthropology of his day (e.g., Max Scheler, Helmuth (...) Plessner, and Arnold Gehlen) as unduly anthropocentric. Blumenberg builds on anthropologist Gehlen’s assumption that human beings are biologically underdetermined and therefore world-open. With this starting point, symbolic forms, such as myth and language, make up a compensatory life-world that supports human existence. Action, or self-assertion, which is necessary given the lack of a seamless fit between human beings and the environment, is thus circumscribed and shaped by the historied, cultural constructs that constitute a life-world. Human beings can thus be characterized as a species that continually renegotiates the shape of its existence through its relation to biological limits on the one hand and cultural constants on the other. Because Blumenberg and philosophical anthropology are relatively unexplored by Anglophone philosophers, and because philosophical anthropology is central to Blumenberg’s methodology generally, this study provides an introduction to both. (shrink)

In early major works, Cassirer and Schlick differently recast traditional doctrines of the concept and of the relation of concept to intuitive content along the lines of recent epistemological discussions within the exact sciences. In this, they attempted to refashion epistemology by incorporating as its basic principle the notion of functional coordination, the theoretical sciences' own methodological tool for dispensing with the imprecise and unreliable guide of intuitive evidence. Examining their respective reconstructions of the theory of knowledge provides an axis (...) of comparison along which to locate Cassirer's Neo-Kantianism and Schlick's pre-positivist empiricism, and an immediate background of contrast to the subsequent rise of logical empiricism. For in the absence of intuition all our knowledge is without objects and therefore remains entirely empty. (Kant A62/B87) And how awkward is the human mind in diving the nature of things when forsaken by the analogy of what we see and touch directly? (Boltzmann 1895). (shrink)

This book provides a detailed overview of the approach by two of the leading philosophical theorists of myth.

The article reconsiders the Davos-debate between Martin Heidegger and Ernst Cassirer to reassess the discussion of interrelations and differences of their philosophies. The focus is the fecund motifs of thought that each philosopher presents. These are worked out by dispersing the contexts. Heidegger’s primary motifs of thought are identified through the work of Jean-Francois Lyotard as the question of finitude understood as continuance of the event and as the act of understanding the event. The primary motif of thought in Cassirer’s (...) philosophy is identified with the question of form and formation. It is argued that it is possible to think the motifs of event and form in connection with each other. The focal point of connection between their philosophies is uncovered in the relations of form between persons—in the rigorous practice of promising and demanding. The philosophies of Heidegger and Cassirer are thus read in a way where they productively enhance each other without minimizing the differences of their motifs of thought. (shrink)

German philosopher and intellectual historian; escaped from the Nazis, first to Oxford, then to Goteborg and finally to Yale. I've only just started to read him, beginning with what was first to hand, namely the historical works, and frankly I'm puzzled.