Following this work, Cassirer extended his insights to encompass a broad spectrum of philosophical themes: from investigations into Western epistemological and ...

This volume is part of the multi-volume edition of Cassirer's Nachlass, the first volume of which, Zur Metaphysik der Symbolichen Formen, appeared in 1995 (English tr.: The Philosophy of Symbolic Forms, vol. 4, The Metaphysics of Symbolic Forms, ed. J. M. Krois and D. P. Verene [Yale University Press, 1996]). This volume of Cassirer's correspondence contains 186 letters to and from Cassirer spanning the length of his career, beginning with a letter of 1893 prior to his arrival in Marburg in (...) 1896 to study with the founders of the Marburg Neo-Kantian School, Hermann Cohen and Paul Natorp, and ending with an exchange of letters with Hans Reichenbach regarding an offer of an appointment at UCLA a few days before his .. (shrink)

In the paper I try, resolutely, to associate the open ended encyclopedic character of Cassirer’s philosophy with the core part of this philosophy concerning symbolic formation. In this way I try to supplement and strengthen the anthropology that Cassirer formulated in AN ESSAY ON MAN. Finally I discuss the historical character and value of this anthropology.

This paper provides a précis of Ernst Cassirer’s concept of art as a symbolic form. It does so, though, in a specific respect. It points to the fact that Cassirer’s concept of “symbolic form” is two-sided. On the one hand, the concept captures general cultural phenomena that are not only meaningful but also manifest the way man makes sense of the world; thus myth, religion, and art are considered general symbolic forms. On the other hand, it captures the formal structures (...) and semiotic tools thanks to which meaning is constructed within each general symbolic form (Cassirer called these structures “modes of objectivation”); thus, in art, perspective or the golden section are well-known examples of symbolic forms, now in a narrow sense, i.e. they are means to configure parts into an organized, meaningful whole. The paper will comment on art along both these two dimensions, but its main goal is to provide with concrete examples of aesthetic symbolic forms in the narrow sense in order to show how conceptual meaning can be inscribed in the space of aesthetic intuition. (shrink)

This thought-provoking classic investigates how the Renaissance spirit fundamentally questioned and undermined medieval thought. Of value to students of literature, political theory, history of religious and Reformation thought, and the history of science.

Reissue from the classic Muirhead Library of Philosophy series (originally published between 1890s - 1970s).

A broad overview of the NeoKantian movement in Germany, written as an introduction to a series of essays about that movement. -/- .

A description and critique of aspects of Michael Friedman's latter day NeoKantian program in the philosophy of science. -/- .

This clear, riveting book will be of great interest not only to philosophers and to historians of philosophy but also to anyone interested in the great ...

According to Michael Friedman, Ernst Cassirer’s “outstanding contribution [to Neo-Kantianism] was to articulate, for the first time, a clear and coherent conception of formal logic within the context of the Marburg School” (Friedman 2000, p. 30). In his paper “Kant und die moderne Mathematik” (1907), Cassirer argued not only that the new relational logic of Frege1 and Russell was a major breakthrough with profound philosophical implications, but also that the logicist thesis itself was a “fact” of modern mathematics. Cassirer summarizes (...) his evaluation of Russell’s work: Here logic and mathematics have been fused into a true, henceforth indissoluble unity; and from this inner connection there arises for each .. (shrink)

Cassirer’s approach to symbolic mediation differs in some important ways from currently prevailing approaches to meaning and signification such as semiology and its more recent poststructuralist varieties. Cassirer’s philosophy of symbolic forms offers a theory of symbols that does not amount to a sign theory or semiology. It sketches out, rather, a dynamic and nonrepresentational framework in which an alternative notion of difference takes centre stage. In order to make the original features of Cassirer’s approach stand out, I will compare (...) it with the approach of the perhaps most influential differential thinker of our day, Jacques Derrida. The philosophy of symbolic forms explicitly prefigures a great many of the insights and concerns of poststructuralism. Yet, there are some critical differences. Rather than rejecting the concepts of objectivity, identity, and truth on the premises established by traditional metaphysics, Cassirer chooses to redefine these concepts through a radical conceptual reframing. The result is a doctrine that—in Derridean parlance—neither jumps beyond the oppositions of metaphysics, nor tries to resolve them in a Hegelian synthesis—a doctrine, that is, that even though it appeals to origins, cannot so easily be dismissed as yet another instantiation of the metaphysics of presence. (shrink)

Perspective, Symbol, and Symbolic Form: Concerning the Relationship between Cassirer and Panofsky During the last two decades of the twentieth century, there was a sudden surge of interest in Ernst Cassirer’s major work, The Philosophy of Symbolic Forms (1923–29), and Erwin Panofsky’s essay, ‘Perspective as Symbolic Form’ (1927), an interest that has continued uninterrupted to the present day. Particularly amongst art historians, however, a serious misunderstanding remains evident here – the confusing of ‘symbolic form’ with ‘symbol’. Cultural and perceptual mediations, (...) in which objects (and subjects) are only just in the process of forming, are carelessly turned into arbitrary, isolated objects of art history or pictorial history. Every work, in this view, is regarded as a ‘symbolic form’ to the extent that a representation of the world is ‘expressed’ in it. This article initially reviews Panofsky’s essay in order to establish the context in which the art historian uses the term ‘symbolic form’. His use of it is then compared with Cassirer’s original understanding of the term. A careful distinction is made between ‘symbol’, ‘symbolic pregnance’, and ‘symbolic form’, and this is followed by an analysis of scattered remarks in Cassirer’s writings, and particularly in his posthumous manuscripts and notes, on ‘art’ as symbolic form and on the spatial form that is prior to all perception and art production, as well as his call for a kind of art history that conceives of itself as a scholarly discipline. The article concludes with the recognition that Panofsky not only deliberately, but justifiably – that is, in the spirit of Cassirer, at least – transferred the expression ‘symbolic form’ to ‘perspective’. (shrink)

My purpose in this paper is to look at Cassirer’s relation to critical philosophy from a new perspective. Most discussions concerning Cassirer’s Kantianism have so far centered on his relation to neo-Kantianism and the Marburg school. My focus will not be on neo-Kantianism but on Cassirer’s notion of a “critique of culture.” In an often cited paragraph from the introduction to The Philosophy of Symbolic Forms , Cassirer says that his aim is to broaden Kant’s critical approach to all various (...) forms of culture, to language as well as myth and art, and thus to transform the “critique of reason” into the “critique of culture.” I will explore Cassirer’s concept of the “critique of culture” and suggest that it can best be understood by placing it in the context of early twentieth century German philosophy. More precisely, I will aim to show that Cassirer’s critique can be seen as an effort to find a middle path between Lebensphilosophie and the positivism of the Vienna Circle. (shrink)

Can a phenomenology of culture be at the same time a philosophy of culture? In other words, can a descriptive exploration of acts and objects of culture serve at the same time as a critical reflection on those acts and objects? Or does cultural critique imply a separate and additional task, that of a normative examination of the explored cultural phenomena? What would be the founding values of such an examination? How would it be established? Furthermore, what would be the (...) importance of recognizing the distinct nature of this task compared to the exploratory-descriptive one? How would the two tasks relate to one another? Finally, is a full-fledged philosophy of culture, i.e. a critical exploration of cultural phenomena, needed? And if yes, why? These are the questions addressed by this paper. Answers are sought in a close examination of the work of Ernst Cassirer which involved both a phenomenology of cultural forms as well as an attempt at their normative-critical evaluation. And yet his work was criticized by many for its lack of an ethical dimension, a critique endorsed by another phenomenologist of culture, Alfred Schutz, whose work itself was accused for being non-critical. Beginning with a presentation of these two phenomenologies of culture this paper examines closely the charges directed against Cassirer's comprehensive philosophy of culture, namely, its idealism and its a-moralism. Through this examination the paper aims to shed light on a number of issues pertaining to the questions formulated above. (shrink)

This essay reconstructs the steps by which Cassirer moved from the philosophy of language in the early 1920s to his more general theory of symbolism. The linguistic turn in philosophy overcame idealism without falling into naturalism or psychologism, but according to Cassirer proclaiming the primacy of language was one-sided. He claimed that language is but one symbolic form among many and, what is more, it is not the most fundamental kind of symbolism. The basic function of symbolism is neither “reference” (...) nor “pure signification,” but the unification of sensory phenomena in perception, a function he termed symbolic “Prägnanz.” The essay explains how Cassirer argued for a continuity of symbolic processes linking expressive perceptual qualities with scientific theory. (shrink)

In the introduction to the third and last volume of his Philosophy of Symbolic Forms of 1929,entitled “Phenomenology of Knowledge,” Ernst Cassirer remarks that the meaning in which he employs the term ‘phenomenology’ is Hegelian rather than according to “the modern usage of the term.”1 What sense can it make, then, to invoke Edmund Husserl’s phenomenology in this context? Yet if, roughly speaking, phenomenology can be characterized as the logosof phenomena,that is, of being insofar as it appears (phainesthai)to a conscious (...) subject, then the sense of phenomenology need not be so different from what Cassirer terms “the modern usage.”2 Phenomenology in this more liberal sense would be an account of how consciousness experiences the world through different forms of experience and in different spaces of meaning. The addition ‘hermeneutic’, moreover, points to a broader methodological scope.. (shrink)

The aim of this paper is make a contribution to the ongoing search for an adequate concept of the a priori element in scientific knowledge. The point of departure is C.I. Lewis’s account of a pragmatic a priori put forward in his "Mind and the World Order" (1929). Recently, Hasok Chang in "Contingent Transcendental Arguments for Metaphysical Principles" (2008) reconsidered Lewis’s pragmatic a priori and proposed to conceive it as the basic ingredient of the dynamics of an embodied scientific reason. (...) The present paper intends to further elaborate Chang’s account by relating it with some conceptual tools from cognitive semantics and certain ideas that first emerged in the context of the category-theoretical foundations of mathematics. (shrink)

Abstract. The aim of this paper is to reconstruct the debate on Begriffstheorie between Ernst Cassirer, the Swe¬dish philosopher Konrad Marc-Wogau, and, virtually, Moritz Schlick. It took place during in the late thirties when Cassirer had immigrated to Sweden. While Cassirer argued for a rich “constitutive” theory of concepts, Marc-Wogau, and, in a different way, Schlick favored “austere” non-con¬sti¬¬tutive theories of concepts. Ironically, however, Cassirer used Schlick’s account as a weapon to counter Marc-Wogau’s criticism of his rich con¬¬sti¬tu¬¬tive theory of (...) concepts. With the help of modern Formal Concept Theory (FCT) it can be shown, however, that Marc-Wogau’s argument is flawed. (shrink)

Idealist Heresies in Philosophy of Science: Cassirer, Carnap, and Kuhn. As common wisdom has it, philosophy of science in the analytic tradition and idealist philosophy are incompatible. Usually, not much effort is spent for explaining what is to be understood by idealism. Rather, it is taken for granted that idealism is an obsolete and unscientific philosophical account. In this paper it is argued that this thesis needs some qualification. Taking Carnap and Kuhn as paradigmatic examples of positivist and postpositivist philosophies (...) of science it is shown that these accounts share important features with Cassirer's idealist philosophy of science developed in the first half of this century. As it turns out, often Cassirer is more modern than those classical philosophers of (post)posivitist philosophy of science. For instance, Quine's criticism against Carnap's empiricist philosophy of science launched in Two Dogmas of Empiricism is anticipated by Cassirer for several decades. (shrink)

By accepting that the formal structure of human language is the key to understanding the uniquity of human culture and consciousness and by further accepting the late appearance of such language amongst the Cro-Magnon, I am free to focus on the causes that led to such an unprecedented threshold crossing. In the complex of causes that led to human being, I look to scholarship in linguistics, mythology, anthropology, paleontology, and to creation myths themselves for an answer. I conclude that prehumans (...) underwent an existential crisis, i.e., the realization of certain mortality, that could be borne only by the discovery-creation of the larger realm of symbolic consciousness once experienced as the sacred (but today we know it as "the world" – as opposed to our immediate natural environment and that of other animals). Thus, although we, the human species, are but one species among innumerable others, we differ in kind, not degree. This quality is our symbolically enabled self-consciousness, the fortress of cultural identity that empowers but also imprisons awareness. (shrink)

The article investigates Cassirer’s developing interest in the cultural sciences to display how his Philosophy of Symbolic Forms constitutes a philosophy of culture. The core concept in such a philosophy of culture is the symbolic formation that both possesses a structured-structuring dimension and appears as an historical process in which culture shows itself as a temporal creation. The philosophy of culture displays ‘life in meaning’, that is reality as it exhibits human reality manifested in and through the medium of linguistic, (...) artistic, religious, scientific “and so on” action and behaviour. This reality, therefore, is mediation between culture and nature through human spirit. Cassirer’s philosophy of culture connects back to Kant’s transcendental idealism by emphasizing that any concept of reality establishes itself through a modalization of reality, e.g. that reality constitutes itself in the mode of interpretation. This makes the basis for Cassirer’s characteristic understanding of hermeneutics where cultural development is regarded as drama. (shrink)

A volume dealing seriously with the influence of the major schools of Neo-Kantian thought on contemporary philosophy has been needed sorely for some time. But this volume of essays aims higher: it ‘is published in the hopes that it will secure Neo-Kantianism a significant place in contemporary philosophical discussions’ (‘Introduction’, 1). The aim of the book, then, is partly to provide a history of major Neo-Kantian thinkers and their influence, and partly to argue for their importance in contemporary (continental) philosophy.

In this paper, I situate Hans Blumenberg historically and conceptually in relation to a subtheme in the famous debate between Martin Heidegger and Ernst Cassirer at Davos, Switzerland in 1929. The subtheme concerns Heidegger’s and Cassirer’s divergent attitudes toward philosophical anthropology as it relates to the starting points and goals of philosophy. I then reconstruct Blumenberg’s anthropology, which involves reconceptualizing Cassirer’s philosophy of symbolic forms in relation to Heidegger’s objections to the philosophical anthropology of his day (e.g., Max Scheler, Helmuth (...) Plessner, and Arnold Gehlen) as unduly anthropocentric. Blumenberg builds on anthropologist Gehlen’s assumption that human beings are biologically underdetermined and therefore world-open. With this starting point, symbolic forms, such as myth and language, make up a compensatory life-world that supports human existence. Action, or self-assertion, which is necessary given the lack of a seamless fit between human beings and the environment, is thus circumscribed and shaped by the historied, cultural constructs that constitute a life-world. Human beings can thus be characterized as a species that continually renegotiates the shape of its existence through its relation to biological limits on the one hand and cultural constants on the other. Because Blumenberg and philosophical anthropology are relatively unexplored by Anglophone philosophers, and because philosophical anthropology is central to Blumenberg’s methodology generally, this study provides an introduction to both. (shrink)

The founders of the Marburger Schule of Neo-Kantianism, Hermann Cohen and Paul Natorp, laid an emphasis upon a Platonic understanding of mathematics and logic as the paradigmatic epistemological basis of philosophy. Their successors, namely Ernst Cassirer and Nicolai Hartmann, made obvious, however, that new biological thinking can have a strong influence on ontology as well as on the theory of knowledge. They could show that biology was no longer to be treated as a metaphysical system in that pejorative meaning of (...) metaphysics which Kant had so severely been opposing. Against the anti-realistic approach of the older neo-Kantians who wanted to eliminate Kant's thing-in-itself (Ding an sich), both Cassirer and Hartmann returned to a form of realism by way of Hegel's philosophical results and reflections on his method. This makes clear that their realism is still to be taken as a more of less monistic idealism. However, considering that modern biology as an antimetaphysical force became influential in their system for the first time and that it did so in two different but - on second thoughts - complementary ways, it becomes clear that it was necessary to change the paradigms of any neo-Kantian philosophy. Cassirer proved this by his development as a philosopher with a strong historical impetus while Hartmann as a more systematical philosopher only pointed in that direction. (shrink)

This article discusses the question whether or not Cassirer’s philosophical critique of technological use of myth in The Myth of the State implies a revision of his earlier conception and theory of myth as provided by The Philosophy of Symbolic Forms . In the first part, Cassirer’s early theory of myth is compared with other approaches of his time. It is claimed that Cassirer’s early approach to myth has to be understood in terms of a transcendental philosophical approach. In consequence, (...) myth is conceived as a form of cultural consciousness which is constituted by specific symbolic processes. In the second part, the theoretical assumptions underlying Cassirer’s criticism of myth are discussed and compared with his earlier theory. It is argued that there is a strong conceptual and theoretical continuity between Cassirer’s early views on myth as a symbolic form and his later critique of technological use of myth. (shrink)

In early major works, Cassirer and Schlick differently recast traditional doctrines of the concept and of the relation of concept to intuitive content along the lines of recent epistemological discussions within the exact sciences. In this, they attempted to refashion epistemology by incorporating as its basic principle the notion of functional coordination, the theoretical sciences' own methodological tool for dispensing with the imprecise and unreliable guide of intuitive evidence. Examining their respective reconstructions of the theory of knowledge provides an axis (...) of comparison along which to locate Cassirer's Neo-Kantianism and Schlick's pre-positivist empiricism, and an immediate background of contrast to the subsequent rise of logical empiricism. For in the absence of intuition all our knowledge is without objects and therefore remains entirely empty. (Kant A62/B87) And how awkward is the human mind in diving the nature of things when forsaken by the analogy of what we see and touch directly? (Boltzmann 1895). (shrink)

The reflection on the preconditions and evolution of science has played a decisive role in the development of Ernst Cassirer’s philosophy, contributing to its functional and thus inherently pluralistic and holistic view of knowledge. To present Cassirer’s conception of physics as an open symbolic formation enables us to reveal and study the radical features of his epistemological model: (1) the fundamental process of generating sense-units and meaning in its constitutive character for each attempt of objectification, (2) its driving and structuring (...) dynamics that touches and transforms all elements of knowledge, the a priori included, (3) the strategies of justification that allow maintaining the claim of truthfulness in spite the fact that Cassirer’s open model integrates contingency and transitoriness as an inherent part of knowledge. It thus becomes clear that Cassirer’s term ‘symbol’ cannot be reduced to its habitual representational acceptation, for its key theoretical function is to overcome the inconsistencies of dualistic epistemological models. It is this re-orientation, a kind of ‘second Copernican revolution’, that allows Cassirer to go beyond traditional dichotomies and to propose a larger frame in which to appreciate the diversity of human understanding. (shrink)

This book provides a detailed overview of the approach by two of the leading philosophical theorists of myth.

The article reconsiders the Davos-debate between Martin Heidegger and Ernst Cassirer to reassess the discussion of interrelations and differences of their philosophies. The focus is the fecund motifs of thought that each philosopher presents. These are worked out by dispersing the contexts. Heidegger’s primary motifs of thought are identified through the work of Jean-Francois Lyotard as the question of finitude understood as continuance of the event and as the act of understanding the event. The primary motif of thought in Cassirer’s (...) philosophy is identified with the question of form and formation. It is argued that it is possible to think the motifs of event and form in connection with each other. The focal point of connection between their philosophies is uncovered in the relations of form between persons—in the rigorous practice of promising and demanding. The philosophies of Heidegger and Cassirer are thus read in a way where they productively enhance each other without minimizing the differences of their motifs of thought. (shrink)

It is a well-known fact that Ernst Cassirer was inspired by his colleague, the biologist Jakob von Uexküll at the university of Hamburg. This paper claims this inspiration was double—affecting both Cassirer’s philosophical anthropology and Cassirer’s epistemology of biology, but in two rather different ways. Thus, the paper intends to shed light on a corner of the history of the development of German thought of the interwar period. It may also have an actual interest because both Cassirer and Uexküll enjoy, (...) for the time being and each in their way, a renaissance, e.g. in the recent field of biosemiotics. (shrink)

Summary The paper considers Ernst' Cassirer's standpoint with reference to Euclidean geometry and the complementarity principle of quantum theory, interpreted as a choice between a causal description and a space-time description. The acceptance of the complementarity principle by Cassirer not only lands him off the Kantian path slightly, but it also leads him to some contradictions and incompatibilities within his own system of thought. 1. Accepting complementarity, Cassirer cannot still hold that there is an infinite hierarchy of objective levels as (...) he does towards the end of hisDeterminismus; and 2. accepting complementarity, Cassirer cannot still hold on to the observability principle of Leibniz. (shrink)