Provides an introduction to existentialism, and introduces the major figures in the philosophical movement.

Dreyfus and Rubin's commentary on Division II of Being and Time raises three closely related puzzles about the possibility of authenticity: (i) how could Dasein ever choose to become authentic, (ii) how could authentic Dasein ever choose to take up any particular possibility, and (iii) how could anything <span class='Hi'>matter</span> to authentic Dasein? They argue that Heidegger has a convincing answer to the first two puzzles, but they find his answer to the third "indirect and not totally convincing" (D&R, p. (...) 332). I argue that they should find Heidegger's answer to the third puzzle far worse than "not totally convincing", given their interpretation of his account of anxiety, and that the answers they claim he has in response to the first two puzzles are not supported by the text. I then show that the puzzles arise from distortions in Dreyfus and Rubin's interpretation of Heidegger's account of anxiety. The puzzles dissolve once the distortions are identified. (shrink)

Europe's leading existential thinkers -- Jean-Paul Sartre, Simone de Beauvoir, and Albert Camus -- all felt that Americans were too self-confident and shallow to accept their philosophy of responsibility, choice, and the absurd. "There is no pessimism in America regarding human nature and social organization," Sartre remarked in 1950, while Beauvoir wrote that Americans had no "feeling for sin and for remorse" and Camus derided American materialism and optimism. Existentialism, however, enjoyed rapid, widespread, and enduring popularity among Americans. No less (...) than their European counterparts, American intellectuals participated in the conversation of existentialism. In Existential America , historian George Cotkin argues that the existential approach to life, marked by vexing despair and dauntless commitment in the face of uncertainty, has deep American roots and helps to define the United States in the twentieth-century in ways that have never been fully realized or appreciated. As Cotkin shows, not only did Americans readily take to existentialism, but they were already heirs to a rich tradition of thinkers -- from Jonathan Edwards and Herman Melville to Emily Dickinson and William James -- who had wrestled with the problems of existence and the contingency of the world long before Sartre and his colleagues. After introducing this concept of an American existential tradition, Cotkin examines how formal existentialism first arrived in America in the 1930s through discussion of Kierkegaard and the early vogue among New York intellectuals for the works of Sartre, Beauvoir, and Camus. Cotkin then traces the evolution of existentialism in America: its adoption by Richard Wright and Ralph Ellison to help articulate the African-American experience its expression in the works of Norman Mailer and photographer Robert Frank its incorporation into the tenets of the feminist and radical student movements of the 1960s and its lingering presence in contemporary American thought and popular culture, particularly in such films as Crimes and Misdemeanors , Fight Club and American Beauty . The only full-length study of existentialism in America, this highly engaging and original work provides an invaluable guide to the history of American culture since the end of the Second World War. (shrink)

The auteur theory of film-making (usually attributed in film to the French director Francais Truffaut) is explored with specific reference to the films of Alfred Hitchcock. It is argued that Hitchcocks’s films, in particular his later films, present a common theme which is in fact quite consistent with the outlook of Phenomenological Existentialism, especially as it was espoused by the philosophers Jean-Paul Sartre and Martin Heidegger.To support this position, textual analyses of various films directed and produced by Hitchcock are presented, (...) including Rear Window, The Trouble with Harry, The Wrong Man, and Vertigo. The effects of this approach and its philosophical implications far the film-going audience are also examined. (shrink)

Karl Rahner believed that orthodox Christology is too often perceived as mythology, irrelevant to the lives of contemporary Christians. As a result, he felt, the role of conversion as the gateway to an authentically Christian morality has been neglected. Influenced by existentialist philosophy and life-stage theories that were popular during his lifetime, Rahner established a basis for a new ethical system that would integrate psychological theory and techniques into his theological existentialism in order to provide a cohesive structure within which (...) individuals can be guided towards conversion. It is the purpose of this article to suggest a theoretical framework for Rahner’s proposed “Existential Ethics” and to make some suggestions for its concretization. (shrink)

In this paper I argue that Kierkegaard endorses Hegel's theory of mediation, the view that relative opposites are mediated. However, I show that Kierkegaard denies Hegel's thesis that there are all and only relative opposites. I develop two of his arguments against this thesis. The first is existential. This argument comes from the dramatic interplay between A, the often disagreeable aesthete of Either/Or I, and Judge William, the dutiful ethicist of Either/Or II. Judge William convincingly argues that the possibility of (...) future aiming human projects is rendered obsolete if aesthetic and ethical forms of existence are mediated opposites. The second is philosophical. This second argument is offered by Johannes Climacus in Concluding Unscientific Postscript. I show that Climacus issues a reductio argument that I call "the argument from insufficient difference.". (shrink)

The ethics expressed in Kierkegaard’s Works of Love has been subject to persistent criticism for its perceived indifference to concrete persons and failure to attend to the other in their individual specificity. Recent defenses of Works of Love have focused in large part on the role of vision in the text, showing the supposed “blind” empty formalism of the emphasis on the category of “the neighbor” to serve a normative model of seeing the other correctly. However, when this problem is (...) viewed in the broader context of Kierkegaard’s phenomenology of moral vision, two further, thus far unanswered, problems emerge: How can we see the other and the moral demand they represent at the same time, and how can we see the other and our own condition at the same time? This paper draws on other Kierkegaardian texts to show how Kierkegaard’s model of moral vision allows for the simultaneity in vision necessary to overcome these challenges. (shrink)

On the one hand, it is commonly agreed that we make choices in which we are guided by a core of personal commitments, wishes, feelings, etc. that we take to express who we are. On the other, it is commonly agreed that some of these ‘existential’ choices constitute who we are. When confronting these two matters, the question of agency inevitably arises: Whether and in what sense can we choose ourselves? The paper will argue for a new perspective on existential (...) choice. (shrink)

I argue that Sartre's account of the nature and value of authenticity survives Larmore's recent criticism and is preferable to Larmore's alternative account.