A discussion of Nietzsche's philology as the prelude to his philosophy of science.

On Heidegger's Beitraege and the influence of Nietzsche's Will to Power (a famous non-book).

On Nietzsche, science, the oral tradition -- or the troubadours and ancient Greek music drama.

A section on PHILOSOPHY, PHILOLOGY, POETRY, includes, among others, Ch. 1: Philosophy and the Poetic Eros of Thought; Ch. 2: Philology and Aphoristic Style: Rhetoric, Sources, and Writing in Blood; Ch 3. The Birth of Tragedy: Lyric Poetry and the Music of Words
as well as a section on MUSIC, PAIN, EROS includes: Ch. 6: Philosophy as Music; Ch. 7. Songs of the Sun: Hölderlin in Venice; Ch. 8: On Pain and Tragic Joy: Nietzsche and Hölderlin
And the final section (...) on ART, NATURE, CALCULATION includes Ch. 11: The Ethos of Nature and Art: Hölderlin’s Ecological Politics as well as Ch. 12:
The Work of Art and the Museum: Heidegger, Schapiro, Gadamer; Ch. 13: The Ethical Alpha and Heidegger’s Linguistic Omega: On the Inner Affinity Between Germany and Greece etc. (shrink)

Continental Philosophy Review. 33 (2000): 159-188.

In a single aphorism in The Gay Science, Nietzsche arrays “The Problem of the Artist” in a reticulated constellation. Addressing every member of the excluded grouping of disenfranchised “others,” Nietzsche turns to the destitution of a god of love keyed to the selfturning absorption of the human heart. His ultimate and irrecusably tragic project to restore the innocence of becoming requires the affirmation of the problem of suffering as the task of learning how to love. Nietzsche sees the eros of (...) art as what can teach us how to make things beautiful, desirable, lovable in the routine truth of reality: “When they are not.” The stumbling block for those of us paralyzed by impotence and frozen in a technological age of anxiety, longing for being not becoming (eternal youth), is that one can never possess but can only win great health, again and again (like erotic desire), because one gives it away again and again as sacrifice or affirmation without reserve: that is to say, with erotic artistry. (shrink)

On the political nature of the analytic - continental distinction in professional philosophy and the general tendency to discredit continental philosophy while redesignating the rubric as analytically conceived.

Focusing on Nietzsche’s madman parable from The Gay Science, this essay shows how the language/imagery of aphorism 125 draws on a Cynical critique ofmorality that has far-reaching consequences for understanding Nietzsche’s notions of nihilism, transvaluation of values, and amor fati. My claim is that the work ofDiogenes of Sinope will shape both the rhetorical structure and the philosophical thematics of The Gay Science. As the “Socrates gone mad,” Diogenes/the madman brings his lantern to the marketplace to seek a God who (...) has fled, the deus absconditus. Countering Christian-Platonic metaphysics with Diogenean satire, Nietzsche advocates the embrace of physis as the sphere of human creation and valuation. Against this Cynical background we can see how the madman parable’s announcement of God’s death has less to do with atheism or the argument about the existence of God than it does with the existential concerns of the human being. (shrink)

Paper published on author's website available at http://www.garybanham.net/PAPERS_files/Art%20and%20Symbol%20in%20Nietzsche%27s%20Aesthetics.pdf.

This paper addresses the question about the understanding of the history of continental philosophy by tracing a tradition in which this philosophy figures itself in relation to futurity. This is considered in relation to the distinct ways in which futurity is a question for Kant, Hegel and Nietzsche.

This essay considers the tensions informing Nietzsche's reflection on intertwined issues of nature, art, sexuality, and the feminine. Through the figure of Dionysus, Nietzsche articulates a suggestive understanding of generation as the upsurge of nature in its transformative movement. The juxtaposition of Luce Irigaray's elaboration of the Dionysian calls for an interrogation of Nietzsche's work regarding (1) the sublimation of nature into art and of sexuality or sensuality into artistic drives, (2) the oblivion of sexual difference in the coupling of (...) Apollo and Dionysus, and (3) the disappearance of love from the scene of creativity and procreation and, concomitantly, the emphasis on suffering and dismemberment. (shrink)

This article is based on the presupposition that postmodern philosophy has been largely influenced by Nietzsche’s writings. The author raises the question of how Nietzsche and postmodern philosophy are interpreted in the contemporary philosophical discourse in Lithuania. The conclusion drawn is that many philosophy critics in Lithuania are interested in Nietzsche’s philosophy (Mickevičius, Sodeika, Šerpytytė, Sverdiolas, Baranova) and in the problems of postmodern philosophy (Keršytė, Rubavičius, Žukauskaitė, Šerpytytė, Sverdiolas, Baranova, Norkus). The article also raises a second crucial (...) question: beyond the critics, are there any truly authentic postmodern thinkers in Lithuania? This article’s main hypotheses is that Arvydas Šliogeris’ philosophy is the best and perhaps the only example of original Lithuanian postmodern thought; it is based on, and interconnected with, the deeply inherited roots of existential thought in Lithuanian philosophical culture. The arguments for these hypotheses are as follows: first, Šliogeris is the first philosopher in Lithuania who has tried to reason in an interdisciplinary manner, e.g. trying to overcome the modernistic distinction between philosophy and the arts (especially literature, poetry, and the visual arts); secondly, Šliogeris’s philosophizing is indispensable to his writings—his texts are examples of an experience of writing as thinking and thinking as writing; thirdly, following Deleuze’s presupposition that the philosopher is a creator, one can see this creative aspect in Šliogeris’s approach. His texts show how it is possible to synthesize insights from philosophy and poetry. (shrink)

I live — if I choose to see things this way- — among a curious race that sees earth, its chance events and the vast interconnectedness of animals, mammals, ...

Drawing on Zen as well as on Nietzsche's thought and its ramifications in and for western culture, this book is a fervent call for a re-visioning of philosophy ...

Introduction Undoubtedly it would be useful to interpret the "new Nietzsche," as he is often called, within the larger contexts of "Nietzsche and the ...

Machine generated contents note: Part I. Machiavelli, Hobbes, Rousseau: Three Versions of the Civil Religion Project: 1. Rousseau's problem; 2. The Machiavellian solution: paganization of Christianity; 3. Moses and Mohammed as founder-princes or legislators; 4. Re-founding and 'filiacide': Machiavelli's debt to Christianity; 5. The Hobbesian solution: Judaicization of Christianity; 6. Behemoth: Hobbesian 'theocracy' versus the real thing; 7. Geneva Manuscript: the apparent availability of a Rousseauian solution; 8. Social Contract: the ultimate unavailability of a Rousseauian solution; Part II. Responses to (...) (and Partial Incorporations of) Civil Religion within the Liberal Tradition: 9. Baruch Spinoza: from civil religion to liberalism; 10. Philosophy and piety: problems in Spinoza's case for liberalism (owing to a partial reversion to civil religion); 11. Spinoza's interpretation of the Commonwealth of the Hebrews, and why civil religion is a continuing presence in his version of liberalism; 12. John Locke: the liberal paradigm; 13. 'The gods of the philosophers' I: Locke and John Toland; 14. Bayle's republic of atheists; 15. Montesquieu's pluralized civil religion; 16. The Straussian rejection of the enlightenment as applied to Bayle and Montesquieu; 17. 'The gods of the philosophers' II: Rousseau and Kant; 18. Hume as a successor to Bayle; 19. Adam Smith's sequal to Hume (and Hobbes); 20. Christianity as civil religion: Tocqueville's response to Rousseau; 21. John Stuart Mill's project to turn atheism into a religion; 22. Mill's critics; 23. John Rawls's genealogy of liberalism; 24. Prosaic liberalism: Montesquieu versus Machiavelli, Rousseau, Nietzsche; Part III. Theocratic Responses to Liberalism: 25. Joseph de Maistre: the theocratic paradigm; 26. Maistrean politics; 27. Maistre and Rousseau: theocracy versus civil religion; 28. Carl Schmitt's 'theocratic' critique of Hobbes; Part IV. Post-Modern 'Theism': Nietzsche and Heidegger's Continuing Revolt Against Liberalism: 29. Nietzsche, Weber, Freud: the twentieth century confronts the death of God; 30. Nietzsche's civil religion; 31. Heidegger's sequel to Nietzsche: the longing for new gods; 32. Conclusion. (shrink)

In this paper I aim to refute the claim that Plato and Nietzsche are at opposite poles regarding the treatment of the non-rational elements of the soul, and argue that, instead, they share a complex and psychologically rich view of the role of reason towards the appetites and the emotions. My argument makes use of the Freudian distinction between sublimation, i.e. the re-channelling of certain undesirable appetitive and emotional forces towards more beneficial ends, and repression. I show that both Plato (...) and Nietzsche argue in favour of sublimation and against repression of the non-rational elements of the soul. (shrink)

Nietzsche and Modern Times: A study of Bacon, Descartes and Nietzsche. Laurence Lampert. New Haven: Yale University Press, 1993. Pp. xii + 475. £35.00 Nietzsche and Metaphysics. Peter Poellner. Oxford: Clarendon Press, 1995. Pp. xi + 320.

Introduction : reading Nietzsche skeptically -- Nietzsche and the Pyrrhonian tradition -- Skepticism in Nietzsche's early work : the case of "on truth and lie" -- The question of Nietzsche's "naturalism" -- Perspectivism and Ephexis in interpretation -- Skepticism and health -- Skepticism as immoralism.

Nietzsche represents in an interesting way the well-worn Western approach to Asian philosophical and religious thinking: initial excitement, then neglect by appropriation, and swift rejection when found to be incompatible with one’s own tradition, whose roots are inexorably traced back to the ‘ancient’ Greeks. Yet, Nietzsche’s philosophical critique and methods - such as ‘perspectivism’ - offer an instructive route through which to better understand another tradition even if the sole purpose of this exercise is to perceive one’s own limitations through (...) the eyes of the other: a self-destruktion of sorts. To help correct this shortcoming and begin the long overdue task of even-handed dialogue - or contemporary comparative philosophy - we will be served well by looking at Nietzsche’s mistakes, which in turn informed the tragic critic of the West of the last century, Martin Heidegger. We may learn here not to cast others in one’s own troubled image; and not to reverse cultural icons: Europe’s Superman, and Asia’s Buddha. (shrink)

Die Geburt der Tragödie and Weimar classicism -- The formative influence of Weimar classicism in the genesis of Zarathustra -- The aesthetic gospel of Nietzsche's Zarathustra -- From Leucippus to Cassirer : toward a genealogy of "sincere semblance".

This volume collects a wide-ranging set of essays examining Friedrich Nietzsche's engagement with antiquity in all its aspects.

Introduction I am a nuance. Nietzsche Reading is always a risky business: we confront an enigma or run the risk of roaming. But doesn't reading Nietzsche ...

In 2006 Julian Young published Nietzsche's Philosophy of Religion, a book in which he argued that the standard view of Nietzsche as a staunch individualist and atheist was incorrect.1 From The Birth of Tragedy onward, Young claimed, Nietzsche had written from a communitarian standpoint that embraced religion as a source of inspiriting myth, uniting groups into a folk. Heretical as this view was in the academy, there was considerable evidence for Young's position, and it is noteworthy that the individualistic side (...) of Nietzsche excites more interest in the English-speaking countries (and particularly the United States with its heritage of Emerson and Thoreau) than on the European continent. If Young's thesis was new .. (shrink)

Nietzsche's model of eternal return triggers a drama of affirmation, the overcoming of a simple miming of our ancestors in favour of an active participation in the counter-actualisation of hidden potentials in recurrent events. Based on a close study of Zarathustra's struggle to free himself from a suffocating nihilism, the paper focuses on the revelatory caesura that ushers in what Deleuze calls the third synthesis of time, a time of ‘doing’ rather than reflection.

Peter Bornedalprovides an interpretation of Nietzsche's philosophy as a whole in the context of 19th century philosophy of mind and cognition.

This new, completely revised and re-written edition of Aesthetics and subjectivity brings up to date the original book's account of the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantis, Schelling, Hegel, Schleimacher, to Nietzsche, in view of recent historical research and contemporary arguments in philosophy and theory in the humanities.

As Darwin notes, one essential element of a naturalistic account of the mind is a naturalistic account of morality.1 The essence of such an account of the mind is an explanation of how the mind came to be, and came to be what it is, in terms of resources already present in nature and without appeal to any supposed supernatural source. By analogy, a naturalistic account of morality aims to explain how morality came to be, and came to be what (...) it is, in terms of resources already present in nature. Already in the case of the mind but even more clearly in the case of morality, 'nature' in the relevant sense will have to include, at any stage of explanation, the given of human nature, human psychology, and human .. (shrink)