This anthology of contemporary articles (and court cases provides a philosophical analysis of race, sex and gender concepts and issues. Divided into three relatively independent yet thematically linked sections, the anthology first addresses identity issues, then injustices and inequalities, and then specific social and legal issues relevant to race, sex and gender. By exposing readers to both theoretical foundations, opposing views, and "real life" applications, the anthology prepares them to make critically reasoned decisions concerning today's race, gender and sex social (...) issues. Sex and Gender Identity. Sexuality and Sexual Orientation. Race and Ethnicity. Racism. Sexism. Heterosexism and Homophobia. Equality and Preferential Treatment. Discriminatory Harassment. Identity Speech and Political Speech. Sexual Speech. Sexual Assault. For anyone interested in the philosophical underpinnings of today's Race, Sex, and Gender issues. (shrink)

I read Sara Kofman's work on Nietzsche, Charles Mills' _The Racial Contract_, and Kodwo Eshun's Afrofuturist musicology to argue that most condemnations of "faking it" in music rest on a racially and sexually problematic fetishization of "the real.".

"Draws on philosophers, political theorists, activists, and poets to explain how unspoken and unspeakable knowledge is important to racial and gender formation; offers a usable conception of implicit understanding"--Provided by publishers.

: Drawing on several feminist and anti-racist theorists, I use the trope of the vampire to unravel how whiteness, maleness, and heterosexuality feed on the same set of disavowals—of the body, of the Other, of fluidity, of dependency itself. I then turn to Jewelle Gomez's The Gilda Stories (1991) for a counternarrative that, along with Donna Haraway's reading of vampires (1997), retools concepts of kinship and self that undergird racism, sexism, and heterosexism in contemporary U.S. culture.